Poster Prints and Multiples

Image dimensions. 13.5x26 cm. Mele is a beautiful and rare color lithograph printed by G. Ricordi and C. Milano, Milan between 1895 and 1914. A nice advertising poster representing...

The original poster for the "III. Internationales ADAC 500KM RENNEN" in 1962 encapsulates the excitement and prestige of this iconic motorsport event. This poster serves as both a hi...

Szpital is a vintage offset print on paper realized by Marcin Mroszciak in 1973. Good condition and aged. Print: Marcin Mroszciak

Astrological sign of leo is a screen print on grey paper realized by Sergio Barletta, in 1980s. Signed on the lower left margin. 68 x 49 cm. In good conditions except for fairl...

1934 original poster by Pierre Fix-Masseau stands as a testament to the artistry of the era and the innovative spirit of Renault. Titled "2 Huiles Renault d'Hiver" this poster is a v...

Joan Miro, Spanish (1893 - 1983) - Gravures Maeght Editeur (Cover), Year: 1966, Medium: Lithograph, Edition: 1500, Size: 10 x 7.5 in. (25.4 x 19.05 cm), Printer: Arte Adrien Maeght, ...

The 1928 original poster for Citroën la familiale 10CV stands as a remarkable testament to the ingenuity and success of Citroën during the interwar period. This iconic piece of adver...

The original poster for La Nouvelle Sunbeam '90' showcases a compelling mid-century advertisement for the British automaker's stylish and innovative model. Celebrating the Sunbeam '9...

RAFAŁ OLBIŃSKI (born in 1943) He graduated from the Faculty of Architecture of the Warsaw University of Technology. In 1981 he emigrated to the United S...

Astrological sign of leo is a screen print on grey paper realized by Sergio Barletta, in 1980s. Signed on the lower left margin. 68 x 49 cm. In good conditions except for fairl...

Ex-Libris - Erotica is an Artwork realized in Mid 20th Century. Woodcut on paper. Good conditions. The artwork represents a minimalistic, clean design, through preciseness .

Artist: Marc Chagall Medium: Lithographic Poster, 1958 Dimensions: 25.5 x 18.8 in, 65 x 48cm Velin Paper - Excellent Condition A This poster was...

The 1949 original poster by Axelle for the Foire d'Exportation de Hanovre commemorates the significant event of the Hanover Export Fair, which marked a key moment in the post-World W...

Roger de Valerio, pseudonym of Roger Laviron 🇫🇷 (1886-1951), is a French illustrator, poster artist and painter. Throughout his career, he worked as an art director in various new...

This bold and stylish original vintage poster was created in the 1970s to promote the Philips Stereosonic, a high-fidelity sound system produced by the iconic Dutch electronics brand...

A sublime poster steeped in history. Maurice Pineau created this work to promote the F.F.I exhibition held at the Berlitz Palace in 1944. The Forces françaises de l'intérieur (FFI)...

Ex Libris - Juan Sastre is a Modern Artwork realized in Mid 20th Century B/W woodcut on paper. The work is glued on cardboard. Total dimensions: 21x 15 cm. Excellent conditi...

The 1980 exhibition poster by Yves Defarcy titled "Les Machines Parlantes: Du Phonographe à l'Ordinateur" (The Talking Machines: From the Phonograph to the Computer) was created to p...

