Small Sculptures

Boris Paval Conen Senne, sitting H50xD50xW30 cm lime wood Unique/ one piece The sculptures of the Amsterdam artist Boris Paval Conen, mainly made of wood,...

Leonard Baskin (1922-2000) Fruitfulness From Permanence signed, edition 3/8 Bronze, 1967 19.5 X 16 X 1.5 inches The inspiration for this work was a Bernini sculpture Elephant Carrying Obelisk, a 17th century commission outside an ancient temple dedicated to Minerva the goddess of wisdom. It was one of several works from 1967 on a theme of continuity Leonard Baskin (August 15, 1922 – June 3, 2000) was an American sculptor, illustrator, wood-engraver, printmaker, graphic artist, writer and teacher. Baskin was born in New Brunswick, New Jersey. While he was a student at Yale University, he founded Gehenna Press, a small private press specializing in fine book production. From 1953 until 1974, he taught printmaking and sculpture at Smith College in Northampton, Massachusetts. Subsequently Baskin also taught at Hampshire College in Amherst, Massachusetts. He lived most of his life in the U.S., but spent nine years in Devon at Lurley Manor, Lurley, near Tiverton, close to his friend Ted Hughes, for whom he illustrated Crow. Sylvia Plath dedicated Sculpto to Leonard Baskin in her famous work, The Colossus and Other Poems (1960). The Funeral Contege (1997) bronze, Franklin Delano Roosevelt Memorial, Washington, D.C. His public commissions include a bas relief for the Franklin Delano Roosevelt Memorial and a bronze statue of a seated figure, erected in 1994 for the Holocaust Memorial in Ann Arbor, Michigan. His works are owned by many major museums including the Metropolitan Museum of Art, the Museum of Fine Arts, Boston, the Museum of Modern Art, the Art Institute of Chicago, the Boca Raton Museum of Art, the British Museum, the Honolulu Museum of Art, the Udinotti Museum of Figurative Art and the Vatican Museums. The archive of his work at the Gehenna Press was acquired by the Bodleian Library at Oxford, England, in 2009. The McMaster Museum of Art in Hamilton, Ontario owns over 200 of his works (some religious and biblical), most of which were donated by his brother Rabbi Bernard Baskin. Contemporary Religious Imagery in American Art. Catalog for an exhibition held at the Ringling Museum of Art, March 1-31, 1974. Artists represented: David Aronson, Leonard Baskin, Max Beckmann, Hyman Bloom, Fernando Botero, Paul Cadmus, Marvin Cherney, Arthur G. Dove, Philip Evergood, Adolph Gottlieb, Jonah Kinigstein, Arman, Rico Lebrun, Jack Levine, Louise Nevelson, Barnett Newman, Abraham Rattner, Ben Shahn, Mark Tobey, Max Weber, William Zorach and others.In 1955, he was one of eleven New York artists featured in the opening exhibition at the Terrain Gallery, they showed many great artists, Chaim Koppelman, for many years, headed the gallery's Print Division; printmakers such as Will Barnet, Leonard Baskin, Robert Conover...

THE ARTIST IS ALWAYS OPEN FOR COMMISSIONS FOR YOU!!! MONEY CAT MR. LUCKY TP. 0003 2025 ALTERATION ART . . . is a collaboration process between Rick Wolfryd, fine artist and art d...

'Maina' is a contemporary abstract cast glass sculpture by David Ruth from his Internal Space series. It features painterly brushstroke formations in glass called trails. Trails are created through rolling molten glass into various forms and shapes. They are then placed within clear glass and fused into one large piece through kiln casting. This technique creates a layered, suspended, and vibrant three-dimensional space within. About the Internal Space Series: David’s experiments with sheet glass and fusing led him to try to make the glass thicker to see more interior space. It was during this time a professor pointed out that he was working with a metaphor, for which the internal space of the glass was the equivalent to the internal life of the mind. This became his operating mantra but also forced him to come to terms with the casting of thick sections. “Creating those internal spaces came with some problems. Other than telescope mirrors, I did not know that anyone annealed glass in a kiln for more than a day or two. When pieces cracked after five...

