Abstract Geometric Art

Painting on canvas, signed verso Cecil Touchon Born 1956 Austin, Texas is a contemporary American collage artist, painter, published poet and theorist living in Pagosa Springs, Co...

From the portfolio “Formulation: Articulation” created by Josef Albers in 1972. This monumental series consists of 127 original screenprints that are a definitive survey of the artis...

Artist: Irwin McFadden, American Title: Variants Year: 1972 Medium: Acrylic on Canvas, signed and dated verso Size: 19.5 in. x 19.5 in. (49.53 cm x 49.53 cm) Frame Size: 25 x 25 inches

James Minden 51904 Holographic style painting- incised plastic and acrylic on wood panel 24 x 24 inches 2019 To get a sense of the holographic effect look at the video on that vime...

This series of hand painted acrylic paintings by Natalia Roman are inspired by the colors and textures of Italian terrazzo tiling. The patterns created c...

"KVTNO7_01" Abstract Print 23" x 23" Edition of 50 by DOT Print. Signed and numbered by the artist. ABOUT THE ARTIST: By compiling concepts from multiple philosophies, DOT’s Art...

Sophie Dumont – Obscura Oil on canvas – 39.37 × 39.37 in (100 × 100 cm) Framed: 42.13 × 42.13 in (107 × 107 cm) – Natural wood or black floater frame (collector's choice) Signed lowe...

Katie Hallam Cactus Limited Edition Digital Photograph Edition of 75 Image Size: H 50cm x W 62cm x D 1cm Sold Unframed Ready to Hang Please note that in situ images are purely an ind...

This screenprint was created by Welsh artist Gordon House (1932-2004). House was a designer and painter whose hard-edged abstract works reflected the dramatic tensions of his graphic...

Artist: Jack Graves III (American, 1988-) Title: "Aura VII" Series: Aura *Signed by Graves lower right. It is also signed, dated, and titled on verso Year: 2025 Medium: Original Acry...

From the portfolio “Formulation: Articulation” created by Josef Albers in 1972. This monumental series consists of 127 original silkscreens that are a definitive survey of the artist...

Artist: Tony Bechara, Puerto Rican (1942 - ) Title: Cuernavaca Year: 1979 Medium: Silkscreen, signed and numbered in pencil Edition: 250 Paper Size: 30 x 22 inches

Post Dogmatist Painting on Panel, signed verso Art is 12 x 16 with frame approximately 13 x 17 Cecil Touchon Born 1956 Austin, Texas is a contemporary American collage artist, paint...

This Enamel on aluminum in plexi box by Jay Phillips, is a structural contemporary work. Phillips cut and folded his materials to form overlaps and projections. His use of bright colors reflected his early Southern California art...

In Could Anvil, Kurt Herrmann channels his signature colorist instinct into a vivid, multichromatic geometric abstraction rendered in black, white, and primary colors. Executed on a ...

Acrylic over Paper on Canvas by renown artist Cecil Touchon. Signed verso Touchon's paintings are abstractions based upon typography. Using the techniques of collage, he reassemble...

Agustin Cardenas (1927-2003) Untitled from El Circulo de Piedra, 1971 One of fifteen original lithographs, signed and numbered by the artist, commissioned t...

Two Squares, Variation 5 Bronze 6 3/4 x 5 x 5 inches Stamped on base: Engman Edition 4/25 Robert M. Engman (April 29, 1927-July 4, 2018) was an American sculptor who worked primaril...

Neon Intaglio Etching, c. 1970 Signed, titled and numbered in pencil Edition: 99 (76/99) Image size: 7 1/2 x 7 1/2 inches Sheet size: 22 x 17 inches Condition: Excellent Carlos Dávil...

Kurt Kranz, German (1910 - 1997) - untitled, Year: circa 1970, Medium: Watercolor on Arches Paper, Size: 22 x 30 in. (55.88 x 76.2 cm), Frame Size: 28.5 x 37 inches, Description:...

Artist: Nicholas Krushenick Title: Untitled (Orange One Variant) Year: 1980 Medium: Screenprint, signed and numbered in pencil Edition: 200, AP 35 Paper Size: 36 x 30 in. (91.44 x 7...

Dana Piazza's creates abstract black and white drawings, full of the illusion of depth, movement, and three-dimensionality. His highl...

James Minden Fringe Holographic drawing- Hand incised plastic and acrylic on panel 36 x 36 inches 2013 To get a sense of the holographic effect look at the video on that vimeo's sit...

Dana Piazza's creates abstract black and white drawings, full of the illusion of depth, movement, and three-dimensionality. His highl...

