People Prints and Multiples

A black cat and a cute little Dutch girl, from Le Chat Noir An impression of this image is in the collection of the de Young/Legion of Honor Fine Arts Museum of San Francisco from Le...

Paper Size: 25.25 x 38.25 inches ( 64.135 x 97.155 cm ) Image Size: 25.25 x 38.25 inches ( 64.135 x 97.155 cm ) Framed: No Condition: A-: Near Mint, very light signs of handling ...

Salvador Dali Jack of Clubs, from Playing Cards, 1972 Lithograph Hand-signed lower right Edition 43 / 150 Image size: 36.2 x 23.5 cm Sheet size: 65.5 x 51 cm Reference Field, 72-4

CYRK posters from Poland are renowned for their vibrant and imaginative designs, often featuring bold, abstract visuals that go beyond traditional circus imagery. These posters, like...

Artist: Pablo Picasso Title: Sculpteur et Modele debout Year: 1933 Medium: Original etching Edition: hand signed in pencil from an edition of 250 on small margins Size: Frame: 27 x 2...

Medium: pochoir (after the 1881 watercolor). Printed 1946 in a limited edition of 300 for the rare "Berthe Morisot Seize Aquarelles" portfolio, published in Paris by Quatre Chemins. ...

Le Corbusier (1887-1965) Two Spanish Women, 1938 Original lithograph Signature printed in the plate Dated in the plate On light vellum 21 x 27 cm (c. 8 ...

ABOUT THIS ARTIST: Carla Sutera Sardo was born in Agrigento in 1983. She studied law and graduated in 2011. During her university career, she became interested in photography, thus s...

Yoshitomo Nara The Little Star Dweller Offset lithograph on paper Sheet size: 51.5 x 36.4 cm Stamped with title, artist's name, copyright and year published by N's Yard, Japan

Medium: etching (etched by Philip Gilbert Hamerton after Adriaen van Ostade). This impression on laid paper was printed in London in 1868 for the rare first volume of Philip Gilbert ...

R.C. Gorman "Secrets". Lithograph Pencil Signed And Dated . In good condition measures 63x48. Buyer must cover delivery service to designation due to size.

From the series "Venus us Fourrures", etching and drypoint with roulette on Japan paper. Image dimension 31x23.5 cm. Edition of 19/145. Hand signed and numbered in pencil. Ref. M...

Medium: original etching. This impression on Canson et Montgolfier wove paper was printed in 1937 in an edition of 500 for the "Paris 1937" portfolio. Printed at the atelier of Jean-...

Medium: Lithograph on vélin d'Arches paper Year: 1972 Paper Size: 20 x 26 inches Inscription: Signed in the plate and unnumbered, as issued Notes: From the folio, Fauves, VII, Collec...

ARTIST: Salvador Dali TITLE: Our Historical Heritage King Saul MEDIUM: Etching SIGNED: Hand Signed by Salvador Dali EDITION NUMBER: 175/400 MEASUREMENTS: 26" x 19.87" YEAR: 197...

Laurent Marcel Salinas, Egyptian/French (1913 - 2010) - Honfleur. Year: circa 1980, Medium: Lithograph, signed in pencil, Edition: EA, Size: 25.5 x 19.5 in. (64.77 x 49.53 cm)

Original travel poster: THESSALONIKI GREECE. Church of St. George (Mosaic, 5th Century). Linen backed in excellent condition; ready to frame. Signed with monogram lower left c...

Alyza Perez Title: A Real Ghost Print Year: 2018 Medium: Lithograph Size: 15 x 11 inches

"Julio Girona (Cuba, 1914-2002) 'Habitación interior', silkscreen on paper 19.7 x 27.6 in. (50 x 70 cm.) Edition of 115 ID: GIR1066-001-115" "Julio Giro...

This exquisite lithograph and pochoir by Marie Laurencin (1883–1956), titled Sans titre (Untitled), from the album Les Biches (The Does), originates from the 1924 edition published b...

