Late 20th Century Sculptures

Georges Charpentier, French (1937 - 2024) - Dancing Woman, Year: circa 1980, Medium: Bronze Sculpture with gold patina on wooden base, signature and numbering inscribed at base, Ed...

Felipe Castañeda Mujer Agachada (Crouching Woman), 1972 Bronze, wood base 12 x 9.5 x 11.5 inches Edition III/VI Most recent owners acquired this limited-edition bronze sculpture fro...

Jack Schuyler (1912-2002) Polished Metal Sculpture "Abstract Figural Composition" Hand signed and Dated 1982. Measures 27" x 26-1/2" x 10.5" inches. There is not much known about t...

G. Harvey (Gerald Harvey Jones) (1933-2017) San Antonio, Austin, and Fredericksburg Artist Image Size: 14 x 14 Medium: Bronze Sculpture 1982 "Proud & Protective" I am the largest G. ...

Created by artist Richard MacDonald for the 1996 Atlanta Summer Olympics, Flair Across America celebrates the triumph of the human spirit and the idealization of the human form. Wh...

Adolph T. DIODA (1915-1991) Birth place: Aliquippa, PA Lived in West Aliquippa, PA; Detroit, MI; Phila. & Jenkintown, PA Profession: Sculptor, educator Studied: Carnegie Inst Technol; Cleveland School of Art; Barnes Fnd., Art Student League New York, NY; also with John B Flannagan, New York. Exhibited: WMAA, 1939-40; Carnegie Inst., 1941; AIC, 1940, 1951; Sculpture Int., Philadelphia Mus. of Art, 1940-49; AA Pittsburgh, 1941-45; Carved in Stone, Bucholtz Gallery, New York, 1945; PAFA, 1946-47 & 1968 (prize, 1947); Philadelphia A. All., 1951; Carlen Gal., Philadelphia, 1951; 2-man exh. with William Kienbusch...

Girl With Blue Ribbon Tribute To Picasso Signed near base "Omaggio A Picasso' or as a tribute to Picasso. Measures 16"H x 10"W x 7"D. Walter Furlan was born in 1931 in Chioggia, a s...

"Dancer II" by Isobel Folb Sokolow Welded steel, found metal, automotive metal, welding rod Sokolow directly welds found metals creating both purely abstract and abstract figurative...

Mother Holding Baby, large terra-cotta and clay sculpture. From the Totonaca culture (state of Veracruz). Modern Pre Columbian style large sculpt...

The Cricketer By Barry Flanagan Barry Flanagan (1941–2009) was a British sculptor best known for his dynamic bronze hares, which often appear in playful, human-like poses. His work...

Doug Hyde: Born 1946, is a well listed American artist who is known for his Native American sculptures. He has auction results as high as $22,000. This is by far one of his finest ex...

Orange Vase Ira Sapir, American (1955) Hand-Blown Glass, signed and numbered Edition of 1/77 Size: 3.5 x 5.5 x 5.5 in. (8.89 x 13.97 x 13.97 cm) 1-inch opening at top

The sculpture is attributed to Swedish artist Bob Pasterkamp (1952-) who has created similar pieces during the 1990s and early 2000s. An inspirational contemporary sculpture is composed of various metal objects such as an old bicycle...

Toro Bull Patinated Bronze sculpture on marble base, artist signed, 16.5h x 8w x 6d, base 6"h x7.5"w x6"d Heriberto Juárez (March 16, 1932 – August 26, 2008) was a self-taught Mex...

Grisha Bruskin (Russian, b. 1945) Vision, 1992 steel Hand signed and inscribed Grisha Bruskin in Cyrillic numbered 117/300 Genre: Contemporary Subject: Religious Medium: Steel Gri...

