People Prints and Multiples

First edition exhibition poster for Hockney Paints the Stage, held at the Walker Art Center in 1983. Published by Petersburg Press and mounted on museum board, this original poster i...

Werner Bronkhorst, Birdie Chance, 2025 Giclée print on heavyweight 395gsm matte Canson Infinity PhotoArt ProCanvas, made with long-lasting Epson archival inks. Hand-stretched over F...

Medium: original lithograph. This lithograph is from the rare 1957 "Improvisations" portfolio, published by the Artists Equity Association of New York on the occasion of the 1957 Spr...

signed and numbered lower right edition of 60 Catalogue raisonné 00717 Published by Simmelink Sukimoto Editions Internationally recognized painter and printmaker Alex Katz was born...

The Archangel Raphael Leaving Tobias' Family is an etching by Rembrandt executed in 1641. This etching is a proof of the 3rd state (of 4) before of the diagonals on the ground at the...

Medium: original lithograph. This lithograph is from the rare 1957 "Improvisations" portfolio, published by the Artists Equity Association of New York on the occasion of the 1957 Spr...

This reproduction of “Superman” by Mel Ramos, part of the De Young Museum’s permanent collection, showcases the artist’s signature Pop Art style, blending comic book aesthetics with ...

Bold lithograph titled "Bread" by Kathe Kollwitz (German, 1867-1945). This piece is one of the Lithographic reproductions of the original lithographs, plate 2 from a series of 10, pr...

Paper Size: 31.5 x 23.75 inches ( 80.01 x 60.325 cm ) Image Size: 31.5 x 23.75 inches ( 80.01 x 60.325 cm ) Framed: No Condition: A-: Near Mint, very light signs of handling ...

Lithograph on vélin des Papeteries du Marais paper. Paper Size: 14 x 10.25 inches. Inscription: Unsigned and unnumbered, as issued. Notes: From the album, Verve: Revue Artistique et ...

This is an original offset lithograph poster created for the 1985 Francis Bacon exhibition at Marlborough Gallery, featuring the haunting and visceral work Figure in Movement. Kno...

David Hockney David Hockney - 60 Years of Work - Tate Britain original poster, 2017 Offset lithograph and digital print 24 × 16 1/2 inches Unframed, unsigned and unnumbered Provenanc...

After Pablo Picasso (Spanish, 1881-1973) La Grande Maternité 1963 pencil signed and annotated 'E.A.' (aside from the edition of 200), with margins Editions Combat de la Paix, Paris P...

This vibrant mid-century travel poster advertising Aeroflot, the official Soviet airline, offers a cheerful invitation to visit Moscow, the beating heart of the USSR. Created around 1970, the composition reflects the optimism and modernism of Soviet graphic design during the Cold War era, when air travel was increasingly used as a symbol of national pride and progress. At the center of the poster is a stylized female figure in traditional Russian dress...

Vintage offset lithograph postcard published by Art Unlimited Amsterdam. Printed in Holland. The postcard is framed in a black wood frame with a front profile of 1 inch and a side pr...

Yoshitomo Nara Lollipop Print on paper 20 3/10 × 14 3/10 in 51.5 × 36.4 cm

Book page 171 in Chagall Lithographe II (1957-1962). Original image from 1960. ‘Chagall Lithographe II' Andre Sauret, Paris, 1963. Text in French by Fernand Mourlot. The second of f...

This exquisite lithograph by Marc Chagall (1887–1985), titled Vision de Paris (Vision of Paris), from Verve, Revue Artistique et Litteraire, Vol. VII, No. 27–28, originates from the ...

Salvador Dali (1904-1989) - The Paradise, Canto 32 - Preparation for Final Prayer Original woodcut from 1960. Dimensions of work: 33 x 26.2 cm Publisher: Les Heures Claires, Paris...

Baroque 17th century German fountain design Copper-line engraving, published in 1664 in Nuremberg. From 'Architectura Curiosa Nova' by George Andreas B...

The execution of Charles I (1600-1649) at Whitehall, January 30th 1649, in front of the Banqueting House. The executioner holding the head of Charles up to the crowd below. Engravin...

Initially taken as part of Cawston’s series juxtaposing images from Banksy’s Dismaland with its host town of Weston-super-Mare for his book Are We There Yet?, The Perfect Fish and C...

Created for the 1972 Munich Olympics, this powerful original poster by renowned American artist Jacob Lawrence stands as a compelling intersection of sport, art, and identity. Part o...