William Robinson Leigh, 'Foul Rope (Left)', etching, c. 1920, edition unknown but small. Signed in pencil and signed in the plate, lower left. A superb, richly-inked impression, in dark brown ink, on buff wove Umbria paper, the full sheet with margins (1 1/2 to 2 3/4 inches); slight toning at the sheet edges, otherwise in excellent condition. Very scarce. Archivally matted to museum standards, unframed. Image size 14 7/8 x 11 15/16 inches (378 x 303 mm); sheet size 20 3/8 x 15 3/8 inches (518 x 391 mm). ABOUT THE ARTIST Born near Falling Waters, West Virginia, on a plantation a year after the Civil War and raised in Baltimore, William Robinson Leigh (1866 - 1955) became one of the foremost painters of the American West. His career spanning some seventy-five years, Leigh created some of the most iconic depictions of the Western landscape, with admirers referring to him as ‘The Sagebrush Rembrandt.’ The son of impoverished Southern aristocrats, Leigh received his first art training at age 14 from Hugh Newell at the Maryland Institute, where he was regarded as the best student in his class. From 1883 to 1895, he studied in Europe, mainly at the Royal Academy in Munich with Ludwig Loefftz. From 1891 to 1896, he painted six cycloramas or murals in the round, a giant German panorama. In 1896, Leigh began working as a magazine illustrator for Scribner's and Collier's Weekly Magazine in New York City. He also painted portraits, landscapes, and genre scenes. Leigh's trips to the Southwest began in 1906 when he agreed to paint the Grand Canyon with William Simpson, Santa Fe Railway advertising manager, in exchange for free transportation West. In 1907, he completed his Grand Canyon painting, which led to more commissions and an extensive painting trip through Arizona and New Mexico. These travels inspired him to paint western subjects for the next 50 years, and his primary interests were the Hopi and Navajo Indians. In 1910, he traveled to Wyoming, where he painted in Yellowstone Park and created sketches, many of which he later converted into large canvases such as ‘Lower Falls of the Yellowstone’ (1915) and ‘Grand Canyon of the Yellowstone’ (1911). In 1926, he traveled to Africa at the invitation of Carl Akeley for the American Museum of Natural History, and from this experience, wrote and illustrated 'Frontiers of Enchantment: An Artist's Adventures in Africa'. In 1933, he wrote and illustrated 'The Western Pony'. His adventures were chronicled in several popular magazines, including Life, the Saturday Evening Post, and Colliers. For many years, Grand Central Art Galleries at the Biltmore Hotel handled his work exclusively in New York. In 1953, Leigh was elected an associate member of the National Academy of Design and became a full Academician in 1955. In March 1999, the Historical Center of Cody, Wyoming, held an exhibition of his field sketches and finished works depicting his experiences near Cody early in the century. Between 1910 and 1921, when he often painted in the Carter Mountain vicinity, these years were considered pivotal to his artistic development and devotion to the Western landscape. Leigh's work is held in many museum collections of American Western art...

This exquisite lithograph after Raoul Dufy (1877–1953), titled Nature morte aux fruits (Still Life with Fruit), from the folio Eaux-de-vie, Esprit de la fleur et du fruit (Spirits, E...

Medium: pochoir (after the pastel). A soft and delicate impression, printed in Paris in 1948 and published in an edition of 1200 by Braun et Cie. Size: 6 1/2 x 4 1/2 inches (164 x 11...

The 1956 lithography by Jean-Gabriel Domergue Suzette, part of the renowned La Parisienne portfolio, stands as an elegant representation of post-war French art and a celebration of t...

Book page 109 in Chagall Lithographe II (1957-1962). ‘Chagall Lithographe II' Andre Sauret, Paris, 1963. Text in French by Fernand Mourlot. The second of five catalogues surveying C...

From David Hockney’s celebrated Six Fairy Tales from the Brothers Grimm portfolio, an image from the story of Rapunzel, which he chose for its popularity. When illustrating the princ...

Medium: original etching. Published in 1912 by Gazette des Beaux Arts. Plate size: 5 x 9 1/4 inches (128 x 232 mm) on cream laid paper. Signed in the plate, not by hand. The Gazett...

Boris Lovet-Lorski, Untitled (Profile of an African Woman), lithograph, edition 250, 1929. Signed and numbered 15 in pencil. Number 15 of Volume 2, a series of 10 lithographs publish...

