Bronze Figurative Sculptures

Franz Bergmann, Austrian (1861 -1936) - Boy on Persian Rug, Year: circa 1900, Medium: Cold painted Bronze sculpture, stamp signed on bottom, Size: 4 x 7 x 7.5 in. (10.16 x 17.78 x...

Extraordinary that a few women prevailed in the difficult world of casting in bronze in America but Lillie was one of them. There is scant information on her but this marvelous head...

Sergey Shcherbakov (1959) Sculpture, bronze, 50x17 cm

Henri Honoré Plé (1853 Paris - 1922 Paris), The Victorious David, around 1890. Red-brown and brown patinated bronze with terrain plinth mounted on a round base. 62 cm (total height) ...

"This is one of my earliest sculptures. I depicted a naked girl at the waterfall. She bathes under jets of water. The fabric of clothing hugs her body and lies down to her feet. The ...

Horse With Two Riders Large Outdoor Bronze Sculpture 1974 Artist signed, edition 2/6. Light blue green patina. Deaccessioned from the Boca Raton Museum of Art. This is a stunning ...

Franz Bergmann, Austrian (1861 -1936) - Arab Man with Three Monkeys, Year: circa 1900, Medium: Bronze sculpture, Austria inscribed on base, Size: 3.5 x 6.5 x 5 in. (8.89 x 16.51 x...

Part of Ser Uang Huang’s Childhood Series. Gazing captures the playful innocence of childhood through the image of a boy forming binoculars with his hands, smiling as he peers into t...

Antique Horse Bronze Exceptional Bronze of a Draft Horse Pierre Jules Mêne (French, 1810-1879) Circa 1860s 4 3/4 (W) x 3.25 (H) As Mêne personally ov...

Ernest Rancoulet (1842-1918), Allegory of Progress, around 1890. Bronze-plated metal cast with cast terrain plinth mounted on a wooden base (6 cm high). 64.5 cm (total height) x 28 c...

Harmony is a whimsical and lighthearted work that captures the playful spirit of a group chorus. The three figures, each with a distinct mouth shape, appear to be singing in differen...

Johannes Boese (1856 Ostrog - 1917 Berlin), Mutterglück, um 1910. Goldbraun patinierte Bronze auf gegossener rechteckiger Plinthe, montiert auf zweifarbigem Marmorsockel (9,5 cm Höhe...

Muy interesante puerta de sagrario de madera tallada y policromada del siglo xvii. Es de comienzos del barroco, hay la representación del agnus dei con...

Panters An imposing statue of a couple of panters by Irenée Rochard (1906-1884). A fine quality, much sought-after terracotta which was edited by Reveyrolis Paris.  Before casting, ...

Hermann Volz (1847 Karlsruhe - 1914 ibid.), Naked warrior with short sword, c. 1935. Partially (?) patinated bronze with cast plinth mounted on a black marble base (6.8 cm high). 32....

A late 17th c. Italian carved figure of Mermaid, Circle of Filippo Parodi (Genoa, 1630 – July 22, 1702) Dimensions: h. 29.13 in, w. 30.31 in, p. 18.9 in (at the base) Magnificent Italian Baroque sculpture depicting a mermaid seated on the rock. All the virtuosity of the sculptor unfolds in this carved group. The fantastic creature is featured seated, the upper part of the body darting forward, the head looking upwards. Sophisticated hairstyle with rows of pearls intertwined in her hair, her loose locks fly in the wind and bring movement to the whole sculpture. The wide-open eyes with hollowed-out pupils make it possible to follow the mermaid's gaze, towards the sky. The half-open mouth further magnifies this bewitching and seductive attitude. Its long double tail ending in fins wraps on either side of a rocky mound strewn with objects evoking the underwater world: seashells and shells, branches of coral. The ornamental richness combined with the great care taken in its execution make it a work in which the splendor of Italian Baroque art unfolds in such characteristic scenic movement. The composition betrays a strong influence from Filippo Parodi, the leader of Genoese Baroque sculpture, and points to an artist from his circle. Our sculpture was probably part of a decorative monumental palace. The iconographic theme evoking the marine world finds its application in the numerous fountains and artificial grottos, designed in Italian palaces at the turn of the 17th and 18th centuries. Giacomo Filippo Parodi (Genoa 1630 – July 22, 1702) was an Italian Baroque sculptor of the Genoese school, who introduced Bernini's aesthetic to Genoa. In his youth fathers a first apprenticeship with a carpenter, he went to Rome where he became a pupil of Bernini. He had the opportunity to admire in person the works and style of the French sculptor Pierre Puget...

