Plant Prints and Multiples

This 1918 original poster by Suzanne Ferrand, titled "Réservez le Vin pour Nos Poilus" ("Reserve the Wine for Our Soldiers"), is a powerful piece of World War I propaganda, emphasizi...

MARTA GARBACZEWSKA (born 1987) - Graduate of the Academy of Fine Arts in Gdańsk. Diploma in 2012 in the studio of prof. Maria Targońska, annex by prof. Czesław Tumielewicz. PROVENAN...

These are two 24 x 18-inch hand-printed photographs using the 170-year-old cyanotype process. They are actually negatives (a reversal of the dark and light tones) of the original pho...

Still Life is a lithograph realized by Raoul Dufy in 1920. Good conditions. Edition of 110. The artwork is depicted through confident strokes in a well-balanced composition.

Drypoint etching on Lana paper, edited in 1970. Limited edition of 175 copies, numbered as 150/175 in lower left corner. Hand-signed by artist in pencil in the lower right corner. P...

Though this unique monotype looks like a woodcut or linocut, it is not. This is a cyanotype, a kind of lensless photography dating back to the 1800s, but the artist altered the ratio...

Botanical Print. Plate-signed. Measures 22.50 x 16.375 in. Unframed. Printed in Italy. Good Condition.

Artist: Lowell Blair Nesbitt, American (1933 - 1993) Title: White Lily on White Year: 1980 Medium: Screenprint, signed and numbered in pencil Edition: 200 Image Size: 26 x 26 inches ...

Original poster for the Bern Lotschberg Simplon Railway (BLS; 1913-2006). The image by Eugen Henziross (1877-1961) shows a train making its way through a rocky mountain tunnel and ov...

The circa 1970 original travel poster Suisse Jungfrau Region Lauterbrunnen, designed by Swiss artist Rolf Krebs, beautifully captures the serene majesty of Switzerland's Jungfrau Region, particularly the idyllic village of Lauterbrunnen. This poster, like many travel advertisements of the time, aimed to transport viewers into the picturesque Alpine landscapes, enticing them to explore the natural beauty and tranquility of the Swiss mountains. The artwork features a panoramic view of Lauterbrunnen Valley, framed by the towering snow-capped peaks of the Jungfrau, Mönch, and Eiger mountains. Krebs masterfully uses a combination of vibrant greens from the valley floor and stark whites of the surrounding mountains to evoke a sense of awe and grandeur. The quaint village of Lauterbrunnen, with its charming wooden chalets and cascading waterfalls, adds a sense of serenity to the dramatic landscape, emphasizing Switzerland’s timeless appeal as a destination for nature lovers and adventure seekers. This poster is emblematic of mid-20th-century travel art, which emphasized both the natural beauty of destinations and the sense of escape they offered. The simple yet evocative design showcases the unspoiled wilderness of the Bernese Oberland, a region renowned for its hiking trails, skiing resorts, and breathtaking vistas. Lauterbrunnen, with its iconic Staubbach Falls, is prominently depicted, serving as a gateway to the larger Jungfrau Region and its endless opportunities for outdoor exploration. Rolf Krebs' poster is not only a promotional piece but also a work of art that invites viewers to experience the Swiss Alps in all their grandeur. It reflects the era’s focus on travel as an immersive, rejuvenating experience, and the poster continues to be a cherished collector’s item, representing both the nostalgia of vintage travel advertising and the timeless allure of Switzerland’s natural landscapes. Original Poster Tourism - Photography...

Trees is an lithograph on paper realized by an unknown artist in the 20th Century. The artwork is in good condition.

Autumn Heath is a contemporary landscape print by Phil Greenwood. The vibrant, warm leaves of the trees are broken up by the bold tree trunk and the background. Additional Informati...

Cityscape Harvey Kidder, American (1918–2001) Date: circa 1985 Aquatint Etching, Signed and numbered in Pencil Edition of 150 Image Size: 19 x 18 inches Size: 30 x 22 in. (76.2 x 55....

Original stipple engraving by Charles-Louis Ruotte, printed in colour and finished by hand. Framed and glazed, overall size: 63.3 by 47.2 cm. [Paris 1805]. Prevost came from a lo...

Max Epstein, Canadian (1932 - 2002) - Big Foot Country, Year: 1980, Medium: Screenprint, signed and numbered in pencil, Edition: 50, Image Size: 13 x 20 inches, Size: 15 in. x 2...

