Nature Prints and Multiples

This framed still is part of an animated video project titled "Gold Rush," from McLean Fahnestock's solo show at Channel to Channel, "Beautifully Awful Scenes." This still depicts a ...

This framed still is part of an animated video project titled "Gold Rush," from McLean Fahnestock's solo show at Channel to Channel, "Beautifully Awf...

This framed still is part of an animated video project titled "Gold Rush," from McLean Fahnestock's solo show at Channel to Channel, "Beautifully Awful Scenes." This still depicts a ...

ARAQUÉM ALCÂNTARA The Amazon Forest, Carabinane Tree, Brazil Black and White Photography 71 x 48 inches - Edition of 10 Archival Pigment Print - Black box frame matt - Regular Plex...

ARAQUÉM ALCÂNTARA Jalapão, Tocantins, Brazil, 2013 71 x 48 inches - Edition of 10 Archival Pigment Print - Black box frame matt - Regular Plexiglas Also available in 60 x 40 inches...

This photogravure in colour from the year 2000/2001 is the sixth sheet from Peter Doigs series ‘100 Years Ago’. This copy is signed and numbered in pencil below the image on the righ...

Michele Zalopany was born in Detroit, Michigan. She attended the Columbus College of Art and Design from 1973 to 1974 and the Cleveland Institute of Art from 1976 to 1978. She earned her Bachelor of Fine Arts degree from the School of Visual Arts in 1981. Through her labor-intensive mezzotints, Zalopany employs realism to depict fictitious scenes, bearing witness to the disintegration of what was once the fulcrum of the American economy in Detroit. Zalopany’s work is widely represented in many public and private collections in the United States and in Europe including The National Gallery of Art, The Yokohama Museum of Art, The Whitney Museum of American Art, The Walker Art Center, The Museum of Fine Art in Boston, The Cleveland Museum of Art, The Royal College of Art in London, and numerous others. Her work has been exhibited in galleries that include P.P.O.W., John Good...

TECHNICAL INFORMATION: Chiho Aoshima Building Head - Palm Trees 2006 Lithograph 24 1/4 x 29 in. Edition of 300 Signed and numbered in ink Accompanied with COA by Gregg Shienbaum Fi...

Ashforth is precise in how she studies her subject, researching color and consistency of ink, paint or drawing medium. Her approach is summed up by Christopher Shore, Master Printer ...

Utagawa Hiroshige (1797–1858) Sweet Sea Bream, Mebaru, and Horseradish (魚尽くし 甘鯛、 目ばる、 わさび) From a series known as Large Fish Size: Oban 38 * 26.5 cm Edo period Excellent imp...

David Roberts RA Hebron 1796 - 1864 First Edition lithographs Full plate: 55 Presented in a acid free mount Modern hand-coloured lithograph for the first edition of David Roberts' T...

Shere Mill Pond, No. II (large plate). 1860. Etching and drypoint. Schneiderman 37.v/ix. 7 x 13 1/8 (sheet 10 3/4 x 16 3/8). This state is prior to publication in Études à l'Eau-Forte. Illustrated: Keppel The Golden Age of Engraving; Print Collector's Quarterly 1 (1911): 18; : Guichard, British Etchers, 1850-1940. A rich, brilliant proof with drypoint burr printed on white laid paper. Signed in pencil. ------------------------------------------------------------------------------------------- Shere Mill Pond, No. II was one of the most highly praised landscape prints of the etching revival. An impression was exhibited at the Royal Academy in 1861 under Haden’s pseudonym, H. Dean. Francis Seymour Haden used this anagram of his own name early in his career as an artist, in order to retain his anonymity and preserve his professional reputation as a surgeon. Biography: Sir Francis Seymour Haden (16 September 1818 - 1 June 1910), was an English surgeon, best known as an etcher. He was born in London, his father, Charles Thomas Haden, being a well-known doctor and lover of music. He was educated at Derby School, Christ's Hospital, and University College, London, and also studied at the Sorbonne, Paris, where he took his degree in 1840. He was admitted as a member of the College of Surgeons in London in 1842. In 1843-1844, with his friends Duval, Le Cannes and Colonel Guibout, he travelled in Italy and made his first sketches from nature. Haden attended no art school and had no art teachers, but between 1845 and 1848 he studied portfolios of prints belonging to a second-hand dealer named Love, who had a shop in Bunhill Row, the old Quaker quarter of London. Arranging the prints in chronological order, he studied the works of the great original engravers, Albrecht Dürer, Lucas van Leyden and Rembrandt. These studies, besides influencing his original work, led to his important monograph on the etched work of Rembrandt. By lecture and book, and with the aid of the memorable exhibition at the Burlington Fine Arts Club in 1877, he tried to give a true reflection of Rembrandt's work, giving a nobler idea of the master's mind by taking away from the list of his works many dull and unseemly plates that had long been included in the lists. His reasons were founded upon the results of a study of the master's works in chronological order, and are clearly expressed in his monograph, The Etched Work of Rembrandt critically reconsidered, privately printed in 1877, and in The Etched Work of Rembrandt True and False (1895). Haden's printmaking was invigorated by his much younger brother-in-law, James Whistler, at the Haden home in Sloane Street in 1855. A press was installed there and for a while Haden and Whistler collaborated on a series of etchings of the Thames. The relationship and project did not last. Haden followed the art of original etching with such vigour that he became not only the foremost British exponent of that art but brought about its revival in England. His strenuous efforts and perseverance, aided by the secretarial ability of Sir WR Drake, resulted in the foundation of the Royal Society of Painter-Etchers and Engravers. As president he ruled the society with a strong hand from its first beginnings in 1880. Notwithstanding his study of the old masters of his art, Haden's own plates were very individual, and are particularly noticeable for a fine original treatment of landscape subjects, free and open in line, clear and well divided in mass, and full of a noble and dignified style of his own. Even when working from a picture his personality dominates the plate, as for example in the large plate he etched after J.M.W. Turner's "Calais Pier," which is a classical example of what interpretative work can do in black and white. Of his original plates, more than 250 in number, one of the most notable was the large "Breaking up of the Agamemnon." An early plate, rare and most beautiful, is "Thames Fisherman". "Mytton Hall" is broad in treatment, and a fine rendering of a shady avenue of yew trees leading to an old manor-house in sunlight. "Sub Tegmine" was etched in Greenwich Park in 1859; and "Early Morning--Richmond", full of the poetry and freshness of the hour, was done, according to Haden, actually at sunrise. One of the rarest and most beautiful of his plates is "A By-Road in Tipperary"; "Combe Bottom" is another; and "Shere Mill Pond" (both the small study and the larger plate), "Sunset in Ireland," "Penton Hook," "Grim Spain" and "Evening Fishing, Longparish," are also notable examples of his genius. A catalogue of his works was begun by Sir William Drake and completed by Harrington in 1880. During later years Haden began to practise the sister art...