"Hip, Hip, Hooray!", hand-carved wooden wall sculpture by Hudson Valley artist, Stephen Walling, made in 2019 24 x 24 x 2.5 inches Carved wood and acrylic paint on panel Signed, ver...

Atticus Adams' organically composed modern metal sculptures embody the transformative power of art, illustrating the creation of beauty, meaning, and emotional impact from industrial...

ALTERATION ART . . . is a collaboration process between Rick Wolfryd, fine artist and art dealer with over 40 years experience, and various Mexican Huichol artists and Mexican Huicho...

This contemporary sculptural indoor porcelain vessel was made by Susan Collett. The exquisite hand-built porcelain vessels of Susan Collett have garnered her international praise an...

The mysterious artworks by Rachel Ann Stevenson invite you into a dream world. Rachel Ann sees artists as day dreamers who can show the impossible...

Balloon Dog (Blue) 2021. Porcelain with metallic chromatic coating Limited edition of 69/799 ex. Certificate of authenticity and the original box. Incised signature, edition number, titled and dated on the underside. Produced by Bernardaud, Limoges, France. Jeff Koons is an American pop artist, born in York, Pennsylvania in 1955 to a mother who was a seamstress and a father who worked as an interior decorator. He is known for working with popular culture subjects and for his reproductions of banal objects. His works have sold for important amounts, including one world record auction price for a work by a living artist. Jeff Koons had an early interest in art and as a teenager he admired Salvador Dalí. He studied painting at the Maryland Institute College of Art in Baltimore and the School of the Art Institute of Chicago. As a student he met the artist Ed Paschke who became a major influence and for whom he worked as a studio assistant in the late 1970’s. In 1977 Jeff Koons moved to New York City where he worked at the Museum of Modern Art whilst establishing himself as an artist. In the 1980’s he began working as a Wall Street commodities broker in order to finance his art projects. He wanted to be independent from the art market and has expressed that: ”I could make exactly what art I wanted to make. And I would always know that I didn’t need the art market.” In the mid-1980’s Jeff Koons gained prominence and recognition as part of a generation of artists who explored the meaning af art in a media-saturated era. He set up a factory-like studio in a SoHo loft with over 30 assistants. Since his first solo exhibition in 1980 Jeff Koon’s work has been shown in major galleries and institutions throughout the world. His work was the subject of a major exhibition organized by the Whitney Museum of American Art, Jeff Koons: A Retrospective in 2014, which traveled to the Centre Pompidou Paris and then further to Guggenheim Bilbao in 2015. His most recent series, Gazing Ball Paintings, was exhibited for the first time at Gagosian Gallery, New York in 2015. The artist has earned renown for his public sculptures, such as the monumental...

Artist: Jeff Koons Title: Balloon Dog (Blue) Year: 2021 Medium: Porcelain with metallic chromatic coating Dimensions: 15 3/4 x 18 7/8 x 6 3/16 inches (40 x 47.9 x 15.7 cm) Edition: 7...

The Skipper (Le Pacha) is a smoke sandstone, steel and cotton sculpture by French contemporary artist Cécile Raynal, dimensions are 50 × 31 × 25 cm (19.7 × 12.2 × 9.8 in). The sculpt...

Peter Anton’s (b. 1963, New Haven, Connecticut) primary subject matter is food with an emphasis on chocolates and other sweets. Anton creates giant realistic sculptures and is best k...

19th Century Bronze Figure of Crouching Venus or Naked Aphrodite Bronze with dark patination 22.5 x 13 x 11 inches The Crouching Venus is a Hellenisti...

This work encapsulates Zura's deep exploration of the human form, rendered with raw immediacy and emotional resonance. The sculpture’s sensuous curves and rough, tactile surface invi...

18 x 24 x 8 inches styrofoam and venetian plaster Black and white three dimensional floating high contrast wall sculpture with clean lines Dai Ban presents new series of minimalis...