Dana Piazza's creates abstract black and white drawings, full of the illusion of depth, movement, and three-dimensionality. His highl...

Dana Piazza's creates abstract black and white drawings, full of the illusion of depth, movement, and three-dimensionality. His highl...

Artist: Chryssa, Greek (1933 - 2013) Title: Times Square Fragment #10 Year: 1979 Medium: Serigraph, signed and numbered in pencil Edition: 300; AP 35 Paper Size: 40 x 25 inches

An original hand-signed and numbered minimalist silkscreen from the Werkubersicht/Work-Overview Portfolio. Leon Polk Smith is credited with the founding of the hard-edge art movement...

James Minden Place Holographic drawing- Hand incised plastic and acrylic on panel 24 x 24 inches 2013 To get a sense of the holographic effect look at the video on that vimeo's site...

James Minden Verge Holographic drawing- engraved anodized aluminum and enamel paint 24 x 24 inches 2017 To get a sense of the holographic effect look at the video on that vimeo's si...

This is a one of a kind original painting by southern California artist, Scott Rohlfs. Its size is 12" x 12" x 1.5". It is unframed. A certificate of auth...

James Minden Incidence Holographic drawing- engraved anodized aluminum and enamel paint 24 x 24 inches 2017 To get a sense of the holographic effect...

Milan Tiff The N Word 48 x 48 inches Hand-signed by artist Artist's signature, artwork title and date on back of canvas Milan Tiff was born in 1949 in Shak...

Milan Tiff Cracker 48 x 48 inches Hand-signed by artist Artist's signature, artwork title and date on back of canvas Milan Tiff was born in 1949 in Shaker ...

Gouache and graphite on handmade paper. 18 x 12 inches unframed, 23.25 x 17.25 inches framed. Artist Statement: “As an artist, I find endless possibilities overwhelming and use self-imposed boundaries to focus my work. This often includes some combination of: a literal grid or graphite border, employment of barbecue skewers or wooden chopsticks in lieu of paintbrushes for mark making, use of a monochromatic or limited color palette, and a reliance on shape and pattern to tell a story. Limiting the elements at play adds a measure of gravity to each decision, and every detail about the paper, the viscosity of the paint, micro variations in hues, and even the sharpness of the point on a skewer matters. I’ve found that the more restrictions I put in place when I paint, the freer my work has become, allowing a tension to form between the organic and prescribed. Rather than sketch before starting a new piece, I spend time with the paper and begin to visualize possibilities. From there, I can expand the work incrementally. Whether I’m working in an adapted form of pointillism, playing with opacity and hue, or building patterns through repeating shape, the work evolves in its own time. It is an intentionally open process of discovery that seeks to uncover the greatest potential of the basest elements we have at our disposal”. - Kate Snow

original Watercolour on Paper Image size: H:42 cm cm x W:64 cm cm Complete Size of Unframed Work: H:54 cm cm x W:76 cm cm x D:.1cm Sold Unframed Please note that insitu images a...

Artist: Tony Bechara, Puerto Rican (1942 - ) Title: 151 Colors Year: circa 1980 Medium: Serigraph, signed and numbered in pencil Edition: 250, AP 30 Image Size: 19 x 26.5 in Size: 2...

