Academic Art

Original conte crayon drawing of a sitting female nude on tinted archival paper by the American artist, Renate Duncan. Signed lower left. Circa 1980. Condition is excellent. The art...

Finely carved mythological subject in Vicenza limestone of Hercules in excellent condition from an estate of Veneto. Timeless decoration for your interior or garden. Measurements: ...

The Original American Colony was a colony established in Jerusalem in 1881 by members of a utopian society led by Anna and Horatio Spafford. Now a hotel in East Jerusalem, it is still known by that name today. After suffering a series tragic losses following the Great Chicago Fire of 1871 (see hymn "It is Well with My Soul"), Chicago residents Anna and Horatio Spafford led a small American contingent in 1881 to Jerusalem to form a utopian society. The "American Colony," as it became known, was later joined by Swedish Christians. The society engaged in philanthropic work amongst the people of Jerusalem regardless of religious affiliation, gaining the trust of the local Muslim, Jewish, and Christian communities.During and immediately after World War I, the American Colony carried out philanthropic work to alleviate the suffering of the local inhabitants, opening soup kitchens, hospitals, orphanages and other charitable ventures. Towards the end of the 1950s, the society's communal residence was converted into the American Colony Hotel. The hotel is an integral part of the Jerusalem landscape where members of all communities in Jerusalem still meet. In 1992 representatives from the Palestine Liberation Organization and Israel met in the hotel where they began talks that led to the historic 1993 Oslo Peace Accord. Panorama of Jerusalem, c. 1890-1920 The Colony moved to the large house of a wealthy Arab landowner, Rabbah Husseini, outside the city walls in Sheikh Jarrah on the road to Nablus. Part of the building was used as a hostel for visitors from Europe and America. A small farm developed with animals, a butchery, a dairy, a bakery, a carpenter's shop, and a smithy. The economy was supplemented by a shop selling photographs, craft items and archaeological artifacts. The American Colonists were embraced by the Jewish and Palestinian communities for their good works, among them, teaching in both Muslim and Jewish schools. Photography Around 1900, Elijah Meyers, a member of the American Colony, began taking photographs of places and events in and around the city of Jerusalem. Meyers's work eventually expanded into a full-fledged photographic division within the Colony, including Hol Lars (Lewis) Larsson and G. Eric Matson, who later renamed the effort as the Matson Photographic Service. Their interest in archeological artifacts (such as the Lion Tower in Tripoli pictured here), and the detail of their photographs, led to widespread interest in their work by archeologists. The collection was later donated to the Library of Congress. World War I When the Ottoman Empire entered World War I as an ally of Germany in November 1914, Jerusalem and Palestine became a battleground between the Allied and the Central powers...

Signed and dated '1873' lower left

Mary Russell Smith Feathered Tribe, 1871 Signed and dated lower left Oil on canvas 9 1/2 x 14 3/4 inches The daughter of theater scenery and landscape painter Russell Smith (1812–1...

Circa 1865 marketplace painting by the American artist, George Washington Nicholson. Signed lower left. Oil paint on wooden panel. Condit...

Georges CONRAD (1874-1936) Elegant Woman Seen in Cafe de la Paix (Paris) Original pencil and color pencils drawing Signed with the stamp of atelier On paper 26.5 x 20 cm (c. 10,4 x ...

Miniature watercolor painting on arches paper of a pair of mallards done by the very well known miniature artist, Allan Farrell. Exhibited at the Royal Miniature Society exhibition i...

Circa 1880 Unsigned Thames was commissioned in 1842 Overall size with frame 8 x 11 in.

Ferdinand SCHEBEK (1875 - 1949) Oil on canvas signed low left - Tigers of Bengal - Old coppery frame - Dim canvas : 60 X 81 cm - Dim Frame : 95 X ...

Very fine graphite on archival paper drawing of a typical mountain side house in the town of Hayingen, Germany by the prominent artist, Johannes Kleinschmidt. Signed in ink lower le...

Christopher Felver Rauschenberg Photo, 2003 Signed, dated and titled on verso Photography 13 3/4 x 10 3/4 inches Provenance Estate of Carolyn Brown, New York 2025. Mary Caroline (...

Georges-Marie-Julien Girardot (French, b. Besançon 1856 - d. Paris, 1914) "Avant le mariage" (Before the Wedding) A Palatial and Impressive French 19th Century Oil on Canvas depictin...

Ryland studied under Jean-Joseph Benjamin-Constant (1845-1902), Gustave Boulanger (1824-1888), and Jules Joseph Lefebvre (1836-1911) in Paris, and also at the South Kensington Art Sc...

David Hamilton (British, circa 1888) Harvest time Oil on canvas Signed and dated `David Hamilton 1888’ (lower right) 20.1/8 x 16 in. (51.2 x 40.8 cm.)

Lilly Martin Spencer (American, 1822-1902) A Rare Portrait God Bless My Father. **Figure 84 from principal book/catalogue on Lilly Martin Spencer. 19th Century. Oil on canvas, signed Lilly Martin Spencer was one of the most popular and American female genre painters in the mid-nineteenth century. She primarily painted domestic scenes, paintings of women and children...

The painting is signed Description: Frederico Andreotti (1847-1930) was an Italian painter celebrated for his exquisite genre scenes and historical subjects. Born in Florence, Andreo...

