People Prints and Multiples

Groupe avec vieillard à la torche sur un âne amoureux, femme et arlequin (Ref: Bloch 1484 ) etching on Rives wove paper, Edited in 1968 Limited edition of 50 copies Current copy num...

6-colour lithography , edited in 1964 ”Manichino” , the first "trovatore" created by Giorgio De Chirico signed in pencil by artist and numbered as: 20/120 paper size: 42 x 29 cm fram...

NARAZAKI EISHO (1864-1936), 'Asakusa Kannon-do no naido' (Interior of the Kannon Temple at Asakusa), color woodblock print, 1932. Signed Eisho lower right, with the artist’s red seal beneath. A fine impression with fresh colors; the full sheet with slight overall age toning, a drying tack...

Medium: lithograph (after the poster). Printed in 1897 on smooth wove paper and published in Paris by Librairie Nilsson. Image size: 8 x 6 1/2 inches (207 x 164 mm). Sheet size: 12 1...

"Untitled (Girl Reading)" is an original wood engraving by the artist Stella Emma Harlos. A young girl rests on a large armchair, head resting on one hand as she reads a book. Image: 4" x 5" Frame: 12.12" x 13.18" Stella Harlos...

MAN is a hand pulled, original limited edition relief print created using woodcut and serigraphy(silkscreen) printmaking techniques on white archival heavyweight paper, 100% acid fre...

Still in her silken evening gown and dancing slippers, the glamorous ingénue is savoring her memories, her ribbon-tied love letters and long draws on her cigarette holder. Was he eve...

Reproduction of Les dés sont jetés by Le Corbusier, printed on thick, high-quality paper. This piece reflects Le Corbusier’s bold use of geometric abstraction, vibrant color fields, ...

Plate number 11,Calmar (Loligo vulgaris) from "Étude de la Mer" by Mathurin Meheut. Heliochrome print. Paris, Éditions Albert Levy, 1924.

Full Moon Night (from "In the Floating World" series) Fuji Xerox copy print Signed, dated, and numbered 11/50 in pencil. Image: 29.5 x 41.5 cm. Sheet: 29.5 x 41.5 cm. BSS No. : E-199...

Pablo Picasso, Spanish (1881 - 1973) - Scene d'interieur (B 74), Year: Of Original: 1926 Printed: circa 1950, Medium: Lithograph on BFK Rives, Edition: 100, Image Size: 8.75 x 11 i...

The Motherhood is an original lithograph on paper by Carlo Levi in 1960s Hand-signed on the lower right. Artist's proof. good conditions except for a lon...

Alphonse Mucha's name shines like that of a visionary artist who left an indelible mark on the aesthetics of the early 20th century. The year 1902 saw the publication of "Documents d...

Salvador Dali Individual Etchings: Notre Dame de Paris, Published 1969 Medium: E.A. Copper Etching on Japon Artwork Size: 20 x 25 in Framed Size: 33.75 x 28.75 in This work is...

Offset lithograph on white wove paper, Edited in 1965 Limited edition , signed in pencil by artist in lower right corner paper size: 69 x 51.5 cm framed size: 72.5 x 55.5 cm good...

Yasuo Kuniyoshi, 'Dancing', lithograph, 1928, edition 30, Davis L-29. Signed, dated, and numbered '8/30' in pencil. A superb, richly-inked impression, printed on cream chine appliqué on heavy off-white wove backing; the full sheet with wide margins (1 3/8 to 4 7/8 inches), in excellent condition. Printed by Desjobert, Paris. Scarce. Matted to museum standards, unframed. Impressions of this work are in the collections of the Museum of Modern Art, Whitney Museum of Modern Art, and Yasuo Kuniyoshi Museum (Japan). ABOUT THIS WORK The French economy boomed from 1921 until the Great Depression reached Paris in 1931. This period called 'Les années folles' or the 'Crazy Years', saw Paris reestablished as a capital of art, music, literature, and cinema. Paris in the 1920s and 1930s was the home and meeting place of some of the world's most prominent painters, sculptors, composers, dancers, poets, and writers. For those in the arts, it was, as Ernest Hemingway described it, "A moveable feast". Paris was home to an exceptional number of galleries, art dealers, and a network of wealthy patrons who offered commissions and held salons. Pablo Picasso, perhaps the most famous artist in Paris, shared renown with a remarkable group of others, including the Romanian sculptor Constantin Brâncuși, the Belgian René Magritte, the Italian Amedeo Modigliani, the Russian émigré Marc Chagall, the Catalan and Spanish artists Salvador Dalí, Joan Miró, Juan Gris, and the German surrealist...

