Poster Prints and Multiples

Artist: (after) Roy Lichtenstein (American, 1923-1997) Title: "Kunsthalle Bern (Hopeless)" Year: 1968 Medium: Original Screenprint, Exhibition Poster on light wove paper Limited edit...

Artist: George Rodrigue Title: Union Station (Blue Dog for President) Medium: Silkscreen Year: 1996 Edition: 36/150 Framed Size: 31" x 42" Sheet Size: 18" x 30" Signed: Hand signed a...

Artist: John Giorno Title: Poppies Have Pockets Packed With Narcotic Treats Portfolio: Welcoming the Flowers Date: 2007 Screenprint, signed, numbered, and dated in pencil Edition of ...

Hal Woolf Christ of the Andes Original Vintage Poster 76x50cm Printed by the David Allen Printing Co (London) Ltd., Wandsworth, SW18 Published by the League of Nations Union, 15 Cros...

Artist: Robert Indiana Title: The Hartley Elegies: The Berlin Series- KvF II Year: 1990 Medium: Screenprint on Saunders Watercolor paper, signed and numbered in pencil Edition: 50 ...

Walter Schnakenberg’s 1920 poster promoting the decadent (and likely debaucherous) Munich cabaret Bonbonnière & Eremitage. The costume and poster designs of Walter Schnakenberg defined ballet and cabaret during Germany’s Weimar...

Walter Schnackenberg’s style changed several times during his long and successful career. Having studied in Munich, the artist traveled often to Paris where he fell under the spell o...

This original exhibition poster from 1993 showcases the works of Pierre Soulages, one of the most renowned French painters of the 20th century, at the prestigious Galerie de France. ...

Achille Mauzan created this vintage poster in 1924 to advertise the Bertozzi brand of cheeses. Three judges with expressive faces lean over the cheese, giving us a sense of the fragr...

Vintage offset poster realized after Andy Warhol in occasion of the 14° Olympic Winter Games of Sarajevo (1984). A striking original poster designed by Andy Warhol for the 1984 Wint...

Walter Schnackenberg’s style changed several times during his long and successful career. Having studied in Munich, the artist traveled often to Paris where he fell under the spell of the Henri de Toulouse-Lautrec’s colorful and sensuous posters depicting theatrical and decadent subjects. Schnackenberg became a regular contributor of similar compositions to the German magazines Jugend and Simplicissimus before devoting himself to the design of stage scenery and costumes. In the artist’s theatrical work, his mastery of form, ornamentation, and Orientalism became increasingly evident. He excelled at combining fluid Art Nouveau outlines, with spiky Expressionist passages, and the postures and patterns of the mysterious East. In his later years, Schnackenberg explored the unconscious, using surreal subject matter and paler colors that plainly portrayed dreams and visions, some imbued with political connotations. His drawings, illustrations, folio prints, and posters are highly sought today for their exceedingly imaginative qualities, enchanting subject matter, and arresting use of color. SCHNACKENBERG: KOSTUME, PLAKATE UND DEKORATIONEN, a cardboard bound art book consisting of 43 prints of work by Walter Schnackenberg, 30 of which are color lithographs that are signed and some are titled and dated in the plate, as well as black and white prints and photographs with accompanying text by Oskar Bie; lithographs printed at Kunstanstalt Oskar Consee in Munich, other images printed by Gesellschaft Pick & Co. in Munich, the text and cover with color images by Schnackenberg front and verso printed by R. Oldenbourg in Munich; published by Musarion Verlag, Munich, 1920. The majority of Walter Schnackenberg’s artistic output was destroyed by bomb attacks in Munich in 1944. The highly publicized 2013 auction in New York of the recovered pre-war poster collection once belonging to German poster aficionado, Hans Sachs has reintroduced the world to Walter Schnackenberg’s graphic genius and priceless ephemeral art from a lost era. Besides the museum world, designer Karl Lagerfeld is one of the most prodigious collectors of Schnackenberg. Flipping through the pages of Kostume, Plakate und Dekorationen, it becomes quite clear that Schnackenberg’s collection is ground zero at the crossroads of early modern fashion where the cult of celebrity meets up with dance, music, theater and cabaret, film and the graphic medium. Berlin and Munich under Germany’s Weimar Republic in the first quarter of the 20th century produced just the atmosphere to feed this burgeoning industry. Rising inflation sparked a recklessness to live large for the moment and heightened a desire for escapism. An influx of Indian and East Asian dancers and musicians added to the artsy bohemian cultural mix. A new decadence and tolerance resulted. Film boldly featured provocative subject matter. Cabarets became popular venues giving rise to the demi-monde in which people from all social stations mixed more freely in a thriving underground economy and culture where there was a blurring of boundaries and of social codes. Noted art historian and cultural doyen, Oskar Bie astutely observes in his introduction to Schnackenberg’s publication that what unites the images is fantasy and advertisement. Schnackenberg uses the eye as an instrument to brilliantly construct and convey this double message. His personages never directly confront the viewer. Their eyes gaze off in the distance like those of the screenplayer and film star Hedamaria Scholz in Schnackenberg’s “Die Rodelhexe” movie poster. Their eyes follow the path of a dance composition or become a transfixed and ogling male gaze such as the iconic 1911 Odeon Casino...