"Spring Plumage Study" by Kent Ullberg 14"high signed and numbered AP/30 Bronze heron in repose This particular casting is available on the secondary market from an original purchaser. It is in excellent condition, sold as pictured. This artist's proof has been in the possession of another bronze artist who got the sculpture directly from Kent Ullberg. It has been very well cared for. The casting is heavier than most, appears to be a solid casting. ABOUT THE ARTIST: A native of Sweden, Kent Ullberg is recognized as one of the world's foremost wildlife sculptors. He studied at the Swedish University College of Art in Stockholm and worked at museums in Germany, the Netherlands, France, Africa and Denver, CO. After living in Botswana, Africa, for seven years he has made his home permanently in the United States where he now lives on Padre Island, Corpus Christi, TX. He also maintains a studio in Loveland, CO. Ullberg is a member of numerous art organizations and has been honored with many prestigious awards. In 1990 his peers elected him a Full Academician (NA), thus making him the first wildlife artist since John James Audubon to receive one of the greatest tributes in American art. A selection of his memberships include the National Sculpture Society; the American Society of Marine Art; the Allied Artists of America; Nature in Art, Sandhurst, UK; the National Academy of Western Art in Oklahoma City, OK which awarded him the Prix de West, the foremost recognition in Western Art. In 2010 he received the Briscoe Legacy Award and in 2016 the lifetime achievement award from the Society of Animal Artists. Best known for his monumental works executed for museums and municipalities across the globe, his Fort Lauderdale, FL, and his Omaha, NE installations are the largest bronze wildlife compositions ever done, spanning several city blocks. Both earned him the coveted Henry Hering...

Yasuhisa Kohyama shapes his asymmetrical forms using piano wire, creating distinctive rough surfaces. The clay with its feldspar nuggets creates a tac...

"Veil of Light" Dimensions: 22" x 12" x 6" Medium: Clear Acrylic Resin Edition of 350 Created in 1987, the work “Veil of Light” is characterized by an other-worldly appearance. Payi...

Rusted steel patina 48 inches high and approx. 30 inches wide. Indoor or outdoor sculpture.

Monumental "Bull Elephant" (Loxodonta Africana) Limited Edition #19, Model #50024, Made in England By Boehm Porcelain. Boehm porcelain originated in the US with Edward Marshall Boehm...

Eternal Moment Bronze Sculpture With Two Nude Figures Man and woman embracing, indoor or outdoor large bronze sculpture signed V. Salmones edition 6/10, 1979. Included in the Victor Salmones book published in 1991 "A Sense of Human". This large sculpture 76" almost two meters tall 196cm. Victor Salmones (1937-1989) was the most widely known sculptor living and working in Mexico during his lifetime. His sculptures won him universal acclaim and are held in the collections of museums, corporations, cities, universities and private collectors in some 30 countries. During his career, he was highly sought after and increasingly involved in the execution of commissions for major public works around the world. Salmones developed his love and talent for creating sculptures by working with clay in high school. He attended the Instituto de Bellas Artes where he was an apprentice to the Bauhaus master, Hoffman. He was trained to use the exacting, age-old lost wax method of casting and worked principally in bronze. His work explores styles that are both abstract and figurative and the grace and spirit inherent in his work endow his bronzes with a transcendent vitality. The international acceptance of Salmones sculpture...