"Shell Ginger" is an original color serigraph by Hunt Slonem. The artist signed the piece in the lower right, titled it lower center, and wrote the edition number (A.P. 16/30) in the lower left. It depicts a chair with an animal skin and plants. 25"x 20 3/8" image 30"x 22" paper 33 1/2 x 28 3/4" frame Hunt Slonem (born Hunt Slonim, July 18, 1951) is an American painter, sculptor, and printmaker. He is best known for his Neo-Expressionist paintings of tropical birds, often based on a personal aviary in which he has been keeping from 30 to over 100 live birds of various species. Slonem's works are included in many important museum collections all over the world; he is exhibiting regularly at both public and private venues, and he has received numerous honors and awards. Hunt Slonem’s oil paintings...

This exquisite lithograph after Andrew Wyeth (1917–2009), titled Quaker Ladies, originates from the distinguished 1962 folio The Four Seasons: Paintings and Drawings by Andrew Wyeth. Published and printed by Art in America Company, Inc., New York, the edition exemplifies Wyeth’s deep reverence for nature and his mastery of tonal subtlety. Quaker Ladies captures the full flowering of spring—an intimate study of delicate wild blossoms rendered with Wyeth’s signature restraint and sensitivity to atmosphere, texture, and light. Executed on velin paper, this lithograph measures 17 x 13 inches (43.2 x 33 cm). As issued, it is unsigned and unnumbered, representing the folio’s authentic format. The Four Seasons series was conceived by the editors of Art in America in collaboration with Andrew and Betsy Wyeth, who selected drawings from the artist’s studio to express the cyclical beauty of nature’s transformations. Each image demonstrates Wyeth’s ability to translate fleeting seasonal impressions into works of quiet emotional resonance and painterly poetry. Artwork Details: Artist: After Andrew Wyeth (1917–2009) Title: Quaker Ladies, from The Four Seasons, Paintings and Drawings by Andrew Wyeth, 1962 Medium: Lithograph on velin paper Dimensions: 17 x 13 inches (43.2 x 33 cm) Inscription: Unsigned and unnumbered, as issued Date: 1962 Publisher: Art in America Company, Inc., New York Printer: Art in America Company, Inc., New York Condition: Well preserved, consistent with age and medium Provenance: From the 1962 folio The Four Seasons, Paintings and Drawings by Andrew Wyeth, published and printed by Art in America Company, Inc., New York Notes: Excerpted from the 1962 folio: "In 1962 the editors of Art in America proposed to Wyeth a portfolio of images of his recent dry-brush drawings. The artist and his wife suggested the theme, 'The Four Seasons,' because of the essential role played in his work by the cycle of the seasons. The drawings were selected by Andrew and Betsy Wyeth from works in the house and studio at Chadds Ford, supplemented by some owned by friends. With a few exceptions they had never been exhibited or reproduced. The plates were made directly from the originals. In these drawings Wyeth's loving concentration on the object is fully revealed. But as always in his work, this concern with the tangible is balanced by sensibility to mood, to the emotion arising from the actual. They are pervaded with a sense of the season—the exact time of year, the hour of the day, the quality of the light. To the truth and subtlety with which he captures these intangible factors, these drawings owe their poignant poetry." About the Artist: Andrew Wyeth (1917–2009) was an American visual artist and one of the best-known painters of the mid-20th century. Although he considered himself an abstractionist, Wyeth’s work is characterized by a meticulous realism imbued with psychological depth and atmosphere. He often painted the landscapes and people surrounding his homes in Chadds Ford, Pennsylvania, and Cushing, Maine, creating an intimate record of American rural life. The son of the celebrated illustrator N. C. Wyeth, Andrew trained under his father before developing his own deeply personal visual language inspired by Winslow Homer, Henry David Thoreau, and King Vidor. His wife, Betsy Wyeth, was both his muse and career manager, while his son Jamie Wyeth continued the family’s artistic legacy. Among Wyeth’s best-known works is Christina’s World (1948), housed in the Museum of Modern Art, New York—a quintessential image of 20th-century American art. His other notable series include The Helga Pictures and his window studies, each reflecting a profound meditation on solitude, memory, and perception. Wyeth was the first painter to receive both the Presidential Medal of Freedom and the Congressional Gold Medal, and was elected to the French Académie des Beaux-Arts in 1980. In 2022, Andrew Wyeth's painting Day Dream sold for USD 23.29 million at Christie’s New York, setting a world record for the artist. Andrew Wyeth lithograph...

Yves GANNE (1931-2019) In the Poppy Field Original Lithograph Signed on pencil Justified EA (artist's proof) Numbered out of 35 copies On vellum Arches 76 x 54 cm (c. 29.92 x 21.25 ...

