1990s Abstract Sculptures

Dorothy Mayhall's small sculptures are little monuments to be toyed with and handled. They should be picked up, fondled, and examined like a rock or shell you collect on the beach be...

Artist: Thom Cooney-Crawford, American (1944 - ) Title: Four Earth Signs: Wingeo Medium: Bronze Sculpture, signature and number inscribed Edition: 4/5 Size: 20.5 in. x 11 in. x 4 in....

white pine bark and vine

Dorothy Mayhall's small sculptures are little monuments to be toyed with and handled. They should be picked up, fondled, and examined like a rock or shell you collect on the beach be...

Highly polished carved stone form, signed and dated near the base.

Linda Stein, Xylo Brush 330 - Mixed Media Metal Wood Stone Contemporary Art Wall Sculpture In the 1990s Linda Stein began to work on a series called Blades, sculptural works that in...

"Copernicus' Midnight Sun" from "Worlds in Collision" Large Sculpture Series by Isobel Folb Sokolow Welded steel, welding rod and gold leaf Sokolow welds organic abstract forms fro...

Eric Rhein “Butterfly Girl” 1992-1995 Accompanied by a certificate of authenticity Steel, brass, and gold-filled wire, thread, glue, and found object...

Wood was integral to the artistic practice of the late Markku Kosonen of Finland. An important aspect of his work was the ability to express things; cra...

Robert Winslow's 'Vessel" is carved from fine grain black Pennsylvania granite. Winslow's signature stonework is apparent in this finely polished granit...

SALE ONE WEEK ONLY "Medusa Tree" is a free-flowing sculpture of cane that suggests a figure either emerging from or descending into a tangle of twisting lines. Several parts are painted red or blue or stripped that gives a contrast to the black structure and a spark of energy shooting forth. This piece seems experimental from her more conservative pieces that can be easily identified as basketry, paper forms and shaped objects. Danielle Bodine...

Red, purple, and blue modernist biomorphic mobile sculpture by Jon Jon Krawczyk. Signed by the artist at the bottom of the piece. Artist Biography: A graduate of Connecticut College, Krawczyk has studied fine art throughout Europe and apprenticed with various acclaimed sculptors. He realizes his biomorphic sculptures by cutting sheet stainless steel or bronze and welding, pounding and shaping with focused heat. Each sculpture is therefore unique, as the works are never cast from a mold. Krawczyk draws inspiration from artists such as Picasso, Henry Moore and David Smith. He is not only influenced by the obvious masterful techniques of these artists, but also by their philosophies of the sculptural process. Jon Krawczyk works in stainless steel, either brushed or highly polished, and in bronze, to which he applies intense patinas of earth tones and bright blues and greens. These works appear to have the geological marks of boulders, as sentinels that look comfortable in natural environments, can be abstract tendrils or wispy smoke-like forms that defy gravity, or long, thin, yet powerful lines that seem to jump into the sky. His most recent highly polished stainless steel sculptures...

Artist: Arman, French/American (1929 - 2005) Title: Paintbrushes II Year: 1991 Medium: Paintbrushes and Oil Paint in Epoxy Resin Sculpture, Signature and number inscribed Edition: 20...

An accumulation sculpture of paintbrushes by the great accumulator sculptor, Arman. This work features 13 paintbrushes with various shades of paint in oranges, greens, and reds again...

Column XII (Strange Fruit), John Van Alstine. This unique sculpture will be shipped directly from the artist's studio. Stone and metal, usually granite or slate and found object st...

Cornucopia With Columns, John Van Alstine. Stone and metal, usually granite or slate and found object steel are central in my sculpture. The interaction of these materials is a majo...

Crossover, John Van Alstine. Stone and metal, usually granite or slate and found object steel are central in my sculpture. The interaction of these materials is a major focus. On the...