This artwork titled "Singing in the Bath, Tenakee Springs" 1996 is a color offset lithograph on paper by noted American artist Rie Mounier Munoz, 1921-2015. It is hand signed and numbered 1077/1100 in pencil by the artist. The image size is 13.5 x 10 inches, sheet size is 16 x 12.35 inches. It is in excellent condition, has never been framed. About the artist: Alaska painter Rie Mounier Munoz was the child of Dutch parents who immigrated to California, where she was born and raised. She is known for her colorful scenes of everyday life in Alaska. Rie (from Marie) Munoz (moo nyos), studied art at Washington and Lee University in Virginia. In 1950, she traveled up the Inside Passage by steamship, fell in love with Juneau, and gave herself until the boat left the next day to find a job and a place to live. Since then Juneau has been home to Munoz. She began painting small vignettes of Alaska soon after arriving in Juneau, and also studied art at the University of Alaska-Juneau. Munoz painted in oils in what she describes as a "painstakingly realistic" style, which she found stiff and "somewhat boring." Her breakthrough came a few years later when an artist friend introduced her to a versatile, water-soluble paint called casein. The immediacy of this inexpensive medium prompted an entirely new style. Rie's paintings became colorful and carefree, mirroring her own optimistic attitude toward life. With her newfound technique she set about recording everyday scenes of Alaskans at work and at play. Of the many jobs she has held journalist, teacher, museum curator, artist, mother, Munoz recalls one of her most memorable was as a teacher on King Island in 1951, where she taught 25 Eskimo children. The island was a 13-hour umiak (a walrus skin boat) voyage from Nome, an experience she remembers vividly. After teaching in the Inupiat Eskimo village on the island with her husband during one school year, she felt a special affinity for Alaska's Native peoples and deliberately set about recording their traditional lifestyles that she knew to be changing very fast. For the next twenty years, Rie practiced her art as a "Sunday painter," in and around prospecting with her husband, raising a son, and working as a freelance commercial artist, illustrator, cartoonist, and curator of exhibits for the Alaska State Museum. During her years in Alaska, Munoz has lived in a variety of small Alaskan communities, including prospecting and mining camps. Her paintings reflect an interest in the day-to-day activities of village life such as fishing, berry picking, children at play, as well as her love of folklore and legends. Munoz says that what has appealed to her most were "images you might not think an artist would want to paint," such as people butchering crab, skinning a seal, or doing their laundry in a hand-cranked washing machine. In 1972, with her hand-cut stencil and serigraph prints selling well in four locations in Alaska, she felt confident enough to leave her job at the Alaska State Museum and devote herself full time to her art. Freed from the constraints of an office job, she began to produce close to a hundred paintings a year, in addition to stone lithograph and serigraph prints. From her earliest days as an artist, Rie had firm beliefs about selling her work. First, she insisted the edition size should be kept modest. When she decided in 1973 to reproduce Eskimo Story Teller as an offset lithography print and found the minimum print run to be 500, she destroyed 200 of the prints. She did the same with King Island, her second reproduction. Reluctantly, to meet market demand, she increased the edition size of the reproductions to 500 and then 750. The editions stayed at that level for almost ten years before climbing to 950 and 1250. Her work has been exhibited many solo watercolor exhibits in Alaska, Oregon and Washington State, including the Charles and Emma Frye Art Museum, Alaska State Museum in Juneau, Anchorage Historical and Fine Arts Museum, Tongass Historical Museum in Ketchikan, and Yukon Regional Library in Whitehorse; Yukon Territory, and included in exhibits at the Smithsonian Institute and Russell Senate Office Building in Washington, D.C. Munozs paintings have graced the covers of countless publications, from cookbooks to mail order catalogs, and been published in magazines, newspapers, posters, calendars, and two previous collections of her work: Rie Munoz...

The 1981 original illustrated book titled "Beauregard" represents a remarkable collaboration between two artistic giants: Zao Wou-Ki, the renowned Chinese-French painter and printmaker, and Philippe Jaccottet, the celebrated Swiss poet. This limited edition work is numbered 105 out of 120 on vélin d’Arches paper and is notable for its blend of literary and visual artistry. Zao Wou-Ki: The Artist Zao Wou-Ki (1920–2013) was a master of lyrical abstraction, combining Eastern calligraphic traditions with Western modernist movements. His work often evokes a sense of fluidity and balance between abstract landscapes and inner emotional states. By the time of this collaboration, Zao Wou-Ki had already established himself as a leading figure in the international art world, particularly known for his prints and engravings, which brought his dynamic style to the intimate scale of the book. In "Beauregard", Zao Wou-Ki contributed five gravures, showcasing his expertise in etching and aquatint techniques. These illustrations are not mere visual accompaniments to the text; they are integral to the book’s atmosphere, echoing the lyrical and reflective tone of Jaccottet’s poetry. The frontispiece of the book, which is signed by the artist, is particularly significant, as it captures the essence of Zao Wou-Ki’s abstract landscape motifs—inviting the reader to enter a meditative space where visual and poetic imagery merge. Philippe Jaccottet: The Poet Philippe Jaccottet (1925–2021) is revered for his quiet yet profound explorations of nature, existence, and the passage of time. His poetry often reflects a deep connection to the natural world, where landscape and language intertwine to evoke a sense of mystery and transcendence. Jaccottet’s work is known for its subtlety, clarity, and philosophical depth, qualities that make it an ideal complement to Zao Wou-Ki’s art. "Beauregard" is a poetic reflection, likely inspired by Jaccottet’s experiences and contemplations in nature, resonating with the themes of beauty, perception, and the fleeting moments of life. The collaboration with Zao Wou-Ki enhances the reader’s experience, as the abstract gravures create an emotional and visual resonance with the poetry, leading to a rich, multi-sensory engagement with the text. Production and Printing This finely crafted edition was printed with meticulous attention to detail. The typography was handled by Robert Blanchet, a noted French typographer, ensuring that the text’s presentation matched the elegance of Jaccottet’s poetry and Zao Wou-Ki’s artwork. The gravures were printed by the esteemed Lacourière et Frélaut workshop, renowned for its work with prominent artists of the 20th century. The atelier’s mastery in printing delicate and complex etchings allowed Zao Wou-Ki’s artwork to come alive on the page, preserving the depth and texture of his original plates. Rarity and Collectibility This edition of "Beauregard" is extremely rare, with only 120 copies printed on vélin d’Arches paper, a high-quality, smooth paper often used for fine art prints and luxury books...