Titled in lower left corner ("Coast July No. 2") Numbered lower center ("9/23") Signed and dated twice in lower right, once inside the artwork, once below ("Bothwell '63" and "Dorr Bothwell '63") Presented in a cream colored mat with foamcore backing. Mat size: 24"H x 28"W Paper size: 20"H x 26"W Dorris Hodgson Bothwell (American, 1902–2000), known as Dorr, was born in San Francisco, California, on May 3, 1902. The Bothwell family moved to San Diego in 1911, where they became friends and neighbors with the artists Anna and Albert Valentien. Dorr began her art studies with Anna in 1916 at the age of 14. In the early 1920s, Dorr returned to San Francisco to study at the California School of Fine Arts, then studied at the University of Oregon, in Eugene, and the Rudolph Schaeffer School of Design, which was founded in San Francisco, 1926. After receiving a modest inheritance, Dorr traveled to American Samoa in 1928, where she remained for two years and produced many works of art in a wide variety of mediums. Some of these were successfully shown at the Fine Arts Gallery of San Diego and the Beaux Gallery in San Francisco, allowing her to spend time in England, France, and Germany. Returning to San Diego in 1931, Dorr became involved, once more, with the San Diego art community and exhibited with the San Diego Moderns...

Ernst Fuchs (1930 Vienna - 2015 ibid), The Lost Trace, 1972. Vernis mou and aquatint etching, 46.8 x 36.4 cm (plate), 66 x 50 cm (sheet), 69.5 x 53.5 cm (frame), WVZ Hartmann no. 185...

Tulpen By Gerhard Richter 2017 Diasec-mounted giclee print on aluminium 36 x 41 cm edition of 500

Hyacinth Color woodcut, 1917-1918 Unsigned From: Seiyo Kusabana Zufu (Illustrations of Western Plants and Flowers) 1st edition Publisher: Unsodo, Kyoto Condition: Centerfold...

Max Epstein, Canadian (1932 - 2002) - Misty, Year: 1977, Medium: Screenprint, signed and numbered in pencil, Edition: 70, Image Size: 17 x 18 inches, Size: 18.5 in. x 19 in. (46...

Limited Edition Serigraph, CXIV/CLXXV. The print measures 35 x 32 inches and is unframed. Signed by the Artist. Piece is in Good Condition-there are signs of age and handling (i.e. m...

Though this unique monotype looks like a woodcut or linocut, it is not. This is a cyanotype, a kind of lensless photography dating back to the 1800s, but the artist altered the ratio...

The 1949 travel poster “Forêts de l'Île-de-France” by Roger Chapelain-Midy for SNCF (Société Nationale des Chemins de fer Français) beautifully captures the allure of the lush forest...

Red Breast 2021 Signed, dated, and numbered, recto Watercolor using rubber stamps on handmade Twinrocker paper (Edition of 200) 5.75 x 8.5 inches (14.6 x 21.6 cm) This work is off...

The Japanese landscape is a modern artwork realized in the Mid-20th Century. Mixed colored lithograph after a woodcut realized by the great Japanese artist Utagawa Hiroshige in the ...

Complete book comprising of 20 offset lithographs and cardboard cover, all hand-colored with watercolor. From the edition of unknown size. All 20 sheets bound (as issued). Minor ti...

Shepard Fairey Farms Not Factories (Farm Aid, Advocacy, Agricultural Justice) Screen Print on 80# Cream Speckletone paper Year: 2025 Size: 24 x 18 inches (60.96 x 45.72 cm) Edition:...

Artist: Vahe Yeremyan Work: Print on Satin Paper, Subject: Summer Field, Framed Size: 17.5" x 24.5" x 0.8''inch, 44x62x2cm, Ready to Hang, Wooden Frame. All works are copyrighted...

Artist: (after) Pancrace Bessa (French, 1772-1846) Title: "Lantana aculeata (Common Lantana)" (T.6. No. 38) Portfolio: Traité des Arbres et Arbustes que l'on Cultive en France en Ple...

This work, by Fidel Santos, depicts a Pompeiian fresco resplendent with lush fruit trees and avian life against a backdrop of idyllic hills. The vibrant c...

Brian - White Flower and House is an original offset of 1980, realized by Douglas Prince. The state of preservation of the artwork is good. On the left margin, Signed, Titled and ...

Unframed. 2023. Signed on the back. Narrower than "The Journey's End." This photograph was taken a year after the artist's husband died, revisiting the same path but photographing ...

Artist: Lowell Blair Nesbitt, American (1933 - 1993) Title: Yellow Lilies on Green Year: 1980 Medium: Screenprint, signed and numbered in pencil Edition: 2...

These are the silhouettes of the native Californian Matilija Poppy also known as giant tree poppies and Coulter's Poppy. They grow over 4 feet tall and appear each year in summer. ...