Richard Andres (American, 1927-2013) Pieces Collage, c. 1965 collage on paper 14 x 18 inches Richard Andres was born in Buffalo, New York in 1927. A graduate of the Cleveland Institute of Art in 1950, he was immediately drafted and served for two years in the army as a mural painter. He received his Master of Arts from Kent State in 1961. A frequent exhibitor at galleries and museums and winner of multiple May Show prizes, Andres taught art in the Cleveland Public Schools for 28 years, as well as teaching the University of Buffalo, the Cleveland Institute of Art and the Western Reserve University. Very little in Richard Andres’ childhood would have predicted his love of classical music, mid-century-modern architecture and certainly not his lifelong passion for art and in particular abstract art. Richard’s father, Raymond, had no more than a third-grade education, and his mother, Clara, was one of thirteen children – only three of whom lived into adulthood and none of whom attended high school. They lived, when Richard was a boy, in a dingy area of Buffalo, NY in a walk-up apartment situated above a tavern. Raymond and Clara supplemented the income from their factory jobs in the bar downstairs with Raymond playing ragtime on the piano and Clara serving drinks. This often left Richard and his two older brothers at home alone to fend for themselves. The two older boys, Raymond and Russell, were - unlike Richard- rather rough and tumble and entertained themselves with stickball, boxing and the like. Richard, on the other hand, from a very young age liked to draw, or better yet even, to paint with the small set of watercolors he received for Christmas one year. Paper, however, at the height of the depression, was hard to come by. Luckily, Clara used paper doilies as decoration for the apartment and Richard would contentedly paint and then cut up doilies, gluing the pieces together to create collages. At eight-years-old, he discovered the Albright-Knox Museum (then known as the Albright Art Gallery) and spent several hours a week there studying the paintings. He was particularly fond of Charles Burchfield‘s landscapes, enamored with their ‘messiness’ and thinking that they somehow captured more ‘feeling’ than works he was previously familiar with. For his tenth Christmas, he asked for and received a ‘how-to’ paint book by Elliot O’Hare. Through this self-teaching, he assembled the portfolio needed for acceptance to Buffalo Technical High School where he studied Advertising Arts. In his Junior year, he was encouraged to enter a watercolor painting, “Two Barns,” in the national 1944-45 Ingersoll Art Award Contest and was one of twelve grand prize winners – each one winning one hundred dollars. More importantly the painting was exhibited at the Carnegie Institute Galleries, which resulted in his winning a national scholarship to the Cleveland School of Art (The Cleveland Art Institute). He flourished at the art school under the tutelage of faculty members such as Carl Gaertner, as well as that of visiting artists such as William Sommer and Henry George Keller. He would say in later years that Gaertner, in particular, influenced his attitude toward life as well as art. “Gaertner,” Andres said, “believed that there was no need to be a ‘tortured artist’, that an artist should rather enjoy beauty, family, and life in general.” Free to spend his days as he chose, he wandered the Cleveland Art Museum for most of the hours he was not attending classes or painting; the remaining time was spent drinking coffee at a local hangout with art school friends – which is where he met fellow Henry Keller scholarship winner, Avis Johnson. Richard was immediately smitten with Avis, but being rather shy, it took him the entire summer of 1948 to build up his courage to ask her out. Over that summer he ‘thought about Avis’ and worked in a diner to save money. He also used the hundred-dollar prize money won in High School to visit the first Max Beckmann retrospective in the United States at the City Art Museum in St. Louis. Over a half century later he spoke of that exhibit with a reverence usually reserved for spiritual matters, “I walked in and it was like nothing I had ever seen before... the color...It just glowed.” Returning to campus in the Fall, the first thing he did was go to the coffee shop in hopes of finding Avis. He did, and she, upon seeing him, realized that she was also smitten with him. They quickly became known as ‘the couple’ on campus, and a year later, with Richard being drafted for the Korean war, they were quickly married by a Justice of the Peace, celebrating after with family at Avis’s Cleveland home. As a gift, faculty member John Paul Miller designed and made the simple gold wedding ring Avis wore for their 65 years of marriage. During those 65 years neither wavered in their mutual love, nor in the respect they shared for one another’s art. The couple lived in a converted chicken coop in Missouri while Richard was in boot camp. At the camp, he would volunteer for any job offered and one of those jobs ended up being painting road signs. His commander noticed how quickly and neatly he worked and gave him more painting work to do - eventually recommending him for a position painting murals for Army offices in Panama. Until her dying day, Avis remained angry that “The army got to keep those fabulous murals and they probably didn’t even know how wonderful they were.” In Panama, their first son, Mark, was born. After Richard’s discharge in 1953, they moved back to the Cleveland area and used the GI bill to attend Kent State gaining his BA in education. The small family then moved briefly to Buffalo, where Richard taught at the Albright Art School and the University of Buffalo – and their second son, Peter, was born. Richard had exhibited work in the Cleveland May Show and the Butler Art Museum during his art school years, and during the years in Buffalo, his work was exhibited at the gallery he had so loved as a child, the Albright Art Gallery. In 1956, the family moved back to the Cleveland area and Richard began teaching art at Lincoln West High School during the day while working toward his MA in art at Kent State in the evenings. Avis and Richard, with the help of an architect, designed their first home - a saltbox style house in Hudson, Ohio, and in 1958, their third son, Max (after Max Beckmann) was born. Richard enjoyed the consistency of teaching high school as well as the time it gave him to paint on the weekends and during the summer months. In 1961, he received his MA and his daughter, Claire, was born. With a fourth child, the house was much too small, and Avis and Richard began designing their second home. An admirer of MCM architecture, Richard’s favorite example of the style was the Farnsworth house – he often spoke of how the concepts behind this architectural style, particularly that of Mies van der Rohe, influenced his painting. Andres described himself as a 1950’s...

Artist: Nicholas Krushenick, American (1929 - 1999) Title: Untitled (Wire Mill Variant) Year: 1979 Medium: Silkscreen, signed and numbered in pencil Edition: 200, AP 30 Paper Size: ...