"Elephant" is a bronze sculpture by famous Swiss artist Rolf Knie. The work is an original bronze sculpture in an edition of 13. Signed and numbered. Comes ...

A very beautiful antique Art Nouveau bronzed Carrara marble sculpture bust of a young maiden circa 1900, by Gustave Van Vaerenbergh (1871-1927). The sculpture portrays a beautiful young maiden made from Cararra marble, she is wearing a laurel wreath in her hair. She wears a bronzed bodice with leaf decoration in relief and is raised on a varigated grey & white socle base. The sculpture is signed to the rear " G. V. Vaerenbergh" and numbered "1173", the bust is in excellent condition. Gustave Van Vaerenbergh attended classes at the Academy of Fine Arts in Ghent, Belgium from 1888 to 1890. Like many artists from a modest background (he was the son of a shoemaker) , Gustave Van Vaerenbergh went to work in companies where he could use his artistic talent and education for commercial purposes. In 1901 he moved to Saint-Josse-ten-Noode , and a year later to Schaerbeek where he would live for the rest of his life. He went to work there as a " mouleur en plâtre " (modeller or maker of matrices for plaster statues) at the company A. Carli Frères in the L'Olivierstraat in Schaerbeek, a company that produced commercial statues. This successful company, which was active from the beginning to the middle of the twentieth century , initially had about 20 employees and at its peak about 100 employees. The statues were distributed worldwide. Antonio Carli, a sculptor, was the founder of the Atelier A. Carli Frères, together with family members. They came from Bagni di Lucca...

Edition Signed : Lalanne FXL Numeroted : 8/8A With the Coubertin foundry mark : FC

Isidore-Jules Bonheur (French, 1827–1901) A Rare Gilt and Patinated Bronze Jockey on A Horse, circa 1875. Introducing a truly exceptional and highly so...

Bronze figural grouping of a Génie and Science, a woman guided by an angel with outstretched wings by Mathurin Moreau, a celebrated and decorated French sculptor whose talents most f...

American, b. 1961 Jane DeDecker’s energetic and dynamic bronze sculptures serve as a reflection of her own life experiences and those of her closely-knit family. Her twelve nieces and nephews are the primary source of her inspiration, though DeDecker’s sculptures are not portraits. In fact, her loose style leaves her viewers with room for interpretation, so as to see their own lives within her sculptures. This imprecision, combined with her unique ability to capture specific moments to which each viewer can relate on a personal level, regardless of age, give DeDecker’s work a timeless quality that spans generations. DeDecker began her artistic training as a painter at the University of Northern Colorado, until a professor, noticing her joy in the portrayal of shapes and forms, suggested she try her hand at sculpture. Taking his advice, DeDecker went on to study at Gobelins School of Tapestry in Paris...

Pair of playful Murano glass elephants. Dark nearly black amethyst glass with lots of gold. Circa 1950's. Possibly by Barbini. # rare not signed large paris provenance...

This bronze sculpture is a model of the one of the Naiads of the Fountain of the Naiads in Piazza Esedra, Rome, Italy. Realized by Mario Rutelli in 1905 ca. Very good condition.

Regule / a metal casting alloy 73 cm signed Vincent Désiré Faure de Broussé, "L'Abondance", large Art Nouveau sculpture, reguleVincent Désiré Faure de Broussé, 1834 - Paris - 19...

Bronze Numbered 5/9 87cm × 44cm × 21cm (incl. base) Pratley is a Sculptor working from life models in his West London studio. His inspirations range from ancient Greek masterpieces ...

Head of Man is an original artwork realized by Amedeo Bocchi in 1920 ca. This little sculpture is made in gilded bronze. The original wax model is published on the artist's monogra...

Anton Chotka, Austrian (1881 -1955) - Quran Teacher With Pupils, Year: circa 1900, Medium: Cold painted Bronze sculpture, stamped Austria, Size: 4.5 x 8 x 5 in. (11.43 x 20.32 x 1...