Auguste Rodin, French (1840 - 1917) - Le Printemps, Year: 1882-1888, Medium: Drypoint Etching, Image Size: 5.75 x 4 inches, Size: 16.25 x 11.25 in. (41.28 x 28.58 cm), Reference: T...

Paper Size: 15 x 11 inches ( 38.1 x 27.94 cm ) Image Size: 15 x 11 inches ( 38.1 x 27.94 cm ) Framed: No Condition: B: Very Good Condition, with signs of handling or age Ship...

Lawrence Nelson Wilbur (1897-1988), 'The East River', drypoint, edition 65, 1946. Signed, titled, and annotated 'A. Jones Proof 1946' in pencil. Signed and dated in the plate, lower ...

To see more, scroll down to "More from this Seller" and below it click on "See all from this Seller." Lucas Vorsterman (1595 - 1675) after Peter Paul Rubens (1577 - 1640) The Fligh...

Medium: lithograph (after the poster). Printed in 1897 on smooth wove paper and published in Paris by Librairie Nilsson. Image size: 9 x 5 3/4 inches (230 x 150 mm). Sheet size: 12 3...

NO PLACE LIKE HOME is a hand drawn, limited edition lithograph(not a photo reproduction or digital print) by the African American artist Louis Delsarte ...

Marc Chagall (1887-1985) Lovers with a Bouquet, 1984 Original color lithograph Signed with the artist's stamp Justified EA (artist proof) On Arches vellum, 56 x 43 cm (c. 22 x 17 in) Authenticated by the artist's studio dry stamp REFERENCES: Sorlier / Mourlot catalogue raisonné...

David Shrigley SHHH, 2023 Off-set lithography printed on 200g Munken Lynx paper 27 3/5 × 19 7/10 in 70 × 50 cm

AFTERNOON STROLL is a hand drawn original lithograph by the artist Ari Gradus printed in 13 colors using traditional hand printmaking techniques on archival Arches paper 100% acid fr...

Giclee limited edition print by worldwidely established Polish artist Rafal Olbinski. Figurative fantasy print with an angel rising from the ground. The work comes directly from the ...

Medium: lithograph (after the original). Printed in 1897 on smooth wove paper and published in Paris by Librairie Nilsson. Image size: 9 x 6 inches (230 x 157 mm). Sheet size: 12 x 9...

HENRI de TOULOUSE-LAUTREC (French 1864 - 1901) EROS VANNE (Cupid Exhausted), 1894 (Delteil 74; Adhemar 81; Adriani 92) Original lithograph, cover of music / song sheet words by Maur...

SALVADOR DALÍ Bullfight #4., 1965 Color lithograph Hand signed and numbered 190/300 in pencil, lower margin Sheet size: 64 x 52.5 cm Published by Sydney Z. Lucas, Paris, with the ink...

Salvador Dali - Apparition de Dulcinée - Original Lithograph Joseph FORET, Paris, 1957 SIGNATURE : printed in the image LIMITED : 197 copies. SIZE : 41 x 33 cm REFERENCES : Field 57...

Lithograph in colors on Arches paper. Hand signed and numbered by Marc Chagall. Mourlot 569 Edition 43/50 (there were also 25 artist's proofs). Image size 22 x 14.5 inches. Sheet size 29.75 x 20.75 inches. Frame size approx 35 x 27 inches. Artwork is in excellent condition. All reasonable offers will be considered. About the Artist: Marc Chagall (French/Russian, 1887–1985) was an artist whose work anticipated the dream-like imagery of Surrealism. Over the course of his career, Chagall developed the poetic, amorphous, and deeply personal visual language evident in paintings like I and the Village...

Andrew Scott, Dig, 2024 Giclee print of 315 gsm etching cotton rag paper 45 x 33 cm (17.7 x 13 in) Edition 149 of 250 Frame included Hand-signed a...