Mele is a rare colored lithograph, printed by G. Ricordi and C. Milano, Milan, between 1895 and 1914. An advertising poster of the famous Napolitan tailoring society "Mele", in very...

The circa 1900 original poster by Demeure de Beaumont, titled "L'Affiche Belge", is an elegant and artistic advertisement promoting an upcoming publication dedicated to Belgian poste...

The 1969 original exhibition poster for the show titled "Grafica Inglese" held at Galleria Il Centro in Naples is an important example of the mid-20th century's celebration of contem...

Storiauno For Poem of "Inedita" by Giuseppe Ungaretti is a vintage poster on paper realized in the 1970s by Paolo Dorazio. The artwork was realized in the occasion of the exhibition...

Ex-Libris - Dr. Stefan Csanyi is an Artwork realized in The 20th Century. Woodcut on paper.  Good conditions.

Ex Libris Joào Rosa is an Artwork realized in Mid 20th Century. Woodcut print on paper. The work is glued on cardboard. Total dimensions: 20 x 15 cm. Excellent conditions. The a...

Original poster realized by Razzia, of his real name Gérard Courbouleix-Dénériaz, in 1982, in a totally art deco style, in order to promote tourism in the city of Deauville. Razzia ...

The 1905 original poster La Race Maudite by Bruno, published by Le Petit Patriote, is a stark artifact of early 20th-century propaganda. This inflammatory piece reflects the intense ...

Ex libris - Dr. Gerhard Kreyenberg is an Artwork realized in Mid 20th Century. Woodcut colored print on ivory paper.  Hand Signed on back. The work is glued on red cardboard. Total...

Drzwi w Murze is a vintage offset poster on paper realized by M. Wasilewski in 1974. Good condition and aged. Print: M. Wasilewski

Philippe Petit's 1927 Art Deco poster for Clotilde & Alexandre Sakharoff is a mesmerizing piece of visual art that captures the essence of an era known for its opulence and artistic ...

The 1964 original poster by Villemot for the Train Autos-Couchettes service by the French national railway (SNCF) is a significant piece of mid-century advertising history. With the ...

Ex-Libris - Karlis Rozenbergs is an Artwork realized in the 20th Century. Woodcut on paper.  Good conditions. The artwork represents a minimalistic, clean design, through precisen...

Leonetto Cappiello's original 1949 poster for "Le Thermogène engendre la chaleur et combat : toux, rhumatismes, points de côté" is a striking piece of adve...

This powerful World War II Navy poster emphasizes the urgent sacrifices of war and the crucial role of American production at home. The composition blends dramatic illustrations of c...

The original poster created by Auriac for MEA (Middle East Airlines) and its trips to Italy is a remarkable work of art that embodies the spirit o...

Edition Details: Year: 2016 Class: Art Print Status: Official Released: 10/04/16 Run: 450 Technique: Screen Print Paper: Cream Speckle Tone with Gold Leaf Size: 18 X 24 Markings: Sig...

1973 Original poster made by Victor Vasarely for the exhibition Folklore Planétaire. Victor Vasarely was a Hungarian-French artist, who is widely accepted as a "grandfather" and lead...

Artist: Wassily Kandinsky Medium: Lithographic Poster, 1972 Dimensions: 28 x 21.8 in, 71 x 55.4 cm Classic Poster Paper - Excellent Condition A Here is a near angelic representat...

Ex-Libris - Parvits is an Artwork realized in Mid 20th Century. Woodcut on paper. Good conditions. The artwork represents a minimalistic, clean design, through preciseness.

Obey Paint it Black 3, From Series of 3 - Shepard Fairey Contemporary Art Print. 18 x 24 inch dimensions. AP (Artist Proof) apart from the standard edit...

Alexander Calder, American (1898 - 1976) - Galerie Bellint. Year: 1979, Medium: Poster, Size: 32 in. x 20.5 in. (81.28 cm x 52.07 cm)

Beautiful poster created by Kurt Krepcik. Krepcik won the 5th prize in the international competition for this beautiful poster. ERP We are building a new Europe. The European Recover...

Florencio Molina Campos, Argentine (1891 - 1959) - Ayer Hoy Manana, Year: 1961, Medium: Calendar with 6 Offset Reproductions Of Paintings, Image Size: 8.25 x 12.5 inches, Size: 13....