Albert Pierre LaPlanche (1854 Sainte-Menehould - 1935 Chäteau-Thierry), Vigilant sitting shepherd dog, around 1915. Brown patinated bronze on cast terrain plinth. 45 cm (height) x 45...

This majestic bronze sculpture, titled Diana the Huntress, is the work of renowned French sculptor Alexandre Falguière, created in 1882. The Roman goddess of the hunt is depicted in ...

ÉTIENNE-HENRI DUMAIGE French, (1830-1888) Avant Le Combat, Apres Le Combat Pair of patinated bronze; signed 'H. Dumaige' and titled ‘AVANT LE COMBAT, APRÈS LE COMBAT, GRENADIER D...

Henry IV child, King of France, after the original from Francois Joseph Bosio (1768-1845). Bronze, silver plated.

Herbert Haseltine Sudbourne Premier: Suffolk Punch Stallion, 1927 Signed left side: © HASELTINE / MCMXXVII Bronze, dark brown patina, parcel gilding ...

Volodymyr Mykytenko - flower Fairy (2009) flower Fairy-Flower fairies are graceful creatures that wield the magic of nature to promote the growth of flowers. Fairies live in the for...

Sculptor Marsha Gertenbach signed and numbered this bronze sculpture, edition 2/25. Here is the artist's message about this unique piece: "She has the quality of being graceful and ...

A superb smaller version of a large scale commission work that stands in Bordeaux at the Hotel Fruges! Lovely patina - a lighter but rich and warm brown tone that is rare to see in ...

This joyous in the round bronze can turn on its base, making for dramatic presentation and enjoyment that is interactive. It is based on the idea of the Three Graces which is often an allegorical subject in sculpture. Wein has done a contemporary feeling interpretation of this classic theme. Piece itself measure 12 1/2 inches and sits on a 3 1/4 inch base and is attached to its base at two points and it is a revolving or rather turning base. The two points on which the toes touch and are secured are striking for how little of the bronze touches the base. It is Fourth in an edition of 13. Albert Wein...

Deaccessioned from the Spertus Museum in Chicago Hand signed by artist in wood carving Chaim Goldberg -- born in the Polish shtetl of Kazimierz Dolny Chaim Goldberg has worked in ne...

Bathing woman drying her right foot also known as "Suzanne" by Aimé-Jules DALOU (1838-1902) A bronze sculpture with a nuanced dark brown patina Signed on the base " Dalou " A very...

Contemporary bronze sculpture on a marble base made by Polish artist Ryszard Piotrowski. The artwork depicts human figure in an acrobatic pose. It is very dynamic. The surface is tex...

