Glue Sculptures

This piece titled "Fault Lines: Bantam #B8" is an original piece by Kate VanVliet and is made from eggshells, mica, and PVA. This piece measures 2”h x 1.5”w x 1.5”d and ships with th...

This piece titled "Fault Lines: Bantam #B10" is an original piece by Kate VanVliet and is made from eggshells, mica, and PVA. This piece measures 2”h x 1.5”w x 1.5”d and ships with t...

Ivan Markovic transports viewers into a world of technicolor with this collection of works inspired by Bernini's angels. Markovic's life in Rome brought him to walk across the Ponte ...

Ivan Markovic transports viewers into a world of technicolor with this collection of works inspired by Bernini's angels. Markovic's life in Rome brought him to walk across the Ponte ...

Title: "After 77 Years, Again in Fear?" - Mixed Media Assemblage on Canvas Discover the powerful and thought-provoking artwork "After 77 Years, Again in Fear?" by acclaimed contempo...

Ivan Markovic transports viewers into a world of technicolor with this collection of works inspired by Bernini's angels. Markovic's life in Rome brought him to walk across the Ponte ...

"Altai Argaliu" is a beautiful contemporary sculpture created by the Canadian artist Yulia Shtern. Her work depicts beautifully decaying remnants of species on our planet that are cu...