Rolf Hans Frankfurt 1938 - 1996 Basel Set of 4 bird sculptures, 1990 Wood, paint Each signed on the underside 131/121 x 20 x 11.5cm The sculpture comes with a catalog about the artist. Provenance: Estate of the artist Authenticity confirmed in writing At the beginning of the 1970s, Rolf Hans began designing objects for the first time. These were small sculptures that he assembled from iron pipes with round or square profiles. With these, he sought to create a new, three-dimensional reality of experience, parallel to his paintings, which he was creating at the same time. In 1987, Hans returned to the medium of sculpture. He no longer regarded the working process as conscious construction, but rather as allowing himself to be guided by what was already there. And as with his paintings, his objects now arose from an inner necessity, not to fill an intellectual vacuum. "This compulsion has had a hold on me for decades, and for a few years now I have been trying to appease it with the cycle 'Poesie der Dinge' (Poetry of Things). The intellectual climate was ripe." So Hans concentrated on working on the sculpture cycle in the last decade of his life. And as if in a frenzy, he drew on the new possibilities offered to him by the design of the objects: "The poetry of things grows, it swallows up all my time, many things are neglected, hardly any letters, the diary is largely silent, concert visits are limited to the essentials. A compulsion arises, and yet it began as a game, but experiments were always a serious matter that demanded the whole man. [...] The objects have crept into my rational mind, cautiously and unnoticed, claiming their place, taking it, becoming part of myself." "It's a difficult thing with art. Looking at your predecessors, you try to find your way, the spirit of the times and its aesthetics influence the direction, you know about the dissatisfaction in which you move. Now, in the midst of the 'poetry of things', there is a feeling of freedom, yet closely connected to much that came before. There is no program, only a title that allows each work its freedom." But despite the role models before his eyes, Hans succeeds from the outset in finding his own unique ways of expression with his object cycle. What connects him to Max Ernst, Brancusi, and Duchamp is solely the source material: found objects. These are very mundane things from everyday life—once necessary, useful, and practical items such as tools, utensils, and devices—that have been stripped of their function and now serve as a gateway to the artist's imagination. In this way, Hans strips things of their previous, traditional function or archaic purpose and transports them into a different, new reality in order to breathe new life into them. In doing so, he does not want to deny the found form without aestheticizing it. By making only minor changes to their 'innate' structure, signs of wear, and color, he seeks to emphasize their meaning and purpose as form and to redefine their inherent charisma. The objects are worked on, forced to reveal their unique characteristics in their struggle with the artist and to make new statements in connection with other objects. In this way, Hans presents the abstract symmetries of the wood and metal objects without any artificiality and places them on a pedestal in accordance with artistic tradition. Furthermore, he integrates the pedestal into the work. As the lowest component, the pedestal not only prepares the viewer for the sculpture, but also loosens, loosens, or strengthens its connection to the earth. By raising them up, he gives the sculptures a further life of their own, a second existence, so to speak, and also gives them a new identity with a new name. "They show their personality, some