Head Nude Sculptures

Lucifer Bronze Sculpture Contemporary Classic Mythology Male Figure Wings Angel The sculptures of Margot Homan (1956, Oss, the Netherlands) show a perfect command of the old craft o...

Sculpture Original bronze BELLE ATTENTE Wax lost bronze signed on the thigh: N °: 2/8 foundry stamp CHAPON Born in 1960 in a family of artists collecting the bronzes of the Italian Renaissance...

"Caress of Love" by Albert-Ernest CARRIER-BELLEUSE (1824-1887) Bronze group sculpture with a nuanced dark brown patina Signed on the back "A. Carrier-Belleuse" Resting on a revolvi...

Cast bronze & Oxide Patina Dan Corbin's sculptures are a convergence of conceptualism and the human figure, illuminating what it feels like to be alive during current times, with all its beauty, complexity, contradictions, and possibilities. The artist’s sculptures address issues of contemporary society - materialism, industrialization and cultural change - while simultaneously referring to a wide range of human emotions. His sculptures lift the spirit while questioning what it is to be human. In Corbin’s archetype of man, intellect and soul are separate from the body. Armless, headless, anonymous cores can now be broken down to the smallest units, analyzed, engineered, beautified, and commodified. Corbin’s articulation of figurative sculpture takes iconography of the present and embeds it in the surface of his sculptures. He calls these miniature time capsules ‘inclusions’. Objects like cosmetic bottles, action figures, dolls, and feeder fish are sealed in resin and strategically embedded throughout the body. With these ‘inclusions’ the figure becomes a technologically enhanced vessel. The human body is no longer a container for a perfect being, handed down by god or evolution, but an aesthetically enhanced harbinger of a new era. In combination with the ‘inclusions’ Corbin uses a multitude of industrial materials, emphasizing the intrinsic value and physical properties of each. Each surface becomes fully charged with content, primed for multiple interpretations. Dan Corbin has been included in notable exhibitions at galleries and institutions including the Museum of Northern California Art...

Henri Ernest Parayre’s Jeune femme debout les bras sur la tête is a striking embodiment of early 20th-century French sculpture, seamlessly blending classical inspiration with the eme...

Finely carved mythological subject in Vicenza limestone of Apollo and Minerva Excellent condition from an estate of Veneto. Measurements: Statues cm 150, base cm 85.

Carved Carrara marble bust of Augustus Caesar. Italian grand tour. Mid 19th century. #roman classical greek sculpture not signed . rare. museum paris

Grand tour bronze sculpture of the "Crouching Venus" after the antique. Fine patina. 19th century. Ferdinand Barbedienne (French, 1821-1902). not signed . rare. museum...

Monumental finely carved limestone fountain sculpture of Goddess with a putto figure and three magnificent dolphins . Proveniente from an important Villa Veneta. Including a round ...

After studying fine arts, a need for contact with solid material was needed. Ybah took a classic artistic path from an academic education from the Louvre reproductions, learning at t...

After Michel Anguier French 1612-1686 Amphitrite Bronze This remarkable bronze masterpiece was cast after a High Baroque masterwork by French sculptor Michel Anguier. After traini...

Unknown artist from the 20th Century

Unique terracotta sculpture Signed by the artist The contemplative creatures of Nili Pincas, of an extreme refinement, invite silence. This isolation of the sculpted being seizes and soothes, at the same time as it questions. Are we facing the face of anguish or introspection? The white or purple flesh, with a slightly grainy matte appearance, reveals the infinite sensuality of the artist’s touch...

Finely carved mythological subject in Vicenza limestone of Apollo in Excellent condition from an estate of Veneto. Timeless decoration for your interior or garden. Measurements: St...

Je te Touche I touch you Bronze Sculpture Dancer In Stock For years Joris August Verdonkschot decicated himself to filming. He studied Law and Cultural Scie...

Dionysisch Tors Bronze Sculpture Classical Mythology Contemporary Art The sculptures of Margot Homan (1956, Oss, NL) show a perfect command of the...

Finely carved mythological subject in limestone with Cornucopia associated with the harvest, prosperity, or spiritual abundance. Excellent condition from an estate of Veneto. Measur...

Finely carved mythological subject in Vicenza limestone of Apollo in Excellent condition from an estate of Veneto. Timeless decoration for your interior or garden. Measurements: St...

Outstanding Italian Neoclassical Sphinx Carrara Marble sculpture designed as entrance guardian, this mythical lady sphinx statuary display the head and chest of a neoclassical woma...

