Nature Prints and Multiples

Artist: (after) Pierre-Jacques Volaire (French, 1729-1799) Title: "Vesuvs im Winter (Vesuvius in Winter)" (Plate 9) *Issued unsigned, though signed by Richter in the plate (printed s...

Brendan Neiland (b.1941) R.A. (Expelled) Hampton Court (1984) Screenprint 74 x 51 cm Signed, dated, titled, and numbered 152/250 in pencil. A print of one of Hampton Court's magnificent facades, reflected in its fountain. Reflected architecture is one of Neiland's most recurring themes. The Fountain Court was designed by Sir Christopher Wren; he began remodelled the palace in the baroque style for William III and Mary II...

The colours of autumn resplendent in the shedding leaves of a woodland tree. – Cawston’s landscapes are filled with delicate harmonious tones. They resonate feeling and leave the vi...

Signed lower right Edition: Undetermined, plus an artist's edition of 10 Edition: Undetermined, plus an artist's edition of 10 Published by the Associated American Artist ...

Charles capps etching and aquatint. Unframed, Archivally matted in a 16 x 20 two ply. Titled: "Into the Hills." pencil signed lower right. A Prairie Pri...

Hank Laventhol, American (1927 - 2001) - Windy Beach, Year: circa 1980, Medium: Aquatint Etching, signed and numbered in pencil, Edition: AP XXXV, Image Size: 16 x 24 inches, Siz...

JAY SEABROOK Top Row Original landscape print Collagraph print on paper Image Size: 24H cm x 23W cm Mount Size:42 H cm x 39 W cm x D cm Sold unframed Free Shipping Please note that i...

Michael Sanders. A beautiful seascape print of Daymer Bay situated in North Cornwall, England. This print is in an edition of 250. It is signed by the artis...

Clare Halifax I is for Iguana Limited Edition 3colour screen print Edition of 100 Sheet Size: H 38cm x W 37cm x 0.1cm Sold Unframed Hand printed by the artist onto somerset satin pap...

To see our other original vintage travel posters, many of which have skiing subjects, scroll down to "More from this Seller" and below it click on "See a...

There is a something about being a child on the beach where the sheer exuberance of running into the waves transcends the normal social barriers, and the shared exhilarance allows fo...

A last quarter or waning quarter moon appears half-lit by sunshine and half-immersed in its own shadow. It rises in the middle of the night, appears at its highest in the sky around ...

Vintage Poster. Oak Springs-Fairfax, CA. Measures 38 x 24.75 inches and is Unframed. Date of creation is unknown, but is believed to be in the 1970-1980's. Fair Condition.

‘Rockpools, St Mawes’ by artist Michael Sanders. Each print is numbered, titled and signed by the artist to indicate that he is happy with both the colour an...

This piece is from the portfolio, entitled "Notre Pain Quotidien", which consists of 13 lithographs from the original watercolors and gouaches by Maurice de Vlaminck, printed in 1963...

Moon Map #1 by Ellen Martin Outer Space, Outdoors, Sky, Nature, Color, Bright and Vivid Colors, Sphere

Scotch thistles bloom in the foreground while from the fog emerge towering Monterey pines behind them. These are the woods across the bay from San Francisco in early summer when this...

Linoleum block print with ink additions on orange laid paper Framed 18.88 x 15.88 in Signed in plate

9.25 x 12 inches (sheet), 8.75 x 12 inches (block) Linoleum block print on laid paper Framed 16 x 18.88 in Signed to lower margin

Gail Norfleet earned her BFA at The University of Texas at Austin, and her MFA at Southern Methodist University in Dallas. Among others, she has had solo exhibitions in Dallas at The...

Gail Norfleet earned her BFA at The University of Texas at Austin, and her MFA at Southern Methodist University in Dallas. Among others, she has had solo exhibitions in Dallas at The...