more, some less, as is the case in life, or in art." What they all have in common is their influence from the past into the here and now. In doing so, they reveal their original beauty and the mysticism that fires our imagination. However ambivalent the sculptures and objects by Rolf Hans may appear to us, they never do so in a loud or exalted manner. With their balanced and simple appearance, they quietly and calmly, but decisively, enter into contact with us. In an unsettling way, they repeatedly prompt us to ask questions: Who am I? Where do I come from? Where am I going? They offer us no clues that might help us answer these questions. Instead, they give us all the more scope for associations and imagination. They appeal to our subconscious. They invite us to linger and meditate: it is the familiar beginning and the unconscious departure into the mysteries of creation. Exhibitions (selection) 2023 Kunsthandel Draheim, position berlin art fair 2023 Galerie Jörg Schuhmacher, Frankfurt am Main "Rolf Hans-Farbenspiel" 2022 Galerie Michael Blaszczyk, Bad Homburg, Rolf Hans, "Einblicke Hommage Reflexion" 2021 Jörg Schumacher Gallery, Frankfurt am Main "Rolf Hans-Farbwelten" 2021 Michael Blaszczyk Gallery, Bad Homburg "Sprache der Farben-Das Baseler Kabinett" 2020 Malte Ueckermann Art Dealers, Berlin, Kanalidarte, Brescia "Che cosa avrebbe detto Hegel_ROLF HANS... e la Poesia della cose," Italy Kunsthandel Draheim "art Karlsruhe," "Poesie der Dinge" 2019 Jörg Schuhmacher Gallery, Frankfurt am Main, Blaszczyk Gallery, Bad Homberg 2018 Art Karlsruhe, Kunsthandel Draheim, Wiesbaden, Color Fields 2018 Galerie Dekker, Baden-Baden, Retrospective Galerie Blaszczyk, Bad Homburg 2017 Gallery Eklektik, Monte Carlo, Monaco 2016 Galerie Schuhmacher, Frankfurt am Main 2016 Galerie Cerny Partner, Wiesbaden (Language of Colors) Art Karlsruhe, Kunsthandel Draheim, Wiesbaden (Tachist Painting + Iron Sculptures) Galerie Rainer Klimczak, Viersen Galerie Schuhmacher, Frankfurt am Main (Black on White) 2015 Galerie Blaszczyk, Bad Homburg art Karlsruhe, one Artist show (Galerie Cerny und Partner) Gallery Eklektik, Monte Carlo, Monaco 2014 Jörg Schuhmacher Gallery, Frankfurt am Main (A Retrospective-1) Tristan Lorenz Gallery, Frankfurt am Main (A Retrospective-2) Hellhof Gallery, Kronberg im Taunus (Works from 1960–1980) Art Fair, Cologne, Monochrome Painting (Draheim Gallery Art Dealers, Wiesbaden) 2013 Kunsthandel Thole Rotermund, Hamburg (In the Force Field of Color) + catalog Galerie Kunsthandel Draheim, Wiesbaden (Painting Sculpture 1970–1990) 2012 art KARLSRUHE, one Artist show (Galerie Art Dealers Draheim, Wiesbaden) 2011 Gallery Art Dealers Draheim, Wiesbaden (In the Rush of Colors – Works from the 1960s) 2009 Ketterer Kunst, Berlin (Rolf Hans – Painting and Sculpture) Art Dealers Michael Draheim, Wiesbaden (Rolf Hans – Poetry of Things) 2008 Galerie Art Mayence, Mainz (Rolf Hans – Language of Colors) Galerie Jörg Schuhmacher, Frankfurt am Main (Rolf Hans) Galerie Winterberg, Munich (Rolf Hans – The Language of Colors) Galerie Jörg Schuhmacher, Frankfurt am Main, Art Karlsruhe (Rolf Hans – One Artist Show) 2007 Galerie Jörg Schuhmacher, Frankfurt am Main ("Rolf Hans in the Field of Tension of the 'Quadriga'") 2001 Kunstraum Aare, Olten ("Rolf Hans – Paintings, Sculptures, Photographs") 1999 'Kunst im Liebrüti', Kaiseraugst ("Martin Frigg and Rolf Hans") 1992 Kommunale Galerie, Schlangenbad ("Gabriele Schmolk-Hieber, Paintings – Rolf Hans, Objects") 1991 Museum Schloß Salder, Salzgitter ("Poetry of Things") 1990 Galerie Brechbühl, Grenchen ("Poetry of Things") 1985 1985 Toni Brechbühl Gallery, Grenchen ("Two Friends, Ho-Kan, Milan – Rolf Hans, Basel") Toni Brechbühl Gallery, Grenchen ("Rolf Hans – Oil...