"Pearl Royale Chess Set" 14K White Gold Diamonds Ed. of 3 by Colin Burn Medium: 18K White Gold, Diamonds, Sapphires South Sea Pearls Limited Edition - 3 Only Edition: Artist Proof 1/1 NOTE: preparation time may take up to 12 weeks. Pearl Royale Limited Edition Chess Set Crafted in solid 18K white gold and pave set with more than 510 carats of fine diamonds, the Pearl Royale stands as the world’s most opulent chess set ever created. This unique and lavish chess set radiates pure opulence through the finest quality materials, design, and workmanship. Handcrafted with a luxurious regal feel the Pearl Royale is symbolic in its design to the renowned 1849 Staunton standard chess set. Limited edition with only three sets being created, each being hallmarked, numbered, and authorized by the artist. Each solid 18K white gold chess piece is painstakingly paved’ set with the highest quality fine diamonds, AAA South Sea pearls, and Ceylon Blue sapphires, sitting atop a crystal glass board embellished with solid 18K white gold, pearl, and diamond set corners. The underside of each piece is intricately designed and channel set with the same quality fine diamonds and finished with smooth polished edges to glide effortlessly across the crystal glass board. Crafted as part of the artist's Limited-Edition Pearl Royale contemporary art collection, this truly unique chess set is sure to be realized as one of the world’s finest jewelry artworks ever created. Exquisite Staunton With championship origins, the Staunton design has been the world standard since 1849. Inspired by this legacy, the artist has paid homage to this royal standard, meticulously dressing and bringing each of his pieces to life with lavish regalia, fit for Kings and Queens. Artists Inspiration: As a young child I regularly played chess with my cousins so my parents gave me a beautiful Staunton chess set which I really loved. Growing up in the 60’s 70’s my generation was exposed to Hollywood movies of epic battles, it was popular for us kids to have collections of toy soldiers which made chess a popular game as it embodied the same spirit and challenge. Thinking back on that fun times I was drawn to the idea of creating the world’s most beautiful chess set and in 2008 I finally put pen to paper to commence the design. At the time I was doing a lot of work with beautiful South Sea pearls, so they became the inspiration for my design to embody the heads of each piece and bring life to the characters. It was perfect as I could use both black and white pearls to define each side of the chess set. It was also important for my design to be Staunton-inspired as this has become the standard for chess sets since 1849 and the only chess set allowed in the world championships. I wanted to create the most beautiful chess set within this royal standard and it had to be dressed in all its regalia, with the world’s most beautiful diamonds and rich blue sapphires fit for kings and queens. My overall dream was to create the world’s finest chess set for the world’s greatest players to do battle! - Colin Burn The high-quality gems sourced and used in making the Limited-Edition Pearl Royale Chess Sets are GIA certified. Established in 1931, GIA is the world’s foremost authority on diamonds, colored stones, and pearls. A public benefit, non-profit institute, GIA is the leading source of knowledge, standards, and education in gems and jewelry. South Sea Pearls The Australian and Tahitian South Sea pearls are internationally regarded as the finest and most prestigious pearls in the world. Among the largest and rarest of cultured pearls, they feature a distinctive lustre and superior strength, endowed by their thicker layers of nacre. The Limited-Edition Pearl Royale Chess Set, features both silver white Australian and peacock black Tahitian South Sea pearls of AAA quality. Fine Diamonds The Limited-Edition Pearl Royale Chess Set features over 510 carats of the finest white diamonds ethically sourced and certified from the worlds leading diamond suppliers. Ceylon Sapphires Ceylon, which is now known as Sri Lanka, is one of the best-known sources for sapphire gems, particularly the Ceylon blue sapphire. Sri Lanka has produced sapphires for many years and a few of the most famous sapphires include the 423 carat Logan Blue Sapphire, the 563 carat Star of India...

Claire Jeanne Robertine Colinet (1880 Brussels - 1950 Asnières-sur-Seine), Juggler, around 1920. Brownish patinated bronze with gilded balls on a round, multi-profiled stone base (10...

Medium: Basswood As an artist I strive to create elegant sculptures that capture the true essence of the subject matter. Form, line and surface are used as the visual language. The ...

Artist: Kuno Vollet Title: Golden Gingko with 6 leaves art sculpture Materials: Cast brass, gold leaf, white marble base Size: 56 x 9 x 9 cm _____________________________________...