The Redpath Mansion was built in 1886 for members of the Redpath family – wealthy industrialists who constructed the Lachine Canal and founded the sugar refinery that bears their name. This majestic house was erected in the fabled Golden Square Mile of Montreal. By the mid-20th century, it was one of the few remaining Queen Anne style homes in this city. The Sochaczevski family, purchased it in 1986 and within that year, obtained a license to demolish the building. Approximately 40% of the property was leveled. Organizations such as Heritage Montreal and Save Montreal obtained an injunction to suspend the execution of the license and the destruction of the mansion. It was temporarily saved. In 2014, the Mayor of Montreal, Denis Coderre, sided in favour of the Sochaczevski family, granting them the license to level the Redpath Mansion. In a statement to the media, when substantiating his reasoning, Denis Coderre said, “It was too dangerous, so I asked that we demolish the building.” The disappearance of the Redpath Mansion represented a great loss to Montreal’s architectural landscape. Organizations such as Heritage Montreal and Save Montreal, contended that it possessed immense cultural value; and during the course of almost three decades – 1986 to 2014 - struggled to save this rare Queen Anne style home from the wrecking ball. Albeit, the Sochaczevski family argued that it was old and unsafe, and that a restoration of the once stately home would be very costly. During the span marked by the first attempt at a demolition and the final decision by the mayor of Montreal (i.e. 1986 – 2014), The Redpath Mansion’s already dire condition worsened. It stood vacant and exposed to the elements. Nothing to upkeep the house was implemented, neither by the owners, or the city of Montreal; which ultimately compromised its structural viability. The events surrounding the Redpath Mansion, came to my attention in the summer of 2010. It was during a visit to Mount Sinai Hospital, in Montreal, where my father lay stricken by a terminal disease known as pulmonary fibrosis. I came upon a newspaper article in the Montreal Gazette. It described the Redpath Mansion case. I likened the decaying building with the final stages of my father’s life. The Redpath Mansion gained even greater significance for me when I went in person to the Golden Square Mile - in the city centre – and stood before it along Du Musée Street. I experienced it as a powerful metaphor for the transient nature of life. It also inspired thoughts related to generational ties, and how familial bonds act to influence and shape a person’s identity. The program of work I plan to undertake aims at building a scale model of the Redpath Mansion, as it appeared just before its demolition, in 2014. The physical height of this scale model is set at approximately 1 metre. I wish to place emphasis on the craft aspect, by creating a visual idiom based on details and decaying forms that allude to our connection to the past. For example, old pictures found among the rubble, scattered clothing and shoes, all of which are suggestive of a past ethos. I steer clear of political and social issues and aim to view this project with a more poetic lens, hoping to move the focus from societal problems to problems we face inside ourselves. The end result, or the finished piece would make a statement in a more introspective and emotional way, and show that the past weighs on the present, almost to the point of haunting. The viewer of the finished scale model will view it in the round, and in so doing perceive a definite narrative that addresses questions of identity, memory and loss. Ivan Markovic The Redpath Mansion, 2019 mixed media 37h x 20w x 24d in 93.98h x 50.80w x 60.96d cm IVM007 IVAN MARKOVIC was born in Montreal, Quebec in 1970. At an early age, he showed a natural propensity for drawing. At 15 years of age, he went to Paris, France to attend the Fine Arts school Creatione et Future. This experience allowed him to become a better draftsman and encouraged him to take his first steps in the art of oil painting. In 1994, he received a Bachelor of Fine Arts degree from Concordia University in Montreal. During his undergraduate degree he developed an interest for Art History and life drawing. After graduation, Ivan Markovic moved to Madrid, Spain to work at the Prado museum, where he made copies of Old Masters’ paintings, and developed an understanding for the materials and techniques of Spanish, Italian and Flemish art. He received a Master of Fine Arts degree from Bretton Hall College, University of Leeds, in the U.K. in 1997. His graduate work focused on large-scale paintings that alluded to baroque and neoclassical painting. In parallel, he pursued his other passion, teaching, by instructing a figure drawing course. Upon completing his MFA, he returned to Madrid to work as a practicing artist and art teacher for 13 years. During this time, he experimented with a diverse range of media. Of these, he was most captivated by sculpture. In 2010, he came back to his native Montreal, thus completing a formative cycle that has lasted 25 years. Currently, Ivan Markovic lives and works between Montreal, Chicago, and Madrid. He creates three-dimensional renditions of people facing situations of adversity, especially those that live on the fringe of society. His work has been featured in solo exhibitions in Canada, the United States and Europe, and is also on permanent display in privately owned collections of art. Ivan Markovic b. 1970, Montreal, Quebec Education 1997 Master of Fine Arts, Bretton Hall College, University of Leeds, England. 1994 Bachelor of Fine Arts, Concordia University, Montreal, Canada. 1986 Studies at the Fine Arts School, Création et Future, Paris, France. Selected Exhibitions 2020 Double Feature: Art Shay and Ivan Markovic, 2019, Gallery Victor Armendariz, Chicago, IL 2019 SOFA Chicago 2019, Navy Pier, Gallery Victor Armendariz, Chicago, IL 2018 SOFA Chicago 2018, Navy Pier, Gallery Victor Armendariz, Chicago, IL Art Market Hamptons, Gallery Victor Armendariz, Bridgehampton, NY Art On Paper, Gallery Victor Armendariz, New York, NY 2017 Art Toronto, Galerie D’Este, Toronto, Canada. SOFA Chicago, Navy Pier, Option Art, Chicago, IL Papier/10th Edition, Contemporary Art Fair of Works on Paper, Galerie D’Este, Mlt., Canada. 2016 SOFA Chicago, Navy Pier, Option Art, Chicago, U.S.A. 2016 Toronto International Art Fair, Galerie D’Este, Toronto, Canada. 2016 Beyond the Pale, Galerie D’Este, Montreal, Canada. 2014 On the Fringe, Galerie D’Este, Montreal, Canada. Love Art, Galerie D’Este, Toronto, Canada. Papier 14, Contemporary Art Fair of Works on Paper, Galerie D’Este, Montreal, Canada. 2013 Shades of Isolation, Galerie D’Este, Montreal, Canada. 2013 Toronto International Art Fair, Galerie D’Este, Toronto, Canada. Papier 13, Contemporary Art Fair of Works on Paper, Galerie D’Este, Montreal, Canada. 2012 Papier 12, Contemporary Art Fair of Works on Paper, Galerie D’Este, Montreal, Canada. 2011 Papier 11, Contemporary Art Fair of Works on Paper, Galerie D’Este, Montreal, Canada 2004 Galería Francisco Duayer, Madrid, Spain. 2004 Fundación Cultural Mapfre Vida (Premio Penagos de Dibujo), Madrid, Spain. 2003 Centro Intergrado Arganzuela (Ayuntamento de Madrid), Madrid, Spain. 2003 Galería Francisco Duayer, Madrid, Spain. 2001 Galería Francisco Duayer, Madrid, Spain. 2000 Sala Goya, Círculo de Bellas Artes, Madrid, Spain. 1998 Instituto Cervantes, John Hancock Center...

Title: "After 77 Years, Again in Fear?" - Mixed Media Assemblage on Canvas Discover the powerful and thought-provoking artwork "After 77 Years, Again in Fear?" by acclaimed contemporary artist Irena Orlov. This original mixed media assemblage, measuring H34" x W57", masterfully incorporates various dimensional elements and techniques, including painting and found objects, to create a captivating abstract piece with a profound global message. Medium and Materials: This extraordinary artwork is a mixed media assemblage on fine art canvas, skillfully hand-stretched over 1" deep wood stretched bars. The artist's creative vision weaves together an intriguing combination of materials, including plastic, original World War 2 chemical gas masks, copper mesh, and small metal round container...