HONKY TONK is an original hand drawn, limited edition lithograph by the African American artist James Denmark printed using traditional hand lithography techniques on archival Somerset paper, 100% acid free. HONKY TONK is a colorful collage portrait depicting a seated black musician - a male guitar player wearing blue jeans and a brown slouchy cap playing his blues guitar. HONKY TONK is a warm interior scene printed in vivid shades of red orange, red, dark blue, light yellows, cream, tan, browns, and black creating an inviting honky-tonk music setting. Print size - 38 x 23 inches, unframed, mint condition, hand signed and numbered by James Denmark, Certificate of Authenticity included Image size - 31 x 17 in. Edition size - 250, plus proofs Year published - 1996 Publisher - Mojo Portfolio...

Serigraph by Mexican painter Rafael Coronel. Edition of 100. Certificate of authenticity included.

ROMARE BEARDEN NOAH MEANS - A NEW DAY Year published - 1985 Commemorative Poster - Hofstra University - Noah Program Poster size - 34.5 x 21 inches, unframed, unsigned NOAH MEANS -...

Artist: Dali, Salvador Title: The Old Hippie Series: The Hippies Date: 1969 Medium: drypoint with added color Signature: Pencil signed Edition: I...

Stuart Redler’s black and white images use bold contrast to emphasize both structure and emotion. The tones of his archival prints are beautifully nuanced and rich. Limited Edition...

Hermine David, drypoint and engraving, Boxing Match, circa 1927, signed and numbered in pencil, lower margin. Reference: Jean Adhemar, Inventaire Biblioth...

Limited edition hand embellished print on paper, Edition of 10 "If you ever leave me, I'm coming with you" is a playful, humorous yet paradoxical expression of deep love and attach...

Portrait of Ferdinand II is an original lithograph by Antonio Zezon. Interesting colored lithograph which describes the arrival of Ferdinand II,...

This vibrant vintage poster advertises Escargots Ménetrel, proudly declaring them “Exquisite! Exquisite!” (Exquis! Exquis!). The bold design features a large scarlet leaf upon which ...

Etching and drypoint on wove paper realized by Marc Chagall between 1923 and 1927. Plate from the Suite "Les Ames Mortes de Gogol" published by Tériade in Paris in 1948. Edition of 1...

Medium: lithograph (after the poster). Printed in 1897 on smooth wove paper and published in Paris by Librairie Nilsson. Image size: 9 3/8 x 6 3/4 inches (238 x 173 mm). Sheet size: ...

From London With Love is an original offset of 1980. There is The state of preservation of the artwork is very good. Sheet dimension :88 x 61.5 cm The poster represents a nude wom...

Satirical French Illustration of Man and Woman Comical illustration by Gaston Hoffmann (French, 1883-1967) titled "un bon tien vant amieux que deux tu l'auras" in French, "one real ...

Polo Players is a print realized by an anonymous in the mid-20th century. Woodcut print on paper. Good conditions.

Leonor Fini was born in Argentina in 1907 but travelled and lived in Europe with her mother from a young age. By 1931, she was in Paris, in the full swing of the Surrealist movement....

