Abstract Geometric Art

In Screen 2025.1, Melisa Taylor Metzger transforms a construction plywood panel into a vibrant, multichromatic composition that merges traditional craft with contemporary abstraction...

Sand game 1. 2023, canvas, oil, collage, 50x40 cm Alyona Prokofyeva (1988) From 2016 surname Galaktionova. Alyona graduated Riga art school, Latvian University, receiving a visual...

Artist: Al Held, American (1928 - 2005) Title: Scholes I Year: 1991 Medium: Screenprint, signed and numbered in pencil Edition: 80 Image Size: 23 x 29 inches Size: 29 x 34 in. (73.66...

Artist: Josef Albers, German (1888 - 1976) Title: In the Water - P2, F22, I1 Year: 1972 Edition size: 1000 Medium: Screenprint on Mohawk Superfine Bristol paper Image Size: 13 x 15 i...

Carmen Louis Cicero, American (1926 - ) - Untitled 9, Year: circa 1971, Medium: Screenprint, signed and numbered in pencil, Edition: AP, Image Size: 18 x 20 inches, Size: 23 x 24 i...

Carmen Louis Cicero, American (1926 - ) - Untitled 8, Year: 1971, Medium: Screenprint, signed, numbered and dated in pencil, Edition: AP, Image Size: 18 x 20 inches, Size: 23 x 24 ...

Silence in the city. 2018, canvas, oil, 60x90 cm Abstract cubist composition in earth colors Igor Leontiev (1957) - one of the leading independent painters in Latvia Born in Riga, ...

Artist: Daniel K. Teis, American (1925 - 2002) Title: Abstract with Checker Pattern Medium: Oil on Canvas signed l.r. Size: 54 x 72 in. (137.16 x 182.88 cm)

This geometric wall sculpture features blue hues. Atlanta-based artist Mitchell Biggio’s “Fault” is a series of complex three-dimensional wall sculptures that navigate the expansiv...

Titled "Architecture", this framed piece of abstract art, signed by Eva Kolosvary in 1973, evokes a distant memory of brutalist architecture, a leftover ghost from Soviet Rule. Both ...

Impactful abstract painting of triangular shapes in hues of blue floating on a black background, circa 1950. Original artwork on paper displayed on a white mat with a gold border. ...

John Havens Thornton, Untitled (Arches) (c. 1970s) — oil on canvas A lyrical grid animated by sweeping arcs, this c. 1970s painting by John Havens Thornton distills geometric abstra...

Ted Dixon is a Black painter working primarily in abstraction. He writes: "How do we learn to see what we cannot yet see? What are the things that influence our ability to perceive? ...

Melisa Taylor Metzger’s MH I is a striking large-scale optical spray painting on wood, created through pyrography, airbrushed paint, stencils, and a removed tape grid. The piece vibr...

Ilya Bolotowsky is an important and highly recognized hard edge american abstractionist. He experimented with diamond shaped canvases and circular works as well as square formats wi...

Oil on canvas, signed lower right.

Artist: Robert Mangold (1937) Title: Untitled (Mangold 1977.02; Parasol RM12), from Multiple Panel Paintings suite Year: 1992 Edition: 300, plus proofs ...

