Abstract Geometric Art

Artist: Josef Albers (German-American, 1888-1976) Title: "MMA-3 Variant" Series: MMA (Metropolitan Museum of Art) *Unsigned edition Year...

Field Study is a group of four mixed-media works on archival cold-press watercolor paper by Toronto artist Murray Duncan, each measuring 18 × 24 inches. Part of his ongoing Untitled ...

Abstract Composition of Blue/ White Sailing Boats in the Wind signed by Jacqueline VERDET (French, 1931-2023) oil painting on canvas, unframed canvas: 45.5 x 35 inches condition: the...

Abstract geometric three-dimensional wood wall sculpture in bright pastel hues of sage green, light grey, and beige "Turnabout", hand-carved wooden wall sculpture by Hudson Valley ar...

Artist: Josef Albers (German-American, 1888-1976) Title: "JHM - II" Portfolio: Josef Albers Honors the Hirshhorn Museum and Sculpture Garden *Monogram signed and dated by Albers in p...

TUSET (1997, A Coruña, España) Mixed media painting on paper Ready to frame One-of-a-kind Signed on back Includes certificate of authenticity 2021 65 x 50 cm. It belongs to the ser...

"Homage to the Square - Portfolio 2, Folder 19, Image 1" from the portfolio “Formulation: Articulation” created by Josef Albers in 1972. This monumental series consists of 127 origin...

Title: Palimpsest Medium: Oil on canvas Dimensions: 100 x 100 cm 39.37 x 39.37 in (canvas only), 107 x 107 cm 42.12 x 42.12 in framed Year: 2025 Framing: Black wooden floater frame ...

Artist: Omar Rayo, Colombian (1928 - 2010) Title: Nitibos Year: 1968 Medium: Screenprint, signed and numbered in pencil Edition: 75 Image Size: 17 x 17 inches Size: 24 x 20 i...

Ibram Lassaw Continuity #1 1971 Screenprint Visible: 19.5 x 25.5 inches Framed: 27 x 32.5 x 1 inches Edition: 100 Signed, titled, dated and numbered in pencil along lower edge COA pr...

Artist: Jack Graves III (American, 1988-) Title: "Diamond XXXV" Series: Diamond *Signed by Graves lower left. It is also signed, titled, and dated on verso Year: 2021 Medium: Origin...

Geometric abstract painting by contemporary artist Stephanie Beukers. The work features layers of hard-edged shapes in red, white, tan, and black set against a light background. Curr...

Josef Albers, 'Interlinear K50', zinc plate lithograph offset to stone printing, 1962, edition 20, Danilowitz 151. Signed, titled, dated, and numbered '14/20' in pencil. A superb, ri...

Jean Baier (1932-1999) was a Swiss artist who initially as a trained mechanic after the Second World War. This interest enabled him to develop an artistic fascination for practica...

Artist: Eric Newton, British (1893 - 1965) Title: Untitled - Abstract with Red and Yellow Year: circa 1955 Medium: Linocut Print, signed and numbered in pencil Edition: EA Image Size...

Artist : Susan Kiefer Title : "Grace Notes" Materials : oil on canvas Date : May 2020 Dimensions : 30" x 40" x 1.5" Description : Hard-edged geometric abstract with four overlapping...

'Discussion' Abstract Composition signed by Jacqueline VERDET (French, 1931-2023) oil painting on canvas, unframed canvas: 39.5 x 39 inches condition: the work is in overall very sou...

Afternoon light drafts the room with architectural restraint: bands of shadow, glass mullions, and poured concrete divide the space into calm planes, while a modernist floor in earth...

Membrana de Aire Rosa, 2024 Contemporary Mexican Art, Abstract Painting Acrylic on canvas 80x80cm Signed and dated Yumnia's artistic journey is deeply rooted in the landscapes of N...

Geometric Line Studies C- 3 is an original mixed-media work on paper by Toronto artist Murray Duncan, part of his ongoing exploration of gestural geometry, spatial rhythm, and atmosp...

Deja Vu #1 by Judith North [2022] Deja Vu is a series of abstract paintings which aim to capture my response to something previously experienced. Additi...

Jacqueline De Butler, French (1928 - ) - Green and Yellow Composition, Year: circa 1968, Medium: Etching with Aquatint on Arches, signed and num...

Steven H. Rehfeld (American, born 1954) "Orange Colors" 2018 Oil paint, Paper, Glue, Canvas, Stretcher bars The artist signed the back of the painting. In "Orange Colors," Rehfeld o...

