Paint Sculptures

keywords; #sinuous, focus on material, sculptural folds, Aldo Chaparro, use of common materials, creased crinkled and wrinkled, angular, abstract sculpture, angular, process-oriented...

KAWS Together: Set of 2 works (Black and Grey). New and unopened in their original packaging. In TOGETHER, KAWS’s iconic “Companions” are interlocked, consoling each other in an eve...

Hebru Brantley GAIA (Hebru Brantley Lil Mama as Gaia) / Hebru Brantley FLYBOY: a set of 2 works: Vinyl figures: 2 individual works. c.2017 (flyboy) & 2021 (gaia). Gaia: 7.5 x 5.5 inches. Flyboy: 9 x 8 inches. Each new, never displayed; accompanied by original packaging. Published by Hebru Brantley from a limited series of unknown. Unsigned as issued. Hebru Brantley Gaia: Hebru Brantley’s ethereal art toy features his much iconic, Lil Mama character as Gaia, the fabled personification of Mother Earth. Wearing her traditional aviator goggles, Lil Mama glides on a cloud high above everyday life. Brantley has designed Gaia as an amulet that he says, will ‘…provide you and those you love with blessings and protection…’ Hebru Brantley Flyboy: Artist Statement: "Flyboy came out of characters of colour within popular culture. I hate saying “popular culture,” but it’s really popular culture. I mean you look at cartoons. You’ve got animated sponges and ducks and birds and whatever, and it’s very rare to see a popular character within any medium that is African-American, Latino, even Asian. What I wanted to do was create that, but in a space of high art and be able to have some historical context to that character. So I looked at the Tuskegee Airmen...

Title: "After 77 Years, Again in Fear?" - Mixed Media Assemblage on Canvas Discover the powerful and thought-provoking artwork "After 77 Years, Again in Fear?" by acclaimed contempo...

The American pop iconoclast popularised by his signature fusion of varying cultural touchstones features themes from current pop icons to past historical art figures...

Greg Chann creates contemporary modern abstract geometric sculptures. His constructions are complex interwoven systems of physical elements varying in size, material, and color. Thes...

"Melody in G" is a painted steel sculpture by Ralph Wickstrom created in 2000. Wickstrom's portfolio is very diverse in form and shape, and yet this piece seems to stand out from the...

For many, rusty materials, pieces of glass or plastic fragments are not rubbish that should be left in the trash can.Finkelman's creative sensitivity has made these materials irrepla...

“My biomorphic abstractions range from intimate to immersive in scale, referencing our interconnectedness. Building curvilinear ceramic sculpture and then drawing intertwined graph...

Chloe Hedden’s Persian Rose Excess from her Excess series continues her exploration of Excessivism, using thick, sculptural paint to embody themes of overconsumption and indulgence. ...

KAWS: HOLIDAY United Kingdom Black (KAWS UK): KAWS' signature character COMPANION presented in an upright standing position with its eyes covered. New in their original packaging - ...

Tony Rosenthal, Attributed to, American (1914 - 2009) - Bicycle, Medium: Acrylic on Metal Assemblage, Size: 31 x 36 x 6 in. (78.74 x 91.44 x 15.24 cm)

Rather than being literal reproductions of buildings, Leroy Johnson’s iconic, signature house sculptures are alive with texture and symbolism, celebrating the resilience of communiti...

Jose Margulis is a contemporary artist whose work explores the space where art, science, and philosophy meet. Best known for his three-dimensional geometric constructions, he works w...

Denied Warhol Brillo Box Yellow Contemporary Pop Art Sculpture by Charles Lutz. Silkscreen and latex paint on wood, stamped Denied with the Andy Warhol Art Authentication Board's ma...

Artist: Mr. Imagination (aka Gregory Warmack), American (1948 - 2012) Title: Fish Year: circa 1985 Medium: Aluminum Collage with Bottle Caps Sculpture Size: 19.5 x 37.5 x 2 in. (49.5...