This is a two-part wall mounted painting / sculpture this integrates found objects and photographs into an acrylic painting on the top, and a wooden shelf with bullet casings and coins below. This is a conceptual, abstract work of art that is a powerful homage to lives lost through calculated gun violence in American cites. signed by the artist. PROVENANCE: Exhibited in "Portals + Revelations: Richard J. Watson," the African American Museum in Philadelphia, Oct 2021 - Mar 2022. "Most of my works are supported by memories of the past and suggested realities. Issues of social politics, ancestral references, and astral projections are presented with fragmented elements...

After studying Fine Art in the Netherlands Ans Zondag (1959) spent several years abroad in order to explore different artistic areas and to establish which technique suited her best....

Atticus Adams' organically composed modern metal sculptures embody the transformative power of art, illustrating the creation of beauty, meaning, and emotional impact from industrial...

Jaime Avila Ferrer Bomba Blanca 4. Capitolio de Washington DC - Capitolio De la Habana Measure: 20.5" x 5" x 5" Wall ceramic sculpture with gold and copper intervention 2006 Jaime Avila Ferrer is a world-renowned artist whose work combines painting, sculpture, drawing, and photography. He uses mixed media in some pieces such as Dust, in which dots of white paint are applied to a darkened Plexiglas surface to form pictures of urban landscapes from the granulations. Outline for Dust is an artwork in which he connects the cityscape of Bogota with the JFK airport in New York. He uses traditional approaches to examine social, political, and environmental topics. Avila studied civil engineering at the Universidad de Los Andes in Bogota (1983–1987) and received his degree in Fine arts from the same university (1988–1991). He has presented solo shows such as Talento Pirata, Jaime Ávila (Pirate talent, Jaime Ávila), at the Nueveochenta Gallery in Bogota (2013). His first shows in the United States were Life is a Catwalk at the David Rockefeller Center for Latin American Studies at Harvard University and 4th World – Five Cubic Meters at the Boston Arts Academy (2005). Ávila represented Colombia at the XXVI Sao Paolo Biennial in Brazil (2004), the III Liverpool Biennial in the United Kingdom (2004), the II Mercosul Biennial in Brazil, (2000), and the FIAC in Paris, France (1999). He has participated in exhibitions such as ¡No más chicha!, at Alcuadrado Variable in Bogota (2009), the Centro de la Imagen in Mexico City, and the Casa de las Américas in Madrid, Spain (2004), Changing the Focus: Latin American Photography (1990–2005), at the Museum of Latin American Art in Long Beach, United States (2010), Resurfaced: Contemporary Colombian Art...

Instant Moules V is a nickeled and elox aluminium wall sculpture by contemporary Czech sculptor Ondřej Oliva, dimensions are 50× 35× 25cm (19.6 × 13.7 × 9.8 in). This sculpture is a ...

"Guided Spirit" (maquette) Abstract, Tabletop Size, Metal Sculpture by Kevin Barrett Bronze Kevin Barrett is noted for creating unique, rhythmic, abstract indoor and outdoor sculptu...