Gouache and graphite on handmade paper. 24 x 18 inches unframed. 28 x 22.25 inches framed. Artist Statement: “As an artist, I find endless possibilities overwhelming and use self-imposed boundaries to focus my work. This often includes some combination of: a literal grid or graphite border, employment of barbecue skewers or wooden chopsticks in lieu of paintbrushes for mark making, use of a monochromatic or limited color palette, and a reliance on shape and pattern to tell a story. Limiting the elements at play adds a measure of gravity to each decision, and every detail about the paper, the viscosity of the paint, micro variations in hues, and even the sharpness of the point on a skewer matters. I’ve found that the more restrictions I put in place when I paint, the freer my work has become, allowing a tension to form between the organic and prescribed. Rather than sketch before starting a new piece, I spend time with the paper and begin to visualize possibilities. From there, I can expand the work incrementally. Whether I’m working in an adapted form of pointillism, playing with opacity and hue, or building patterns through repeating shape, the work evolves in its own time. It is an intentionally open process of discovery that seeks to uncover the greatest potential of the basest elements we have at our disposal”. - Kate Snow

Charles Battaglini was a professional artist/teacher in printmaking. He exhibited for more than 55 years in juried and gallery exhibits, including the Associated Artists of Pittsburg...

Ted Dixon is a Black painter working primarily in abstraction. He writes: "How do we learn to see what we cannot yet see? What are the things that influence our ability to perceive? ...

Nicolas Dubreuille is a multi-faceted abstract artist who likes to multiply mediums - sculpture, painting, drawing, photography - to explore form and colour. Nicolas Dubreuille's wo...

"Four is More #3" Acrylic on canvas 40 x 30 x .5 inches 2023 Ted Dixon is a Black painter working primarily in abstraction. He writes: "How do we learn to see what we cannot yet see...

From the portfolio “Formulation: Articulation” created by Josef Albers in 1972. This monumental series consists of 127 original silkscreens that are a definitive survey of the artist...

Stainless Steel TIG Welding Rod, Aluminum, Fishing Accessories, Wire, Paint Jeremy Bullis after David L. Bullis

"After intuitively painting this piece, I noticed the dark blue shape in the centre of the painting reminded me of a cave. At the time, I was reading a book by my friend, the poet an...

abstract geometric black and white ink drawing on mylar framed in white frame For over twenty years now Patrick Carrara has lived in Brooklyn, where he has maintained a studio and s...

Abstract geometric black and white ink drawing on mylar framed in white wood frame with UV Plexiglass. For over twenty years now Patrick Carrara has lived in Brooklyn, where he has m...

This artwork titled "Neon Lights" 1978 is an ink drawing on Fabriano paper by renown French artist Sacha Kolin, 1911-1981. It is hand signed and dated at the lower right corner in pe...

This artwork titled "Neon Lights" 1978 is an ink and watercolor on Fabriano paper by renown French artist Sacha Kolin, 1911-1981. It is hand signed and dated at the lower right corne...

An original oil on canvas painting by American female painter Irene Zevon.

Yona FRIEDMAN (1923-2019) Pictograms of Genesis (Blue), 1975 Original screenprint (Silium workshop) Signed in pencil Numbered / 100 copies On Arches vel...

An original hand-signed and numbered minimalist silkscreen from the Werkubersicht/Work-Overview Portfolio. Leon Polk Smith is credited with the founding of the hard-edge art movement...

This artwork titled "Dedication" 1978 is an ink and watercolor on Fabriano paper by renown French artist Sacha Kolin, 1911-1981. It is hand signed and dated at the lower right corner...

This is a mixed-media artwork by Monty Montgomery. Its dimensions are 48 x 77 x 2.5 and it is Aerosol on Custom Panel with UV Gloss Varnish. A certificat...

Artist: Cris Cristofaro, American Title: Untitled - Orange Rectangles Year: 1978 Medium: Screenprint on Arches Paper, signed and numbered in pencil Edition: 50 Size: 22 x 30 in. (55....

Artist: Nancy Genn, American (1929 - ) Title: Mandu #10 Year: 1994-95 Medium: Mixed Media on paper, signed l.r. Size: 32 in. x 29 in. (81.28 cm x 73.66 cm) Frame: 37 x 34.5 inches (9...

Artist: Nicholas Krushenick, American (1929 - 1999) Title: Deep Down (Orange) Year: 1979 Medium: Screenprint, signed and numbered in pencil Edition: 200; AP 30 Image Size: 30 x 23.5...

Field Study is a group of four mixed-media works on archival cold-press watercolor paper by Toronto artist Murray Duncan, each measuring 18 × 24 inches. Part of his ongoing Untitled ...