John Pearson (American born 1940) "Study for Circus" 1985 Acrylic on canvas painting Hand signed verso, hangs from corner of canvas. Provenance: The New Gallery of Contemporary Art, Cleveland, Ohio. Bearing label verso: Dimensions: 19 x 19 in (it hangs in diamond shape which measures point to point 26.87 X 26.87 inches) Red, White, Blue, and Yellow abstract geometric painting. Circle and ellipse. John Pearson (British, 1940-was born in Yorkshire, England, and studied at the Harrogate School of Art, Yorkshire (National Diploma of Design, 1960), the Royal Academy Schools, London (Certificate, R.A.S 1963), the Akademie der Bildenden Kunst, Munich (1963–64, research fellow), and Northern Illinois University (M.F.A. 1966). He is known for hard edged, mod abstract oil painting on shaped canvas in geometric, curvilinear forms. For many years, Pearson has made paintings and low-relief sculpture, predominantly wall pieces, which use color, form, and various degrees of abstraction to modify the space of entire rooms. With work exhibited nationally and internationally in both solo and group shows, Pearson has also been sought for many site-specific commissions, both public and private. These are typically highly abstract, simplified, and nuanced; they’re often witty, too. Pearson early on became a devotee of the Dutch artist Piet Mondrian, a chief proponent of De Stijl (The Style), Pearson’s style has evolved from intense system-based abstract compositions to one more attuned to the spiritual influences of the natural environment. Pearson’s early style reflects the European reaction to expressionism and artistic emotionalism in the form of a rational, systematic approach to art (often called the “New Tendency”). An heir to the tenets of Constructivism, he investigated color within a predetermined linear or grid system that eliminated options after the artist’s initial choices. He was drawn to Cleveland in 1970 because of its reputation at the time for having a rich environment for abstract art, as two of the chief proponents of Kinetic art and op art, Julian Stanczak and Richard Anuszkeiwicz, worked there. Students of Josef Albers, the grand master of color theory who taught these two primary practitioners of the “Color Function” school of abstract art at Yale in the 1950s. Pearson’s early style reflects a European reaction to abstract expressionism that manifested itself in a rational, systematic approach to art.Since his emergence in 1960s London, John Pearson has been using mathematical systems and computer programs to generate hard-edged geometric compositions. His work is of the same genre as the artists of the Denise Rene Gallery in Paris, similar to Vasarely, Agam, Cruz Diez and Soto. His most recent work, with its circles and ellipses superimposed on patterns of wavy lines, brings a more easygoing approach to his particular breed of rule-based art. Pearson has received grants from the National Endowment for the Arts and the Canada Council, and has had solo exhibitions at institutions including the Akron Art Museum, the Cleveland Center for Contemporary Art, and the Museum of Modern Art in Rijeka, Croatia. Pearson was born in Yorkshire (Britain) and studied art at the Royal Academy Schools in London, did advanced work in Munich (Germany), and earned the M.F.A. (Master of Fine Arts) degree from Northern Illinois University. Before arriving to teach at Oberlin College in 1972, he taught at the University of New Mexico, the Nova Scotia College of Art and Design, and the Cleveland Institute of Art. At Oberlin, he served as the Young-Hunter Professor of Art. John retired from teaching in 2014 but still occasionally works with students and lives in Oberlin where he educated several generations of appreciative liberal arts students. He also served as department chair and held the Young-Hunter endowed professorship from 1987 onward, until his retirement. Pearson travelled widely to paint, exhibit, and teach and received support from the Ohio Arts Council and the National Endowment for the Arts, among others. His career received recognition via the Cleveland Arts Prize in 1975, while most recently he was recognized as a Special Honoree by the same organization. His paintings and sculptures are held in many public and private collections in the U.S., Canada, Europe, China, and Japan, as well as by museums, such as the Allen Art Museum (Oberlin), the Cleveland Museum of Art, the Museum of Modern Art (New York), and the Art Institute of Chicago. Hard-Edged Select Group Exhibitions Abstract, Constructive, Concrete Mondrian huis, Amersfoort, Holland Chronologic Planet Art...

This Quadriptych totem is a 4-piece ensemble that was created between January and April 2024 by the artist using a mix of techniques including airbrush, stencilling and pyrography. ...

This series draws inspiration from Hatillo’s Fiesta de los Santos Inocentes, translating the festival’s vibrant movement and collective energy into a refined abstract vocabulary. Thr...

Robert W. Petrick "Labyrinth" Construction series, 2022 Acrylic on canvas 56x56x1.5” NYC, 2nd street studio June 16, 2022One can easily become lost in Robert Petrick’s "untitled"’...

Reality Artist signed lower right corner and back, canvas 43"x95"x1.5 Maximo Caminero Born in the Dominican Republic in 1962. Artist, self-taught formation. He made his first...