A split second moment is frozen in time as a rider falls from her bike, just barely making contact with the ground. The fluidity with which the artist is able to capture this specifi...

Judy Rushin-Knopf (1959) was born in Dallas Texas and lives in Tallahasee, FL. Her work addresses bodies, access, and connection. She has exhibited her paintings, sculptures, and tex...

Sara Fine-Wilson's "Coming Up for Air" is a mixed media sculpture of multiple ceramic elements that were previously formed, fired, and glazed and the...

This large mixed-media work on paper, canvas and wood belongs to the artist’s ongoing Fragments series, where ruptured framing and material expansion become central to the act of rep...

Allyson George Not the Priceless Historical Ceramic Jar! (Funny, Witty, Installation) Porcelain, glaze, stoneware, enamel spray paint, epoxy Year: 2025 Size Large Sitting Cup: 20 x 1...

This mixed-media work on paper, canvas and wood forms part of the artist’s ongoing Fragments series, a body of work in which ruptured framing, material tension and partial figuration...

Judy Rushin-Knopf (1959) was born in Dallas Texas and lives in Tallahasee, FL. Her work addresses bodies, access, and connection. She has exhibited her paintings, sculptures, and tex...

JENNY DAY earned an MFA in Painting and Drawing from the University of Arizona, a BFA in Painting from the University of Alaska Fairbanks and a BA in Environmental Studies from the U...

**NEW YEAR FINAL 90 DAYS SALE UNTIL MARCH 31ST** **STORE CLOSURE - UP TO 80% OFF - TAKE ADVANTAGE OF IT** **EVERYTHING MUST GO UNTIL APRIL1ST!** The Senhorita...

This piece titled "Fault Lines: Bantam #B6" is an original piece by Kate VanVliet and is made from eggshells, mica, and PVA. This piece measures 2”h x 1.5”w x 1.5”d and ships with th...

Judy Rushin-Knopf (1959) was born in Dallas Texas and lives in Tallahasee, FL. Her work addresses bodies, access, and connection. She has exhibited her paintings, sculptures, and tex...

This cobalt blue framed sculpture titled "Explosion #11" is an original artwork by Joey Bates made of cut paper, glue, acrylic paint. This piece measures 20...

This piece titled "Day in the Life: Chimaera #12" is an original piece by Kate VanVliet and is made from eggshell, mica, and acrylic. This piece measures 4”h x 2.5”w x 2.5”d, and is ...

Modern-day rendition of the world's oldest computer, the real-life Antikythera Mechanism (c. 205 BC). To our knowledge, the world's first outright, true sculpture that honors the world's oldest computer. The Antikythera Mechanism was a hand-powered astronomical calculator/planetarium consisting of anywhere from 24 to approximately 30 interlocking concentric gears and cogs. It was the most complex man-made instrument ever made until nearly the Renaissance, a fact which demands rewrite on the capabilities of the ancients. The ART-ikythera directly connects Archimedes to the invention of the mechanism by virtue of the symbol for Pi being inscribed on the sculpture base. Also inscribed is a spiral glyph, gleaned from the real-life Archimedes Palimpsest. Another accoutrement is the "eye of Archimedes," a concave mirror which when illuminated casts the illusion of a convex magnifying glass. The shape of the base is a square within a circle, symbolizing how Archimedes "squared the circle" to calculate Pi to the second decimal expansion (3.14). ART-ikythera is an esoteric code generator with clues and ciphers leading to a unique scientific perspective. SPECS: Total of 23 individual pieces, including spot-welded antique and vintage cast-iron gears, cogs and sprockets from used farm implements, antique brass all angle inclinometer (late 19th century), antique padlock...

This piece titled "Fault Lines: Bantam #B4" is an original piece by Kate VanVliet and is made from eggshells, mica, and PVA. This piece measures 2”h x 1.5”w x 1.5”d and ships with th...

This piece titled "Day in the Life: Green #41" is an original piece by Kate VanVliet and is made from eggshell, mica, and acrylic. This piece measures 4”h x 2.5”w x 2.5”d, and is shi...

This piece titled "Day in the Life: Green #82" is an original piece by Kate VanVliet and is made from eggshell, mica, and acrylic. This piece measures 4”h x 2.5”w x 2.5”d, and is shi...