Wilhelm Albermann (1835 Werden an der Ruhr - 1913 Cologne), The Blacksmith of Solingen, after 1895. Bronze-color patinated zinc cast on plinth, 47 cm (height) x 20 cm (width) x 16 cm (depth), weight 5.5 kg. Signed “Albermann.” on the plinth and identified as a cast by “AKT.[TIEN] GES.[ELLSCHAFT] GLADENBECK BERLIN”. Dedication on the front: “Mr. Ing. F. Kuhlmann to the wedding. Management and officials of the Hannoversche Waggonfabrik. Aircraft construction department". - The zinc showing through in spots, the patina somewhat stained, the right upper arm under the sleeve retouched in black. - The Double-edged Sword - The figure is a reduction of Wilhelm Albermann's 1895 fountain figure of the armourer of Solingen, who has always been identified with the historical blacksmith Peter Hahn. In 1839, Karl Simrock wrote the poem “The Blacksmith of Solingen" and thus coined the legendary figure. The first and penultimate verses read: A blacksmith spoke to Solingen With every bayonet, That came to his diligence: "Oh, that Fritz had it!" The war took its course, Many battles were fought, Which often made him fearful and anxious In his soul. The blacksmith had given up his trade to fight for Frederick the Great. Not least because of his strength and will to fight, the battles were won. With his fountain sculpture, Albermann has given the legendary blacksmith a figurative form and at the same time created a landmark for the city of Solingen, which was once famous for the art of sword forging and today still stands for the production of high-quality knives. During the bombing raid in November 1944, the fountain was destroyed along with the entire old town of Solingen. Only the head remained. The broad-shouldered blacksmith stands securely behind his anvil, his leather apron tied around him, and has just finished a sword blade with his own "weapon" - the blacksmith's hammer. His entire body shows the strength with which he wields the hammer, but also the strain of this activity, as evidenced by the wide open shirt, the somewhat 'untidy' apron, and especially the furrowed face. However, the blacksmith does not look at the finished work, but resolutely and at the same time thoughtfully into the distance, in line with the quoted verse from Simrock's poem that the battles "often made him fearful and anxious in his soul". There is certainly something melancholy in his gaze, fed by the knowledge of the necessity of forging swords and taking up arms and their deadly use - experiences Albermann had to make during his own war missions. The flowing full beard gives his gaze into the distance an almost prophetic character. In keeping with the craft of the perfectly formed art of blacksmithing, the detailed casting reproduces the respective materials depicted in perfect form: the leather apron convincingly conveys the impression of leather and lies - also in the back view - like a second formed layer over the body, while the shirt and trousers illustrate their own textile qualities. Due to its masterful execution and profound content, the “Blacksmith of Solingen”, which has survived in its cast reproductions, remains Albermann's most famous work to this day. About the artist The son of a carpenter, Wilhelm Albermann began an apprenticeship as a joiner, but then followed his artistic calling and trained as a sculptor in Elberfeld. In 1855, at the age of twenty, he was drafted into the army in Berlin, where he served until 1857. Albermann attended the Berlin Art Academy on the side and began regular studies after his service. While still a student, he completed commissioned works for his teachers August Fischer and Hugo Hagen. His first independent commissions followed, enabling him to establish a flourishing sculpture studio in Cologne in 1865. His artistic activities were repeatedly interrupted by military service, and he took part in the German-Danish War in 1864, the war against Austria in 1866, and the Franco-Prussian War in 1870/71. After his last war service, Albermann, already a respected artist, founded a commercial drawing school at the request of the city government, where he taught the modeling class and served as director until 1896. In 1890 he also worked for the "Society for the Promotion of Sculpture in the Rhineland and Westphalia". Albermann was one of the most prolific sculptors in Cologne in the second half of the 19th century. He created numerous monuments, fountains, tomb sculptures, architectural ornaments, and domestic statues. At its peak, his workshop employed up to thirty sculptors and stonemasons at a time. GERMAN VERSION Wilhelm Albermann (1835 Werden an der Ruhr - 1913 Köln), Der Schmied von Solingen, nach 1895. Bronzefarben patinierter Zinkguss auf gegossener Plinthe, 47 cm (Höhe) x 20 cm (Breite) x 16 cm (Tiefe), Gewicht 5,5 kg. Auf der Plinthe mit „Albermann.“ signiert und als Guss der „AKT.[TIEN] GES.[ELLSCHAFT] GLADENBECK BERLIN“ ausgewiesen. Schauseitige Widmung: „Herrn Ing. F. Kuhlmann zur Vermählung. Direktion und Beamte der Hannoverschen Waggonfabrik. Abt. Flugzeugbau“. - Punktuelles Durchscheinen des Zinks, Patina etwas fleckig, der rechte Oberarm unter dem Ärmel schwarz retuschiert. - Die Zweischneidigkeit des Schwertes - Die Figur ist eine Reduktion von Wilhelm Albermanns 1895 geschaffener Brunnenfigur des Waffenschmieds von Solingen, der seit jeher mit dem historischen Schmied Peter Hahn identifiziert wurde. 1839 hatte Karl Simrock das Gedicht „Der Schmied von Solingen“ verfasst und damit die legendäre Figur geprägt. Die erste und die vorletzte Strophe lauten: Zu Solingen sprach ein Schmied Bei jedem Bajonette, Das seinem Fleiß geriet: »Ach, daß der Fritz es hätte!« Der Krieg ging seinen Gang, Man schlug noch viele Schlachten, Die oft ihm angst und bang' In seiner Seele machten. Der Schmied hatte sein Handwerk ruhen lassen, um selbst für Friedrich den Großen zu kämpfen. Nicht zuletzt durch seine Kraft und seinen Kampfeswillen verliefen die Schlachten siegreich. Dem legendären Schmied verlieht Albermann mit seiner Brunnenskulptur eine bildliche Gestalt und schuf damit zugleich ein Wahrzeichen der Stadt Solingen, die einst für die Kunst des Schwerterschmiedens berühmt war und bis heute für die Herstellung qualitätvoller Messer einsteht. Beim Bombenangriff im November 1944 wurde mit der gesamten Solinger Altstadt auch der Brunnen zerstört. Einzig der Kopf blieb erhalten. Mit sicherem Stand und umgebundener Lederschürze steht der breitschultrige Schmied hinter seinem Amboss und hat gerade mit seiner eigenen ‚Waffe‘ – dem Schmiedehammer – eine Schwertklinge fertiggestellt. Seinem gesamten Körper ist die Kraft abzulesen, mit der er den Hammer führt, aber auch die Anstrengung dieser Tätigkeit, wovon das weit geöffnete Hemd, die etwas ‚unordentlich‘ arrangierte Schürze und vor allem das zerfurchte Gesicht zeugen. Der Schmied schaut aber nicht auf das vollendete Werk, sondern entschlossen und zugleich sinnierend in die Ferne, entsprechend der zitierten Zeile von Simrocks Gedicht, dass die Schlachten „oft ihm angst und bang‘ in seiner Seele machten“. Der Blick hat durchaus etwas Melancholisches, dass sich aus dem Wissen um die Notwendigkeit, Schwerter zu schmieden und zu den Waffen zu greifen und deren tödlichem Einsatz speist – Erfahrungen, die Albermann bei seinen eigenen Kriegseinsätze machen musste. Der wallende Vollbart verleiht dem in die Ferne schauenden Blick einen beinahe prophetischen Charakter. Dem Handwerk der formvollendenden Schmiedekunst entsprechend, gibt der detaillierte Guss die jeweils dargestellten Materialien in vollendeter Ausformung wieder: Die Lederschürze vermittelt überzeugend den Eindruck des Leders und liegt – auch in der Rückenansicht – wie eine zweite ausgeformte Schicht über dem Körper, während das Hemd und die Hose...