Ashforth is precise in how she studies her subject, researching color and consistency of ink, paint or drawing medium. Her approach is summed up by Christopher Shore, Master Printer ...

DAVID ROBERTS RA Jericho 1796 - 1864 Subscription and first Edition lithographs Full plate: 49 Presented in a acid free mount Original hand coloured subscription edition and Modern...

DAS WERK GUSTAV KLIMTS, a portfolio of 50 prints, ten of which are multicolor collotypes on chine colle paper laid down on hand-made heavy cream wove paper with deckled edges; under ...

Anne Sager (American, 1930-2024), "Exit", Digitized Iris Print on Paper, 1999, apparently unsigned, with artist's estate stamp to verso, unframed. Image: 10.25" H x 17" W; sheet: 19....

Lithograph on paper. Hand signed, titled and numbered by the artist. Edition of 350. Artwork is in excellent condition. Certificate of Authenticity is included. All reasonable o...

2024 digital, dye transfer to aluminum with a high gloss finish and float-back framing. Edition 1 of 1. Sizes in inches: 24x18 at $1490, 32x24 at $1990, 36x27 at $2490, 40x30 at $349...

2024 digital, dye transfer to aluminum with a high gloss finish and float-back framing. Edition 1 of 1. Sizes in inches: 24x18 at $1490, 32x24 at $1990, 36x27 at $2490, 40x30 at $349...

First Edition lithograph Full plate: 34 Presented in a acid free mount Modern hand-coloured lithograph for the first edition of David Roberts' The Holy Land. Published by F.G. Moon...

Il Canneto, 1997, rif. 417 Etching inches 15.4 x 15.5 (mm 395 x 397). Contemporary Art Italian landscape, Lanca Gelata, rif. 405 Original etching, signed and numbered. Limited edit...

Collotype on paper. Hand signed and dated on front by Velox Ward. Hand numbered 147/200. Artwork size 30 x 22.25 inches. From America: The Third Century portfolio. Published in...

Subscription and first edition lithographs in stock Half plate: 23 Presented in a acid free mount Modern hand-coloured lithograph for the first edition of David Roberts' The Holy La...

Art Sz: 13"H x 9 7/8"W Frame Sz: 14 1/4"H x 11"W In custom gilt bamboo frame Original color page from Slim Aarons' iconic book "A Wonderful Time" published 1974 The Ledges, the estate of Mr. and Mrs...

Barns are very suitable for decorating in almost every room. An option for this small limited edition lithograph: it can be matted to fit a larger space. We offer many different fra...

This piece can be framed for an additional $1,500. 4" white border

Plus $1,500 mounting

Purple Moon by Ellen Martin Outer Space, Moon, Sphere, Outdoors, Night, Nature, Science, Astronomy

This piece can be framed in white wood for an additional $550.

Serigraph on paper. Hand signed, titled and numbered by the artist. From the edition of 275. Artwork is in excellent condition. Certificate of Authenticity included. All reasonab...

Lithograph on paper. Hand signed and numbered by the artist. Edition of 300. Certificate of Authenticity Included. Artwork in Excellent Condition. All reasonable offers will be ...

archival pigment print

Infinity Field, Lefkada Series: Untitled, screenprint in colors, on T.H. Saunders paper, 1977, signed in pencil. Published by Marlborough Graphics, New York. Very good condition....

