Photography Prints and Multiples

Acrylic and enamel screenprint, diamond dust on Somerset paper.

Modern Portrait Photography, Fine Art Prints, Portrait Prints-Look to the Left ABOUT THIS PIECE: "Look to the Left (Cortney - 713)" is Modern Portrait Photography of a profile that...

Nude Male Model Posing Against Rock Face Black ink on photographic reproduction on paper 10 x 8 inches (25.4 x 20.3 cm) This work is offered by Clamp...

Signed, l.r. Edition of 50 Contact gallery for price This work is offered by ClampArt in New York City.

Edition of 200 Contact gallery for price This work is offered by ClampArt in New York City.

Signed, l.r. Edition of 50 Contact gallery for price This work is offered by ClampArt in New York City.

Image: 21 x 17 in. Frame (suede): 31 x 26 in. Signed and numbered in pencil

Image: 21 x 17 in. Frame (suede): 31 x 26 in. Signed and numbered in pencil

Image: 21 x 17 in. Frame (suede): 31 x 26 in. Signed and numbered in pencil

Image: 21 x 17 in. Frame (suede): 31 x 26 in. Signed and numbered in pencil

Image: 21 x 17 in. Frame (suede): 31 x 26 in. Signed and numbered in pencil

Image: 21 x 17 in. Frame (suede): 31 x 26 in. Signed and numbered in pencil

Norman Rockwell "Charwomen in Theater" 1946 Lithograph Signed in Pencil Lower Right Numbered Lower Left 160/200 Site Size: approx 26 x 20 inches Framed Size: approx. 34.5 x 28.5 inc...

African American Portrait, Portrait Photography, Portrait Prints-Seers Realm ABOUT THIS PIECE: "Seers Realm (Bethyie - 715)" African Americ...

Edition of 3 Archival watercolor pigment print on Hahnemühle rag paper

Kelly Fearing (American, 1918 - 2011) Title: Remogue Medium: Prints and multiples, etching Size: 6 x 2.5 in. (15.2 x 6.4 cm.) Movement: Contemporary Art M...

Kelly Fearing (American, 1918 - 2011) Title: Mendicant Searching, 2000 Medium: Prints and multiples, etching Edition: 3 / 5 Size: 13 x 10 in. (33 x...

Kelly Fearing (American, 1918 - 2011) Title: Boy Returning Water to the Sea, 1949 Medium: Prints and multiples, lithograph Size: 11.5 x 14 in. (29.2 x 35....

As one of the iconic images from The Last Sitting, commissioned by Vogue Magazine, Marilyn, Dior Dress II was created in 2011 from the negative Bert Stern s...

As one of the iconic images from The Last Sitting, commissioned by Vogue Magazine, Marilyn with Nikon was created in 2011 from the negative Bert Stern shot in 1962.  It is a digital ...

As one of the iconic images from The Last Sitting, commissioned by Vogue Magazine, Marilyn in Bed I was created in 2009 from the negative Bert Stern shot in 1962.  It is a digital pi...

1 color lithograph, 2 color screenprint paper size 14" x 14" , frame size 16.75" x 16.75" Edition of 150 Signed by artist Framed

Dame Laura Knight (1877-1970) "The Circus Dressing Room" 1925 Aquatint Engraving Signed in Pencil Lower Right Image Size: approx 14 x 9 inches Framed Size: approx. 23.5 x 18.5 inche...

Vintage chromogenic print (negative sandwich) retouched with ink (Edition of 12) Estate stamp in black ink, verso Also numbered in black ink, l.r. 16 x 20 inches, sheet 12.75 x 19.5...

Chromogenic LightJet print (Edition of 5) Signed and numbered, verso 20 x 16 inches, sheet This artwork is offered by ClampArt, located in New York City. Robert Flynt...