Black and white geometric abstract sculpture by Houston, TX artist Scott Woodard. The sculpture consists of three layers of wood in different geometric shapes. Signed, titled, and dated by the artist at the back. Artist Biography: Scott Woodard is a local Houston, TX artist who has exhibited in a variety of Houston galleries since 2007. He was a regular at the annual Dia de los Muertos exhibit put on by the Lawndale Art Center through the mid to late 2000s. While his work had been focused on sepia tones, he has recently taken his art in a new direction...

Lesley Richmond was born in Cornwall, England. Lesley now lives in Vancouver, BC, Canada. She received her art teachers training in London, England and her MEd in the USA. She taught...

This geometric wall sculpture features green hues. Atlanta-based artist Mitchell Biggio’s “Fault” is a series of complex three-dimensional wall sculptures that navigate the expansiv...

"Matisse" Wood Wall Sculpture- 2024 "Small Pops" collection Matte Acrylic Paint on solid maple wood. Finished on three sides and ready to hang. Scott Troxel draws on the aesthetics ...

This beautiful contemporary high textured abstract painting is great for a classic and contemporary setting. The variation of colors and rich texture would greatly bring a space to l...

Atticus Adams' organically composed modern metal sculptures embody the transformative power of art, illustrating the creation of beauty, meaning, and emotional impact from industrial...

Artist Len Klikunas paints to modify experienced reality through visual perception. His art is a mix of art and architecture, hovering between painting and sculpture. It employs shiz...

Calman Shemi (1939-) Laser cut metal wall sculpture 3D Titled "Circus" Signed on the front lower left edge, and signed, numbered, and titled verso. Marked, Jerusalem Limited edition,...

Midcentury painted terracotta abstract figurative sculpture “La Testa” by Italian Futurist artist Renato Bertelli (1900-1974). Initialized “R. B. A-XI”.

"Bourgeois Big Top" is a wood wall sculpture. Made for repurposed oak, mahogany, walnut, leather, suede, dining room table legs and brass tacks, the piece has an overtly architectur...

Erin Vincent is a Toronto based-artist whose work draws on a variety of repetitive and labor intensive processes and materials. Things and common objects have always fascinated Vinc...

Title: El Doctor Year: circa 1990 Medium: Bronze Sculpture, signature and number inscribed Edition: V/XXX Size: 12.5 in. x 6 in. x 6 in. (31.75 cm x 15.24 cm x 15.24 cm)

Spray acrylic on solid maple with gloss clearcoat Scott Troxel has exhibited his work at numerous fairs and exhibitions across the United States, including The Other Art Fair in NY...

Hand Carved Wood, Assembled Sculpture, Landscape, Wall Hanging, Holly Lane Holly Lane is a painter, sculptor and woodworker, interrogating the relationship between a picture and its...

KAWS CHUM Companion 2022 (pink): Published by KAWS to commemorate the 20th anniversary of his famed KAWS’ Chum character; "I can remember clearly packing and shipping the first CHUM ...

Colorful abstracted color field painting of matchsticks by Bay Area artist Michael Pauker (American, b. 1957), circa 2000. Unsigned, but was acqui...

Striking Ron Hitchins wooden architectural sculpture, signed on the back by the artist. An extremely rare example of the artist working with wood. Year: ...

"Flow Meter" (Small Pops Series) is a modernist, solid wood wall sculpture that brings bold statement to wherever it is placed. The piece has uses a Satin lacquer finish (on 2" thic...

