Bride Figurative Sculptures

"Ex Nihilo Working Model" by Frederick Hart is an acrylic figurative sculpture part of the "Ex Nihilo" serires numbered 53/350. “I saw Ex Nihilo (Out of Not...

L'alsacienne Or Bretonne aux Rameau silver overlay patina by Leo Laporte Blairsy (French, 1867-1923). Depicting a woman in robe holding a garnet of flowers with a L'alsacienne or Bre...

‘I have created characters since I was a child. I studied painting at the Ecole des Beaux Arts de Paris, but now I have a preference for sculpture. I do not have an intellectual proc...

This wooden finial figure was carved from wood by an unknown Indonesian artist. This figure stands on a carved decorative base, also created in Indonesia. The sculpture is a red and ...

"Calming Chaos," is a digital print on 5 acrylic panels by Michelle Jader.

'April Requiem', 2021, by Sunni Mercer, is a human-scale, Mixed Media, Sculptural Assemblage featuring Clay, Gauze Bandages, Deer Hide, Copper and Paint. The sculpture depicts a fema...

'Illeagle' is a humorous and playful ceramic sculpture by the American artist Bill Reid. Reid is known for his animal sculptures based around word play, and indeed, this sculpture is...

This flat shadow puppet was created by an unknown Indonesian artist using water buffalo hide. This shadow puppet, 14" high with movable arms, was used in Indonesian Wayang puppet shows. This puppet is an archer. Wayang (Krama Javanese: Ringgit ꦫꦶꦁꦒꦶꦠ꧀, "Shadow"), also known as Wajang, is a form of puppet theatre art...

Cold Painted Austrian Bronze Table Lamp and Sculpture of a lounging Arab man. Signed with one of Zach's pseudonyms "K. Salat" Size: 16 1/2 inches high Artist Bio: Bruno Zach (6 Ma...

Leonardo da Vinci 400% & 100% Bearbrick: A unique, timeless Leonardo da Vinci collectible trademarked & licensed by the Louvre Museum Paris (Musee du Louvre). The partnered collectib...

Ceramic sculpture "White Way". With this work I am talking about the state of a woman when she is connected to the natural source of her power, when she is light at heart. In this case, a woman's actions are filled with favorable energy. I have depicted this energy in the form of a white band that she weaves with her hands.

 The work is made of white white clay with fine chamotte. The figure has a matte rough surface of cream color with white engobe flecks. The white band is tied with polyester thread. It is attached to the figure with a thin wire. - Sve Gri...

A native of Charlotte, North Carolina, Paul Rousso attended the Cleveland Institute of Art in Ohio and went on to earn his BFA from the California College of the Arts in 1981. In his...

This lithograph is a piece of my private collection from artists of the 20th Century. It is original, signed by artist and numbered 217/220. It is vibrant in color and in very good...

Levesque Isabelle was born in 1954 in Antananarivo. She attended the school of fine arts of Brest (France) and practiced sculpture since 1997. She made her first official exhibition ...

[lives & works – Philadelphia, PA ::: b. 1954] Peter Olson is a Philadelphia-based photographer and ceramicist who creates pieces that chemically and conceptually fuse the two medi...

Artist: Nicasio Fernandez Title: Needed Tools Size: 11 × 4 1/10 × 5 1/5 in 27.9 × 10.4 × 13.2 cm Medium: Zinc alloy and mixed media Edition: o...

Looking For You by Denny Haskew Figurative Bronze/Paraffin Wax 11x14x14" Ed/15 2015 Female and Male Nudes 5 figures total "Love has no age, no limit; and no death." — John Galswo...

'Playing Sisters' is an original black serpentine sculpture by the celebrated second generation Shona artist Colleen Madamombe. The sculpture presents a character common to Madamombe...

Toronto artist Sophie DeFrancesca has always been fascinated by vintage fashion. Pictures of her mother wearing gorgeous frocks from the 40’s, 50’s and 60’s served as a connection to...

Scott Campbell is known throughout the world as being one of the most talented hands in the world of tattooing. He owns and operates the legendary Saved Tattoo in Williamsburg, Brooklyn, whose client list includes New York's art and design elite, fashion designers such as Marc Jacobs, and a long roster of celebrities including Heath Ledger...

