Women Prints and Multiples

NO PLACE LIKE HOME is a hand drawn, limited edition lithograph(not a photo reproduction or digital print) by the African American artist Louis Delsarte ...

'George I' Copper-line engraving by Pierre Francois Basan (1723-1797) after Founan. Basan (1723-1797) was a French engraver and publisher. George I (1660-1727) was King of Great Britain and Ireland from 1 August 1714 until his death, and ruler of Hanover in the Holy Roman Empire...

This color lithographic poster in seven colors, was designed by Picasso to advertise the Verve 29-30 magazine edition. The famous publisher Tériade produced a special double issue of Verve in 1954 dedicated to a suite of drawings composed during his stay at Vallauris in 1954. With 180 plates including 16 color lithographs after Picasso printed...

Stephen White - The Bead Seller, Year: 1978, Medium: Woodblock on Japon, signed, dated, titled and numbered in pencil, Edition: 6/150, Size: 26.75 x 24.5 in. (67.95 x 62.23 cm)

This exquisite lithograph by Marc Chagall (1887–1985), titled Sans titre (Untitled), from the album The Lithographs of Chagall, Volume III, originates from the 1969 edition published...

Pallas Athene, no. 9 from the third installment of Das Werk Gustav Klimts The Klimt-led Vienna Secession which rebelled against the Academic State-run e...

Alphonse Mucha's name shines like that of a visionary artist who left an indelible mark on the aesthetics of the early 20th century. The year 1902 saw the publication of "Documents d...

This realistic nautical limited edition print by Michel Brosseau captures a view of a small white dinghy boat tied to a dock. Two ores rest inside the small boat, which is surrounded...

From the Nudes portfolio, single sheet titled "Roommates" by Roy Lichtenstein published by Tyler Graphics. Not numbered and unsigned. Paper Size: 11 x 8.5 inches ( 28 x 22 cm ) Imag...

This exquisite etching by Marc Chagall (1887–1985), titled La maison du traktir (The Inn House), originates from the celebrated folio Nicolas Gogol, Les Ames mortes, Eaux-fortes orig...

Auguste Rodin, French (1840 -1917) - Buste de Bellone, Year: 1883, Medium: Etching, signed in pencil, Image Size: 5.25 x 3.5 inches, Size: 13 x 9 in. (33.02 x 22.86 cm), Frame Si...

PABLO PICASSO (AFTER) Tête de Femme au Chapeau. Color lithograph 1956 Sheet size 650x540 mm; 25⅝x21¼ inches, full margins. Proof before letters, aside from the published poster e...

Star Wars 1977 Vintage Lobby Card #4 Size: 10×14″ inches / 25 x 35 cm Star Wars (retroactively titled Star Wars: Episode IV – A New Hope) is a...

signed and numbered lower image edition 7/40 Catalogue raisonné 00269 Internationally recognized painter and printmaker Alex Katz was born in 1927 in Brooklyn, New York. Over a thir...

Printer's Proof Edition Number /5. Beryl Cook's appeal was classless and she rapidly became Britain’s most popular artist. She was a ‘heart and soul’ painter, compelled to paint wi...

Original "Mexico, País de Maravillas" Linen-Backed Vintage Poster, c. 1950s. Grade A- condition. Immerse yourself in the vibrant charm of mid-c...

This is a reproduction of The Bus by Frida Kahlo, published by Museo Dolores Olmedo. The painting depicts a bus stop with people from various segments of Mexican society: a mother an...

Image of a young woman, pondering a question over a cup of coffee. While the images have some resemblance to traditional Japanese Ukiyo-e prints, their sense of whimsy, satire and i...

SINGING THEIR SONGS is a hand drawn limited edition lithograph printed using traditional hand lithography methods on archival Arches paper, 100% acid free created by the highly accla...

A superb, dark impression of a well known scene by Arms. Etching with aquatint on watermarked handmade F.J. Head & Co. laid paper, 12 3/8 x 13 15/16 inches (315 x 354 mm), full marg...

Stunning and iconic portrait of Picasso's wife, Jacqueline Roque, signed in pencil by Picasso and numbered in pencil from the limited edition of 50.

'New York, Central Park', etching, edition 40, c. 1930. Signed in pencil. Titled and numbered '14/40' on the bottom sheet edge, in pencil. Signed in the plate, lower left. A superb, ...