1641. Etching on cream wove paper, 5 1/16 x 7 11/16 inches (128 x 195 mm), narrow margins. Printed 19th century on a remainder which has a partially trimmed, printed image of a Virgi...

Artist: Romare Bearden Title: Jazz II Deluxe Medium: Screen Print Edition: Signed in pencil and marked 178/200 Size: 31 x 41½ inches Romare Bearden (1911–1988) was a celebrated Afri...

Medium: offset lithograph (after the watercolor sketch). Printed in 1955 by Draeger Freres, this composition is from George Braque's Intimate Sketchbooks (Carnets Intimes). Braque ha...

Paper Size: 20 x 16 inches ( 50.8 x 40.64 cm ) Image Size: 13.25 x 9.75 inches ( 33.655 x 24.765 cm ) Framed: No Condition: A-: Near Mint, very light signs of handling Addition...

Kawase Hasui, 'Zentsuji Temple in the Rain' from the seres 'Collected Views of Japan II', color woodblock print, 1937. Signed Hasui in black ink, with the artist’s red seal Kawase, ...

Artist: Roy Lichtenstein Title: Nude With Blue Hair Medium: Relief print on Rives BFK mold-made paper Date: 1994 Edition: 28/40 Sheet Size: 57 7/8" x 37 5/8" Image Size: 51 5/16" x 3...

Etching, excellent proof of II state on IV, before the retouching of the ground and the vault on the right, margin line. Ref. Bartsch, Hollstein 94; Hind 301; New Hollstein 312; Sto...

This exquisite lithograph by Marc Chagall (1887–1985), titled Place de la Concorde (Place de la Concorde), from Verve, Revue Artistique et Litteraire, Vol. VII, No. 27–28, originates...

Boris Lovet-Lorski, Untitled (Portrait of an African Woman), lithograph, edition 250, 1929. Signed and numbered 13 in pencil. Number 13 of Volume 2, a series of 10 lithographs publis...

Werner Bronkhorst Swing, 2025 Giclée print on heavyweight 395gsm matte Canson Infinity PhotoArt ProCanvas, made with long-lasting Epson archival inks. Hand-stretched over FSC-certifi...

The reproduction of Come Sunday by Romare Bearden is based on a piece he originally created in 1967. Come Sunday is a powerful work that reflects the significance of spirituality and...

Paper Size: 13.75 x 17 inches ( 34.925 x 43.18 cm ) Image Size: 13.75 x 17 inches ( 34.925 x 43.18 cm ) Framed: Yes Frame Size: H: 14.75 x W: 18 x D: .75 in. Condition: A: Mint ...

Paper Size: 15 x 11 inches ( 38.1 x 27.94 cm ) Image Size: 15 x 11 inches ( 38.1 x 27.94 cm ) Framed: No Condition: A-: Near Mint, very light signs of handling Additional Details: C...

Seduxisti Me, Domine is a Color lithograph on heavy rag paper realized in 1964, It is part of Biblia Sacra vulgatæ edition is published by Rizzoli-Mediolani between 1967 and 1969. S...

Takashi Murakami Doraemon, Let's Go Beyond These Dimensions on a Time Machine with Master Fujiko F. Fujio!, 2020 Offset Lithograph 25 7/10 × 22 1/2 in 65.4 × 57.2 cm Edition XX/300 ...

Johnny Depp, River Phoenix, 2023 A hand-signed limited edition silkscreen 111.5 × 111.5 cm (43 9/10 × 43 9/10 in) Frame included Edition 184 of 195 2022 saw Johnny Depp's debut ...

Original 1947 Paris 1900 lithographic movie poster by the artist Raymond Peynet. The poster had originally been folded, and there is some wrinkling at the bottom edge of the poste...

PIERRE-AUGUSTE RENOR (1841 - 1919) SUR LA PLAGE, a BERNEVAL (D.: S. 5) Drypoint on laid paper. The plate was created in c. 1892. Plate 5 3/8 x 3 3/4". Sheet 11 1/4 x 10 1/8". This...

Herb Ritts' iconic photograph "Waterfall IV" is a mesmerizing exploration of the human form, water, and light. This stunning shot captures a solitary male figure beneath a cascading ...

Salvador Dali (1904-1989) Psychoanalysis : Tribute to Freud, 1972 Original coloured lithograph Handsigned in pencil Numbered 984/ 1000 On Arches Vellum 35 x 26" (87 x 64 cm) Ref...