Artist: Josef Albers Title: Homage to the Square Medium: Screenprint Date: 1977 Edition: 1500 Image Size: 8 1/4" x 8 1/4" Sheet Size: 9" x 9 1/2" Frame Size: 14 7/8" x 14 7/8" Signat...

Gaia 31 - Spanish Daisies Sparrows in Catalonia Monochrome Black and White Print by Jaume Llorens Bach Gaia 31 is a 18cm x 24cm Black-and-White print on Premio Kozo 180gsm White Pap...

Peter Halley Peter Halley, Imago Galleries, Palm Desert, CA (Hand Signed), 2006 Offset lithograph poster (hand signed by Peter Halley) 25 1/2 × 18 1/4 inches Provenance; Acquired directly from the artist Unframed Alpha 137 Gallery is honored to offer this offset lithograph, published on the occasion of legendary American artist Peter Halley's 2006 one-man exhibition at Imago Galleries, Palm Desert, California which the artist hand signed in black marker. Scroll images for a photograph of our director Nadine Witkin with the artist. Below is Peter Halley's official biography. What it doesn't mention is that Andy Warhol famously painted his portrait in 1986! Peter Halley is that legendary. According to Halley, he didn't realize until after Warhol's death that the polaroids Warhol took of him with his famous "big shot" camera were made into an original painting. Warhol's painting of Peter Halley was included in the recent Andy Warhol retrospective "Andy Warhol - from A to B and Back Again" at the Whitney. PETER HALLEY BIOGRAPHY Peter Halley, born 1953, New York City, is an American artist who came to prominence as a central figure of the Neo-Conceptualist movement of the 1980s. His paintings redeploy the language of geometric abstraction to explore the organization of social space in the digital era. Since the 1980s, Halley’s lexicon has included three elements: “prisons” and “cells,” connected by “conduits,” which are used in his paintings to explore the technologically determined space and pathways that regulate daily life. Using fluorescent color and Roll-a-Tex, a commercial paint additive that provides readymade texture, Halley embraces materials that are anti-naturalistic and commercially manufactured. In the mid 1990s Halley pioneered the use of wall-sized digital prints in his site-specific installations. He has executed installations at Museo Nivola, Orani, Sardinia (2021); Greene Naftali, New York (2019); Venice Biennale (2019); Lever House, New York (2018); Schirn Kunsthalle, Frankfurt (2016); Disjecta, Portland (2012); the Gallatin School, New York University, (2008, 2017); the Museum of Modern Art, New York (1997); and the Dallas Museum of Art (1995). In 2005, Halley was also commissioned to create a monumental painting for Terminal D at the Dallas/Fort Worth International Airport, Texas. Halley served as professor and director of the MFA painting program at the Yale School of Art from 2002 to 2011. From 1996 to 2005, Halley published INDEX Magazine, which featured interviews with figures working in a variety of creative fields. Halley is also known for his essays on art and culture, written in the 1980s and 1990s, in which he explores themes from French critical theory and the impact of burgeoning digital technology. His Selected Essays, 1981 – 2001, was published by Edgewise Press, New York, in 2013.Halley’s writings have been translated into Spanish, French, and Italian. A catalogue raisonné, PETER HALLEY: Paintings of the 1980s, was published in 2018 by JRP Ringier. Halley’s work can be found in the collections of the Museum of Modern Art, New York; Whitney Museum of American Art, New York; Solomon R. Guggenheim Museum, New York; Broad Art Foundation, Los Angeles; Museum of Contemporary Art, Los Angeles; San Francisco Museum of Modern Art; Boston Museum of Fine Arts; Dallas Museum of Art; Albright-Knox Art Gallery, Buffalo; Tate Modern, London; Stedelijk Museum, Amsterdam; Sammlung Marx, Berlin; Museo Nacional Centro de Arte Reina Sofia, Madrid; Museum of Contemporary Art, Tokyo; Seoul Museum of Art, among others. More about Peter Halley Peter Halley was born in 1953 in New York. He began his formal training at Phillips Academy in Andover, Massachusetts, from which he graduated in 1971. During that time, Halley read Josef Albers’s Interaction of Color (1981), which would influence him throughout his career. From 1973 to 1974 Halley lived in New Orleans, where he absorbed the vibrant cultural influences of the city, began using commercial materials in his art, and first became acquainted with the writings of earthwork artist Robert Smithson. In 1975 the artist graduated from Yale University, New Haven, with a degree in art history. After Yale, Halley returned to New Orleans, where he received an MFA in painting from the University of New Orleans in 1978. He had his first solo exhibition at the Contemporary Art Center, New Orleans, that same year. In 1978 Halley spent a semester teaching art at the University of Louisiana, Lafayette. He has continued to teach throughout his career. In 1980, Halley moved back to New York and had his first solo exhibition in the city at PS122 Gallery. At this time, Halley was drawn to the pop themes and social issues addressed in New Wave music. Inspired by New York’s intense urban environment, Halley set out to use the language of geometric abstraction to describe the actual geometricized space around him. He also began his iconic use of fluorescent Day-Glo paint. In 1984, Halley started to exhibit with the International With Monument gallery, becoming closely associated with the organization and its artists, who exhibited conceptually rigorous work in a market-savvy, coolly presented space that stood in stark contrast to the bohemian, Neo-Expressionist flair of the East Village art scene at the time. In 1986, an exhibition of four artists from International With Monument at the Sonnabend Gallery in New York heralded the group’s growing success. By the late 1980s, Halley was exhibiting with prominent galleries in the United States and Europe. In 1989, an exhibition of his paintings traveled to the Museum Haus Esters, Krefeld, Germany; Maison de la culture et de la communication de Saint-Étienne, France; and Institute of Contemporary Arts, London. From 1991 to 1992, a retrospective toured Europe, with presentations at the CAPC Musée d’art contemporain de Bordeaux, France; Musée d’art contemporain, Lausanne, Switzerland; Museo nacional centro de arte Reina Sofía, Madrid; and Stedelijk Museum, Amsterdam. In 1992, the Des Moines Art Center hosted his first solo exhibition at a U.S. museum. While developing his visual language, Halley became interested in French post-structuralist writers, including Jean Baudrillard, Guy Debord, Michel Foucault, and Paul Virillio, all of whom shared his concern with the character of social spaces in a post-industrial society. In 1981, he published his first essay “Beat, Minimalism, New Wave, and Robert Smithson” in Arts, a New York–based magazine that would publish eight of his essays before the decade’s end. Halley’s writings became the basis for Neo-Geometric Conceptualism (also known as Neo-Geo), the offshoot of Neo-Conceptualism associated with the work of Ashley Bickerton, Halley, and Jeff Koons. In 1988, the artist’s writings were anthologized in Collected Essays, 1981–1987, and again in 1997 in a second anthology, Recent Essays, 1990–1996. In the mid-1990s, Halley began to produce site-specific installations for museums, galleries, and public spaces. These characteristically brought together a range of imagery and mediums, including paintings, wall-size flowcharts, and digitally generated wallpaper prints. Halley has executed permanent installations at the Dallas/Fort Worth International Airport, Texas, and the Gallatin School of Individualized Study at New York University. In 2011, his installation of digital prints Judgment Day...