This piece titled "Tripod" is an original piece by Kate VanVliet and is made from eggshells, mica, and PVA. This piece measures 10”h x 9”w x 6.5”d. Kate VanVliet is a sculptor and p...

This piece titled "Chimaera: White #2" is an original piece by Kate VanVliet and is made from eggshells, mica, and PVA. This piece measures 3”h x 3”w x 2.5”d and ships with the pictu...

This piece titled "Day in the Life: Chimaera #16" is an original piece by Kate VanVliet and is made from eggshell, mica, and acrylic. This piece measures 4”h x 2.5”w x 2.5”d, and is ...

This piece titled "Chimaera: Green #15" is an original piece by Kate VanVliet and is made from eggshells, mica, and PVA. This piece measures 2.25”h x 2”w x 2”d and ships with the pic...

This piece titled "This piece titled "Day in the Life: Chimaera #12" is an original piece by Kate VanVliet and is made from eggshell, mica, and acrylic. This piece measures 4”h x 2.5...

This piece titled "Chimaera: Green #11" is an original piece by Kate VanVliet and is made from eggshells, mica, and PVA. This piece measures 2.5”h x 2”w x 2”d ands with the pictured ...

This piece titled "Day in the Life: Green #90" is an original piece by Kate VanVliet and is made from eggshell, mica, and acrylic. This piece measures 4”h x 2.5”w x 2.5”d, and is shi...

This piece titled "Day in the Life: Double Yolk #1" is an original piece by Kate VanVliet and is made from eggshell, mica, and acrylic. This piece measures 4”h x 2.5”w x 2.5”d, and i...

This piece titled "Chimaera: Green #14" is an original piece by Kate VanVliet and is made from eggshells, mica, and PVA. This piece measures 2.75”h x 2”w x 2”d and ships with the pic...

This piece titled "Chimaera: Green #13" is an original piece by Kate VanVliet and is made from eggshells, mica, and PVA. This piece measures 3.5”h x 2.5”w x 2.5”d and ships with the ...

This free-standing sculpture titled "An Exact Record Of How It Happened" is an original artwork by Jedediah Morfit made of plaster, paint, wax, thermoplastic, epoxy, wood, rope. This piece measures 33.25"h x 10"w x 14"d. BIO Jedediah Morfit received his MFA in sculpture from the Rhode Island School of Design in 2005, where he was awarded the Sylvia Leslie Herman Young Scholarship and the Award Of Excellence. He was a Fellow at the Center For Emerging Visual Artists from 2007-2009, and received a New Jersey Council On the Arts Fellowship for sculpture in 2009. He received the Louise Kahn Award for Sculpture from the Woodmere Art Museum in 2006, and was awarded the Dexter Jones Award for Bas Relief from the National Sculpture Society in 2011 and 2012. In 2013, he was commissioned to create a series of new work for Artlantic:Wonder, which was named one of the 50 best...

*End Of The Year Sale - This Price Is The Lowest - Take Advantage of It* *This Price Won't Be Repeated Again This Year* ***Looking for one of kind precious high ending gift that no one else will have? This is one of them!*** Absolutely and positively ONE OF A KIND skull encrusted with genuine Swarovski and Czech crystals. This is one of the best and most unique super gift for this year. The ultimate homage to the one and only Sidney Poitier...

A time traverse mechanism with antecedents in mythological Atlantis. Legend speaks of a Minoan connection to Atlantis. The time machine's fictional narrative builds upon the latest in archeological finds and a growing body of circumstantial evidence hinting of an advanced society lost to history. Perchance, dare say, one which developed methods defying the very forward arrow of the space time continuum. The Atlantian Continuum narrative tells of it originally being buried in volcanic ash (thereby preserved) after a catastrophic event altered the earth's magnetic polarity. A broken piece of Minoan-Atlantian continental land mass drifted thousands of miles south (based upon recent real-life scholarly posits), further protecting the device in the permafrost of the Antarctic. Metrics of time manipulation employed are aligned with many of Einstein‘s theories including Relativity, Light Quanta, entanglement, curvature of space and infinite time loops. The sculpture portends an original scientific perspective replete with esoteric symbols, equations, formulai and multi-dimensional geometry, all portending a series of radical posits. These heuristic, intuitive theories expand upon the latest cutting-edge scientific, mathematical and philosophical insights into "visiting" the past. SPECS: Vintage spot welded cast-iron gears, cogs, sprockets and other pieces of used farm implements. Total of 49 individual pieces, all antique and vintage dating as far back as 1920. Antique plano-convex glass ball clock housed in brass. Antique brass transit surveyor. Antique brass car oiler. Antique iron padlock...