Erotic scene is an original Héliogravure artwork on ivory-colored paper, realized by Micheal Von Zichy in 1911. Printed in only 300 copies, Leipzig; Privatdruck, from the Catalogue ...

WILLIAM HOGRATH (1767- 1764) THE BATHOS / Tail Piece 1764 (Paulson 1989: 216 I/I Paulson 1965/70: 216 I/I) Engraving Plate 12 7/8 x 13 3/8, sheet 17 ¾ x 18 ¾ Designed & Engrav’d by Wm Hogarth at left and Published according to Act of Parliam’t March 3, 1764 at right. Good condition on thick laid paper Small bit of tape on the left & right sheet edges small stan lower sheet edge all on recto. This Hogarth’s last print is fascinating as it is prophacy about death. Various institutions have interesting commentaries - to wit: Chicago Art Institute: Hogarth created The Bathos toward the end of his life. It is considered one of the bleakest artworks of the 18th century because it depicts the Apocalypse without an afterlife. The Angel of Death even collapses in exhaustion after having destroyed the world. In his hand is an execution decree and around him lies a mass of broken objects. Princeton: Hogarth’s last print, The Bathos,….. is filled with all manner of images denoting the end of life as we know it. Entry no. 216 in Ronald Paulson’s catalogue raisonne Hogarth’s Graphic Works, 3rd revised edition says “This print is the culmination of such pessimistic images . . . . [taking] his general composition, the configuration of objects, and some of the particular items, from Dürer’s engraving, Melancholia; but he also recalls Salvator Rosa’s Democritus in Meditation (which derives from Dürer’s print) with a scroll at the bottom of the etching: ‘Democritus the mocker of all things, confounded by the ending of All Things’ (Antal, p.168).” Newfields (Indianapolis Museum of Art): Hogarth intended this engraving to serve as the tailpiece to bound volumes of his collected engravings and, appropriately, it proved to be his last engraving. Father Time has died and his last will and testament has been witnessed by the three Fates. He is surrounded by a landscape of death, decay, and ruin. Hogarth aimed this print at dealers in “dark” Old Masters paintings who promoted the idea that ruins evoked sublime feelings in viewers—a sentiment, Hogarth wrote, that was reducing the world to ruin. British Caricature...

Pablo Picasso (1881-1973) "Portrait de Jacqueline" 1959 (Baer 1245; Bloch 923) ...

Artist: Peter Max Title: Flower Jumper Year: 1978 Medium: Screenprint on Arches, signed and numbered in pencil Edition: 134/200 Image Size: 23 x 31 inches Size: 27 in. x 33.5 in. (...

This exquisite lithograph after Jean Cocteau (1889–1963), titled L'habit de lumiere (The Suit of Light), from the folio Taureaux, Lithographies de Jean Cocteau (Bulls, Lithographs by...

Artist: Alexander Calder (1898-1976) Title: Beastie (from the Braniff International Airways Flying Colors Collection) Year: 1974 Medium: Lithographs on Arches paper Size: 20 x 26 inc...

8" x 10" Unframed Limited Edition Etching of 69 Hand Signed by Chauski

Moore, Henry (British, 1898-1986). SIX HEADS - OLYMPIANS. (C. 657), 1983. Lithograph in colors on Arches paper, signed in pencil and numbered XXV/XXXV (Artist's Proofs additional to ...

Medium: wood engraving (after the watercolor). Printed in Paris in 1955 at the atelier Coulouma for "Mille nuits et une nuit" (1001 Nights) which was the last major portfolio by Kees...

Sawamura Tosho is an original modern artwork realized by Utagawa Kunisada in 1862. Woodcut print Oban from a tryptich Signature Kio Toyokuni ga (77 Toyokuni). Publisher: Soshuya. ...