This flat shadow puppet was created by an unknown Indonesian artist. This shadow puppet, 19" high, was used in Indonesian Wayang puppet shows. Wayang (Krama Javanese: Ringgit ꦫꦶꦁꦒꦶꦠ꧀, "Shadow"), also known as Wajang, is a form of puppet theatre art found in Indonesia and other parts of Southeast Asia, wherein a dramatic story is told through shadows thrown by puppets and sometimes combined with human characters. The art form celebrates the Indonesian culture and artistic talent; its origins are traced to the spread of Hinduism in the medieval era and the arrival of leather-based puppet arts called Tholu bommalata from southern India. Wayang refers to the entire dramatic show. Sometimes the leather puppet...

Rare Vierge à l'Enfant en bois polychrome de tradition romane, région du Fenouillèdes, représentant une Virgo Lactans. Avant cette découverte, seules 3 vierges allaitantes médiévales...

White stone head in the art deco style. Born in Lithuania at the end of the nineteenth century, Boris Lovet-Lorski studied art at the Imperial Academy of Art in St. Petersburg before working briefly as an architect. He immigrated to New York in 1920 and became an American citizen five years later. His sculptures epitomize the ideals of the Art Deco decades: comprised of sleek lines and smooth surfaces, the streamlined compositions reflect the new technological forms of the machine age. Despite their modernist treatment, Lovet-Lorski’s elegant, stylized figures reference both ancient and classical sources and are characterized by a universal and serene sensibility. Concentrating on figural busts, familial groups, and standing female nudes as his subject matter, the artist rendered them in a variety of media. The materials range from the traditional bronze and marble to exotic woods and unusual stones; each is carefully selected so that its surface texture and color contribute to the emotive aura of the work. Carved out of a block of limestone, Untitled (Head) depicts a female visage nearly androgynous in its idealization. The delicate features of her face, the long, straight nose, thin pursed lips and high cheekbones, are made even more diminutive by the massive bulk of the stone that serves as their backdrop. The prominent widow’s peak of her hairline and the strong arch of her brow, two of Lovet-Lorski’s most distinctive characteristics, are elongated to accentuate the linear rhythms of the composition. The layers of her hair are delineated by stepped striations reminiscent of archaic precedents, which meld into structural columns and connect the form architecturally to the stone’s mass. Unlike the majority of Lovet-Lorski’s sculptures, in which the heads of the figures are tilted to the side or downward to convey a pensive mood, the woman in Untitled (Head) looks straight ahead. Her frontal positioning gives the composition a nearly perfect symmetry, in turn endowing the work with a still, eternal sensibility. The notched surface of the surrounding limestone stands in sharp contrast to the smoothness of her skin. In the twenties, the artist tended to finish his sculptures to a highly polished degree of refinement, but in the thirties he began to experiment with contrasts of texture and the aesthetic of the fragment. In this respect, the work is vaguely evocative of Egyptian funerary sculptures, in which the figures were carved with an eye for three-dimensionality but were left intact in a larger piece of stone to give them physical durability and permanence. Embodying classical ideals of stoicism and universal beauty, the sculpture ultimately exudes a surface allure that is difficult to resist. A similar example of this approach can be seen in the 1937 sculpture Diana, which resides in the permanent collection of the Hirshhorn Museum and Sculpture Garden, Washington D.C. Carved from a piece of black Belgian marble, the work is a stylized bust of the Greek goddess Diana...

This Golek puppet was made by an unknown Indonesian artist using wood and cloth. It is approximately 24" tall. Traditional Wayang Golek plays can be comp...

Original sculpture signed/numbered 6/8 ex. Acquired directly from the artist. Free shipment worldwide. Silver plated bronze. William Sweetlove, born in Ostend, Belgium, in 1949, un...

Viva la LVII (Long Live the '57) by Gary Alsum Bronze 6.5" x 12.5" x 6" ed/75, number 1 in stock Shipping price includes the custom packing necessary for fine art. A new body of wor...

Psique is a bronze sculpture with green patina, it is connected to a steel base. The edition size is 7. The sculpture will be shipped in wood crate to render maximum protection durin...

Bronze By applying classical techniques to his contemporary subjects, Palumbo’s textured and spirited bronzes embody the essence of each being he portrays. These whimsical and anthr...