Geometric abstract painting by contemporary artist Stephanie Beukers. The work features layers of hard-edged shapes in black and tan set against a light background. Signed and titled...

A colorful geometric screenprint by American artist Barbara Lynch Zinkel inspired by the Josef Albers "Homage to the Square". Date: 1994 Medium: Screenprint, estate stamped verso an...

From the portfolio “Formulation: Articulation” created by Josef Albers in 1972. This monumental series consists of 127 original silkscreens that are a definitive survey of the artist...

Untitled #533 by Murray Duncan – Contemporary Mixed Media on Paper Size: 32" x 40" Unframed, signed on the back A striking exploration of form and movement, Untitled #527 by Murray ...

I have worked on a new collection of abstract paintings.This new abstract series is dedicated to a "heart- mind connection". This is the one of them called "Connection". While work...

Limited edition of 100 pieces, hand signed.

This original 1990s fine art monotype by Denver artist Wilma Fiori is a bold and dynamic example of late 20th-century American printmaking. Rendered in expressive layers of green, bl...

From the portfolio “Formulation: Articulation” created by Josef Albers in 1972. This monumental series consists of 127 original silkscreens that are a definitive survey of the artist...

Artist: Risaburo Kimura, Japanese (1924 - ) Title: City 361 Year: 1971 Medium: Serigraph, signed and numbered in pencil Edition: 300; AP 35 Image Size: 25 x 20 inches Size: 29...

A silkscreen print by Ilya Bolotowsky circa 1970. A retro modern piece with an abstract geometric design. Artist: Ilya Bolotowsky, Russian/American (1907 - 1981) Title: Series 1 Ye...

Larry Zox (1937-2006) Three Square Composition, 1978 Print, Silkscreen, on Arches archival paper - 1978 52 " x 25 " inches Signed in pencil and marked VIII/LV Unframed.  Larry Zox i...