Linoleum block print with ink additions on mustard laid paper 9 x 11.88 inches (sheet), 8.88 x 11.75 (block) Framed 16.82 x 19.75 Signed in plate

This is the larger hand-printed version of the same blue and white landscape also available in a 12 x 18 inch size. New as of July 2024. This is a hand-printed contact photograph us...

This original 1983 Swiss travel poster by Degonda is a vivid tribute to the canton of Grisons (Graubünden), specifically highlighting the historic village of Waltensburg/Vuorz, one o...

Bring Serenity to Your Space Transform your home with the tranquil beauty of the limited edition "Monday Sail" print by S. Cora Aldo. This exquisite abstract coastal piece captures ...

Bring Serenity to Your Space Transform your home with the tranquil beauty of the limited edition "Monday Sail" print by S. Cora Aldo. This exquisite abstract coastal piece captures ...

Hand embellished giclee on canvas. Hand signed and numbered by the artist. Edition of 100. Canvas is not stretched. Artwork is in excellent condition. Certificate of authenticit...

This is a hand-printed contact photograph using the antique cyanotype process and very big negatives which are the same size as the final print. These are the iconic Monterey Pines ...

Frank Algernon Stewart (1877-1945) The Heythrop at Stow on the Wold Lithograph 24x63cm Signed in pencil A typical hunting print by Stewart, showing o...

To see our other views of Oxford and Cambridge, scroll down to "More from this Seller" and below it click on "See all from this seller" - or send us a message if you cannot find the ...

"Peaceful Cove - New England" is an original lithograph by Adolf Dehn. The artist signed the piece lower right. It depicts an aerial view of New England. 9 1/2" x 13" image 11" x 15" paper 17" x 20 5/8" frame Adolf Dehn was born in Minnesota, November 22, 1895 and he died in New York City, May 19 1968. He was one of the most notable lithographers of the 20th century. Throughout his artistic career, Dehn participated in and helped define some important movements in American art, including Regionalism, Social Realism, and caricature. He was known for both his technical skills and his high-spirited, droll depictions of human foibles. Biography Dehn was born in 1895 in Waterville, Minnesota. Dehn began creating artwork at the age of six and by the time of his death had created nearly 650 images. After high school he went to the Minneapolis School of Art, known today as the (Minneapolis College of Art and Design) where he met Wanda Gág...

Antarctica #26 is a limited edition photograph which is part of the Antarctica/Patagonia Series by John Conn taken in 2010. The image is 20x30 and it is printed on 24x36 archival pa...

Color spitbite aquatint and aquatint with drypoint. Edition of 35

To see our other original vintage posters, scroll down to "More from this Seller" and below click on "See all from this Seller." Davos, Parsenne, Switzerland Vintage Ski Poster 1968 67 x 53 cm Printed by LooArt Press, Colorado Springs, Colorado 1960s poster for Davos ski resort in Parsenn, Switzerland, featuring a photograph of a skiier jumping off the slope into powder snow...

This original lithograph titled Middle Earth I by Raffi Kaiser is part of the Spaces and Spirit of Israel portfolio, which consists of 21 lithographs. Published by Atelier Merat and ...

Hans Hofmann: The Museum of Modern Art is a softcover catalog consisting of 64 pages, authored by William C. Seitz. Originally sold by the Museum of Modern Art, this publication is f...

"Night falls and the day recedes. Again, I attempt to capture the rich and poignant beauty of a perfect day in Sri Lanka, gone forever but not forgotten. The earth is gold as the col...

Page Size: 32.5" x 33" Image Size: 28" x 28" Hand signed in pencil, bottom right Hand numbered in pencil, bottom left: 51 / 75 This serigraph by National Treasure of Spain, Joaquin ...

Vintage Poster American Airlines Niagara Falls Edward McKnight Kauffer Good condition -- see all photos and video. This listing includes the frame (which is new). If you prefer to r...

Archival pigment ink print on Hahnemuhle cotton paper. Each print is uniquely hand embellished by the artist. Edition 3 of 5. In this new series of paintings, Moore explores themes ...