I Cannot Live Without You By David Shrigley David Shrigley is a British visual artist known for his distinctive, darkly humorous drawings,...

Medium: collotype (after the painting). Printed in 1926 at the Leon Marotte atelier and published in an edition of 1000 by Editions des Quatre Chemins. Image size: 8 x 5 inches (202 ...

The awakening of Boaz  is an artwork from the Series "The Bible", by Marc Chagall in 1960. Mixed colored lithograph on brown-toned paper, no signature. Edition of 6500 unsigned lit...

Woodcut on vélin Utopian paper. Unsigned and unnumbered, as issued. Good Condition. Notes: From the folio, Gauguin, A portfolio of 12 color woodblocks, Paul Gauguin, French, 1848-1903 from the collection of the Museum Of Fine Arts, Boston, 1946. Rendered by Albert Carman (1899-1949); published the Museum Of Fine Arts, Boston and The Studio Publications, Inc., New York and London; printed by Holme Press Inc., New York, in an edition of MMMD. Excerpted from the folio, Paul Gauguin and Emil Bernard at Pont-Aven, Brittany, in 1888, each made a bas-relief, wooden panel to decorate a piece of furniture for a friend. In order to keep a record of their designs, a few inked impressions were made on paper. The illustration at left is a reproduction of a print which is possibly one of the above mentioned. It is further possible that this experiment later gave Gauguin the idea of making woodcuts. Just as his work in painting expressed a revolt against the overemphasis on factual representation of the nineteenth century in favor of decorative pattern and color, so also his woodcuts leaned strongly to the same side of the balance. Ten of the cuts reproduced (all excepting Soyez Amoureuses and Changement de Residence), which constitute the whole of his best known series, were made at Pont-Aven beginning in the fall of 1894, after Gauguin's return from his first trip to Tahiti and after he broke his ankle. They were at first roughly cut with a common carpenter's gouge, and the flat surfaces sandpapered and engraved with a sharp in-strument, perhaps an engraver's burin. A few trial proofs were printed in black ink only. Then the hollows were deepened with a woodcutter's gouge and highlights were added. An edition of thirty to fifty impressions of each subject, with the addition of color blocks (one, two or three), was made by Louis Roy...

This artwork titled "Portrait #1" from the suite "After Noon" 1976, is an original color lithograph on Arches paper by artist Richard Lindner (German/American 1901-1978) It is hand s...

Lithograph on vélin d’Arches 300gm paper. Paper Size: 21.8125 x 18.3125 inches. Inscription: Unsigned and unnumbered, as issued. Notes: From the album, For My People, 1992. Published...

ARTIST: Salvador Dali TITLE: Faust Cavalier et la Mort MEDIUM: Etching SIGNED: Hand Signed EDITION NUMBER: 44/95 MEASUREMENTS: 11.4" x 15.3" YEAR: 1969 FRAMED: Yes CONDITION...

Russell T. Limbach, 'Untitled (Modernist Nude)', etching and aquatint, no known edition, c. 1930. Signed in pencil. A fine impression, on cream wove paper, with full margins (1 7/8 to 2 3/4 inches), in excellent condition. Image size 8 15/16 x 5 15/16 inches; sheet size 13 3/8 x 10 1/4 inches. Extremely rare. Matted to museum standards, unframed. Probably created when Limbach was in Paris (1928-1934), where he was exposed to modernist printmaking explorations at Stanley William Hayter’s 'Atelier 17'. ABOUT THE ARTIST Born in Massillon, Ohio, Russell Limbach...

Screenprint in colours on Coventry Rag paper, signed in pencil, numbered from an edition of 30, published by Fort Makers, New York Tunji Adeniyi-Jones is a rising star in the cont...

Below Stairs. 1930-31. Drypoint. Appleby 143. 10 1/4 x 7 3/4 (sheet 15 3/4 x 10 1/8). Edition 100, #31. A very rich, tonal impression on cream-colored laid paper. Unobtrusive soiling in the top left- and lower-left hand margins, just below the platemark; and light mat line just outside the platemark. . Signed and numbered in ink. Housed in a 20 x 16-inch archival mat, suitable for framing. A charming discussion between the chef and a scullery maid in a "Downtown Abbey...

Medium: original linoleum cut. Printed in 1920 for Das Kunstblatt, and published in Berlin by Verlag Gustav Kiepenheuer. Image size: 6 1/4 x 4 1/4 inches (160 x 105mm). Sheet size: 1...