In 1972, the women’s movement was in full flower. Suzanne Benton had been an early activist, a founder and organizer of NOW Chapters, CT Feminists in the Arts, Women, Metamorphosis 1 (in New Haven, CT, the first women’s art festival in the USA). She'd already been creating metal sculpted masks and working with them in mask tale performances of Women of Myth and Heritage. Her inaugural performance of Sarah and Hagar n 1972 took place at Lincoln Center in NYC. Benton then became the artistic director and producer of an evening on Broadway, Four Chosen Women (performers included herself as mask tale performer, author Anais Nin, actress Vinie Burroughs and dancer Joan Stone). The evening took place at the Edison Theatre, November 22, 1972. While developing the evening on Broadway, Benton met renowned Swedish actress and Hollywood star, Viveca Lindfors. Viveca was then working on her solo performance, I AM A WOMAN, and was looking for a unique theatre set for the show. The happenstance that brought Viveca and Suzanne together. At that same time, recent travel to Macchu Picchu inspired her with the mountain’s great stones sitting on the edge of precipices. These vast stones led her to create welded steel Seated Sculpture Works. Viveca was intrigued by the concept and let her own imagination fly. Imagining a set of welded steel sculpture, she took the leap in commissioning Suzanne with complete faith in artist's ability to fulfill her mandate. Benton created groups of welded sculptures for two theater sets. Protection is one of three sculptures in first set created in 1973. Mother and Child, Pelvic Woman, Facing Each Other are three of five works from the 1974 second set. The first toured with her shows throughout the East Coast and into Toronto, Canada. The second set, created to nest together could travel as checked baggage for international and domestic airline travel. They flew to Denmark in 1980 for her performance at the UN sponsored 1980 Women’s International Conference, Copenhagen. In addition to creating the theatre sets, Benton mounted exhibitions of her masks and sculptures in the lobbies of theatres where she performed (NYC and Northampton). Continuing on with this theme, Becoming is her 1975 Seated Sculpture Work. The theatre sets were returned at the final end of its long run. These Seated Sculpture Works have often been featured in exhibitions, including both the 2003 and 2005 retrospectives. They are part of an oeuvre of 797 sculptures and masks. What attracted her to welded sculpture? This excerpt from her book, The Art of Welded Sculpture, Van Nostrand Reinhold, 1975 speaks of its lure: "Early in my life, when I had decided to become an artist, I had had an inner vision of being able to hold the physical material of my art in such a way as to bring it into existence with my hands. In welding, I wear a mask, a heavy apron, and gloves. I heat the metal and make it bend so smoothly and gracefully; I cut the metal, rigid metal, into endless shapes; I join the pieces by causing them to flow together with the heat of the flame. Welding was a return to my adolescent vision. It was fulfillment. At that beginning time I felt that even if I went no further, this experience in itself gave me astounding satisfaction. It was as thrilling as the moment of birth. It was my birth." (Pelvic Woman and Protection are illustrated in the book): What began in 1965 became by 2017 an oeuvre of 797 sculptures and masks. The magic of the welding mask...

In 1983, returning to one of his earliest concepts, the standing figure, Barrett cast five small upright pieces that would become the Grande series. Barrett’s work became more organ...

Dorothy Mayhall's small sculptures are little monuments to be toyed with and handled. They should be picked up, fondled, and examined like a rock or shell you collect on the beach be...

This is an artwork created by the well known Italian artist Carmelo Cappello. This Carmelo Cappello Abstract Sculpture is a very interesting example of the approach of the artist to...

Dorothy Thorpe This wonderful piece was designed by Dorothy Thorpe in America during the 1960s Born in Salt Lake City in 1901, Dorothy Thorpe was a mid-century American artist who de...

"Fascination" Art Deco Bronze Recast After Louis Icart, Dancing Woman on Marble Base Inspired by the iconic etchings of Louis Icart (1888–1950), this exquisite bronze sculpture title...

"Copernicus' Midnight Sun" from "Worlds in Collision" Large Sculpture Series by Isobel Folb Sokolow Welded steel, welding rod and gold leaf Sokolow welds organic abstract forms fro...

Pierre Casenove (French) Silver patina bronze table lamp having a column form and various stamped patterns to the body, stamped signed mark to back of bas...

Concieved in 1957, this edition started to be executed in 1988 IKB pigment and synthetic resin on plaster cast, in plexiglas, signed Rotraut Klein Moquay and numbered HC XXX/L on the base on a label affixed under the base. 300 editions numbered from “1/300” to “300/300″ 50 editions numbered from”HCI/L” à “HC L/L” H. 36 cm With the Plexiglas box: 41.5 x 29.5 x 29.5 cm Yves Klein is an influential French conceptual artist who works in a wide variety of fields. Arguably best known for his use of a very vibrant shade of blue, he began to create his monochrome series in the 1950s by developing and patenting his own signature shade known as IKB or International Klein Blue. Born April 28, 1928 in Nice, the artist founded the New Realism movement with the art critic Pierre Restany...