Jamie Wyeth "Herring Gulls" 1978 Color Lithograph Signed Lower Right Numbered Lower Left 149/300 Born in 1946, James Browning Wyeth came of age when the meaning of patriotism was clouded by the traumas of the Vietnam War and the scandals of Watergate. Working in an era of turmoil and questioning of governmental authority, he did art that encompassed both marching off to war and marching in protest. One of James's early masterworks, Draft Age (1965) depicts a childhood friend as a defiant Vietnam-era teenager resplendent in dark sunglasses and black leather jacket in a suitably insouciant pose. Two years later Wyeth painstakingly composed a haunting, posthumous Portrait of President John F. Kennedy (1967) that seems to catch the martyred Chief Executive in a moment of agonized indecision. As Wyeth Center curator Lauren Raye Smith points out, Wyeth "did not deify the slain president, [but] on the contrary made him seem almost too human." Based on hours of study and sketching of JFK's brothers Robert and Edward - documented by insightful studies in the exhibition - the final, pensive portrait seemed too realistic to family members and friends. "His brother Robert," writes Smith in the exhibition catalogue, "reportedly felt uneasy about this depiction, and said it reminded him of the President during the Bay of Pigs invasion." In spite of these misgivings, James's JFK likeness has been reproduced frequently and is one of the highlights of this show. The poignancy, appeal and perceptiveness of this portrait, painted when the youngest Wyeth was 21 years old, makes one wish he would do more portraits of important public figures. James himself feels he is at his best painting people he knows well, as exemplified by his vibrant Portrait of Jean Kennedy Smith (1972), which captures the vitality of the slain President's handsome sister. He did paint a portrait of Jimmy Carter for the January 1977 man-of-the-year cover of Time magazine, showing the casually dressed President-elect as a straightforward character posed under a flag-draped water tower next to the family peanut plant in Plains, Ga. James recalls that Carter had one Secret Service agent guarding him as he posed outdoors, a far cry from the protection our Chief Executives require today. As a participating artist in the "Eyewitness to Space" program organized by the National Aeronautics and Space Administration in collaboration with the National Gallery of Art in the late 1960s, Wyeth deftly recorded in a series of watercolors his eyewitness observations of dramatic spacecraft launchings and more mundane scenes associated with the space program. Commissioned by Harper's Magazine to cover the 1974 congressional hearings and trials of Watergate figures, James Wyeth executed a series of perceptive and now evocative sketches that recall those dark chapters in our history. Memorable images include a scowling John Ehrlichman, a hollow-eyed Bob Haldeman, an owlish Charles Colson, a focused Congressman Peter Rodino, a grim visaged Father/ Congressman Robert Drinan, and vignettes of the press and various courtroom activities. An 11-by-14-inch pencil sketch of the unflappable Judge John Sirica is especially well done. These "images are powerful as historical records," observes Smith, "and as lyrically journalistic impressions of events that changed the nation forever." Wyeth's sketch of early-morning crowds lined up outside the Supreme Court building hoping to hear the Watergate case, with the ubiquitous TV cameramen looking on, is reminiscent of recent scenes as the high court grappled with the Bush-Gore contest. The Wyeth family penchant for whimsy and enigmatic images is evident in Islanders (1990), showing two of James's friends, wearing goofy hats, sitting on the porch of a small Monhegan Island (Me.) cottage draped with a large American flag. Mixing the serious symbolism of Old Glory with the irreverent appearance of the two men, James has created a puzzling but interesting composition. Painting White House...

Color Lithograph Image Size: 30 x 19 inches Framed Size: 40.25 x 29.75 inches Edition 392/950 Artist Signed and Numbered Artist and naturalist Roger Tory Peterson...

The Big Catch, Bavaria, 2015 C-print on Fujiflex paper 70.8 x 47.2 in (180 x 120 cm) Edition of 3 The photographer Ellen von Unwerth worked as a top fashion model for 10 years, before taking up the camera and becoming one of the world’s most in-demand fashion photographers. Her editorial work has featured in countless magazines, including Vogue, Interview, Vanity Fair, and i-D, while her major advertising campaigns include Victoria’s Secret, Banana Republic...

Signed by the artist.

Ronnie Cutrone was an American pop artist known for his large-scale paintings of some of America's favorite cartoon characters, such as Felix the Cat, Pink Panther and Woody Woodpecker.

Alexis Fidetzis How to Brutally Construct an Absurd Sense of Pride digital print on paper 30 x 150 cm (7 pieces)

Watercolor pigment print on Awagami handmade BIZAN White Thick 200 grams, hand-coated Edition of 10 Magnolia