JOSEPH PENNELL (1857-1926) The Thames, 1894 Signed Aquatint Plate size 20.5 by 26.5 cm., 8 by 10 ½ in. (frame size 42 by 46 cm., 16 ½ by 18 in.) Pennell was born in Philadelphia where he studied at School of Industrial Art and the Academy of Fine Arts. In 1884 he was commissioned by the Century Magazine to supply a series of drawings of London...

the painting is being offered with a work and authenticity certificate

AS FAR AS A VIEW, is part of a series of works that consider the decorative and escapist role of the landscape in the home. When seeking beauty in the world to distract us, delight us, and bring us into our own world, we seek something that stirs within us a memory or a dream. Traditionally, tapestries are a storytelling media as well as décor. This particular work is constructed from commercially printed tapestries acquired from a Chinese supplier during the pandemic. These tell a story of arrested, yet ample, desire. On one side of the piece we see a sunrise from a beach with palm trees. Gently folded over to the right is a second tapestry. In this the artist has chose to expose the desaturated backside which obscures slightly the third tapestry landscape of beach scene around midday. It brings to mind the passage of time much like time lapse photography...

Title: Trail of Water II Blue....Trails of Water I Green also shown. Edition: #28 of 50 image size: 73 x 41 cm / 28,7 x 16,1 “ Paper size: 106 x 78 cm / 41,7 x 30,7 “ Medium: Origina...

Basted Waves is a lithograph on paper with an image size of 2 x 3 inches, initialed 'FMB' lower right and annotated lower left, framed in a contemporary silver and dark gray frame. N...

Via Fiore from the ‘La Dolce Vita’ suite is a hand-enhanced serigraph on canvas, image size 18.5 x 22 inches, signed ‘Kerry Hallam’ lower right and annotated lower left. From the edi...

DAS WERK GUSTAV KLIMTS, a portfolio of 50 prints, ten of which are multicolor collotypes on chine colle paper laid down on hand-made heavy cream wove paper with deckled edges; under each of the 50 prints is a gold signet intaglio printed on the cream paper each of which Klimt designed for the publication as unique and relating to its corresponding image; H.O. Miethke, Editor-Publisher; k.k. Hof-und Staatsdruckerei, Printer; printed in a limited edition of 300 numbered plus several presentation copies; Vienna, 1908-1914. The idea of collaboration in the arts is anything but new; however it has so often been viewed and assessed as somehow devaluing the intrinsic worth of art. It’s as if it was a dirty secret to be hidden away. More so even than the eroticism explored by Klimt, which divided public opinion, the artistic avant-garde began to boldly flaunt artistic collaboration beginning in the 19th century- which gained steam in the first part of the 20th century- to become a driving vehicle of contemporary artistic creation. Viewed in this context, the folios of collotype prints published by H.O. Miethke in Vienna between 1908-1914 known as Das Werk Gustav Klimts, are important art documents worthy of as much consideration for their bold stand they take on established ways of thinking about artistic collaboration as they are for their breathtakingly striking images. 1908 is indeed a watershed moment in the history of art. To coincide with the 60th anniversary of the reign of Emperor Franz Joseph I, Kunstschau opened in Vienna in May of that year. It was there that Klimt delivered the inaugural speech. Speaking about the avant-garde group’s unifying philosophy of Gesamtkunstwerk, or the synthesis of the arts, Klimt shared his belief that the ideal means to bring artists and an audience together was via “work on major art projects.” It was at Kunstschau 1908 that Klimt first exhibited his most iconic painting, The Kiss, as well as The Sunflower, Water Snakes I and II and Danae. It was at Kunstschau 1908 that Das Werk Gustav Klimts was first available for purchase. Thanks to Galerie Miethke’s organization, Kunstschau 1908 was possible. Miethke’s pioneering art house had become Klimt’s exclusive art dealer and main promoter of his modernist vision. Paul Bacher and Carl Moll, a founding member with Klimt of the Vienna Secession, who all broke away during the rift in 1905, took stewardship of the gallery following the fallout with the Secession. Das Werk Gustav Klimts is a prime example of Miethke’s masterful and revolutionary approach to marketing art. Miethke’s innovative marketing strategy played to a penchant for exclusivity. The art gallery and publishing house utilized the press and art critics- such as Austria’s preeminent Art Historian, Hugo Haberfield, who became Director of the gallery in 1912- as a means of gaining publicity as well as maintaining effective public relations. Miethke used the grand exposition format to extend the art gallery’s market reach, cultivating their product’s prestige by stroking the egos of current art patrons while simultaneously creating accessibility for newcomers and others avid collectors to share a relative proximity to other wealthy and respected members of the art collecting community. Essentially, their approach paved the way for what is still the predominant means of marketing. Between 1908 and 1914, H.O. Miethke published a total of 5 installments of print folios of Klimt’s painted work, each comprising 10 prints. The series was limited in availability to 300 and purchase was arranged through subscription. Each issue was presented unbound in a gold embossed black paper folder. Included in the folio was a Title Page, a Justification page and a Table of Contents page itemizing each of the 10 printed works with details about their corresponding painted works as well as information about each work’s current owner. These folios were not comprehensive of Klimt’s work; but rather, they feature what he believed were his most important paintings from 1898-1913. Only 2 collotypes in each folio were multicolored. To punctuate the fact that Klimt, himself, was very much an active player in creating these printed works, he created square-shaped signets, unique to each collotype which were intaglio printed in gold ink at the bottom of the cream wove papers to which the chine collie papers were affixed.These signets relate thematically to their corresponding printed images and designate each of those images by their placement in the folio’s Table...