GILBERT LEDWARD, RA, PRBS (1888-1960) Tennis, Golf, Shooting, Ice-Skating, Dreaming – Proposed Design for Decorative Frieze in the Italian Drawing Room at Eltham Palace, commissioned by Stephen Courtauld Signed and dated July 9th 1933 Watercolour and pencil 12.5 by 49.5 cm., 5 by 19 ½ in. (frame size 36 by 67 cm., 14 ¼ by 26 ¼ in.) Exhibited: The artist’s daughter; London, The Fine Art Society, A Centenary Tribute, Feb 1988, no. 43. Gilbert Ledward was born in London. He was educated at St Mark’s College, Chelsea. In 1905 he entered the Royal College of Art to study sculpture under Edouard Lanteri and in 1910 he entered the Royal Academy Schools. In 1913 he won the Prix de Rome for sculpture, the Royal Academy’s travelling award and gold medal, which allowed him to travel in Italy until the outbreak of the Wold War I. During the war he served as a lieutenant in the Royal Garrison Artillery and was appointed as an official war artist in 1918. Following the war he was largely occupied as a sculptor of war memorials including the Guards Division memorial in St James’s Park and the Household Division’s memorial in Horse Guards Parade. In 1934, supported by Eric Gill and Edwin Lutyens, he established a company called Sculptured Memorials and Headstones, which promoted better design of memorials in English churchyards. His war memorials after World War II include one in Westminster Abbey to the Submarine Service, Commandos and Airborne Forces. Ledward was Professor of Sculpture at the Royal College of Art (1927-1929) and in 1937 was elected at Royal Academician. He became President of the Royal Society of British Sculptors and a trustee of the Royal Academy. The present work is a design for an intended decorative frieze for the Italian Drawing Room of Eltham Palace. In 1935 the remains of the medieval royal palace of Eltham was rescued from decay by Stephen and Virginia Courtald who built an ultra modern Art Deco house to adjoin the existing Great Hall. They employed the architects John Seeley and Paul Edward Paget and the fashionable Mayfair interior designer the Marchese Peter Malacrida to design the strikingly glamorous 1930s interiors of the new house. The dramatic entrance hall was created by the Swedish designer Rolf Engstromer...

The artwork is a three-state model of an inorganic body, beginning with a black, alien-like rock formation, which gradually unfolds as it evolves, revealing its contents as a whitish...

The ’Pumpkin' sculpture is a polka-dotted painted lacquer resin collectible art object by the legendary contemporary Artist, Yayoi Kusama. Published by Benesse Holdings, Inc., Naosh...

This piece titled "Grid Table" is an original artwork by Jason Andrew Turner made of acrylic on MDF. This piece measures approximately 25"h x 17"w x 17"d. Jason Andrew Turner (b. 19...

Striking abstracted landscape by Linda West (American, b. 1953). A bold red landscape is dotted with the charred remnants of trees. The sky is a dull teal c...

Artist: David Bromley Title: Stacked Illustrated Blocks Year: circa 1990 Medium: Six Oil- and Acrylic-Painted Wooden Blocks, Staggered in Size Size: Smallest Block: 5.5 x 5.5 x 5.5 i...

Painter and sculpture Artist Natalie Krainin creates artworks using the innovative method of Fabric Texture Art. This technique, which resonates deeply with her professional roots, a...

Blue Scream Aluminum, and urethane car paint, artist signed and dated. The sculpture is in three seperate parts dismounted for shipping. Based in South Florida, Joseph Meerbott has...

Acrylic and hand-cut Holy Bible published 1851, and wire

Created in 1987, this original acrylic on wood sculpture is hand signed by Victor Vasarely (Pécs, 1906 - Paris, 1997)in black ink in the lower centerand numbered from the edition of ...

"Tonka I" is the first piece in a 3 piece series of monochromatic wall sculptures. Tonka I features a matte metallic champagne finish made from automotive enamel. The result is a stunning metallic surface that absorbs light and looks extremely rich and luxe. Four different levels of depth and thicknesses on the piece allow for striking shadows when spotlights are used to light the piece. The pinlines are metallic charcoal gunmetal and red. Finally, the name "Tonka" comes from the inspiration for these pieces. The pieces are meant to abstractly resemble Native American dancers...

Upon discovering a weathered steel drum that had been warped to resemble the sleeve of a garment, artist Gordon Chandler was inspired to embark on a series of kimono sculptures formed from found metal scraps. With an eye to the aesthetic possibilities of this humble material, Chandler invests the reclaimed steel with sculptural fluidity and a wry sense of form. Flattened with the center portion rolled out and the sides left open, this discarded barrel takes on the look of a miniature jacket. Coated with a mint green finish, the eroded metal appears as draped fabric, folded back to form a simple collar. The sculpture is finished with the artist's initials stamped...

medium: found aluminum cans, wire Available in multiple color/finish options (inquire with gallery). Installations are made to order, sizes and shapes of butterflies vary. Unique, ...