Artist: Romare Bearden (1911-1988) Title: Girl in the Garden (Gelburd/Rosenberg 62) Year: 1979 Medium: Lithograph on vélin d’Arches paper Edition: 33/150, plus proofs Size: 28.75 x 2...

Original vintage poster: FREEDOM FROM WANT, Ours to fight for ... Original. Artist: Normal Rockwell. Archival linen backed in fine condition, ready to frame. Note: All US Go...

Gustave Baumann, 'Taos Placita', color woodcut, 1947, edition 125. Baumann 132. Signed, titled, and numbered '20-125' in pencil; with the artist’s Hand-in-Heart chop. A superb, richly-inked impression, with fresh colors, on fibrous oatmeal wove paper; the full sheet with margins (2 to 3 1/8 inches); slight rippling at the left sheet edge, in excellent condition. Matted to museum standards, unframed. Image size 9 5/8 x 11 1/4 inches (244 x 286 mm); sheet size 13 1/4 x 17 inches (337 x 432 mm). Collections: Harwood Museum of Art, New Mexico Museum of Art, Phoenix Art Museum, Scottsdale Art Museum, Wichita Art Museum. ABOUT THE ARTIST Gustave Baumann (1881-1971) was a renowned printmaker and a leading figure of the American color woodcut revival whose exquisite craftsmanship and vibrant imagery captured the essence of the Southwest. "A brilliant printmaker, Baumann brought to the medium a full mastery of the craft of woodworking that he acquired from his father, a German cabinetmaker. This craftsmanship was coupled with a strong artistic training that resulted in the handsome objects we see in the exhibition today. After discovering New Mexico in 1918, Baumann began to explore in his woodblock prints of this period the light. color, and architectural forms of that landscape. His prints of this period are among the most beautiful and poetic images of the American West." —Lewis I. Sharp, Director, Denver Art Museum Baumann, the son of a craftsman, immigrated to the United States from Germany with his family when he was ten, settling in Chicago. From 1897 to 1904, he studied in the evenings at the Art Institute of Chicago, working in a commercial printmaking shop during the day. In 1905, he returned to Germany to attend the Kunstwerbe Schule in Munich, where he decided on a career in printmaking. He returned to Chicago in 1906 and worked for a few years as a graphic designer of labels. Baumann made his first prints in 1909 and exhibited them at the Art Institute of Chicago the following year. In 1910, he moved to the artists’ colony in Nashville, Indiana, where he explored the creative and commercial possibilities of a career as a printmaker. In 1915, he exhibited his color woodcuts at the Panama-Pacific International Exposition in San Francisco, winning the gold medal. Among Baumann’s ongoing commercial activities was his work for the Packard Motor Car Company from 1914 to 1920 where he produced designs, illustrations, and color woodcuts until 1923. In 1919, Baumann’s printmaking work dominated the important exhibition of American color woodcuts at the Detroit Institute of Arts. Twenty-six of his prints were included, far more than the works of any other artist. A set of his blocks, a preparatory drawing, and seven progressive proofs complemented the exhibition. That same year, Baumann worked in New York and, over the summer, in Provincetown, Massachusetts. His airy images of Cape Cod employed soft, pastel colors and occasionally showed the influence of the white-line woodcut technique. Many of his Chicago artist friends had traveled to the southwest, and Baumann became intrigued by their paintings, souvenirs, and stories of an exotic place named Taos, New Mexico. In the summer of 1918, he spent the summer in Taos sketching and painting before visiting Santa Fe. Paul Walter, the director of the Museum of New Mexico, offered him a studio in the museum's basement. Inspired by the rugged beauty of the Southwest—the vibrant colors and dramatic landscapes of the region became a central theme in his work, influencing his artistic style and subject matter for the remainder of his career. Later in the decade, he traveled to the West Coast and made prints of California landscape. Baumann's prints became synonymous with the Southwest, capturing the spirit of its place in America's identity with a unique sense of authenticity and reverence. His iconic images of desert vistas, pueblo villages, and indigenous cultures served as visual tributes to the region's rich cultural heritage, earning him a dedicated following among collectors and curators alike. A true craftsman and artist, Baumann completed every step of the printmaking process himself, cutting each block, mixing the inks, and printing every impression on the handmade paper he selected. His dedication to true craftsmanship and his commitment to preserving the integrity of his artistic vision earned him widespread acclaim and recognition within the art world. About the vibrant colors he produced, Baumann stated, “A knowledge of color needs to be acquired since they don’t all behave the same way when ground or mixed...careful chemistry goes into the making of colors, with meticulous testing for permanence. While complicated formulae evolve new colors, those derived from Earth and metal bases are still the most reliable.” In the 1930s, Baumann became interested in puppet theater. He designed and carved his own marionettes and established a little traveling company. From 1943 to 1945, the artist carved an altarpiece for the Episcopal Church of the Holy Faith in Santa Fe. In 1952, a retrospective exhibition of his prints was mounted at the New Mexico Museum of Fine Arts. Throughout his prolific career, Baumann executed nearly four hundred color woodcuts. Baumann’s woodcuts...