David Kimball Anderson’s work is bold and graceful, respectful and spiritual. A practicing Buddhist and avid surfer as well as a sculptor, Anderson has given way to 4 decades of work...

Black No II Blue, Red, wool, coco ropes, 66" x73", 1991. This contemporary abstract hand-woven tapestry, wall sculpture was done by Kari Stiansen. Kari Stiansen is a Norwegian Post...

Artist: Chris Berti Title: Untitled Year: circa 1990 Medium: Hand-Carved Wood, signature inscribed on stem Size: 10 x 30 x 10 in. (25.4 x 76.2 x 25.4 cm)

Artist: Thom Cooney-Crawford, American (1944 - ) Title: Four Earth Signs: Lunette Medium: Bronze Sculpture, signature and number inscribed Edition: 4/5 Size: 21.5 in. x 7 in. x 3 in....

Blue Rain Glaze on White, Dutch Series (28.5 x 21.5 x 2.5 inches, each) Publication, Jun Kaneko, Dutch Series Between Light and Shadow, page 48 b. 1942, Nagoya, Japan Jun Kaneko’s ...

This is a wall sculpture of a protruding abstract organic appendage form. They are in the form of Surrealist fantastic flora and fauna. It is from her 1990-1995 series called tondos & squares. This is a mixed media sculpture composed of plastic/resin (it looks like blackened steel), rubber and metal wire. Hand signed verso. This sale is for one. I have 5 of them available, they make a great wall installation grouping. Carol K. Brown is an American woman artist born in Memphis, Tennessee and lives and works in New York and Miami Beach, Florida. Brown works with sculpture, painting, photography, video, digital and installation art. She has received the State of Florida Fine Arts Fellowship (1983), Southeastern Center for Contemporary Art Fellowship (1986), and two National Endowment for the Arts Fellowship (1984 and 1986). Her work is owned by the Perez Art Museum Miami, the Museum of Contemporary Art San Diego, the Memphis Brooks Museum of Art, and the Herbert F. Johnson Museum of Art at Cornell University. She is a professor of sculpture at the New World School of the Arts in Miami. She was included in the show Making Art in Miami along with Jose Bedia; Consuelo Castaneda; Quisqueya Henriquez...

Artist: Thom Cooney-Crawford, American (1944 - ) Title: Four Earth Signs: Out of the Bronze Tree Lunette Medium: Bronze Sculpture, signature and number insc...

This is a wall sculpture of a protruding abstract organic appendage form. They are in the form of Surrealist fantastic flora and fauna. It is from her 1990-1995 series called tondos & squares. This is a mixed media sculpture composed of plastic/resin (it looks like blackened steel), rubber and metal wire. Hand signed verso. This sale is for one. I have 5 of them available, they make a great wall installation grouping. Carol K. Brown is an American woman artist born in Memphis, Tennessee and lives and works in New York and Miami Beach, Florida. Brown works with sculpture, painting, photography, video, digital and installation art. She has received the State of Florida Fine Arts Fellowship (1983), Southeastern Center for Contemporary Art Fellowship (1986), and two National Endowment for the Arts Fellowship (1984 and 1986). Her work is owned by the Perez Art Museum Miami, the Museum of Contemporary Art San Diego, the Memphis Brooks Museum of Art, and the Herbert F. Johnson Museum of Art at Cornell University. She is a professor of sculpture at the New World School of the Arts in Miami. She was included in the show Making Art in Miami along with Jose Bedia; Consuelo Castaneda; Quisqueya Henriquez...

This is a wall sculpture of a protruding abstract organic appendage form. They are in the form of Surrealist fantastic flora and fauna. It is from her 1990-1995 series called tondos & squares. This is a mixed media sculpture composed of plastic/resin (it looks like blackened steel), rubber and metal wire. Hand signed verso. This sale is for one. I have 5 of them available, they make a great wall installation grouping. Carol K. Brown is an American woman artist born in Memphis, Tennessee and lives and works in New York and Miami Beach, Florida. Brown works with sculpture, painting, photography, video, digital and installation art. She has received the State of Florida Fine Arts Fellowship (1983), Southeastern Center for Contemporary Art Fellowship (1986), and two National Endowment for the Arts Fellowship (1984 and 1986). Her work is owned by the Perez Art Museum Miami, the Museum of Contemporary Art San Diego, the Memphis Brooks Museum of Art, and the Herbert F. Johnson Museum of Art at Cornell University. She is a professor of sculpture at the New World School of the Arts in Miami. She was included in the show Making Art in Miami along with Jose Bedia; Consuelo Castaneda; Quisqueya Henriquez...