Spinnaker is a modern mixed media wall sculpture. Made from MDF, acrylic and repurposed Black cherry wood. This is the second piece I made as I begin to experiment with additional ma...

"CloudHawk" is a minimalist and modernist wood wall sculpture reminiscent of mid century modern, art nouveau and bold graphic design. It is part of my "Small Pops" Series wood wall s...

Important one of a kind painting by Noche Crist (1909 - 2004). A shaped painting titled " Flower Caryatid". Noche Crist imbued her cutouts with more...

"Back from the Yellow Brick Road" by Richard Pitts Powder-coated aluminum Richard Pitts works in many media, from steel to wood to bronze to aluminum, not to mention his paintings. ...

Sinuosity sculpture. Wall mount or pedestal mount. Mid Blue metallic finish. 21"x18"x7" keywords; #sinuous, focus on material, sculptural folds, Aldo Chaparro, use of common material...

Red Anteater Large Garden Sculpture signed, limited edition #4/10, 84" tall Joseph Meerbott has been constructing bronze, metal sculptures, and ceramics for over 30 years. Schooled at Florida Atlantic University, with a BA in Fine Arts, his education covers a broad spectrum of artistic mediums. Influenced by the works of Picasso to Matisse, Meerbott sculptures embody the spirit of Pop Art. In his personal style, Meerbott transforms acclaimed two-dimensional post-modern works into dynamic three-dimensional sculptures. The results are instantly familiar yet firmly unique pieces of modern art. Joseph Meerbott utilizes welded aluminum as well as bronze for the creation of his sculptures. Meerbott uses urethane-based enamels to allow for his works to be exhibited in all locations, both indoor and outdoor. The sculptures themselves range in size, from the intimate to the grandiose, and can be built to site-specific requirements. 2000 - 2012 Featured Artist - Elaine Baker Gallery Boca Raton, Florida 2000 - 2012 Featured Artist - Collectors Corner...

"High Desert Composition" is a welded steel wall sculpture where the lines between two- and three-dimensional art are blurred. The viewer has a variety of experiences from multiple vantage points where volumes and angles disconnect and reconnect as one moves around the piece. The hand welded steel is painted with acrylic paint in a kaleidoscope of color tones. Chris Hill High Desert Composition welded steel, acrylic paint 80h x 48w x 7d in 203.20h x 121.92w x 17.78d cm CHI024 Chris Hill is a Santa Fe based sculptor. Chris was born in Port Arthur, Texas but grew up in small town North Mississippi. He began welding at age 18 at the Tennessee Valley Authority...

This new work by Tal Nehoray is from her latest body of works called "Happy Pills". All are hand made with ceramic and hand painted with automotive paint. It is a combination of 3 ce...

Pinwheel is a modern and refined minimalist wall sculpture made from washed birch panels and mounted on a metallic backer. It is finished with semi-gloss lacquer. Pinwheel is a monoc...