This artwork Titled "Wind Chimes #2" 1983 in a color off set lithograph by renown Chinese/American artist Wai Ming A.K.A Lo Hing Kwok, b.1938. It is hand signed an inscribed A.C (Hors Commerce) in pencil by the artist. The image size is 30.25 x 22.75 inches, sheet size is 32.75 x 25.25 inches. It is in excellent condition, has never been framed. About the artist: Wai Ming, was born in Canton, South China on November 11, 1938, the son of a school master with nine children. Extremely poor as a child, he was raised in Hong Kong enduring many hardships amidst a chaotic environment of war and refugee settlements. Wai Ming's love for art flourished and he developed his drawing techniques without any art education, just painting what he saw. In the 1960s, Ming found representation in Hong Kong and also took the unusual step of opening his own gallery to display his work in. His primary interest being to capture images of life in fishing villages, or 'fish-folk', who have retained traditional Chinese culture, his work was at home with the sensibilities of many art buyers in Hong Kong. Crossing the ocean in his mid-30s, Wai Ming arrived in San Francisco from Hong Kong in 1974. There, he experienced initial resistance from galleries and the official art world for a variety of reasons, but was ultimately embraced by dealer Jack Swanson...

Bob Gruen Debbie Harry (Blondie) Max's Kansas City, 1976, 2018 Limited Edition silkscreen and diamond dust on 320 gram coventry rag paper Signed, numbered 7/10 and dated in graphite ...

Note: Due to the size, weight, and value of this piece, we require shipping through 1stDibs, for its cost effectiveness, full insurance coverage, and reliable handling. While standar...

Alphonse Mucha's name shines like that of a visionary artist who left an indelible mark on the aesthetics of the early 20th century. The year 1902 saw the publication of "Documents d...

Piper is an original artwork realized by Italian artist Pietro Morando (Alessandria 1889- 1980). Original hand-colored lithograph. Hand-signed on the lower left in pencil. Good co...

'Melancholic Muses', one of a poignant set of six signed artist proof lithographs by the celebrated Spanish artist from Barcelona, Vicenç Caraltó (circa 1960s). This collection of li...

Silkscreen on vélin paper. Paper Size: 22 x 17 inches. Inscription: Unsigned and unnumbered, as issued. Notes: From the album, Poems of Léopold Sédar Senghor, 1996. Published by The Limited Editions Club, New York; printed by Studio Heinrici, Ltd., New York, under the direction of Alexander Heinrici, New York, 1996. Excerpted from the album, CCC examples of this album have been printed by Daniel Keleher at Wild Carrot Letterpress. This edition was designed and set in Bodoni types by Dan Cart and Julia Ferrari at Golgonooza Letter Foundry. The silkscreen prints were made by Alexander Heinrici at Studio Heinrici. LOIS MAILOU JONES (1905-1998) was an African American artist and educator, often associated with the Harlem Renaissance. Jones was raised in Boston by working-class parents who emphasized the importance of education and hard work. After graduating from Boston’s School of the Museum of Fine Arts, Jones began designing textiles for several New York firms. She left in 1928 to take a teaching position at Palmer Memorial Institute in North Carolina. At Palmer, Jones founded the art department, coached basketball, taught folk dancing, and played the piano for Sunday services. Two years later, she was recruited by Howard University in Washington, D.C., to join its art department. From 1930–77, Jones trained several generations of African American artists, including David Driskell, Elizabeth Catlett, and Sylvia Snowden...

Artist: (after) Roy Lichtenstein (American, 1923-1997) Title: "Pop Art & Nouveau Réalisme Moderna Museet (Finger Pointing)" *Signed by Lichtenstein in black marker lower left Year: 1...

Medium: original lithograph. This lithograph is from the rare 1950 "Improvisations" portfolio, published by the Artists Equity Association of New York on the occasion of the 1950 Spr...