In this WWII-era safety poster, an aircraft is shown mid-ascent. A set of dotted lines marks the intended flight level, with a duplicate silhouette of the same aircraft above it — in...

Shipping and Handling: We offer worldwide shipping. For safe delivery, we use heavy, thick-walled UPS and FedEx. All items are carefully packed flat. Attention International Buyers: ...

This original poster is from the three-act operetta, La Térésina, and was published in 1929. The story is from an adaptation by Mrs. Leon Uhl and Jean Marietti, with music by Oscar S...

Raymond Pettibon: Rare early Black Flag flyer: Original punk flyer / handbill illustrated by Raymond Pettibon for a gig by Black Flag at The Mabuhay, San Francisco, CA: Fri Oct 3, 1980. Offset-printed 11 x 8 ½ inches (28 x 21.6 cm). Fair overall vintage condition; contains age related wear and torn corners. Unsigned from an edition of unknown. Rare. Flea, the Red Hot Chili Peppers bassist once said of Pettibon's Black Flag illustrations and iconic logo: "Before I knew what Black Flag was I remember walking around Hollywood and seeing Raymond's flyers and being like, 'What the fuck is that?'… Those flyers made me feel like something is going on and it's romantic and it's mysterious and it's heavy and I don't know what it is but I wanna know." About Raymond Pettibon (Americanb. 1957) Having emerged from the Southern California DIY culture and its punk-rock sensibility, Raymond Pettibon fuses together youthful edginess and political engagement. Drawing from disparate cultural sources—from Marcel Proust to the Bible—the artist’s cartoon-inspired ink drawings on unframed paper recall the look of fanzines and concert flyers...

Jules Chéret’s poster advertising the Théâtre Optique (Optical Theatre) immortalized a momentous convergence of technology, culture, history, and art with the 1892 debut of Emile Reynaud’s praxinoscope at the Musée Grévin in Paris. Reynaud presented his Pantomimes Lumineuses, the world’s first animated films, using his innovative system which projected light through moving pictures to offer illuminated pantomimes. Among the three short films Reynaud screened through his praxinoscope was Pauvre Pierrot (Poor Pierrot), a story of Pierrot courting Columbine based on the timeless archetypal love triangle featured in many Commedia dell’arte pantomimes. As a member of the Cercle Funambulesque (roughly “Friends of the Tightrope-walkers”), a French society which championed the contemporary creation of Commedia dell-arte-inspired pantomimes, Jules Chéret was often inspired by Pierrot and produced a large number of works depicting him, often with his beloved Columbine. Cheret’s involvement with the Cercle, combined with the immense popularity of these archetypes in the late 19th century, meant that they appeared frequently in his works. This work comes from the extremely scarce edition of 25 strikes on Imperial Japon paper, a mulberry bark-based stock inspired by the smooth-surfaced papers used in Japanese printmaking. This world-class example of lithography captures superior resolution and color-richness to that of its large-format counterpart. The use of marbled Imperial Japon paper allows inks to rest upon its surface rather than being absorbed by a more porous paper stock. An extremely scarce fraction of the edition of 25 are estimated to have survived to date. Stone lithograph of Jules Chéret’s Musée Grévin...

Laundry days are holidays with a Laden washing machine, if this cheeky mid century poster is to be believed! A carousel canopy swings to...

Artist: Charles Bell, American (1935 - 1995) Title: Little Italy Year: 1981 Medium: Screenprint on White Somerset Satin, signed and numbered in pencil Edi...

Edition Details Year: 2020 Class: Art Print Status: Official Run: 67/450 Technique: Screen Print Size: 18 X 24 Markings: Signed & Numbered

I See Static, Blue. 18 x 24 inches. Screen print on cream Speckle Tone paper. Signed by Shepard Fairey. Edition of 168/300. Contemporary street art print. Shepard Fairey is a major...

LINKS TOGETHER is a very unique, and rarely seen original fine art lithograph poster printed in five colors using traditional hand lithography techniques (not a photo reproduction or...