Christo and Jeanne-Claude Wrapped Portrait of Jeanne-Claude, 1963 (Hand Signed), 1988 Offset lithograph postcard Boldly signed by Christo on blue crayon Provenance: Gifted by the art...

Eugène DELACROIX (1798-1863) Tasso in the Madhouse Engraving after a drawing Signed on the plate On vellum 38 x 50 cm INFORMATION: In 1839, Delacroix painted his famous painting "T...

Artist: Mel Ramos, American (1935 - ) Title: Lola Cola Year: 1972 Medium: Lithograph, signed and dated in pencil Edition: 2500 Paper Size: 30.5 in. x 25 in. (77.47 cm x 63.5 cm) Fram...

ARTIST: Salvador Dali TITLE: The Judgment of Paris MEDIUM: Lithograph SIGNED: Hand Signed by Salvador Dali EDITION NUMBER: 226/250 MEASUREMENTS: 21.5" x 29.5" YEAR: 1979 FRAM...

After Gustav Klimt, Max Eisler #10, Ausschnitt aus dem Bilde “Medizin”; multi-color collotype detail from Medicine, one of the faculty paintings for the Uni...

Artist: (after) Edvard Munch (Norwegian, 1863-1944) Title: "Nordjyllands Kunstmuseum (The Brooch. Eva Mudocci)" Year: 1973 Medium: Original Lithograph, Exhibition Poster on heavy wove paper Limited edition: Unknown Printer: Unknown Publisher: Nordjyllands Kunstmuseum, Aalborg, Denmark Sheet size: 35" x 21.5" Image size: 24.75" x 19" Condition: Some minor handling creases. Light toning at edges. In otherwise excellent condition Rare Notes: Printed in four colors: black, black, tan, and red-orange. Produced for a special posthumous exhibition of Munch's work at the Nordjyllands Kunstmuseum, Aalborg, Denmark from August 16 - October 21, 1973. The image featured on this poster is Munch's 1903 lithograph edition "The Brooch. Eva Mudocci", (Woll No. 244, page 208-209). Edvard Munch would build a strong relationship with Eva Mudocci which lasted many years. They were connected through both romance and also friendship, with the two alternating in importance over time. There was a great mutual respect for each other, with Mudocci being a highly talented violinist from the UK who would regularly tour throughout Europe. They first got together in Paris...

Original 1960s fashion design from a Northern Italian fashion house. Sketched and coloured by hand with a pencil sketch of the reverse. The name and description of the outfit is type...

Luis Enrique Camejo (Cuba, 1957) 'Sábanas blancas', 2022 sugar aquatint on paper Canson 320 g. 28.2 x 20.9 in. (71.5 x 53 cm.) Edition of 15 Unframed

Ancient Roman Statue, from the series "Antiquities of Herculaneum", is an original etching on paper realized by Pietro Campana. Signed on plate on the ...

6-colour lithography , edited in 1964 ”Manichino” , the first "trovatore" created by Giorgio De Chirico signed in pencil by artist and numbered as: 20/120 paper size: 42 x 29 cm fram...

A rare and beautiful 18th century bible illustration by a female artist. Engraving on cream laid paper with a "V" shaped watermark, 8 x 4 5/8 inch...

Drypoint and aquatint (brown ink) on cream paper. Signed "Rehn" in pencil on the lower right margin. Titled and numbered in pencil on the lower left margin. Edition of 25 prints. Fro...

Artist: Mel Ramos, American (1935 - 2018) Title: Monterrey Jackie Year: 2010 Medium: Lithograph, signed and numbered in pencil Edition: 199 Size: 32 x 23.5 in. (81.28 x 59.69 cm)

David Najar embellished on canvas "Season Illusion" signed and numbered. in good condition measures 40x28

Artist: Mel Ramos, American (1935 - ) Title: Tea at 5pm (Mondrian and Wesselmann) Year: 2008 Medium: Enamel on Steel, signed and numbered in marker Edition: 125, 25 AP Size: 23.5 x...

A lithograph depicting a woman and her suitors, drawing by John Lennon, print published by his estate (Bag One Arts) in 1986. Date: 1986 Lithograph on ...

Bicentennial Indian by Fritz Scholder, Native American (1937–2005) Portfolio: Kent Bicentennial Date: 1975 Offset Lithograph (unsigned as issued) Image Size: 9.5 x 13 inches Frame Si...