Pablo Picasso (1881-1973) - Le Thé: Deux Femmes Nues et une Chat (The Tea: Two Naked Women and a Cat) Linocut from 1965. an unnumbered proof – apart from the numbered edition of 50, on Arches paper. Dimensions of work: 62.2 x 75 cm. Hand signed. Publisher: Galerie Louise Leiris, Paris. Reference: Bloch 1851; Baer 1358. The work is in Excellent condition. -- This linocut from 1965 belongs to the mature period of Pablo Picasso’s printmaking, a time when he had fully mastered the expressive potential of the linoleum block. Printed on Arches wove paper, this impression is an Artist’s Proof aside from the numbered edition of fifty, hand-signed by the artist in pencil. It was published by Galerie Louise Leiris, Paris, and printed by Arnéra, Vallauris — Picasso...

Les Biches is a ballet by Bronislava Nijinska, with music by Francis Poulenc and with costume design by Marie Laurencin. Edition of 335 copies. Copy nu...

Artist: Salvador Dali, Spanish (1904 - 1989) Title: Nu a la Guitarre (Serenade) from the Nudes Suite Year: 1970 Medium: Lithograph on Rives, Signed and numbered in Pencil Edition: C...

Poster created for a group show held at the American Cultural Center in France, 1979. The show featured works from artists such as Willem de Kooning, Franz Kline, Robert Motherwell a...

Kawase Hasui (Japanese, 1883-1957) Snow at Hie Shrine, circa 1946 -1957 (dated in the publisher's seal) Woodblock Sheet size 37.5 x 26.0 cm (vertical oban) Frame size 51.3 x 38.5 x 2...

Medium: original lithograph. Printed in 1968 in psychedelic colors by Mourlot and published by Art In America. Size: 12 x 8 3/4 inches (302 x 225 mm). Signed in the plate, not hand-s...

Salvador Dalí­ Pegasus from The Mythology suite, 1960-1964 Etching and engraving with color aquatint. Hand Signed lower right Numbered 28/150 Image size: 52 x 61 cm Sheet size: 55...