Judy Chicago Logo Pin and Pendant, 1993 Enameled pin with pendant loop in original presentation box 2 1/2 × 2 1/2 × 1/5 inches Judy Chicago's incised name and date on the verso Comes...

This piece is an original rotating hand-painted multiple wood sculpture created by Karel Appel in 1977. It was published by Editions Press of San Francisco. This piece is hand sign...

Sculpture Of A Sleeping Dog. A wonderful and realistic cast bronze signed and numbered. With beautiful weathered patina Small edition of 10 Colin Webster-Watson (1926, Palmerston...

Ruth Duckworth Full Tea Service (INV# NP3746) stoneware and glaze teapot: 8.25 x 7 x 3.5” creamer: 3.25 x 2 x 2.25” sugar bowl: 1.5 x 3.25” approx. cup: 3 x 2.5 x 1.75” approx. saucer: .75 x 4.5 x 4.5” circa 1972 signed RWD Ruth Duckworth (1919-2009) was born in Hamburg, Germany as the youngest of five children. The daughter of a Jewish woman, Duckworth had to leave Nazi Germany for her studies in sculpture and drawing, attending the Liverpool College of Art in 1936. She later studied at the Hammersmith School of Art, the City and Guilds of London Art School, and the Central School of Arts and Crafts. She joined the faculty of the University of Chicago in 1964 and, upon retiring from the university in 1977, moved her studio space to a former pickle plant in Lakeview, Chicago. Her work is featured at such institutions as the Art Institute of Chicago; Boston Museum of Fine Arts; Windsor Castle, England; Stuttgart Museum, Germany; National Museum of Modern Art, Japan; Museum Boymans-Van Beuningen, The Netherlands, Philadelphia Museum of Art; The Smithsonian Institution, Washington, DC; National Museum of Scotland; Kestner Museum, Germany; Schleswig Holsteinisches Landesmuseum, Germany; Museum fur Kunst und Gewerbe, Germany; City Museum, Bassano Del Grappo, Italy; Buckingham County Museum, England; Utah Museum of Fine Arts, Utah; American Craft Museum , New York; Los Angeles County Art Museum, California; Evanston Public Library, Illinois; The Metropolitan Museum of Art, New York. Most recently, Ruth Duckworth had a major exhibition at Salon 94...

Angelo Basso (Italy, 1943 – 2011) Siren Signed and marked AP Foundry Mark FAA Beauty & Mythology Collection Sculpture 23″ inches tall (Base 5″ Siren 18″) Box size 20″ x 17″ x 27...

Victor Vasarely was a French-Hungarian artist credited as the grandfather and leader of the Op Art movement. The artist created compelling illusions of spatial depth using geometric ...

Alan Johnston (Scottish, born 1945), Untitled, 1988, cast bronze, edition of 2, cast #2 Incised A.J. 2/2 88 on underside Provenance: Jack Tilton Galler...

EDITION Monogrammed : FXL Dated : 2003 Numbered EA 2/4B Stamped with foundry mark : bocquel fd. PROVENANCE Marie Lalanne former collection, daughter of the artist. LITERATURE W....

Hand-crafted ceramic cookie jar was created in 1986 by American studio ceramicist Carol Bifford. Signed, dated, and numbered #148, this work comes from a small limited-edition series...

Johanan Vitta, painter, born 1941, Jerusalem. Lives in Italy. Education Firenze, Florence, Italy He designed the famous La Sinagoga di Firenze poster. The poster features a painterly synagogue it was done for the “Comunita Israelitica" He has also designed Judaic ritual objects including a menorah that is in a famous museum collection. Arman, Elio Carmi, Eugenio Carmi, Lucio Del Pezzo, Guy De Rougemont, Maurizio Galimberti, David Gerstein, Claude Lalanne, Marino Marinelli, Mimmo Paladino, Arnaldo Pomodoro, Tobia Rava...