Artist: Jack Graves III (American, 1988-) Title: "Venus de Milo Sculpture (Alexandros of Antioch)" Series: Sculpture *Signed, titled, and dated by Graves on bottom Year: 2022 Medium...

The work of Sharon Loper exemplifies an intensity of purpose, demonstrates a passion for excellence, and discloses an understanding and sensitivity to materials and the physical worl...

The Three Graces by Alfred JANNIOT (1889-1969) A bronze group with a nuanced brownish green patina Signed on the side of the base "A. Janniot" Cast by "Susse fondeur Paris" (inscrib...

Kissing couple is a limited edition bronze sculpture. Created with the lost wax casting process.

An Exquisite bronze figural pairing of two putti with butterfly wings. One putti holds a bow, while his counterpart cowers behind him. A dynamic piece of fabric hovers over the grouping, showcasing expertly modeled drapery, embellishing the composition of the piece. The figural grouping and pose is base off of a painting by William-Adolphe Bouguereau (1925 - 1905), a french academic painter who created realistic genre paintings of modernized mythological scenes. Itasse studied under Belloc and Jacquot and exhibited at the Salon from 1864 to 1893. The artist worked on multiple public commissions for the Louvre (Retour de la Chasse), l Opera (Philidor, Puccini, Cambert), the Trocadero Palace (L Astronomie) and Hotel de Ville de Paris. He specialized in busts, portrait reliefs of contemporary personalities, also sculpting a number of genre and allegorical works, such as The Kiss, The Birth of Love, Astronomy and Science. Amongst other awards he won a medal at the 1875 Salon and an honorable mention at the Universal Exhibition of 1889. Artist: Adolphe Itasse...

Beautifully detailed and lifelike, Venus and Cupid share a soft embrace in this remarkable Italian white marble sculpture. The feminine beauty gracefully leans against roughened rock...

Motherhood by Baltasar LOBO (1910-1993) A bronze group with a nuanced greenish dark brown patina Signed " Lobo " Cast by " Susse Fondeur Paris " (with the foundry mark) Artist's cas...

Duality of Vision Bronze Sculpture Classic Contemporary Art The sculptures of Margot Homan (1956, Oss, the Netherlands) show a perfect command of the old craft of modelling and sculp...

Finis Saltationis Bronze Sculpture Nude Boy Male Figure Marble Stone This sculpture need to be ordered. We will cast a b...

LORENZO QUINN (Rome, 1966) "Adam and Eve". Bronze-plated Edition 038/999-RW Signed and numbered Dimensions: 27 x 13 x 13 cm. "I believe that woman is the essence of the male soul. I...

Bathed in the ethereal glow of Carrara marble, Baigneuse by Cipriani Ugo di Meneville (1887-1960) stands as a delicate meditation on the female form, a synthesis of classical refinem...

Apple Dancer by Jean-Léon GEROME (1824-1904) Bronze sculpture with a dual patina, brown and gilded signed on the base "JL. GEROME" cast by "Siot-Decauville Fondeur Paris" (foundry s...

Raffaello Romanelli 1856 - 1928 Raffaello e Fornarina signed Raffaello Romanelli Firenze and inscribed Raffaello et Fornarina marble height 38 in.; 96.5cm. diameter 16 in.; ...

Loodrecht Perpendicular Black Bronze Sculpture Lady Balance The statues of Erwin Meijer are subtle with a recognizable, personal handwriting. ...

This large bronze statuette of a reclining nude with legs outstretched, arms tucked in and straining to sit up was created rapidly in gestures that verge on abstraction. The modern and dynamic formalism that departs from realism allows the viewer to focus on emotive qualities of pure form. This is number 1 in an edition of 8. Tosczak is a Belgian-born, Edmonton-based figurative sculptor. He studied philosophy and modernist sculpture, working in steel, at the University of Alberta where a number of the professors had a strong affiliation with Sir Anthony Caro and Clement Greenberg. Richard pursued further artistic training in the Loire Valley with Martine Vaugel...

Signed on base. This was exhibited at the Goldscheider Pavilion at the 1925 Paris Exhibition Marble base has loss to right edge and very small lose to center edge. , Bronze is in ve...

Algeo Bronze Nude Male Figure Sculpture Boy Marble Stone - In Stock Beautiful intimate sculpture of a boy, nude bronze male figure in a grey pat...