Mary Faulconer, American (1912 - 2011) - Purple Pansies in Cup, Year: 1979, Medium: Lithograph, signed and numbered in pencil, Edition: 250, AP 35, Image Size: 14 x 10 inches, Si...

Artist: Harold Altman (American, 1924-2003) Title: Sunday, Central Park Year: c. 1985 Medium: Color lithograph Edition: Numbered 56/285 in pencil Paper: Wove Image size: 17.5...

Mary Faulconer, American (1912 - 2011) - Post and Thistle, Year: circa 1980, Medium: Lithograph, signed and numbered in pencil, Edition: 250, AP 35, Image Size: 17.5 x 13 inches,...

Photorealist flower screenprint by American artist Lowell Blair Nesbitt, signed and numbered in pencil. Red Spotted Lily from the Stamp Series Lowell Blair Nesbitt, American (1933–1...

A basket with carefully arranged flowers is contrasted against a dramatic blue-black background. The showcased ikebana basket (kago) is in a traditional style of the early Showa peri...

Though this may look like a woodcut or screen print, it is a kind of photography. Cyanotypes are a 19th century alternative (cameraless) photographic process. This monotype was print...

Mary Faulconer, American (1912 - 2011) - Spring Bouquet, Year: 1979, Medium: Lithograph, signed and numbered in pencil, Edition: 250, Size: 30 in. x 22 in. (76.2 cm x 55.88 cm), ...

Although I spent 10 years as a traditional printmaker using a press, my botanical cyanotypes are each one-of-a-kind slow cameraless photographs made outdoors using natural light. The...

This is a 20 color screen print on Sommerset paper. The edition was printed at Brand X Editions in 1997. Ed Baynard’s paintings and graphic prints blend the contemporary and the cla...

Mary Faulconer, American (1912 - 2011) - Herbs on Pink Background, Year: circa 1980, Medium: Lithograph, signed and numbered in pencil, Edition: 250, AP 35, Image Size: 20 x 14.5...

Jon D'Orazio, American (1942 - ) - Magnolia IV. Year: 1979, Medium: Lithograph, signed and numbered in pencil, Edition: 300, AP 45, Image Size: 21 x 30 inches, Size: 25 in. x 33 in. ...

A framed edition of this cyanotype sold to Timothée Chalamet at The Other Art Fair in Los Angeles. One of 10 mini editions of the same photograph printed by hand using the antique ...

Lantern in the forest. – Cawston’s landscapes are filled with delicate harmonious tones. They resonate feeling and leave the viewer rapt, lost in the detail as if listening to the e...

Hans Thoma (1839 Bernau - 1924 Karlsruhe), S. Anton Patenkirchen, 1895. Algraph on strong wove paper, published by Breitkopf und Härtel in Leipzig as ‘Zeitgenössisches Kunstblatt Nr....

The Turkish Grasslands (2005). Offset print by Aya Takano Offset print, numbered and signed by the artist 23 ¹/₃₂ x 19 ¹³/₃₂ in 58.5 x 49.3 cm Edition 81/300

This rare Original 1920s authentic print is a Taisho Period Woodblock print published from the Japan 1920's The Nippon Mokuhan Gasui, Masterpieces Series.; it is authentically hand ...

The Rose is an Original print screen on cardboard by Costantino Persiani in 1973. Hand-signed and dated on the lower right. Good conditions. Numbered, edition 73/210. Dimension: ...

Friends Yannis Amoryanos Greek Date: 1980 Screenprint, signed and numbered in pencil Edition of 300, AP 45 Size: 25.5 in. x 22 in. (64.77 cm x 55.88 cm)

Salvador Dalí­ Bird of Paradise from Hawaii: California Suite, 1973 Lithograph Hand signed lower right Numbered 35/250 lower left Image size: 55 x 39 cm Sheet size: 64 x 49.5 cm Ref...

Sunset Hill - Mykonos is a serigraph on paper with an image size 20 x 36 inches, signed 'McKnight' lower right and numbered lower left. Framed in a contemporary black frame. Numbered...

large scale photogaph from a series of photographic observances capturing the antics of urban gardening and whimsical botanical art of topiaries' green minimalism Topiary I...

Though this unique monotype looks like a woodcut or linocut, it is not. This is a cyanotype, a kind of lensless photography dating back to the 1800s, but the artist altered the ratio...

REDOUTÉ, Pierre-Joseph. Fritillaria Imperialis Paris, Chez L’Auteur, 1802-16 The highest peak of Redoute's artistic and botanical achievement... Among the most important monument...