Palisades, wool and sisal, 55" x 70", 1992. Contemporary Abstract Textile Wall Sculpture, Woven Tapestry. Anna Urbanowicz-Krowacka (b 1938, Poland) gra...

Edition Signed with the stamp: Lalanne Monogrammed, marked and numbered under the apple: CL ; Artcurial ; 57/250 Literature Robert Rosenblum, Les Lalanne, Genève, Éditions Skira, 1991, an other version reproduced p. 123. Claude et François...

Adela Akers (b. 1933, Santiago de Compostela, Spain) is a Spanish-born textile and fiber artist. She is Professor Emeritus (1972 to 1995) at the Tyler Scho...

To see our other Modern British Art, scroll down to "More from this Seller" and below it click on "See all from this Seller" - or send us a message if you cannot find the artist you ...

Pair of rare Murano handblown glass Toucans male and female sculptures. 20"and 19" height 15" and 14"wide depth 5" base 4"x4" Artist signed (engraved), artist's seal.​ Walter Furlan ...

Artist: T. Galbreath Title: Squirrel I Year: 1997 Medium: Bronze Sculpture, Signature and number inscribed Edition: 71/100 Size: 7 in. x 3 in. x 3 in. (17.78 cm x 7.62 cm x 7.62 cm)

Girl With Green Hair Omaggio a Picasso (Tribute to Picasso) Murano glass sculpture 15.5" H x 12" W x 5" D This work is accompanied by a certificate of authenticity signed by the art...

Artist: Branko Bahunek, Croatian (1935 - ) Title: The Flautist Year: 1990 Medium: Bronze Sculpture, Signature and number inscribed Edition: 10/15 Size: 20.5 in. x 8 in. x 8 in. (52....

Soar into the realm of timeless artistry with this magnificent gilded bronze sculpture by celebrated Thai artist Hattakitkosol Somchai (1934–2000)—a commanding representation of a bi...

This hand-made paper sculpture and lithography in plexi-box by British Modernist Sir Anthony Caro (1924 - 2013) is a minimalistic rendering of the Biblical story of Adam and Eve. Si...

Tolla Inbar, Spiral circle of life, Bronze sculpture, International artist, Israeli artist, Figurative sculpture, art

Without Name, Mid-Century Abstract Woven Tapestry, Textile Wall Sculpture, Hand dyed wool, 52" x 38" (1973) by Czech textile artist, Jan Jladik...

This silk ikat textile wall hanging is by Japanese fiber artist, Jun Tomita.

Artist: Ellen Brenner-Sorensen Title: Untitled II Year: 1992 Medium: Bronze Sculpture, signature and number inscribed Edition: 3/9 Size: 34 in. x 16 in. ...

Original signed terracotta sculpture by Alexander Ney (Russian-American, 1939-2023) featuring his signature perforated surface texture and abstract stylized head form. The piece show...