20"x24" paper size, with print image size: 16"x20" signed by the artist- edition #1 of 5 From the series: "The Hundred Acre Wood" Printed on a heavyweight matte paper, this limited edition print is part of Ken Ragsdale's unique process of building models and sets to photogrpah. Each photograph is composed with paper components to depict a scene from the artist's memory. The pure white paper is transformed with folds and illuminated with colored lights to give a soft glow which is reminiscent of early morning light or the close of the day towards sunset. Two grain elevators...

Cascina San Pietro, 1982, rif. 435 Etching inches 13.5 x 25.1 (mm 347 x 637). Contemporary Art Etcher. A prominent figure of the art of engraving in Italy, Federica Galli was born ...

Hand embellished giclee on canvas. Hand signed and numbered by the artist. Edition of 100. Canvas is not stretched. Artwork is in excellent condition. Certificate of authenticity ...

Paese Jugoslavo, 1983, rif. 480 Etching inches 9.5 x 19.3 (mm 243 x 492). Contemporary Art Italian landscape, Lanca Gelata, rif. 405 Original etching, signed and numbered. Limited ...

The Vortex of Doom is an actual attraction performed by daredevils in traveling circus shows. After decades of creating Coney Island inspired images, t...

Lithograph on paper. Hand signed and numbered by the artist. Edition of 300. Certificate of Authenticity Included. Artwork in Excellent Condition. All reasonable offers will be ...

The artwork is a digital decoupage and an artistic experiment with this medium. Technically, it is Giclée quality print on the fine art paper 265 gram Hahnemühle. The edition i...

memory, tree of childhood, field, flowering, mountains, color, :: Digital :: Contemporary :: This piece comes with an official certificate of authenticity signed by the artist :: Ready to Hang: Yes...

Palm Springs Mid Century Modern Architecture, Vintage Classic Mercedes Benz SL, Palm Desert, Limited Series. Archival Inkjet Print on ...

Man Ploughing by Paulémile Pissarro (1884 - 1972) Wood engraving 7 x 13 cm (2 ³/₄ x 5 ¹/₈ inches) Signed lower right, Paulémile Pissarro and numbered lower left, 4/5 Artist's Biogra...

20"x24" paper size, with print image size: 16"x20" signed by the artist- edition 1 of 5 From the series: "The Hundred Acre Wood" This photographic print depicts a woodland scene cre...

Cascina Salicina, 1983, rif. 481 Etching inches 9.5 x 19.3 (mm 243 x 490) Italian landscape, Lanca Gelata, rif. 405 Original etching, signed and numbered. Limited edition of 90. M...

It is a limited series of 5 copies. Printing on 315gr fine art paper with a white border of around 2 cm. Color photography mixed media digital collage.

signed on reverse, this diptych is two separate prints that go together, each image size 18"x27". Printed on archival matte paper. These are sold as a pair for $1600, unf...

Title: Notes of Water II (Notes of Water I is also available) Edition: 21 of 40 image size: 73 x 41 cm / 28,7 x 16,1 “ Paper size: 106 x 78 cm /...

(15 3/8" X 20 1/2" ) archival pigment print, edition of 5 Ross Racine is an artist living in Montreal (Quebec), Canada, and New York. Racine's works are drawn freehand on a computer...

30 x 45 inches ($5200) and 40 x 60 inches ($7200) limited editions of 10, printed on Archival Watercolor Fine Art Paper, 335 gram weight, signed by the artist. Cheryl Maeder was b...

iPad drawing on aluminum. 24" X 24" No 1 of Edition of 5 This IPad drawing was part of Sebastian Spreng's Dresden exhibition at the Lowe Museum of Art. The 60 piece Dresden Project ...

available unframed. 15 3/8"x 20 1/2" edition of 5 This print depicts a heightened view of an imaginary subdivision, as seen through clouds; the buildings and roads are depicted...

Sunrise in Marfa, Texas :: Digital :: Americana :: This piece comes with an official certificate of authenticity signed by the artist :: Ready to Hang: No :: Signed: Yes :: Signature...

Lithograph on paper. Sheet size 19 x 12 inches. Hand signed, dated and numbered by the artist. Edition of 300. Certificate of Authenticity Included. Artwork in Excellent Conditi...

Lithograph on paper. Hand signed and numbered by the artist. Edition of 300. Certificate of Authenticity Included. Artwork in Excellent Condition. All reasonable offers will be ...

Poster. Measures 28.5 x 33 inches and is Unframed. Fair/Distressed Condition-signs of wear consistent with age and handling/tear on bottom-left border (please see secondary image for...

This piece can be framed for an additional $1,500. 4" white border

Edition of 11.

Archival pigment ink print on canvas Edition of 12 Sumit Mehndiratta is an Indian artist born in 1986 who lives & works in New Delhi, India. He has pursued Master of Science in Int...

Archival pigment ink print on canvas Edition of 12 Sumit Mehndiratta is an Indian artist born in 1986 who lives & works in New Delhi, India. He has pursued Master of Science in Inte...