Max Kalish (American, 1891-1945) Nude Walking, 1930 Bronze Signed and dated on base 17 x 9 x 4 inches Born in Poland March 1, 1891, figurative sculptor Max Kalish came to the United States in 1894, his family settling in Ohio. A talented youth, Kalish enrolled at the Cleveland Institute of Art as a fifteen-year-old, receiving a first-place award for modeling the figure during studies with Herman Matzen. Kalish went to New York City following graduation, studying with Isidore Konti and Herbert Adams...

EMBRIONE by Lorenzo Vignoli striking hand carved Carrara marble sculpture by contemporary Italian sculptor Lorenzo Vignoli, incorporating classical references and contemporary Medit...

William Zorach (American 1891-1966) First Steps, 1918 Bronze 8.5 x 5 x 4 inches, including base Born in 1887 in Lithuania, William Zorach immigrated with his family to the United States when he was just four years old, settling in Cleveland, Ohio. Zorach displayed an exceptional artistic talent at a young age and, at the recommendation of his seventh-grade teacher, began studying lithography at night at the Cleveland School of Art. It was not long before he was apprenticing at a lithography company in Cleveland. It was there that he realized he wanted to become an artist - to escape the commercial end of the field in which he was suddenly immersed. In 1907, Zorach saved enough money to move to New York and study art at the National Academy of Design, where he received several awards for his paintings and drawings. He continued his studies in Paris in 1910 at La Palette. This year abroad would turn out to be quite fruitful because in Paris he was greatly influenced by the Cubist and Fauvist movements and had several paintings exhibited at the Salon d'Automme. This influence and subsequent success fueled his career back in the states where he was honored with his first one-man exhibition. Due to this new-found stability, he married a young woman he met at school in Paris, and they moved to New York and set up a studio. Shortly after, their work was accepted into the famous 1913 Armory Show. For the next nine years, Zorach continued to think of himself as a painter, although he had already begun to experiment in sculpting. He was experiencing modest success with his painting and was therefore reluctant to abandon it completely. However, he was impelled toward sculpting, and in 1922, he painted his last oil. Zorach's involvement with sculpture began largely be accident. While he was working on a series of wood-block prints, Zorach suddenly became more interested in the butternut panel than the print and turned the panel into a carved relief. With no formal training as a sculptor, Zorach's first sculptures were of wood and his carving tools were primitive, such as a jack-knife. I n fact, his early works have a certain stylized look, suggesting the influence of various primitive arts such as African and American folk. Zorach found his sculptural direction by instinct, but was not unaware of what other sculptors were doing, both here and abroad. He soon allied himself with a growing number of modern sculptors who believed in the esthetic necessity of carving their own designs directly in the block of stone or wood rather than modeling them in clay. From the beginning he found a deep satisfaction in the slow and patient process of freeing the image from its imprisoning block, watching the forms emerge and appear. "The actual resistance of tough material is a wonderful guide," Zorach said in a lecture on direct sculpture in 1930. The sculptor "cannot make changes easily, there is no putting back tomorrow what was cut away today. His senses are constantly alert. If something goes wrong there is the struggle to right the rhythm. And slowly the vision grows as the work progresses." Zorach also found that the material itself had a constantly modifying effect on the artist's vision. The grain of the wood, the markings in the stone, the shape of the log or boulder all set limits and suggested possibilities. He was always sensitive to the characteristic qualities of his material and occasionally let them play a major role in determining his forms. In works such as these, the feel of the original material is preserved in the finished piece and is often heightened by leaving parts of the original surface untouched and other areas roughly marked by the sculptors tools...

Tree Athena by Troy Williams female nude blonde wood sculpture Santa Fe artist Sculptor Troy Williams unites the timeless and the contemporary in scul...

Barefoot on the sacred land is a bronze sculpture by French contemporary artist Marine de Soos, dimensions are 61 × 28 × 13 cm (24 × 11 × 5.1 in). The sculpture is signed and number...

Edition of 25. Olympiad by Benson Landes. A bronze sculpture of a ballerina, crouched in a moment of rest, captures both poise and introspection. The sculptor portrays the dancer wi...

Bronzetto del XIX secolo su modello di "Uomo con anfora" di Vittore Gambello detto Camelio (nato e attivo in Veneto, 1450-1539). Il soggetto ebbe molta fortuna e ne esistono vari e...

An anatomical maquette of Houdon's l'Écorche (Flayed Man), after the original completed in 1767 while Houdon was a student in Rome, and the basis for his sculpture of Saint John the ...

Even though Helle Rask Crawford often refers to classic myths in her sculptures, sh is not a classical sculptor in the neoclassical sense. Rather, Helle Crawford could be defined as ...