Evan Venegas studied at the San Francisco Art Institute and earned his BFA in Painting in 1998. Evan Venegas creates artwork that lives at the intersection of geometry and atmosphere...

Robert W. Petrick Coincidence Geometric Abstraction East Village NYC, 2022 acrylic on canvas New York, 2nd street studio Colorful geometric abstract ...

"Ritmos Abstratos" invites us to explore the visual universe of the artist Juan Carlos Amador, who, through his unique perspective, translates the pulsations of space and the invisi...

Artist: Hiroshi Murata Title: Circles Year: circa 1979 Medium: Screenprint, signed and numbered in pencil Edition: 57/77 Paper Size: 19.5 x 27 inches

This incredible work comes with a COA. The work is currently framed in a new acid free mat and the original 1969 silver metal frame, but new framing is available included in the pric...

Artist: Anne Youkeles, Austrian (1920 - ) Title: Kaleidoscope Year: 1969 Medium: 3-D Silkscreen on plastic, signed, numbered, dated, and titled in pencil Size: 23 x 22 in. (58.42 x ...

Beginnings 36.0 x 36.0 x 2.0, 3.0 lbs Acrylic Hand signed by artist Artist's Commentary: "Glenn Fischer is an abstract artist working in collage and painting to create geometric-...

Debris Etching, engraving and color aquatint, 1947 Signed, dated, titled and number Edition: 25 (1/25), never fully realized Created in the artist's first year studying at the Univer...

Alejandro Rubio Back to Bauhaus, 2024 Oil on panel 20 x 16 inches This is a one-of-a-kind oil painting on panel.

Artist Bio: Carole Eisner was born and raised in New York City and received a BFA from Syracuse University. She has had eight solo shows in New York City at David Findlay Gallery, E...

Larry Mohr, American (1921 - 2013) Painted Metal Sculpture Abstract Construction Hand signed, dated and titled (signature is a bit faint) Bars II Sketch 1982 Dimensions: 18.5" x 24....

Vincent Longo, American (1923 - 2017) - Yellow, Blue and Green Composition, Year: 1979, Medium: Screenprint, signed, dated and numbered in pencil, Edition: II 24/25, Image Size: 15.7...

Sergio Nates Blue Background, 2013 Acrylic on canvas 21.75 x 21.75 inches This one-of-a-kind acrylic painting on canvas is stretched across wooden stretcher bars.

This hand-painted piece by Lucchetta is part of the op art series where he is able to catch movement with his unique technique. Lucchetta is challenging himself. His precise stable h...

"This work was created with two separate entities that play against each other, in real and illusionary space, thus combining two separate realms that come together and play with one...

A colorful geometric screenprint by American artist Barbara Lynch Zinkel inspired by the Josef Albers "Homage to the Square". Date: 1994 Medium: Screenprint, estate stamped verso an...

Enchanting pair of Japanese pagodas crafted in iron with classic finials or sorin at the tops on five floors with hanging bells and an entrance at the bottom.

Apple tree. 1976, linocut, print size 65x50 cm; total 75x60 cm Dainis Rozkalns (1928 - 2018) Artist, graphic artist, illustrator of folklore and fiction publications. The main dire...

Witches Banner is an original mid-century abstract painting by celebrated Denver modernist Edward Marecak (1919–1993), created circa 1960s. This bold, expressionistic work features r...

Rye spring. 1980, Paper, linocut, print size 50x65 cm; total 70x80 cm Dainis Rozkalns (1928 - 2018) Artist, graphic artist, illustrator of folklore and fiction publications. The ma...

From the portfolio “Formulation: Articulation” created by Josef Albers in 1972. This monumental series consists of 127 original silkscreens that are a definitive survey of the artist...

From the portfolio “Formulation: Articulation” created by Josef Albers in 1972. This monumental series consists of 127 original silkscreens that are a definitive survey of the artist...

Untitled #5 Archival Pigment Print (from the original hand made darkroom c-type), Edition of 3 Reflections... An exploration of light and shadows, creating harmony through symmetric...