Paul Dubois (1829 Nogent-sur-Seine - 1905 Paris), Florentine singer, 1865. Light brown patinated bronze with cast round plinth mounted on a square marble base (3.5 cm high). Total height 53 cm. Bronze dimensions: 49.5 cm (height) x 20 cm (length) x 10 cm (width), weight 5.6 kg. Inscribed on the plinth "P.[aul] DUBOIS", dated "1865", with the foundry's mark "F. BARBEDIENNE FONDEUR" and the signet "REDUCTION MECANIQUE A. COLLAS". - Patina very occasionally darkened, lute with loss of one tuning peg, otherwise in excellent condition. - The renaissance of the Renaissance - The bronze is a precisely executed and masterfully cast contemporary reduction of Paul Dubois 155 cm tall masterpiece "Florentine Singer", which is exhibited in the Musée d'Orsay and for which the artist was awarded the Medal of Honor at the Paris Salon in 1865. The work acted as a beacon, and was followed by a plethora of depictions of juveniles. Inspired by Donatello and Luca della Robbia, but also by painters such as Piero della Francesca, Benozzo Gozzoli, and Pinturicchio, the "Florentine Singer" is not an epigonal work that pays homage to a vanished era, but a successful attempt to draw vitality from the art of the past and thus give it new life. The effect of vitality is the core of Italian Renaissance art theory. In order to fulfill itself as art, art had to appear like nature. This naturalism also characterizes the "Florentine Singer". The young man appears to have been taken from life, which is reinforced by the momentary nature of his action. He has just struck a now fading chord. In addition, the natural appearance is enhanced by the detailed shaping of the figurative details, such as the laces with the slightly curved leather of the shoes, the belt buckle, or the ornamentation on the body of the lute. Even the fingernails are clearly defined. Unlike the Renaissance, however, the effect of liveliness here is not based on the "discovery" of nature and the human body, but primarily on the rediscovery of the art of the Quattrocento. The liveliness of the artwork is therefore at the same time a revitalization of this art, so that we can speak of a Renaissance of the Renaissance, just as the Pre-Raphaelites in England at the same time transferred the Quattrocento to contemporary art. Dubois takes on the most difficult of all subjects, the depiction of singing through silent sculpture. He was preceded in this by Luca della Robbia and Donatello with their pulpits of singers created in the 1430s in the Museo dell'Opera del Duomo in Florence. Compared to these works, the physiognomy of Dubois singer is far less animated, yet he also depicts singing in a convincing manner. He uses the whole body. He takes the ancient contrapposto, which was essential to Renaissance sculpture, and transforms the standing leg-playing posture into a late medieval S-swing, giving the body an elegant beauty and at the same time setting it in melodic motion. In the equally elegant finger position, the music is expressed in a much more literal way with the beating of the lute. Finally, the musicality of the sculpture culminates in the face with the mouth open to sing. Through the act of singing, which is a great challenge to the artistic will to depict perfect beauty, the gracefulness of the classical face is not diminished, but enhanced. Starting from the face with the singing mouth and the gaze absorbed by the sounds, the inner vitality spreads, giving the bronze sculpture an intense aura, enhanced by the music. Dubois transfers the beauty of the Renaissance to the musical, sublimating the visible sculpture to the invisible of music. He took up the challenge of transcending the Renaissance with the Renaissance, thus responding to the Querelle des Anciens et des Modernes, which arose at the end of the 17th century around the French Academy and remained virulent into the 19th century, in which antiquity was regarded either as an unattainable ideal or as a standard to be surpassed. With his work, Dubois proved that the Renaissance, which had championed the art of the ancients, could lead to a new renaissance of art. About the artist Paul Dubois' great-uncle was the famous French Baroque sculptor Jean-Baptiste Pigalle, in whose footsteps the talented great-nephew followed. When he debuted at the Paris Salon in 1858, he signed his work "Dubois-Pigalle". At his father's request, however, he first studied law before devoting himself to sculpture under the tutelage of François Christophe Armand Toussaint in 1856 and entering the École des Beaux-Arts in 1858. From 1859 to 1863, he lived in Rome and traveled to Naples and Florence. Inspired by Florentine art of the quattrocento, Dubois initiated a school-forming neo-Florentine style that combined the elegantly simple forms of youthful grace with a precise wealth of detail.Two purchases by the French state (“envois de Rome”) were made during his stay in Rome, which brought him recognition in Paris. After his return there, he quickly became an internationally sought-after artist. Dubois was also active as a creator of monuments. His most famous work is the equestrian statue of Joan of Arc (1896) on the forecourt of Reims Cathedral. He was also a sought-after portraitist who produced around 50 busts and - Dubois was also a passionate painter - around 100 portraits in oil. From 1873 to 1878 he was curator of the Museum du Luxembourg, in 1876 he became a member of the Institut de France and from 1878 to 1905 he was director of the École des Beaux-Arts. In 1865, Dubois was awarded the Paris Salon Medal of Honor for his “Florentine Singer”. In 1867 he became Chevalier, in 1874 Officier, in 1886 Commandeur of the Légion d'honneur, which awarded Dubois the Grande Croix in 1896. Selected Bibliography Stole, Elmar: Paul Dubois. In: Saur. Allgemeines Künstlerlexikon, vol. 30, Munich - Leipzig 2001, pp. 677-678. GERMAN VERSION Paul Dubois (1829 Nogent-sur-Seine - 1905 Paris), Florentinischer Sänger, 1865. Hellbraun patinierte Bronze mit gegossener runder Plinthe auf quadratischem Marmorsockel montiert (3,5 cm Höhe). Gesamthöhe 53 cm. Maße der Bronze: 49,5 cm (Höhe) x 20 cm (Länge) x 10 cm (Breite), Gewicht 5,6 kg. Auf der Plinthe mit „P.[aul] DUBOIS“ bezeichnet, auf „1865“ datiert, mit dem Gießereistempel „F. BARBEDIENNE FONDEUR“ und dem Signet „REDUCTION MECANIQUE A. COLLAS“ versehen. - Patina sehr vereinzelt nachgedunkelt, Laute mit Verlust eines Stimmwirbels, ansonsten ausgezeichnet erhalten. - Die Renaissance...