Dina Recanati Cosmos Series (they look like outer space or abstract desert landscapes) 2003 Metallic paint, acid etched on aluminum, wood Hand signed and dated on side Dina Recanati (born Diane Hettena; 1928 – 2021) was an Israeli artist, sculptor and painter. Diane Hettena was born in Cairo, Egypt. In 1946, she married Raphael Recanati in Tel Aviv, Mandatory Palestine. Went to London to study History and Art 1946-1948. Moved to New York 1948. Raised two sons, Oudi and Michael. Attended Art Student League 1959-1962. Studied with Jose de Creft and John Hovannes. Beginning in 1964, she was active on the board of the America-israel Cultural Foundation. In the 1970s, she was a member of the board of the Israel Museum and in the 1980s Bezalel Academy of Art & Design, Jerusalem. At the same time as she was working as an artist, she was also collecting artwork. She lives and works in Herzliya and New York. Most of Recanati's work is in the medium of sculpture. Her works, which contain images of books or parchment, have been influenced by American abstract expressionism in their use of swaths of color. In the 1980s and 1990s, she worked widely in sculptures in the public domain. Dina Recanati was a proponent of Israeli art and supported many Israeli artists. In the 1950s and 1960s, she showcased the work of beginning artists at the 5th Avenue branch of Israel Discount Bank in New York City, while growing Discount Bank’s art collection. She has gone on to exhibit worldwide with permanent works in the Israel Museum, Tel Aviv Museum, Ben Gurion Airport, The Jewish Museum (New York) among others. She is the recipient of the AICF AVIV Award and The Council for a Beautiful Israel Yakir Award. She was represented by Flomenhaft Gallery in New York City (was included in the Feminist Art Project along with Miriam Schapiro) and Gordon Gallery in Tel Aviv. Recanati died in Herzliya Pituah at the ate of 93. Israeli Art: Painting, Sculpture, Graphic Work. Tel Aviv Museum of Art, Tel Aviv 1971 Artists: Igael Tumarkin, Bezalel Schatz, Yehiel Shemi, Buky Schwartz, Dina Recanati, Menashe Kadishman, David Palombo, Itzhak Danziger, Sorel Etrog, Yaacov Agam, Jakob Steinhardt, Louise Schatz, Anna Ticho, Ruth Schloss, Moshe Castel, Yohanan Simon, Lea Nikel, Marcel Janco, Mordecai Ardon etc. 40 From Israel: Contemporary Sculpture & Drawing Israel: Contemporary Sculpture & Drawing Brooklyn...