Robert Petrick's "Post Metro" is a fusion of meticulous geometry and bold abstract expression. From the artist's Ziggurat series, this piece is both timeless and contemporary, offeri...

Pierre Clerk Black and White - 1973 Print - Silkscreen on Somerset paper 32'' x 36'' Edition: Signed in pencil and marked 27/100 image size: 28" x 32" i...

Cyd Fontaine (Lausanne, 1992) is a contemporary artist renowned for her captivating use of dreamy atmospheric gradients, which has helped her carve a distinctive niche in the world o...

Medium: Oil on linen canvas Canvas size: 30 x 30 cm (11.81 x 11.81 in) Framed size: 37 x 37 cm (14.56 x 14.56 in) Frame: American box frame in natural wood Year: 2025 Style: Abstrac...

This dynamic table sized sculpture is created from sheets of steel, welded together in an abstract geometric pattern and then painted with an acrylic paint to enhance the surface. While the work adheres to a rigid, rational geometry, this sculptures suggest lyrical movement, apparent weightlessness and improvisation as the title suggests. Chris Hill Spirit welded steel, acrylic paint 16.50h x 11.50w x 7d in 41.91h x 29.21w x 17.78d cm CHI021 Chris Hill is a Santa Fe based sculptor. Chris was born in Port Arthur, Texas but grew up in small town North Mississippi. He began welding at age 18 at the Tennessee Valley Authority...

Max Bill Composition with white center Color silkscreen Year: 1972 Edition: Edition for "Look at" Size: 23.3 × 23.3 inches Unsigned, unknown edition size (pres. ~2,000) - sometimes a...

Irregular triangle, 1993 Laminated acrylic Hand signed and dated: Vasa / 1993 4" H x 12" W x 3" D (size is approximate) Vasa Velizar Mihich (born 1933), known as Vasa, is an America...

Title: Mid Century French Black and White Linear Geometric Abstract Drawing by Serge Guerin (b. 1916), French signed lower left, name stamped verso Ink on artists paper, unframed Siz...

Abstract Composition is an artwork realized by Agostino Bonalumi, 1973. Silkscreen on paper. Edition of 600. cm 23x23. Good conditions

This 5.5" x 8.5" ceramic wall sculpture was created by Brian Bosworth. This is a contemporary piece that demonstrates sophisticated glazing techniques and compositional balance. The ...

"House of Peacock Ore" (2020) is an abstract geometric oil and acrylic painting on canvas by Loren Abbate. It is a square shaped piece and measures 30 inc...

Artist: Jack Graves III (American, 1988-) Title: "Victory" Series: Abstract *Signed by Graves lower right. It is also signed, titled, and dated on verso Year: 2022 Medium: Original ...

"Banana skin yellow pill" is one of the 30 small tondo paintings on wood comprising the Dopamine mosaic. This 30-piece ensemble was created between January and April 2024 by the arti...

This hand-painted piece by Lucchetta is part of the op art series where he is able to catch movement with his unique technique. Lucchetta is challenging himself. His precise stable h...

The mirrored surfaces of the stainless steel Maldonado work of art, reflect the world around. Maldonado's artistic research has an ethological matrix: a sign as a kind of pre-Incan g...

Original Ellsworth Kelly exhibition poster, 1964. Gallerie Maeght. 26 x 20 inches. Lithograph on paper. Gentle creasing lower left....

This red, geometric, contemporary, outdoor steel sculpture is by French-Canadian artist Phillipe Pallafray. Available on commission, please allow 4-6 weeks for completion. Four stain...

Dimensions w/Frame: 16 3/4" x 14 3/4" Zvi Tolkovsky was among the founders of the current Bezalel Academy. Also among the founders of the Art Department in the late 1960s, he establ...

Acrylic over Paper on Canvas by renown artist Cecil Touchon. Signed verso Cecil Touchon (born 1956, Austin, Texas) is a contemporary American collage artist, painter, published poet...

The Orchestra, 1950, oil on canvas, signed and dated lower left, 21 1/2 x 25 3/4 inches, labeled verso “Brown University, Trustee, The Walter Feldman Trust for Artwork” titled verso,...

An original mid century modern abstract expressionist monotype print by American artist Toma Yovanovich. Toma Yovanovich (1931-2016) Yovanovich was a painter/printmaker whos...

This painting came about through process and experimentation with layering and combining geometric shapes. Throughout the process of creation I was listening to electronic / dance mu...

Max Bill Geometric composition, 1975 Original lithograph Unsigned and unnumbered as usual Limited edition of 575 copies On Arches vellum, size 35 x 27 cm (c. 14 x 10 in) Excellent ...