Renzo Vespignani Poster Exhibition is a mixed colored offset print realized in 1971 This print was realized on the occasion of the exhibition dedicated to the artist and held in Gal...

The 1975 exhibition poster "Le labyrinthe collectif d'intervention poétique dans chut ! chut ! chut ! ou l'indicatif néant" by Roman Cieślewicz is a striking visual representation of...

Ex Libris - Vladimir Kotek is an Artwork realized in 1943. Woodcut print on ivory paper. Hand Signed and dated on back. The work is glued on colored cardboard. Total dimensions: 2...

Loden Dal Brun is a beautiful and rare color lithograph printed by G. Ricordi and C. Milano, Milan between 1895 and 1914. A vintage poster representing an elegant couple walking, wi...

The 1971 exhibition poster for Antoni Gaudí at the Van Abbemuseum in Eindhoven captures the architectural genius of Gaudí and his iconic masterpiece, La Sagrada Familia. This design ...

The 1939 original propaganda poster by Zelenskii, titled "Salut au combattants courageux et sans peur - Garde frontières, sentinelles du pays du socialisme!" is a compelling artifact...

The 1957 original poster by A.M. Cassandre for the "Foire de Paris Carrefour mondial des affaires" ("Paris Fair: World Business Hub") stands as a striking example of mid-20th-century...

Circa 1930 original poster for James Hopps & Son's "Il Marsala Classico" stands as a stunning visual masterpiece that transports us back in time to an era of elegance and tradition. ...

Beautiful poster by Otto Nielsen for SAS (Scandinavian Airlines System) and its trips to South America. Otto Nielsen (1916-2000) was an accomplished painter who devoted much of his c...

Henri Matisse's 1984 poster for the "Oeuvres gravées" exhibition at the Galerie Maeght Lelong stands as a radiant masterpiece that pays homage to the art o...

The original poster for “Vanilinový Cukr KVĚTA” is a delightful example of early 20th-century advertising art, combining aesthetic appeal with effective promotion of a household prod...

Science Fiction is an artwork realized by Sergio Sarri in 1978 . Colored lithograph and etching on paper. Hand-signed and dated by the artist on the lower right. Numbered on lower left. Edition 64/180. Good conditions, except for some very light folds along the margins. This contemporary artwork represents a surreal composition where the artist, like in most of his artworks, refers to not only avant-garde art, but also elements from languages that are considered "minor", such as comic strips, illustrations, and cinema genre. Sarri also enjoys collecting advertising...

The 1973 Soviet propaganda poster you’ve shared is a powerful visual tribute to the enduring legacy of the Bolshevik Revolution, a pivotal event in Russian history. The poster captures the revolutionary spirit that shaped the Soviet Union, emphasizing the leadership of Vladimir Lenin and the unity of the working class and peasantry under the Bolshevik banner. At the heart of the design is a commanding image of Lenin, depicted holding a document aloft—a symbol of the revolutionary decrees and the new socialist order he championed. Lenin's stern expression and strong posture convey determination and authority, reinforcing his role as the leader who guided the proletariat to victory. The background features a group of determined figures, representing the workers and soldiers who supported the Bolshevik cause. Their expressions are serious and resolute, reflecting the collective strength and solidarity that were central themes in Soviet propaganda. The use of red, a dominant color in the poster, symbolizes both the blood shed during the revolution and the hope of a communist future. The text on the poster, a quote from Lenin, reads: "The workers' and peasants' revolution, the necessity of which the Bolsheviks have always spoken of, has been accomplished." This declaration emphasizes the realization of the revolutionary goals long advocated by the Bolsheviks, affirming the legitimacy and success of the Soviet state. Created in 1973, this poster marks the 56th anniversary of the October Revolution. By this time, Soviet propaganda had evolved to reinforce the enduring relevance of the revolution's ideals amidst the ongoing Cold War. The poster serves as both a reminder of the Soviet Union’s revolutionary roots and a tool for rallying support for the government’s policies. The stark contrast between the red and green hues, along with the clear, bold typography, are characteristic of Soviet propaganda art...

Crafted by the distinguished French graphic artist Gérard Courbouleix–Dénériaz, popularly known as Razzia, the original 1991 poster "Automobiles Classiques et Louis Vuitton - Clark G...

Wieczory Wawelskie - Poster is a vintage offset print realized in 1975. Good conditions.

Ex Libris - Maria Guillermina - Duarte Catarino - Alves De Azevedo is a Modern Artwork realized in 1970, by the Portoguese Author Miguel Antonio. Ex Libris. B/W woodcut on ivory ...