Sara Fine-Wilson's "Magic Carpet Ride" is a mixed media sculpture incorporating extruded and hand formed glazed and unglazed ceramic elements with epoxy. These elements are created, ...

**STORE CLOSURE - UP TO 80% OFF - TAKE ADVANTAGE OF IT** ***EVERYTHING MUST GO BY DECEMBER 31ST!*** >>The artist is moving to a new full time venture in 2026<< _______________________________________________________ ***Looking for one of kind precious high ending art piece that no one else will have? This is one of them!*** Absolutely and positively ONE OF A KIND skull creation encrusted with genuine Swarovski and Czech crystals. The ultimate homage to Evita Peron...

"Bonobo II" is a beautiful contemporary sculpture created by the Canadian artist Yulia Shtern. Her work depicts beautifully decaying remnants of species on our planet that are curren...

Ivan Markovic transports viewers into a world of technicolor with this collection of works inspired by Bernini's angels. Markovic's life in Rome brought him to walk across the Ponte ...

Ivan Markovic transports viewers into a world of technicolor with this collection of works inspired by Bernini's angels. Markovic's life in Rome brought him to walk across the Ponte ...

This piece titled "The Kiss (Pretzel)" is an original piece by Kate VanVliet and is made from eggshells, mica, PVA. This piece measures 6”h x 11.5”w x 8”d. Kate VanVliet is a sculpt...

This piece titled "Yoni" is an original piece by Kate VanVliet and is made from eggshells, mica, PVA. This piece measures 14.5”h x 9.5”w x 2.5”d and comes with 3-D printed screw cove...

This piece titled "Walking Stick" is an original piece by Kate VanVliet and is made from eggshells, mica, PVA. This piece measures 4”h x 32”w x 3”d and comes with 3-D printed screw ...

This piece titled "Chimaera: Green #8" is an original piece by Kate VanVliet and is made from eggshells, mica, and PVA. This piece measures 2.75”h x 2”w x 2”d and ships with the pict...

This piece titled "Peck" is an original piece by Kate VanVliet and is made from eggshells (bantam), mica, and PVA. This piece measures 3”h x 9”w x 7”d. Kate VanVliet is a sculptor a...

This piece titled "Donut (Chocolate)" is an original piece by Kate VanVliet and is made from eggshells, mica, and PVA. This piece measures 3.5”h x 3.5”w x 1.5”d and ships with the pi...

This piece titled "The Tickler" is an original piece by Kate VanVliet and is made from eggshells, mica, and PVA. This piece measures 2.5” x 5”x 3.5”. Kate VanVliet is a sculptor and...

This piece titled "Roly-Poly" is an original piece by Kate VanVliet and is made from eggshells, mica, and PVA. This piece measures 4”h x 3.5”w x 2.5”d. Kate VanVliet is a sculptor a...

This piece titled "Chimaera: White #1" is an original piece by Kate VanVliet and is made from eggshells, mica, and PVA. This piece measures 3.5”h x 2.5”w x 2.5”d and ships with the p...

This piece titled "Chimaera: Green #12" is an original piece by Kate VanVliet and is made from eggshells, mica, and PVA. This piece measures 3.5”h x 2.5”w x 2.5”d and ships with the ...

This piece titled "Chimaera: Green #9" is an original piece by Kate VanVliet and is made from eggshells, mica, and PVA. This piece measures 2.5”h x 2”w x 2”d and ships with the pictu...

This piece titled "Chimaera: Green #12" is an original piece by Kate VanVliet and is made from eggshells, mica, and PVA. This piece measures 3.5”h x 2.5”w x 2.5”d and ships with the ...

This piece titled "Fault Lines: Bantam #B7" is an original piece by Kate VanVliet and is made from eggshells, mica, and PVA. This piece measures 2”h x 1.5”w x 1.5”d and ships with th...

This piece titled "Chimaera: Brown #2" is an original piece by Kate VanVliet and is made from eggshells, mica, and PVA. This piece measures 3.75”h x 2”w x 2”d and ships with the pict...

This piece titled "Chimaera: Brown #4" is an original piece by Kate VanVliet and is made from eggshells, mica, and PVA. This piece measures 3.75”h x 2”w x 2”d and ships with a displa...

This piece titled "Day in the Life: Chimaera #12" is an original piece by Kate VanVliet and is made from eggshell, mica, and acrylic. This piece measures 4”h x 2.5”w x 2.5”d, and is ...