This Carmelo Cappello Abstract Sculpture is a very interesting example of the approach of the artist to the Universe. In his mind he considered the Universe a not perfect circle but ...

Mercury, circa 1700s. Bronze with green patina. Height with base: 58 cm (22 7/8 in.)

This one of a kind cast glass sculpture "Foliage," by Nina Casson McGarva is a table top sculpture meant to be viewed from all sides. It is a textural work with curves; light shines ...

Ferdinand Preiss(1882-1943)

Smooth-surfaced, engineered black granite is sculpted into an elegant, spinning form by Jeremy Guy. This lively shape that appears to spin dynamically on its narrow base, like a piro...

"Flight in Attitude, Atelier" by Richard MacDonald captures a dancer mid-ascent, suspended in a moment of pure elevation and grace. The figure’s outstretched limbs and lifted gaze ...

Cuerpos Magnéticos was born searching for the relationship between nature and our bodies: we see rocks, bones, structures, flexibility, attractions, spaces, movement, stillness. Cuer...

Cuerpos Magnéticos was born searching for the relationship between nature and our bodies: we see rocks, bones, structures, flexibility, attractions, spaces, movement, stillness. Cuer...

This dynamic wall sculpture is created from sheets of steel, welded together in an abstract geometric pattern. Earth tones of blue, orange, pur...

Kristina Fjellman, a Minnesota-based visual artist and performer, seamlessly blends sculpture and performance art in her captivating work. She has garnered recognition with exhibitio...

Even though Helle Rask Crawford often refers to classic myths in her sculptures, sh is not a classical sculptor in the neoclassical sense. Rather, Helle Crawford could be defined as ...

Atticus Adams' organically composed modern metal sculptures embody the transformative power of art, illustrating the creation of beauty, meaning, and emotional impact from industrial...