An enchanting Southern landscape by the mother of the Charleston Renaissance. A native of Charleston, South Carolina, and educated under the tutelage of Thomas Anshutz at The Pennsylvania Academy of Fine Arts, O'Neill Verner was a teacher, a mother, an artist, an ardent preservationist, and a skilled autodidact. Having previously focused on painting, in the early 1920s she found herself deeply moved by printmaking as a media, and especially so by the simple, peaceful themes and tableaus she discovered in Japanese art. She embarked on a effort to teach herself Japanese printmaking techniques, and in the process, produced the charming images of every day life in Charleston and its environs that earned her recognition as a cultural icon in her day, and in more modern times, as the mother of the Charleston Renaissance, which flourished well into the 1930s. In 1923 she opened a studio in Charleston where she focused on documenting the local color and the architecture and landscape that distinguishes Charleston as one of the South's most beautiful cities, all the while applying the gentle and poetic thematic sensibilities of Japanese printmaking. O'Neill Verner soon found herself in high demand when municipalities and institutions throughout the country sought commissions from her to document the beauty of their grounds and historic buildings. She worked as far north as the campuses of Harvard and Princeton, and extensively across the South, including in Savannah, Georgia, where through sweeping commissions she was able to marry her love of southern preservation and art. O'Neill Verner was a lifelong learner, and continued a path of edification that led her to study etching at the Central School of Art in London, to travel extensively through Europe, and to visit Japan in 1937, where she studied sumi (brush and ink) painting. She was a founding member of the Charleston Etchers Club, and the Southern States Art League. Her works are represented in the permanent collections of leading museums across the American south, and in major national institutions including the Metropolitan Museum of Art, Boston's Museum of Fine Art, and the Smithsonian American Art Museum. O'Neil Verner...

Lithograph in colors on Arches paper hand signed and numbered by the artist. Mourlot 976. Sheet size 28.70 x 21.10 inches. Image size 37.25 x 24.25 inches. Frame size 53.25 x 39.25 ...

Franz Graw Reclining Female (Surreal, Colorful, Vibrant, Modern) Color Offset Lithograph Year: 2021 Size: 16.53 x 11.73 inches (42 x 29.8 cm) Edition: 100 Signed and numbered in penc...

Lilian Shao, China. "Song of Breezes", 1990 Limited edition Serigraph printed on paper. Hand signed by the artist in pencil on the lower right and the edition number 183/275 on the l...

Original Fillmore concert poster. 4-color screen print. Excellent condition. No fading or staining. The 1st poster was printed before the concert and measures 13 5/16" x 21 3/4".

Color screenprint on Lenox Museum Board. Hand signed and numbered by the artist. Artwork is in excellent condition. Certificate of Authenticity included. From the ADS Portfolio. Pub...

Very beautiful poster of exhibition realized by Diego Rivera in order to promote the exhibition "Mexican Art, from pre-Columbian to our days", which took place in 1952 in the National Museum of Modern Art. Diego Rivera was a leading Mexican painter. His large frescoes...

This original limited edition graphic art lithographic poster entitled "Carousel Animals" was created by David Lance Goines in 1984 in his Berkeley ...

1920 Social Realism Etching by John French Sloan titled "Bandits Cave" Compelling etching by John Sloan (American 1871 - 1951), 1920 during first year of prohibition showing a estab...

This exquisite piece, titled Three Cherubs, is a lithographic reproduction from La Calcographie du Louvre, printed on fine Lana paper. The artwork captures the whimsical charm of che...

This sensuous and playful scene is characteristic of Oldenburg’s printmaking ouevre: a veritable heap of women displaying various expressions of joy and come-hither coquettishness. T...

Woodcut in ink with embossing and hand-coloring in watercolor on laid Japon paper, 16 x 10 inches (406 x 253 mm), ōban tate-e, full margins. Scattered handling wear and toning, other...

Yoshitomo Nara Should I Go?, 2021 Print on paper 20 3/10 × 14 3/10 in 51.5 × 36.4 cm

Takashi Murakami 12 Arhats, 2016 Offset lithograph with silver Signed and numbered (56/300) in ink lower right Sheet size 68 x 68 cm Frame size 86 x 86 x 2.5 cm Publisher: Kaik...

Yoshitomo Nara Young Mother, 2021 Print on paper 20 3/10 × 14 3/10 in 51.5 × 36.4 cm

"Machu Pichu" - Black and Grey Lithograph #10/200 Bold black and grey lithograph by David Alfaro Sequeiros (Mexican, 1896-1974). This piece is a high contrast, abstracted landscape....