This is a wall sculpture of a protruding abstract organic appendage form. They are in the form of Surrealist fantastic flora and fauna. It is from her 1990-1995 series called tondos & squares. This is a mixed media sculpture composed of plastic/resin (it looks like blackened steel), rubber and metal wire. Hand signed verso. This sale is for one. I have 5 of them available, they make a great wall installation grouping. Carol K. Brown is an American woman artist born in Memphis, Tennessee and lives and works in New York and Miami Beach, Florida. Brown works with sculpture, painting, photography, video, digital and installation art. She has received the State of Florida Fine Arts Fellowship (1983), Southeastern Center for Contemporary Art Fellowship (1986), and two National Endowment for the Arts Fellowship (1984 and 1986). Her work is owned by the Perez Art Museum Miami, the Museum of Contemporary Art San Diego, the Memphis Brooks Museum of Art, and the Herbert F. Johnson Museum of Art at Cornell University. She is a professor of sculpture at the New World School of the Arts in Miami. She was included in the show Making Art in Miami along with Jose Bedia; Consuelo Castaneda; Quisqueya Henriquez...

Dina Recanati Cosmos Series (they look like outer space or abstract desert landscapes) 2003 Metallic paint, acid etched on aluminum, wood Hand signed and dated on side Dina Recanati (born Diane Hettena; 1928 – 2021) was an Israeli artist, sculptor and painter. Diane Hettena was born in Cairo, Egypt. In 1946, she married Raphael Recanati in Tel Aviv, Mandatory Palestine. Went to London to study History and Art 1946-1948. Moved to New York 1948. Raised two sons, Oudi and Michael. Attended Art Student League 1959-1962. Studied with Jose de Creft and John Hovannes. Beginning in 1964, she was active on the board of the America-israel Cultural Foundation. In the 1970s, she was a member of the board of the Israel Museum and in the 1980s Bezalel Academy of Art & Design, Jerusalem. At the same time as she was working as an artist, she was also collecting artwork. She lives and works in Herzliya and New York. Most of Recanati's work is in the medium of sculpture. Her works, which contain images of books or parchment, have been influenced by American abstract expressionism in their use of swaths of color. In the 1980s and 1990s, she worked widely in sculptures in the public domain. Dina Recanati was a proponent of Israeli art and supported many Israeli artists. In the 1950s and 1960s, she showcased the work of beginning artists at the 5th Avenue branch of Israel Discount Bank in New York City, while growing Discount Bank’s art collection. She has gone on to exhibit worldwide with permanent works in the Israel Museum, Tel Aviv Museum, Ben Gurion Airport, The Jewish Museum (New York) among others. She is the recipient of the AICF AVIV Award and The Council for a Beautiful Israel Yakir Award. She was represented by Flomenhaft Gallery in New York City (was included in the Feminist Art Project along with Miriam Schapiro) and Gordon Gallery in Tel Aviv. Recanati died in Herzliya Pituah at the ate of 93. Israeli Art: Painting, Sculpture, Graphic Work. Tel Aviv Museum of Art, Tel Aviv 1971 Artists: Igael Tumarkin, Bezalel Schatz, Yehiel Shemi, Buky Schwartz, Dina Recanati, Menashe Kadishman, David Palombo, Itzhak Danziger, Sorel Etrog, Yaacov Agam, Jakob Steinhardt, Louise Schatz, Anna Ticho, Ruth Schloss, Moshe Castel, Yohanan Simon, Lea Nikel, Marcel Janco, Mordecai Ardon etc. 40 From Israel: Contemporary Sculpture & Drawing Israel: Contemporary Sculpture & Drawing Brooklyn...

Artist: Arman, French/American (1929 - 2005) Title: Paintbrushes III Year: 1991 Medium: Paintbrushes and Oil Paint in Epoxy Resin Sculpture, Signature and number inscribed Edition: 2...