The Redpath Mansion was built in 1886 for members of the Redpath family – wealthy industrialists who constructed the Lachine Canal and founded the sugar refinery that bears their name. This majestic house was erected in the fabled Golden Square Mile of Montreal. By the mid-20th century, it was one of the few remaining Queen Anne style homes in this city. The Sochaczevski family, purchased it in 1986 and within that year, obtained a license to demolish the building. Approximately 40% of the property was leveled. Organizations such as Heritage Montreal and Save Montreal obtained an injunction to suspend the execution of the license and the destruction of the mansion. It was temporarily saved. In 2014, the Mayor of Montreal, Denis Coderre, sided in favour of the Sochaczevski family, granting them the license to level the Redpath Mansion. In a statement to the media, when substantiating his reasoning, Denis Coderre said, “It was too dangerous, so I asked that we demolish the building.” The disappearance of the Redpath Mansion represented a great loss to Montreal’s architectural landscape. Organizations such as Heritage Montreal and Save Montreal, contended that it possessed immense cultural value; and during the course of almost three decades – 1986 to 2014 - struggled to save this rare Queen Anne style home from the wrecking ball. Albeit, the Sochaczevski family argued that it was old and unsafe, and that a restoration of the once stately home would be very costly. During the span marked by the first attempt at a demolition and the final decision by the mayor of Montreal (i.e. 1986 – 2014), The Redpath Mansion’s already dire condition worsened. It stood vacant and exposed to the elements. Nothing to upkeep the house was implemented, neither by the owners, or the city of Montreal; which ultimately compromised its structural viability. The events surrounding the Redpath Mansion, came to my attention in the summer of 2010. It was during a visit to Mount Sinai Hospital, in Montreal, where my father lay stricken by a terminal disease known as pulmonary fibrosis. I came upon a newspaper article in the Montreal Gazette. It described the Redpath Mansion case. I likened the decaying building with the final stages of my father’s life. The Redpath Mansion gained even greater significance for me when I went in person to the Golden Square Mile - in the city centre – and stood before it along Du Musée Street. I experienced it as a powerful metaphor for the transient nature of life. It also inspired thoughts related to generational ties, and how familial bonds act to influence and shape a person’s identity. The program of work I plan to undertake aims at building a scale model of the Redpath Mansion, as it appeared just before its demolition, in 2014. The physical height of this scale model is set at approximately 1 metre. I wish to place emphasis on the craft aspect, by creating a visual idiom based on details and decaying forms that allude to our connection to the past. For example, old pictures found among the rubble, scattered clothing and shoes, all of which are suggestive of a past ethos. I steer clear of political and social issues and aim to view this project with a more poetic lens, hoping to move the focus from societal problems to problems we face inside ourselves. The end result, or the finished piece would make a statement in a more introspective and emotional way, and show that the past weighs on the present, almost to the point of haunting. The viewer of the finished scale model will view it in the round, and in so doing perceive a definite narrative that addresses questions of identity, memory and loss. Ivan Markovic The Redpath Mansion, 2019 mixed media 37h x 20w x 24d in 93.98h x 50.80w x 60.96d cm IVM007 IVAN MARKOVIC was born in Montreal, Quebec in 1970. At an early age, he showed a natural propensity for drawing. At 15 years of age, he went to Paris, France to attend the Fine Arts school Creatione et Future. This experience allowed him to become a better draftsman and encouraged him to take his first steps in the art of oil painting. In 1994, he received a Bachelor of Fine Arts degree from Concordia University in Montreal. During his undergraduate degree he developed an interest for Art History and life drawing. After graduation, Ivan Markovic moved to Madrid, Spain to work at the Prado museum, where he made copies of Old Masters’ paintings, and developed an understanding for the materials and techniques of Spanish, Italian and Flemish art. He received a Master of Fine Arts degree from Bretton Hall College, University of Leeds, in the U.K. in 1997. His graduate work focused on large-scale paintings that alluded to baroque and neoclassical painting. In parallel, he pursued his other passion, teaching, by instructing a figure drawing course. Upon completing his MFA, he returned to Madrid to work as a practicing artist and art teacher for 13 years. During this time, he experimented with a diverse range of media. Of these, he was most captivated by sculpture. In 2010, he came back to his native Montreal, thus completing a formative cycle that has lasted 25 years. Currently, Ivan Markovic lives and works between Montreal, Chicago, and Madrid. He creates three-dimensional renditions of people facing situations of adversity, especially those that live on the fringe of society. His work has been featured in solo exhibitions in Canada, the United States and Europe, and is also on permanent display in privately owned collections of art. Ivan Markovic b. 1970, Montreal, Quebec Education 1997 Master of Fine Arts, Bretton Hall College, University of Leeds, England. 1994 Bachelor of Fine Arts, Concordia University, Montreal, Canada. 1986 Studies at the Fine Arts School, Création et Future, Paris, France. Selected Exhibitions 2020 Double Feature: Art Shay and Ivan Markovic, 2019, Gallery Victor Armendariz, Chicago, IL 2019 SOFA Chicago 2019, Navy Pier, Gallery Victor Armendariz, Chicago, IL 2018 SOFA Chicago 2018, Navy Pier, Gallery Victor Armendariz, Chicago, IL Art Market Hamptons, Gallery Victor Armendariz, Bridgehampton, NY Art On Paper, Gallery Victor Armendariz, New York, NY 2017 Art Toronto, Galerie D’Este, Toronto, Canada. SOFA Chicago, Navy Pier, Option Art, Chicago, IL Papier/10th Edition, Contemporary Art Fair of Works on Paper, Galerie D’Este, Mlt., Canada. 2016 SOFA Chicago, Navy Pier, Option Art, Chicago, U.S.A. 2016 Toronto International Art Fair, Galerie D’Este, Toronto, Canada. 2016 Beyond the Pale, Galerie D’Este, Montreal, Canada. 2014 On the Fringe, Galerie D’Este, Montreal, Canada. Love Art, Galerie D’Este, Toronto, Canada. Papier 14, Contemporary Art Fair of Works on Paper, Galerie D’Este, Montreal, Canada. 2013 Shades of Isolation, Galerie D’Este, Montreal, Canada. 2013 Toronto International Art Fair, Galerie D’Este, Toronto, Canada. Papier 13, Contemporary Art Fair of Works on Paper, Galerie D’Este, Montreal, Canada. 2012 Papier 12, Contemporary Art Fair of Works on Paper, Galerie D’Este, Montreal, Canada. 2011 Papier 11, Contemporary Art Fair of Works on Paper, Galerie D’Este, Montreal, Canada 2004 Galería Francisco Duayer, Madrid, Spain. 2004 Fundación Cultural Mapfre Vida (Premio Penagos de Dibujo), Madrid, Spain. 2003 Centro Intergrado Arganzuela (Ayuntamento de Madrid), Madrid, Spain. 2003 Galería Francisco Duayer, Madrid, Spain. 2001 Galería Francisco Duayer, Madrid, Spain. 2000 Sala Goya, Círculo de Bellas Artes, Madrid, Spain. 1998 Instituto Cervantes, John Hancock Center...