Maija Peeples-Bright Sir Woffic Newton (INV# NP4058) ceramic and glaze 6.25 x 5 x 10" 2005 signed by the artist

"Carthage" also known as "Salammbô at Mathô, I Love You! I Love You" by Théodore RIVIERE (1857-1912) A bronze group with a nuanced greenish brown patina Signed on the base " Théodor...

'Proud Woman' is an original stone sculpture dress hair singed by the Zimbabwean artist P. Mua. The artist presents an elegant and curvilinear figure of a woman, her hair seeming to ...

Tropical Totem is a vibrant sculptural homage to the totem pole, brought to life through layers of handworked fabric and embellishment. Block-printed with lush florals and detailed w...

This Golek puppet was made by an unknown Indonesian artist using wood and cloth. It is approximately 27" tall. Traditional Wayang Golek plays can be compared to European and North America: most performances revolve around Kings, Queens, Princes and Princesses who fight against evil, mystical, beings to (usually) end happily. Three-dimensional Indonesian puppets...

Sisters was inspired by a gouache painting from 1921 entitled 'Les baisers pervers ou la brune et la blonde' and is a wonderful example of an invention of Erté's from the early 1920s...

19th Century Shiva Standing On The Bull Nandi Wood Carving with polychrome paint. 27"hight, 12"width, 18"depth. A rare figure of Shiva or Shiva standing on the bull Nandi. Bali, 1...

This flat shadow puppet was created by an unknown Indonesian artist using water buffalo hide. This shadow puppet, 18" high with movable arms, was used in Indonesian Wayang puppet shows. Wayang (Krama Javanese: Ringgit ꦫꦶꦁꦒꦶꦠ꧀, "Shadow"), also known as Wajang, is a form of puppet theatre art...

Pair of Angels, Tuscan Sculptures with Cornucopias from the 1600s hand-carved from stone pine wood, lacquered and gilded from Central Italy, from a private villa in Siena; they are...

Reflection A mass-produced plaster bust of JFK faces an anonymous cast Asian female with slightly mirrored gold ecliptic glass between them that reflects t...

Italian sculpture dated 1981. Capodimonte ceramic artwork signed B. Merli depicting a romantic subject, a couple of lovers. Sculpture signed on the base with a production stamp attri...

Bust of a Young woman wearing a tiara by Albert-Ernest CARRIER-BELLEUSE (1824-1887) Sculpture in bronze with a nuanced dark brown patina signed on the shoulder "A. Carrier Belleuse"...

Cabaret, so evocative of cabaret-style shows, was a costume design for a 1940 production entitled 'Dream Waltz' by Oscar Strauss, based on a novella from 1905 by Hans Müller-Einingen...

Reflective Sculpture, in Excellent Condition, Authentic 2001 Creation in Gold Leaf and Hand Painted Wood, proposed by Sculptor Lorenzo Servalli, with ...

This Golek puppet was made by an unknown Indonesian artist using wood and cloth. It is approximately 28" tall. Traditional Wayang Golek plays can be compared to European and North America: most performances revolve around Kings, Queens, Princes and Princesses who fight against evil, mystical, beings to (usually) end happily. Three-dimensional Indonesian puppets...

‘I have created characters since I was a child. I studied painting at the Ecole des Beaux Arts de Paris, but now I have a preference for sculpture. I do not have an intellectual proc...

Bronze sculpture Weight 3150g Aziz Anzabi is a British artist with Iranian origins born in 1970 who lives & works in London, UK. He exhibits many artworks in the U.S, the Netherlan...

'Mother and Child' is an original opal serpentine sculpture signed by the Zimbbwean artist Samuel Likongwe. Based in Harare, Likongwe was trained in the Shona stone sculpting traditi...

Toronto artist Sophie DeFrancesca has always been fascinated by vintage fashion. Pictures of her mother wearing gorgeous frocks from the 40’s, 50’s and 60’s served as a connection to...