Senghor, Leopold Sedar. POEMS OF LEOPOLD SEDAR SENGHOR with illustrations by Lois Maillou Jones. Limited Editions Club, NY, 1996. Number 88 of the e...

A prolific and tireless innovator of art forms, Pablo Picasso impacted the course of 20th-century art with unparalleled magnitude. Inspired by African and Iberian art and development...

Bold print of "Death Takes the Children" by Kathe Kollwitz (German, 1867-1945). This piece is one of the Lithographic reproductions of the original lithographs, plate 9 from a series...

Saul Steinberg Lithograph c.1970 from Derrière le Miroir: Lithograph in colors. 11 x 14 inches. Very good overall vintage condition. Unsig...

Artist: Hajime Sorayama Title: Untitled (Lenticular Edition) Medium: Lenticular print on Dibond Dimensions: 50 × 36.2 cm (unframed) Edition Size: 500 Includes: COA + artist-signe...

A mischievous tableau with sexual overtones. Tokyo: Shuei-Sha, 1768. Woodblock print in colors printed on laid mulberry paper, 10 3/4 x 7 7/8 inches (273 x 200 mm), full margins. I...

Bernard Picart, 'The Death of Hercules' from 'The Temple of the Muses', engraving, 1730. Signed in the plate, lower left. Titled in French, English, German, and Dutch. A superb, rich...

ARTIST: Salvador Dali TITLE: Alchimie des Philosophes L'Immortalite MEDIUM: Etching on Parchment Paper SIGNED: Hand Signed PUBLISHER: Ar...

This artwork titled "Madame Butterfly" 1986, is an original color serigraph with gold addition by noted American artist Margaret Keane, 1927-2022. It is hand signed and numbered HH 109/150 in pencil by the artist. The image size is 24 x 24 inches, framed size is 39.5 x 38.5 inches. Custom framed in a wooden gold frame, with green fabric matting, gold color bevel and three different colors fillet. It is in excellent condition, the frame have some minor restorations, barely visible. About the artist. Margaret D. H. Keane was born 1927 in Tennessee, and attributes her deep respect for the Bible and inspirations of her artwork to the relationship with her grandmother. She later became one of Jehovah's Witnesses, which she said changed her life for the better. In the 1960s, Margaret Keane's artwork was sold under the name of her husband, Walter Keane. He locked her in a room and forced her to paint,while taking credit for her work. Conflict over that issue was cited as one of the reasons they divorced. Neither wanting to relinquish rights to the artwork, Walter and Margaret's divorce proceedings went all the way to federal court. At the hearing, Margaret created a painting in front of the judge to prove that she was the artist. Walter declined to paint before the court, citing a sore shoulder. In 1986, the courts sided with her, enabling her to paint under her own name. Her works while living in her husband's shadow tended to depict sad children in a dark setting, but after divorcing, moving to Hawaii, and becoming one of Jehovah's Witnesses, her paintings took on a happier, brighter style. Keane is a fixture in popular culture. Some of her well-known fans over the years have included actresses Joan Crawford and Natalie Wood, whom she painted portraits of; filmmaker Tim Burton, who commissioned Keane to paint Lisa Marie; and animator Craig McCracken, whose characters the Powerpuff Girls are based on Keane's 'waifs'; additionally the Girls' schoolteacher is named "Ms. Keane". Cultural references • The American television comedy show Saturday Night Live once had a skit that featured her work, during the time when it was thought to be by her husband, as a parody of the reaction against modern art (e.g., Cubism or the New York Armory Show). "People don't look like that!" one comedian shrieks, before the picture in question was shown to the camera and audience as the punch line. • In Woody Allen's 1973 comedy Sleeper, the people of the future consider Keane to be one of the greatest artists in history, one of many references mocking the popular culture of the seventies. • Late Night with Conan O'Brien has "bumper" art in her style depicting a glum Conan O'Brien at his desk, next to a dog. • Weird Al Yankovic's song Velvet Elvis, in which the narrator says he needs "no pictures of Mexican kids with those really big eyes or dogs playing poker". • In season 3, episode 20 of 90210 (Women on the Verge), Annie is described as looking "like a Keane painting...

Napoleon in the Snow is a hand coloured limited edition drypoint etching by Kate Boxer. The contemporary Kate Boxer artwork depicts Napoleon mounted on his horse. Kate Boxer makes th...