“Charging Mountain Goats” by Anna Hyatt Huntington (American, 1876-1973) A wonderful casting of Huntington’s bronze bookend sculptures, executed by the Gorham foundry, these models ...

A very large 24" (61cm) Franz Xavier Bergmann (1861-1936) cold painted bronze group statue, signed, Austria, circa 1910. The bronze in the Orientalist manner & depicts a young slave ...

Familia Big Bronze Sculpture Mother Father Child Outdoors and Indoors Theo Mackaay (1950) Mackaay works with recognizable shape:: women, men and animals, with a pointer at the prim...

Patrick BRUN was born in Paris in 1941. After obtaining his Engineering degree, he began his professional life as a teacher in mathematics and physics. After this period, he started ...

Emile-Andre Boisseau (French, 1842-1923) Le Crépuscule signed 'E. Boisseau' (on the base) Bronze height: 29 in. (74 cm.) Emile-André Boisseau was a...

Dynamic statue of an Arab Falconer riding a horse in motion. A falcon lands on the falconer's arm as his horse trots along a mud road leaving hove prints behind. Artist: Pierre-Jul...

Subrata Biswas - Think Green - H: 13 Inches x W: 12 Inches X D: 4 Inches Bronze Sculpture. Subrata Biswas’s three sculptures ‘Think Green’, ‘Amigo’ and ‘City Bred’ a conscious selec...

Saltationus Casus Bronze Contemporary Sculpture Nude Boy Marble Stone Wim van der Kant (1949, Kampen) is a selftaught artist. Next to his busy profession as a teacher at a high school, he intensively practises his profession as a sculptor. Only when his work would measure up to his own standards, he decided to present it to the rest of the world...

Harriet Whitney Frishmuth (American, 1880-1980) The Vine, 1921 Bronze with brown and green patina Height: 11.5 inches (29.2 cm) high on a 3/4 inches (1.9 cm) high marble base Inscrib...

Designer's Note: Intimate Scale: With a height of 11 inches, this sculpture is perfectly sized for more intimate settings. It works beautifully on a bedside table, a writing desk, o...

Growing up in the fishing village of Anping, Cheng-Hsiung Chen was deeply influenced by the lives of local fishermen. Their struggles at sea and their humble joy in a good catch beca...

Imagined Reality  is a sculpture realized by Vincenzo Gaetaniello, in 1960s. Cast iron, 47 x 62 x 38 cm. Label on the back with title and the artist's proof. Good conditions.  ...

The Trumpeter represents the very embodiment of joy. With a thousand nuances of form, from her outstretched fingers to the carefree tilt of her head, she conveys a sense of youth and...

Equestrian Louis of Orleans by Emmanuel FREMIET (1824-1910) A very fine bronze equestrian group with a gilded patina Signed " E. Fremiet " on the base Cast by " F. Barbedienne Fond...

"Reclining Man" Ashcan Early 20th Century American Scene Social Realism Gay Nude Isadore Konti (1862 - 1938) "Reclining Man" 7 1/2 w x 4 1/2 d x 7 high inch...

Tollit Bronze Sculpture Nude Boy Contemporary Male Figure Balance Marble Stone Wim van der Kant (1949, Kampen) is a selftaught artist. Next to his bu...

Et in Arcadia Bronze Sculpture Nude Male Figure Mythology Contemporary Classic The sculptures of Margot Homan (1956, Oss, the Netherlands) show a pe...

This beautiful figurative female sculpture is by René Romero Schuler. This powerful female figure speaks to the complexities of the human condition and the spirit that connects all...

An Exceptional Life-Size Middle Eastern Gold-Inlaid Steel Deer Sculpture This extraordinary life-size Middle Eastern deer sculpture exemplifies the pinnacle of artistic craftsmanshi...