Standing angel with banner Flemish Around 1450/60 Sandstone 60 x 21 x 15 cm This museum figurine shows a standing angel with a banner in his right hand and a small box in his left. The youthful, ageless figure wears a coat held together with a triangular, floral brooch in front of the chest over a long robe. The angel’s gaze is directed forward, his head tilted slightly to the left. The elongated face is sculpted: the large almond-shaped eyes with accentuated upper and lower eyelids are alertly open and sharp eyebrows lead directly into the root of the nose. The straight nose above the pronounced mouth completes the idealized oval face of the angel and his calm, internalized facial expression. What is particularly remarkable, however, is the magnificent curls, which are only partially tamed by a simple headband. As if puffed up by the wind, the hair, which is sometimes streaked in parallel, sometimes wildly twisted and richly curled, stands out dynamically from the ears. The tilted head with these sideways protruding waves of hair thus conveys an immediate impression of movement. The physicality of the sculpture is expressed particularly through this organic, lifelike movement of the loosened hair. The lively overall impression of the figure is further enhanced by the multiple rolled banners that the angel presents to the viewer. The outstretched palm of the right hand appears both intimate and confidential as well as mystically revealing. This banderole winds in gentle curves in front of the figure’s body, throws a fold over the second attribute in the angel’s left hand and falls downwards in a loose manner. The volute-shaped rolled up end of the banner clearly shows the fine texture of the banner and at the same time draws the viewer’s attention to the small cube-shaped box that the angel is holding in its slender, long-limbed fingers. The cube is decorated with a Gothic quatrefoil motif, which is often seen in the architectural tracery of windows, but was also often used to decorate caskets and other small treasures. The sweeping gestures in the presentation of the attributes suggest three-dimensionality, in contrast to the tubular folds at the base of the neck and the intricate draperies in flat and multiple overlapping garment sections. The soft curves of the folds give the impression that the clothing is made of a heavy fabric that falls diagonally down the front and is laid in several bowl folds under the right hand. Overall, the sculptural work testifies to the highest artistic skill, which emphasizes the virtuosity of sculpture in its precious and representative overall impression. The memorable characteristics recognizable here can be seen in comparable pictorial works from Utrecht around the middle of the 15th century, when sculptural art – especially stone sculpture – was characterized by a remarkably high quality. Particularly noteworthy is the accentuated Utrecht head type with an elongated oval face, almond-shaped eyes with heavy lids and dense, vividly protruding tufts of hair framing the head. For example, the figure is comparable to a capital of an angel on the east side of the rood screen of the Joriskerk in Amersfoort (province of Utrecht) from the second quarter of the 15th century. Not only the physiognomy and hair, which in the comparative example stand somewhat more horizontally to one side, but also the garment puff above the girdle are similar. Even more related motifs, such as the cleverly placed bowl folds, can be found on the limestone figure...

Anne de Villeméjane's sculptures in bronze, crystal and cement are exhibited in galleries and major art shows in the United States, Europe and the Middle East. Anne is a French artis...

hand-painted metal with oil paint on metal armature text by Tom Sleigh: BLUEPRINT - 2007 I had a blueprint of history in my head — it was a history of the martyrs of love, the fool...

Sara trained under Ken Hughes, a pupil of Henry Moore, at Bath Academy of Art. There she achieved a first class honours degree in Sculpture and was awarded the Henry Moore Foundation...

"Spirita" Dimensions: 15" x 14" x 7" Medium: Clear Acrylic Resin Edition of 350 Hart wanted to sculpt light, from which forms move in and out, that defined the very delicate sense of...

Bronze

Stainless steel

Bronze

This statue is handcrafted by lost wax process which is one of the ancient process of metal craft. Chengreshi is a form of Avalokiteshvara, also known as four armed buddha is seated ...

Resin figurative sculpture, bonded bronze

Toronto artist Sophie DeFrancesca has always been fascinated by vintage fashion. Pictures of her mother wearing gorgeous frocks from the 40’s, 50’s and 60’s served as a connection to...

MATHURIN MOREAU (FRENCH, 1822-1912) Flore et Zephyr Signed 'Mthrin Moreau' (to the base), rotating socle applied with engrave plaquette 'FLORE ET ZEPHIR / PAR Mathurin MOREAU / MEDAI...

Questa piccola terracotta raffigura una scena mitologica, probabilmente una scena da un baccanale o un "ratto". Si vede infatti un centauro al centro sollevare una ninfa nuda, i due ...