"You Have the Right to Remain Silent" Wood Panel Original Painting and Carving Elaborate collage, painting and carved sculpture by Mickey "Kano" Kane (American, 20th century). In Yo...

Little sculpture by the south france sculptor Edmond Vernassa. Signed. Né à Nice, le 3 septembre 1926, Vernassa dessine et sculpte dès son plus jeune âge. Il obtient un CAP d’électr...

Copper and wood box. "Americordo #7" is composed of copper tiles inlaid to the bottom half of the box and on the top rests a patinated etched copper or bronze circle. The box when closed measures to be 17" Sq. x 3.5" H. David Barr (1939-2015) is an American sculptor and painter from Detroit, MI. Known for constructivist sculpture, architecture and surrealist, assemblage box sculpture collage works. Born in 1939, Barr is an internationally known artists and has created many installations in natural settings. Vault took over a year to complete. His sculptures represent mathematics, geography and structurist nature, and otherwise known as "geo-structures." This one is kinetic and can be moved around. Barr is a graduate of Wayne State University and recipient of the WSU Distinguished Alumni Award. Influenced by sculptor Charles Biederman. In 1995 he founded the Michigan Legacy Art Park, and has pieces at the Chrysler World Headquarters, Flint's Bishop Airport, the Detroit Zoo, the State of Michigan Historical Museum and the Meadowbrook Festival Grounds Barr earned a master’s of fine arts degree from Wayne State University and was an associate professor of sculpture at Macomb Community College in Warren for 37 years. He worked on perhaps the largest sculpture in the world, the Four Corners Project, with installations at Greenland, Africa, Irian Jaya (New Guinea) and Easter Island. His sculptures are located all over the state of Michigan, but perhaps his most recognizable is Transcending, a blend of bronze, steel and granite that acknowledges the contributions of Detroit’s laborers and skilled tradespeople. David Barr is the founder of Michigan Legacy Art Park. David’s career as an artist, instructor, author and global thinker has crossed borders around the world, bringing people and ideas together. Over fifty years as a sculptor, David created a body of work that includes hundreds of wall-hanging structurist reliefs, sculptures for public spaces (such as Transcending in Hart Plaza, Detroit done with Sergio De Giusti), works for private collections, massive global projects (such as The Four Corners Project) and Michigan Legacy Art Park. David’s studio was in Detroit for fifteen years until he realized he needed nature as a source of inspiration. In 1977 he bought 4 acres of land in rural Oakland County (now Novi) and in 1979 built his home, a contemporary structure that has become the centerpiece of his own art park. His work is included in the collection of outdoor sculptures at The Dennos Museum Center along with Clement Meadmore, Hanna Stiebel...

This pair of bronze sculptures by Catherine Lee, from 1995, is a minimalist abstract that would work well in any contemporary space. Artist:...

Artist: Pieter Wiegersma Title: Orange Square Year: 1992-94 Medium: Unique 3-D Acrylic on Wood Construction, signed verso Size: 14 x 13 x 3 inches

This is an interesting bronze sculpture multiple art work signed by the Italian Artist Beppe Bonetti. Title Northern Tale This is a multiple of a numbered edition of 500 pieces. The...

"Dancing Doll" is a painted steel sculpture by Ralph Wickstrom created in 1994. One of Wickstrom's more representational pieces, though still considered abstract. Yet, at first glance, the viewer may not catch the whimsical dancing figure. Arms outstretched and hollow head with a triangle body, the sculpture resembles the stick figures so often seen on restroom signs...

"Nike" by Mark Leichliter one-of-a-kind abstract Sculpture ​ 14"x10"x4" Carved Limestone ABOUT THE ARTIST: ​I was born in Loveland, Colorado and now reside in nearby Fort Collins....

An original unique bronze and silver leaf abstract sculpture by Roberley Bell. This dynamic work from the artist's "Lake Erie and Other Waters" series can...

​"Casa De La Serpiente" - House of the snake, 29/60, 1996 aluminum, paint, signed.​ Edgard Negret was born in 1920-2012 Colombia. He studied at the Scho...