Screenprint in black on wove paper, hand signed and inscribed 'to Camilla and Earl' by the artist. From the edition of 20. Sheet size 25.25 x 19.25 inches. Custom framed as pictu...

Lithograph of George de Feure’s 1896 theatrical Art Nouveau poster promoting Mistinguett’s role as Hélyett in Marjolaine. Hélyett is shown in a delicate pastel palette, enveloped b...

George Rodrigue Carnival Time (White) - Blue Dog, 1997 Silkscreen Hand signed left Numbered 36/120 lower right Sheet size: 81 x 56 cm Year and artist name stamped and the barcode on...

This image - created as an advertisement for the magazine "The Century" -  is an original lithograph by Maxfield Parrish printed in 1897 measuring 15 ¾ x 11 3/8 in (40 x 29 cm), unfr...

To see our other original vintage posters, scroll down to "More from this Seller" and below it click on "See all from this Seller" - or send us a message if you cannot find the poste...

SIROPS CAZANOVE Original Vintage French Poster by Eric — Excellent condition, Grade A. Linen-backed. Printer: Akarcher, Paris. Circa 1945–1955. Mid-century modern. Discover a rare o...

This limited edition bandana from Barbara Kruger was part of a 2020 campaign titled "Artists Band Together," in support of organizations working to increase voter turnout. Using lang...

When the cinematic Bond was born. The most complete account of the making of the first James Bond film, Dr. No (1962). “Bond, James Bond.” Since Sean Connery uttered those immortal...

Drenched in neon allure and undeniable Pop power, this 1989 original poster was created for the exhibition Le Cento Immagini di Andy Warhol ("The Hundred Images of Andy Warhol") held...

Woodcut print realized by Escher for the series "Emblemata", and published in 1931. On Hollande van Gelder paper. Edition of 300. Unsigned, as issued. Excellent condition, matted....

"Harvest Home" is an original color lithograph poster by an unknown artist. It features a scene of a field with a few pumpkins and wheat. Below the image is an excerpt from a Henry A...

The 1946 original poster Produce Better, Live Better, designed by Courtesy Hazel, captures the spirit of post-war economic revitalization and consumer awareness in the United States....

The 1950s was the beginning of a tremendous growth in the development of consumer electronics throughout Europe. The Philips Company was one of the largest of the manufacturers of ra...

In 1945, as World War II was coming to an end, the U.S. Office of War Information (O.W.I.) produced the Work Together, Prospect Together poster as part of a broader campaign to promo...

This poster, titled Festival d'Avignon, was produced in 1970 and features the image Le Corsaire, engraved by Henri Deschamps and printed by Mourlot on BFK Rives paper. Although the p...

The 1971 original travel poster by Pagès for Air France promoting travel to Germany is a striking representation of a destination that bridges a storied past with a dynamic present. ...

Keith Haring Fertility 1983: A complete set of five 1983 Keith Haring Tony Shafrazi promotional cards published to promote Keith Haring's “The Fertility Suite” screen-prints; with ea...

Walter Schnackenberg’s style changed several times during his long and successful career. Having studied in Munich, the artist traveled often to Paris where he fell under the spell o...

The 1995 original poster Louis Vuitton Cup: Challenger Races for the America’s Cup, San Diego, created by renowned French artist Razzia (Gérard Courbouleix Dénériaz), captures the dynamic essence of competitive sailing at one of the world’s most prestigious regattas. Commissioned for the Louis Vuitton Cup—the series of races that determine the challenger for the America’s Cup—this poster vividly reflects the elegance and intensity of international yachting. The artwork prominently features a sleek racing yacht, slicing through ocean waves, evoking a sense of speed and precision that defines the competition. Razzia’s signature minimalist style brings a clean, sophisticated aesthetic, highlighting the fluid lines of the yacht against the deep blues of the sea and sky, symbolizing the boundless energy of the event. The San Diego setting, home to the 1995 Louis Vuitton Cup...

Walter Schnackenberg’s most famous image, an extraordinary Toulouse-Lautrec homage promoting theatrical cabaret performance at the Deutsche Theater in Munich. The costume and poster designs of Walter Schnakenberg defined ballet and cabaret during Germany’s Weimar...