A detailed abstract geometric print by David Shapiro featuring a blend of aquatint and etching methods on Sekishu, a type of handmade Japanese paper. One half of the composition feat...

"Rays" is an original abstract colorist painting by the renowned artist and filmmaker Victor Atkins. This striking work features geometric strips of vivid color, masterfully arranged...

It Is A Fearful Thing, acrylic on museum board, 8.5 x 9.5 inches (Framed size: 17 x 16 inches), $650 Tom Kass was born on the East Coast to a father who was ...

As is generally the case with my paintings, this work proceeded from a place of unknowing. The specificity of imagery and technique belie the non-specific character of the ideas and narratives presented. The imagery is not tied to any pre-existent source (textual or other). It is not preconceived by the artist, rather it is produced spontaneously in the process of painting. That said, it seems both easy and sensible to connect the imagery in this painting to common cultural material, especially that from very ancient sources. The central figure is very much like a totemic Neolithic goddess- the sort of which seem to be among the most ancient artistic works, examples are extant from eras stretching back tens of thousands of years. A lot has been written about figures of that kind but of course no one can reasonably claim to truly understand them. Here the great goddess appears with wings and entwined serpents. Crowned also with a glowing orb she has become an emblem of a matristic hermetica. The smaller figure may be less evidently archetypical. She is a younger goddess, a daughter like Persephone to Demeter. She lifts the breasts of her mother signifying perhaps how the presence of the child evokes the nurturing qualities of the mother or how Persephone’s seasonal ascent from the underworld awakens in her mother the impulse to again give life to the world. The cluster of gynomorphic figures contained by the crescent moon at the center of the painting refer to the balanced transformations of the lunar cycle and their mysteriously harmonic physical manifestation in the vital cycles of a woman’s body. At their axis is the cycloptical abdomen of the figure enthroned on the moon. The entire totem rises from a terrestrial gateway into an open landscape. In the background megaliths obscure the horizon. They represent a first boundary in time- the beginning of history. Below is the gateway, the opening to an inner earth...

Robert W. Petrick - City Block Series #1 2021 Acrylic on canvas 40 x 30 x 1.5 inches East Village New York Geometric Abstract Stretched Painting Robert Petrick's paintings create ...

In Melisa’s optical and pulsating compositions, the natural world acts as blue-print while she explores the notion of the sublime through blur and precision. The artist develops an a...

Plaines & Mines, d’Ombre 2025.1 is a vibrant and intricate painting on wood created through the use of stencils, airbrushing, and pyrography. A hand-painted grid in vivid tones of el...

In Melisa’s optical and pulsating compositions, the natural world acts as blue-print while she explores the notion of the sublime through blur and precision. The artist develops an a...

"Deep ocean blue pill" is one of the 30 small tondo paintings on wood comprising the Dopamine mosaic. This 30-piece ensemble was created between January and ...

Oil on wood panel, 1951. Unique work, titled and hand-signed in felt pencil by artist on the verso. Work size: 30 x 30 cm Framed size: 58 x 58 cm Very good conditions, with deep bri...

From the portfolio “Formulation: Articulation” created by Josef Albers in 1972. This monumental series consists of 127 original silkscreens that are a definitive survey of the artist's most important color and shape theories. A copy of the colophon bearing Albers’ hand signature...

"This work was created with two separate entities that play against each other, in real and illusionary space, thus combining two separate realms that come together and play with one...

Painting by Maryanne Pollock titled "Totem". Work is signed and dated 2018 on reverse. Maryanne Pollock received her BFA from Tyler School of Art in Philadelphia and Rome, Italy. She continued studying at the Pennsylvania Academy of Fine Arts, the Corcoran College of Art and Design and American...

James Minden 51906 Holographic style painting- incised plastic and acrylic on wood panel 18 x 18 inches 2019 To get a sense of the holographic effect look at the video on that vime...

Acrylic and canvas collage on canvas by 20th century artist Margo Hoff (1910-2008). An abstract geometric painting in Margo's signature style of canvas collage, laying bits of canva...