Peace Menorah, 1980 Salvador Dali (Spanish, 1904-1989) Cast Bronze with Silver Finish mounted to Jerusalem Stone base Signed Lower Center Edition H.C. Lower Center (aside from the ed...

"Diana, Earth and Moon, Atelier" by Richard MacDonald presents a powerful interpretation of the Roman goddess Diana—divine huntress, lunar deity, and protector of the natural world. ...

Cuerpos Magnéticos was born searching for the relationship between nature and our bodies: we see rocks, bones, structures, flexibility, attractions, spaces, movement, stillness. Cuer...

Ash wood and lead on Portland limestone, 47 cm × 39 cm × 10 cm. The dimensions include the base, which is attached. Dimensions of the base: 8 H x 10 cm diameter Unique work delivere...

Signed: A. Carrier-Belluese Two large bronze matching busts of an unknown male and female 22 x 10 x 11" male 23 x 10 x 9" female Both show signs of wear with their age but are in fa...

Synthesis 6 (small horizontal) is a sculpture by contemporary artist Tom Price. This sculpture is made of resin, tar, steel, acrylic and LED, dimensions are 45 × 51 × 35 cm (17.7 × 2...

Kioveo is a bronze sculpture by contemporary artist Jacques Owczarek, dimensions are 24 × 54 × 28 cm (9.4 × 21.2 × 11 in). The sculpture is signed and numbered, it is part of a limit...

After Jean Goujon (French, 1510-1568) Bust of Diane de Poitiers, 18th/19th Century Bronze 14 x 7 x 5 inches 22 x 8 x 7 inches, with base Diane de Poitiers was a French noblewoman and prominent courtier. She wielded much power and influence as King Henry II's royal mistress and adviser until his death. Her position increased her wealth and family's status. She was a major patron of French Renaissance architecture...

Juárez, a renowned self-taught Mexican sculptor, displays his expressive depiction of animals and humans in our Caballo con Jinete Viendo las Estrellas (Horse with Rider Seeing the S...

Bake Sale: Ice Cream (2023), tufted art, textile, fiber, yarn, soft sculpture, pink, teal, wall or tabletop rug "Bake Sale: Ice Cream" by SarahGrace is a hand tufted wall...

Inspired by dance and weightlessness, Granville Beals' industrial metal sculptures are primarily about relationships. Concerned with form and abstraction, he does not merely manipula...

Artist: Karo Martirosyan, Work: Original Artwork, Medium: Glass and Metal Wall Sculpture, Year: 2024 Style: Contemporary Art, Subject: Electric, Si...

In his work entitled Allongé – to elongate or stretch - Richard MacDonald has sculpted the powerful lines of the male dancer, accentuating the graceful form of his body. Working with...

Fritz Bultman (1919-1985) was an American Abstract Expressionist painter, sculptor, and collagist and a member of the New York School of artists. He was born in New Orleans, Louisian...

Lotte 50 x 21 x 30 cm Bronze The theme van der Kraan likes most is to show the growing of young girls. Living in their own world. Like this girl watching ...

This is an outstanding bronze statue of Eutrope Bouret, signed on the base, by the very well-known French artist Eutrope Bouret (1833-1906). French antique bronze sculpture by Eutro...

“Elena", poised mid-air, elevated by an elegant cascade of drapery, becomes the embodiment of freedom, grace, and hope. Soaring and ethereal, the Cirque du Soleil performer sculpted ...

Fragment n°2 is a bronze sculpture by contemporary artist Martine Demal, dimensions including patinated brass base are 60 × 30 × 10.5 cm (23.6 × 11.8 × 4.1 in). The sculpture is sig...

Dale Chihuly Basket Group, 2001 Hand-Blown glass 22 1/2 x 23 x 24 in Provenance: Lowe Gallery, Atlanta. Private Collection.

Contemporary bronze sculpture on marble base by Polish artist Stan Wysocki. Artwork comes from limited edition of 8. Sculpture depicts female figure filtered through geometric, synth...

Mathias Goeritz (German Mexican, 1915-1990) Geometric Torch-cut Steel or Iron Sculpture with gold leaf gilding. Welded signature, MG. This came from an estate and is signed with his ...