This exquisite lithograph by Marc Chagall (1887–1985), titled Creation (The Creation), from Marc Chagall, Dessins Pour La Bible (Drawings for the Bible), Verve: Revue Artistique et Litteraire, Vol. VIII, No. 33–34, originates from the September 1956 issue published by Editions de la revue Verve, Paris, under the direction of Teriade, Editeur, Paris, and printed by Mourlot Freres, Paris, 1956. This visionary composition depicts the divine act of creation, evoking the genesis of light, life, and spirit through Chagall’s radiant imagination and poetic symbolism. The flowing forms and luminous harmonies reflect the unity between the divine and the natural world—a theme central to Chagall’s lifelong spiritual vision. Infused with movement and transcendence, the work transforms the biblical narrative into a lyrical meditation on the origin of existence and the creative essence of faith. The piece forms part of Chagall’s celebrated series of lithographs and drawings created for Dessins Pour La Bible, a monumental project uniting art, scripture, and mysticism in one of the artist’s most important achievements. Executed as a lithograph on velin du Marais paper, this work measures 14 x 10.5 inches (35.56 x 26.67 cm). Unsigned and unnumbered as issued. The edition exemplifies the superb craftsmanship of the Mourlot Freres atelier, renowned for its collaborations with the greatest modern masters of the 20th century. Artwork Details: Artist: Marc Chagall (1887–1985) Title: Creation (The Creation), from Marc Chagall, Dessins Pour La Bible (Drawings for the Bible), Verve: Revue Artistique et Litteraire, Vol. VIII, No. 33–34, September 1956 Medium: Lithograph on velin du Marais paper Dimensions: 14 x 10.5 inches (35.56 x 26.67 cm) Inscription: Unsigned and unnumbered as issued Date: 1956 Publisher: Editions de la revue Verve, Paris, under the direction of Teriade, Editeur, Paris Printer: Mourlot Freres, Paris Catalogue raisonne references: Cain, Julien, and Fernand Mourlot. Chagall Lithographe. Andre Sauret, Editeur, 1960, illustrations 117–46. Cramer, Patrick, and Meret Meyer. Marc Chagall: Catalogue Raisonne Des Livres Illustrés. P. Cramer ed., 1995, illustration 25. Condition: Well preserved, consistent with age and medium Provenance: From Marc Chagall, Dessins Pour La Bible (Drawings for the Bible), Verve: Revue Artistique et Litteraire, Vol. VIII, No. 33–34, published by Editions de la revue Verve, Paris, 1956 Notes: Excerpted from the album (translated from French), This double issue of Verve is dedicated to the full reproduction in heliogravure of the one hundred-five plates etched by Marc Chagall, between 1930 and 1955, for the illustration of the Bible. The artist composed especially for the present work, sixteen lithographs in color and twelve in black, as well as the cover and the title page. This volume was completed and printed on September 10, 1956, by the Master Printers Draeger Freres for heliogravure, and by Mourlot Freres for lithography. About the Publication: Marc Chagall, Dessins Pour La Bible (Drawings for the Bible), published as Verve Vol. VIII, No. 33–34 in September 1956, represents one of the crowning achievements of Chagall’s lifelong dialogue with the sacred. Conceived and directed by the visionary publisher Teriade and printed by the master lithographers Mourlot Freres, the issue features thirty-four color lithographs and numerous black-and-white drawings inspired by biblical figures and stories. Chagall’s works for this edition unite text and image in a luminous meditation on divine creation, moral struggle, and spiritual renewal, imbued with his signature dreamlike symbolism and radiant color. Produced in postwar Paris, this landmark publication reaffirmed the enduring union of art and faith, establishing Dessins Pour La Bible as one of the most important illustrated works of the 20th century. About the Artist: Marc Chagall (1887–1985) was a Belarus-born French painter, printmaker, and designer whose visionary imagination, radiant color, and deeply poetic symbolism made him one of the most beloved and influential artists of the 20th century. Rooted in the imagery of his Jewish heritage and the memories of his childhood in Vitebsk, Chagall’s art wove together themes of faith, love, folklore, and fantasy with a dreamlike modern sensibility. His unique style—merging elements of Cubism, Fauvism, Expressionism, and Surrealism—defied categorization, transforming ordinary scenes into lyrical meditations on memory and emotion. Influenced by Russian icon painting, medieval religious art, and the modern innovations of artists such as Pablo Picasso, Henri Matisse, and Georges Braque, Chagall developed a profoundly personal visual language filled with floating figures, vibrant animals, musicians, and lovers that symbolized the transcendent power of imagination and love. During his early years in Paris, he became an integral part of the Ecole de Paris circle, forming friendships with Amedeo Modigliani, Fernand Leger, and Sonia Delaunay, and his creative spirit resonated with that of his peers and successors—Alexander Calder, Alberto Giacometti, Salvador Dali, Joan Miro, Wassily Kandinsky, Marcel Duchamp, and Man Ray—artists who, like Chagall, sought to push the boundaries of perception, emotion, and form. Over a prolific career that spanned painting, printmaking, stained glass, ceramics, and stage design, Chagall brought an unparalleled poetic sensibility to modern art, infusing even the most abstract subjects with human warmth and spiritual depth. His works are held in the most prestigious museums around the world, including the Museum of Modern Art, the Centre Pompidou, the Tate, and the Guggenheim, where they continue to inspire generations of artists and collectors. The highest price ever paid for a Marc Chagall artwork is approximately $28.5 million USD, achieved in 2017 at Sotheby’s New York for Les Amoureux (1928). Marc Chagall Creation...

Original London Midland and Scottish Railway (LMS) vintage Art Deco railway poster from 1925. The artist is Raymond Virac. Archival linen-backed and in excellent condition, ready to ...

Interesting Colored litograph, representing man picking up lemons. Hand-signed and hand-numbered with pencil on lower margin by the Italian artist, Corrado Frateantonio. In good con...