Title: "After 77 Years, Again in Fear?" - Mixed Media Assemblage on Canvas Discover the powerful and thought-provoking artwork "After 77 Years, Again in Fear?" by acclaimed contemporary artist Irena Orlov. This original mixed media assemblage, measuring H34" x W57", masterfully incorporates various dimensional elements and techniques, including painting and found objects, to create a captivating abstract piece with a profound global message. Medium and Materials: This extraordinary artwork is a mixed media assemblage on fine art canvas, skillfully hand-stretched over 1" deep wood stretched bars. The artist's creative vision weaves together an intriguing combination of materials, including plastic, original World War 2 chemical gas masks, copper mesh, and small metal round container...

Hebru Brantley Beyond the Beyond, 2018. Set of 3 Hebru Brantley Flyboy’s, each new in original packaging. Medium: Painted cast vinyl. Dimensions: 9 x 8 x 4 inches (22.9 x 20.3 x 10.2 cm). Each new in its original packaging. From a sold out edition of unknown; published by Hebru Brantley, Billionaire Boys Club & BAIT. Artist Statement: "Flyboy came out of characters of colour within popular culture. I hate saying “popular culture,” but it’s really popular culture. I mean you look at cartoons. You’ve got animated sponges and ducks and birds and whatever, and it’s very rare to see a popular character within any medium that is African-American, Latino, even Asian. What I wanted to do was create that, but in a space of high art and be able to have some historical context to that character. So I looked at the Tuskegee Airmen...

"Golden Dreams" is a contemporary and parametric wall sculpture. Made from oil lacquer paint and acrylic mirror on carved maple, this body of work is c...