Milo MANARA Venus on the Beach Original Screen Print Printed signature in the plate On heavy paper 50 x 70 cm (c. 20 x 28 in) Excellent condition

This is one of a series of great posters created by the noted American artist David Klein. Klein (1918 - 2005) produced illustrations for Broadway theatrical productions, Hollywood f...

Philippe AUGE (1935-) Tribute to Klimt Original lithograph Handsigned in pencil Limited /275 copies On vellum 63 x 79 cm (c. 24.8 x 31.1 in) Excellent condition

Nicholas Panesis, 'Negro', 1934, color lithograph, edition 18. Signed, dated, titled, and numbered 8/28 in pencil. Initialed in the stone, lower right. A fine impression, with fresh colors, on buff wove paper, with margins (1 1/8 to 2 3/8 inches). Minor glue staining at the extreme sheet edges verso, where previously taped (not visible recto), otherwise in excellent condition. Matted to museum standards, unframed. Image size 10 5/8 x 8 1/2 inches; (270 x 216 mm); sheet size 14 13/16 x 10 15/16 inches (376 x 278 mm). Created for the California Works Progress Administration, Federal Art Project (WPA). Scarce. Impressions of this work are held in the public collections of La Salle University Art Museum (Philadelphia), U.S. General Services Administration, and Weisman Art Museum (University of Minnesota). ABOUT THE ARTIST Born in Massachusetts, Nicholas Panesis (1913-1967) studied art at Syracuse University, NY, and went on to teach ceramics at Alfred University, NY. Panesis moved to San Francisco in the early 1930s shortly before settling in Los Angeles, where he worked for different animation studios...

Artist: John Kacere (1930-1999) Title: Illeana II Year: 1991 Edition: A.P.; 100, plus proofs. Medium: Lithograph on wove paper Size: 23.5 x 31.5 inches Inscription: Signed by the art...

Mickalene Thomas "Untitled" (Black is Beautiful) USA, 2017 Inkjet print Signed and numbered by the artist From an edition of 100 14"H 11"W (work) Framed Approx: 22"H x 17"W Excellent...

This vibrant 1952 original travel poster by the French artist Jal captures the optimism and dynamism of postwar France through the lens of national pride and modern infrastructure. C...

Medium: lithograph (after the pencil drawing). Printed in Paris in 1952 by Mourlot Freres in an edition of 1500. The total sheet (including margins) measures 12 3/8 x 9 5/8 inches (3...

Ten lithographs in excellent condition, with portfolio cover. The ten artists included in the 1946 portfolio "Mexican Art: A Portfolio of Mexican People and Places" include: Ángel Bracho / Francisco Mora / Fernando Castro Pacheco / Raúl Anguiano / Alberto Beltrán...

Lithograph on vélin paper. Paper Size: 13 x 9.5 inches. Inscription: Unsigned and unnumbered, as issued. Catalogue raisonné references: Cain, Julien, and Fernand Mourlot. Chagall Lit...

First Edition. This was published in 1920 by Les Soins de l’Artiste and included in a book titled Cinquante Dessins. The portfolio was edited and printed by Matisse himself. This is...

This exquisite lithograph by Marc Chagall (1887–1985), titled Sara et Abimelech (Sarah and Abimelech), from Marc Chagall, Dessins Pour La Bible (Drawings for the Bible), Verve: Revue...

Alméry Lobel-Riche The bath Original engraving Handsigned in pencil Numbered /12 On parchment 31 x 22.5 cm (c. 12.2 x 8.9 inches) Excellent condition

Guillaume Corneille Red Nude and Bird 1981 Nu Rouge Á L'Oiseau Print, Signed Lithograph on wove paper 25.5 x 20 " inches Signed in pencil and dated and marked AP 25/25 ( Artist Proo...