"Cat-astrophie" is a lithograph on paper, 9 x 9 inches image size. From the edition of 395 and framed in a contemporary, silver-tone frame. Initialed by the artist lower right and nu...

Kaikai and Kiki skateboard

"Organic patterns and forms found in nature have an instinctive draw. The theory of fractal geometry, infinite layers of self-similar shapes repeated in every living thing, hold an e...

To see our other original vintage travel posters, many of which have skiing and Austrian subjects, scroll down to "More from this Seller" and below it click on "See all from this sel...

Dramatic imagery from FILM NOIR series of black and white monotypes, blending surrealistic mindscapes with stark realism About Tom Bennett: With quick brushstrokes, Tom Bennett crea...

Published By New York Graphic Society, 1940 Printed In USA In Good Condition Measures 25.5 x 32.25 in.

This framed still is part of an animated video project titled "Gold Rush," from McLean Fahnestock's solo show at Channel to Channel, "Beautifully Awf...

Many of the depicted scenes were inspired by moments where Fahnestock was astonished by something that was equal parts mesmerizing and distressing. “Seeing my first wildfire in person, or the images of San Francisco covered in an orange haze, all the while recognizing that these things were in fact terrible. They signified disasters and ecological shifts. The increase in wildfire events is due in part to the encroachment of larger, developed communities onto lands that were previously maintained for fire season by natural means or by the Forest Service...

This framed still is part of an animated video project titled "Gold Rush," from McLean Fahnestock's solo show at Channel to Channel, "Beautifully Awful Scenes." This still depicts a ...

To see our other Architectural Prints and Drawings including other views of Windsor, scroll down to "More from this Seller" and below it click on "See all from this Seller." James Fittler (1758-1835) after George Robertson...

Graham Sutherland was a painter of imaginative landscapes, still life, figure pieces and portraits. He was born on 24 August 1903 in London. He abandoned a railway engineering app...

DAS WERK GUSTAV KLIMTS, a portfolio of 50 prints, ten of which are multicolor collotypes on chine colle paper laid down on hand-made heavy cream wove paper wi...

It is a GICLEE PRINT with my original oil painting Pink Coral Underwater Art Signed by hand Olga Nikitina I give a hand touch to all my prints on canvas...