D. Legg. General/The North Downs, Ca 1921 Color lithograph. Designed posters for London Transport 1929. No Biography available.: London Transport Museum Collectiom

Original Mudd Club poster, New York 1979: A must have for any true Jean Michel Basquiat, Keith Haring collector - this piece is featured in the 2017 Jean-Michel Basquiat documentary, 'Boom For Real.' Promotional poster. 1979. Artwork Dimensions: 18x24 inches (19x25 inches). Very good overall vintage condition condition; some minor fading consistent with age. Minor wear to frame. Provenance: Obtained directly from the original art designer. The Mudd Club was founded by filmmaker Steve Mass, art curator Diego Cortez, and downtown punk scene figure Anya Phillips...

Medium: lithograph (after the original lithograph poster executed for the Annual Ball of the School of Decorative Arts, of Paris). During the late 1940's and throughout the 1950's, H...

This charming image was created in Italy in 1949 by Damiani to promote the product Il Globo. While the viewer may initially think that Il Globo may be a fashion related product, it i...

A marionette and a woman with a fantastic, geometric headdress promote a ball in Düsseldorf; the shadows create a dramatic effect. “The modern poster as we know it- large, colorful ...

To see our other original vintage posters, scroll down to "More from this Seller" and below it click on "See all from this Seller" - or send us a message if you cannot find the poste...

To see our other original vintage travel posters, many of which are from Switzerland, scroll down to "More from this Seller" and below it click on "See all from this Seller" - or sen...

Barberis, Franco. PKZ [Man Tipping His Hat]. 1953, Color lithograph, 50 1/2 x 35 1/2” On Linen. Ref: American Poster Renaissance, p. 41 As a graphic designer, Barberis was initial...

This double-sided lithograph by Paolo Garretto features a Vanity Fair cover "The Face Off" on the front and a Camel Cigarette ad on the back. It was pu...

Musee D'Art Moderne Paris 1993 Serigraph poster after Niki de Saint Phalle Niki de Saint Phalle was a French-American artist and sculptor known for her bold, large-scale works, inc...

Offset Lithograph (poster) Edition of Unknown Size Unsigned 27.56 x 19.68 in (70.0 x 50.0 cm) This is an original, authorized David Hockney poster, produced by the Kunsthalle Hels...

Before You can Entertain Others... You Must First Learn to Entertain Yourself by David Shrigley 14 colour screenprint with a varnish overlay 75 x 56 cm Edition 40 of 125 Signed, date...

The New Year graphisms & 13. 1979, paper, silk screen, 15,5x21,5 cm Maris Argalis (1954-2008) Born in Riga. 1971. - graduated the Janis Rosenthal Riga A...

Banksy Authorised Graffiti Area, 2004 Authorized VIP sticker on Fasson backing 5 9/10 × 4 13/100 inches Unframed, not signed This early (2004) Banksy sticker is a rare and highly col...

This energetic image for the Lea and Norma Cycles Company was created during the height of popularity for cycling for sport. The man pictured is likely a specific competitor who rece...

Ryan McGinness “Women: The Blacklight Paintings": Hand signed exhibition poster created by the artist for The Standard Hotel, 2010. Screen-print with b...

Keith Haring Secret Pastures 1984: Keith Haring illustrated oversized announcement for the historic, "Secret Pastures" show at The Brookl...

Original 1930s Danish Movie Poster – "Færdsels-Politiet Arbejder" (Crash Donovan) Featuring Jack Holt – Vintage Police Crime Action Artwork – Rare Universal Film Collectible movie...

Keith Haring Illustration art 1986: Rare seldom available 1980s Keith Haring illustrated New School university pamphlet (New York, NY) featuring offset printed Keith Haring art throughout. Solid condition. Offset printed university pamphlet. 6.25 x 4 inches (opening to 6.25 x 12 inches). Minor signs of handling. Very good overall vintage condition. Haring artwork credit on lower area of listing image 4; from an edition of unknown; published 1985/1986 by the New School (New York, NY). Keith Haring rose to prominence in 1980s New York within the East Village art scene alongside Jean-Michel Basquiat, Kenny Scharf, and Jenny Holzer. He bridged the gap between the art world and the street, graffiting city subways and sidewalks before committing to a studio practice. Haring united the appeal of cartoons with the raw energy of Art Brut artists such as Jean DuBuffet as he developed a distinct pop-graffiti aesthetic that comprised energetic, boldly outlined figures against solid or patterned backdrops. His major themes included exploitation, subjugation, drug abuse, and the threat of nuclear holocaust; Haring boldly engaged with social issues, especially after receiving an AIDS diagnosis in 1987. Today, his work sells for seven figures at auction and has been the subject of solo shows at the Brooklyn Museum, the San Francisco Museum of Modern Art, and the Albertina Museum in Vienna, among other institutions. Related Categories: Keith Haring 1986. Keith Haring prints. Keith Haring cover art. Keith Haring catalog...