"Cocoon (1990)" by Suzanne Anker Suzanne Anker (born August 6, 1946) is an American visual artist and theorist. Considered a pioneer in Bio Art. She has been working at the relationship of art and the biological sciences for more than twenty five years. Her practice investigates the ways in which nature is being altered in the 21st century. Concerned with genetics, climate change, species extinction and toxic degradation, she calls attention to the beauty of life and the "necessity for enlightened thinking about nature’s 'tangled bank'.” Anker frequently works with "pre-defined and found materials"botanical specimens, medical museum artifacts, laboratory apparatus, microscopic images and geological specimens. Suzanne Anker was born in Brooklyn, New York on August 6, 1946. She earned a B.A. in Art from Brooklyn College of the City of New York and an M.F.A. from the University of Colorado in Boulder (1976). She also completed independent Studies with Ad Reinhardt (1966-1967) and studied at the Brooklyn Museum Art School (1968). She lives with the artist Frank Gillette in Manhattan and East Hampton, NY. During the mid 70s to the mid 80s, Anker worked almost exclusively on sculptural handmade paper reliefs. She started papermaking in 1974 on the basis of reading Dard Hunter's and Claire Romano's books. In 1975 she worked with Garner Tullis at the Institute of Experimental Printmaking in Santa Cruz, California. The paper reliefs produced at his institute were exhibited at the Martha Jackson Gallery in New York City in 1976.[ The same year, she participated in the North American Hand Papermaking exhibition organized by Richard Minsky at the Center for Book Arts in New York City. From a background as a printmaker, Anker initially worked with cast paper, made in latex molds. Subsequently, she incorporated limestone and fossils in her experiment with combinations of paper and stone. For her 1979 solo exhibition at the Walker Art Center, Anker installed large limestone planks that extended from the interior to the exterior of the gallery. The same year, she presented an installation of limestone and its residual chalk dust at P.S. 1’s "A Great Big Drawing Show" curated by Alanna Heiss with artists Vito Acconci, Alice Aycock, Frank Gillette, Sol LeWitt, Robert Morris, Bruce Nauman, Dennis Oppenheim, Richard Serra, and others. Suzanne Anker is considered "one of the pioneers in the broader field of art, science, and technology", particularly in the burgeoning field of Bio Art. In 1994, Suzanne Anker curated Gene Culture: Molecular Metaphor in Visual Art – one of the first art exhibitions on the subject of art and genetics – at Fordham University’s Lincoln Center Campus in New York. The exhibition investigated "the ways in which genetic imaging operates as aesthetic signs". From 2004 to 2006, Suzanne Anker hosted twenty episodes of the Bio-Blurb Show, a 30-minute-long internet radio program originally broadcast on WPS1 Art Radio, in collaboration with MoMA. The show focused on the intersection of art and the biological sciences, and the ethical and aesthetic dimensions therein. It is currently archived on Alanna Heiss’ Clocktower Productions. In 2006, Anker co-curated the exhibition Neuroculture: Visual Art and the Brain, at the Westport Arts Center with Giovanni Frazzetto. The exhibition presented an investigation of aspects of the human brain, and its attendant representations. Suzanne Anker is the Chair of the School of Visual Arts (SVA)'s BFA Fine Arts Department in New York City (2005-present). She previously chaired the SVA BFA Art History Department (2000-2005). In 2011, Anker founded the SVA Bio Art Lab, the first Bio Art laboratory in a Fine Arts Department in the United States. The SVA Bio Art Lab is located in Chelsea, New York City and has been conceived as a place where "scientific tools and techniques become methodologies in art practice". Anker has participated in lectures and symposia in prominent institutions around the world, including Harvard University, Boston; University of Cambridge, Cambridge, UK; Yale University, New Haven; Art-Sci UCLA, Los Angeles; Maryland Institute College of Art (MICA), Baltimore; Rensselaer Polytechnic Institute, New York; Museum of Arts and Design, New York; Nanyang Technological University, Singapore; London School of Economics, London; European Molecular Biology Laboratory- EMBL, Monterotondo, Italy; Max Planck Institute of Molecular Cell Biology and Genetics, Dresden; Leiden University, NL; Hamburger Bahnhof, Berlin; Dundee Contemporary Arts, Dundee; Courtauld Institute of Art, London; Banff Art Center, Alberta; The National Academies of Sciences, Engineering, and Medicine, Washington, D.C.; Berlin-Brandenburg Academy of Sciences and Humanities, Berlin;[ University of Amsterdam, NL; New York Academy of Sciences, Institute for the Humanities, New York University; DLD, Munich. Selected artworks Gene Pool Anker’s interests in the natural world extended her investigation into the microscopic domain of chromosomes and genes. Appropriating scientific images, she created Gene Pool in 1991, a body of work that includes suspended pigment on large vellum sheets and expansive sculptural arrays employing metallic fibers of stainless steel, copper, aluminum and bronze. Other works that reflect scientific representations of chromosomes include Chromosome Chart of Suzanne Anker –a presentation of her own DNA sequence as a self-portrait– and Cellular Script, in which she displays chromosome patterns as a kind of calligraphy. Biota (2011) is a sculptural installation by Suzanne Anker composed of porcelain sculptures and silver-leaf figurines. The porcelain objects are fabricated by immersing natural sea sponges into a mixture of kaolin, feldspar, and quartz. "The organic material of the sponge burns away in the process, leaving behind only the perfect replica of nature". Exhibitions Selected one-person exhibitions "The Biosphere Blues Mending an Unhinged Earth", O'NewWall, Seoul, Korea (2017). “Culturing Life”, Sam Francis Gallery...

Maternity 1982 Patinated bronze on marble base. artist signed edition VI/VII; 1982 Filipe Castaneda was born in 1933 in La Palma in the state of Michoacan, Mexico. The area in which...

Arnaldo Pomodoro Signed metal pendant (Brooch), ca. 1989 Sculpted metal brooch. Incised signature by Arnaldo Pomodoro. 4 4/5 × 4 inches Elegant sculpted metal brooch and/or pendant....

Sculpture in Resin from Elisabeth Cibot Born in 1960 in a family of artists collecting the bronzes of the Italian Renaissance, sculpture has always been part of the environment of...