An original unique bronze and patina abstract sculpture by Roberley Bell. This dynamic work from the artist's "Lake Erie and Other Waters" series can be h...

An original unique bronze and patina abstract sculpture by Roberley Bell. This dynamic work from the artist's "Lake Erie and Other Waters" series can be h...

Al Loving Have a Nice Day, 1992 Mailbox, acrylic paint, rag paper 8 1/2 inches high x 6 1/2 inches wide x 18 3/4 inches deep Al Loving studied painting at the University of Illinoi...

Pompeo Pianezzola was a very important figure in the Italian art scene, especially in the world of 20th-century ceramics. He was able to combine the tradition of Nove pottery with in...

Unique brutalist abstract assemblage wall sculpture by Texas artist Ann Bengtson. The work incorporates a large swirl pattern at the top of the piece as w...

Robert Segal’s abstract sculpture offers a particularly fertile ground for experiments in shape, color, proportion, and technique. He steps away from non-traditional sculpting method...

"Material Pleasures: Artemisia", acrylic on linen, dyes on rayon; woven, 53" x 77", 1993. This contemporary abstract mixed media tapestry was done by California-based American fib...

Sam Gilliam (1933–2022) is beloved as one of the 20th century's most important abstract artists. He was a true innovator in the evolution of American abstraction. He is credited with...

The material of choice for Neil Tetkowski's abstract sculptural work comes directly from the Earth. Most often he uses clay, which he believes is the perfect medium to express his re...

Stamped with the artist’s monogram, dated 94 and numbered 6/6 (on the reverse) Bronze, on York stone base Executed in 1994, this work is number 6 from an edition of 6. Provenance: ...

Odchodzacy (Departure II), wool, cotton & stilon, 92" x 36", 1993. This large figurative, abstract tapestry was done by textile artist, Lilla Kulka (b. 1946, Krakow, Poland). Arti...

Richard DeVore Untitled Vessel with Void (INV# NP5224) stoneware, and glaze 4.5 x 14 x 14" date unknown Richard DeVore (1933 - 2006) was one of the most important American ceramicis...

The Hand of Creation is double life-sized; four times the mass of a human hand. Sherman desired to make a hand that expresses gentility, wisdom, and beauty. He chose a woman's hand a...

"Crucible" by John Ruppert Aluminum chain link fabric, stainless steel Over the past 35 years, John Ruppert has been working in cast metals; manufactured...

Dorothy Mayhall's small sculptures are little monuments to be toyed with and handled. They should be picked up, fondled, and examined like a rock or shell you collect on the beach be...

Dorothy Mayhall's small sculptures are little monuments to be toyed with and handled. They should be picked up, fondled, and examined like a rock or shell you collect on the beach be...

Dorothy Mayhall's small sculptures are little monuments to be toyed with and handled. They should be picked up, fondled, and examined like a rock or shell you collect on the beach be...

"Miro, Miro, On the Wall... Who's the Fairest of Them All?..." is a painted wood birdhouse homage to Miro signed by Kyle Zubatsky. This piece is surroun...

1999 - Comes w/ Base Llisa Demetrios has been a bronze sculptor for over twenty years. She often begins a series by making small wood maquettes and then fabricating in bronze in her studio. The Lunar Asparagus series and the Titan series, ranging in scale from 12 inches to 10 feet tall in both indoor and outdoor settings, are often made in pairs or trios, and incorporate the negative space between the sculptures, forming a virtual additional sculpture. In her Lunar Asparagus series, Demetrios drew inspiration from ancient obelisks and totemic emblems. She enjoys the idea of using modern welding skills with the traditional material of bronze. Demetrios has also had an ongoing interest in portraying time in sculpture, as in the textured layers of the earth in the Inner Core Sample...

Ben McLeod (b. 1948, Aberdeen, Scotland) is a preeminent Canadian sculptor whose over five-decade practice is characterized by a profoundly self-propelled trajectory and the cultivat...