The sculpture was created and shaped by the artist using Acrylic One (which is an acrylic casting resin connection). The artist then painted this sculpture expressively with oil pain...

Artist: Mel Ramos, American (1935 - ) Title: Miss Kiss (Lightbox) Year: 2015 Medium: 3-D Sculpture multiple: Lightbox with Steelcut, Acrylic Paint, electrical cord and switch Edition...

This thoughtful, female, nude figure is patinated in a dark blue and black tone. Available by commission in an edition of 8, this piece is 1/8. Please allow 4-5 weeks for completion...

“This piece is a part of the Historic Jar Collection and references Bernini’s marble sculpture of the same name. While Bernini created an erotic scene to be housed in the Cornaro Cha...

Jesús Curiá Perez Deslizando bronze and acrylic 24h x 12.50w x 11.75d in 60.96h x 31.75w x 29.84d cm ed. 1/8 JCP068 Jesús Curiá's sculptures arouse something more than purely aesthe...

This artwork titled "Ixchel" 1977, is a bronze sculpture with brown patina by noted Mexican artist Enrique Gottdiener Soto, 1909-1986. Signature is impressed on the bronze. The sculp...

The elegant form of a nude female figure is captured in this sculpture by Canadian artist Richard Tosczak. This table-top piece is named after ‘Taygete’ one of the Pleiades--seven sister nature deities (nymphs) found in Greek mythology. She stands, head bowed, arms clasped around her neck as if in deep thought. Known for his beautiful figurative work, this piece retains the artist’s signature highly textured appearance and rich earthy patina. Tosczak’s pieces are first conceived on paper in quick pen and ink drawings. The spontaneity of this approach is evident in the almost abstract appearance of the sculpture. Edition one of eight. “What inspires/informs my work? In a word, observation. I notice things…a gesture…an accident.” Richard Tosczak Born in Belgium, Richard Tosczak studied philosophy and sculpture at the University of Alberta. At that time, Tosczak began working in steel and was influenced by a number of his professors who appreciated the work of a British abstract sculptor, Sir Anthony Caro considered one of the greatest sculptors of his generation. Further studies were pursued in France with another internationally acclaimed classic sculptor, Martine Vaugel...

The striking figure of a nude female, arms stretched above her head is the subject of this bronze sculpture by Canadian artist Richard Tosczak. Known for his beautiful figurative wor...

Dean Kugler The Black Road: Crystal, 2022 resin, steel, limestone 31h x 13w x 12d in 78.74h x 33.02w x 30.48d cm DK0044 Dean Kugler is a seasoned interdisciplinary artist, painter, ...

The beauty of the human form is captured is this dynamic bronze sculpture of a Muay Thai Fighter. Dean Kugler Ancient Art bronze 18h x 9w x 7d in 45.72h x...

Questa statua in terracotta in eccellente stato conservativo considerata l'età e la fragilità del materiale, raffigura un putto nell'atto di soffiare, colto in una posa di intenso p...

Hospitality - Sculpture is a fine sculpture realized by the Italian artist Orfeo Tamburi (Jesi, 1910- Paris, 1994) during the 20th century. Edition of 99 exemplars. Bonded bronze sculpture with a golden patina. Mounted on a Guatemala green marble base. Guatemala green marble, as its name suggests, is a marble coming from India, also known ad India Green; it is characterized by an intense green color with white veins with an irregular and uneven shape. Dimensions: cm 10 x 10 x 2 (base); cm 29 (height of sculpture). Excellent conditions. This artwork - born on a project realized by the artist in the 1930's and manufactured posthumous - represents a sensual nude woman who symbolizes the hospitality. Delightful creation by the great Italian painter Orfeo Tamburi. He firstly embraced the principles of the Roman School, from which he matured an evocative language with warm chromatic intonations that found favorite themes in portraits and urban views. After a trip to Paris where he discovered the painting of Cèzanne, the artist began a long friendship with Giuseppe Ungaretti, the director Marcello Pagliaro and Curzio Malaparte...

Provenance Acquired by the gallery directly from the artist Artist Statement “Ray Bradbury never ceases to inspire me. While working with him, I saw his ...

Bronze 28 cm signed Andrea Carlo Lucchesi (1859–1925) was an Anglo-Italian sculptor, associated with the “New Sculpture” movement, known for naturalistic and symbolist works.

Patrick BRUN was born in Paris in 1941. After obtaining his Engineering degree, he began his professional life as a teacher in mathematics and physics. After this period, he started ...