Original oil on canvas painting of a bucolic seaside picnic with a mother and her young children. Signed by the artist, F. G. Grust lower left. Condition is very good. The painting is housed in a period style gold leaf frame in fine condition. Overall framed measurements are 31.5 by 41.75 inches. Provenance: A California estate. F. G. Grust was a Dutch painter born in 1889 who was best known for his domestic interior and exterior scenes of a mother with her young children. He is the son of artist Theordor Grust (1859 - 1909), who also painted Dutch genre...

Beautiful, serene sepia watercolor of a moonlight sail on archival paper attributed to Robert Montgomery. Signed lower left. Condition is excellent. Re...

Franck Bailleul is a French painter born in 1964 who lives & works in Abbeville, Normandy, France. He has exhibited nationally as well as in the Unite...

Exquisite original watercolor of Warwick Castle by the famous British artist, Edmund John Niermann. Signed lower right. Circa 1850. Condition is very ...

Ilse Voigt was a German-Swiss painter, draughtswoman and graphic artist born in 1905 in Eberswalde and passed away in 1997 in Lausanne. Fascinated by dance throughout her life, she b...

Attributed to Eugène Lami (1800-1890) A maid feeding rabbits Watercolor on paper Bears a monogramm E L on the lower right 12.5 x 12.5 cm In good condition, some foxings in the uppe...

William Russell Flint (British, 1880 – 1969) Ray mounted on Pegasus Mixed media Signed ‘W Russell Flint’ (lower right), further signed and titled on the reverse 10.1/2 x 14.1/2 in. (...

In original gold leaf pierced frame Signed and dated lower right 1902 Sight size 7.5 x 9.5 in

Miniature watercolor painting on arches paper of three mallards at Salthouse (Norfolk, UK) done by the very well known miniature artist, Alan Farrell. Exhibited at the Royal Miniatur...

Outstanding Italian Neoclassical Sphinx Carrara Marble sculpture designed as entrance guardian, this mythical lady sphinx statuary display the head and chest of a neoclassical woma...

George Weissbort (Belgian / British, 1928 – 2013) SQUASHES AND A GLASS OF WATER Oil on canvasboard 18.1/4 x 21.3/8 in. (46.3 x 55.4 cm.) George Weissbort was born in Brussels in ...

An archival pigment print on Hahnemühle Photo Rag® Baryta 315 g/m² paper of a photograph by Harry Sutcliffe (1878- 1942) entitled ' On a Ferris wheel ' Graphic scene taken on a Fer...

Conditions : Very good original Conditions including a beautiful frame. Framed under glass, this rare composition for sale is an exceptionnel piece for Art collectors. Signed and d...

STEIN Georges (1864-1917) Paris street Views - Porte St Denis Oil on canvas signed low right Old frame gilded with leaves Dim canvas : 70 X 92 cm - Dim ...

Albert-Ernest Carrier-Belleuse (France, 1824-1887) A rare seated bronze statue of Benjamin Franklin holding his walking stick and hat, with a book in his ri...

As all of you will know, every Meissen figure is painted individually by an artist. While all Meissen is of high quality, I feel that the present figure is particularly fine, with th...

Franck Bailleul is a French painter born in 1964 who lives & works in Abbeville, Normandy, France. He has exhibited nationally as well as in the United States and China. His works e...

George Henry Smillie Cathedral Rocks, Yosemite Valley, 1871 Signed and inscribed board verso "Cathedral Rocks-Morning-Yo-semite Valley Aug. 71 Geo. H. Smillie", also inscribed "Yo-se...

French school 19th Century A Muskeeter Pencil on paper 26.5 x 17 cm Bears a signature "F. Roybet" in the lower right In quite good condition, bears some visible foxings, In an old mount (some damages) (not framed) Even if the style, execution and of course subject are those of Ferdinand Roybet...

Alb. Muller. German Mid 19th Century. Academic Life Study Of A Male Standing Nude. Pencil And Charcoal On Paper. Signed Lower Right. Paper size 23.8 inches x 17.1 inches ( 60.5cm x 4...

Finely carved mythological subject in Vicenza limestone of Apollo in Excellent condition from an estate of Veneto. Timeless decoration for your interior or garden. Measurements: St...

Alfred BRUNEL NEUVILLE (1852-1941) Interior with cats Oil on canvas signed low right Old frame re-gilded with gold leaves Dim canvas : 54 X 75 cm Dim frame : 74 X 85 cm Alfred BRUNE...

GODCHAUX Emile (1860) Big Compositions of Flowers in Pair Oil on canvas signed low right Frames gilded with gold leaves Dim canvas (each) : 90 X 129 cm Dim frame (each) : 118 x 159 cm Certificate of authenticity GODCHAUX Emile (1860 - nc) French School - XIXth century Born in 1860 Painter of genre scenes, landscapes, waterscapes, marines, flowers, still lives. He sold his paintings on the public place, and sometimes in Lotteries. He is related to Alfred Godchaux...

Edouard Detaille (1848-1912) A trophy of arms, 1885 11.5 x 20 cm Pen and ink with heightenings of white gouache on paper Signed and dated 1885 lower right and annotated "Armée française...

VAN WYK Henri (1833-NC) Marines in pair Oil on wood panel signed low left Old frame re-gilded with gold leaves Dim wood : 23 X 41 cm Dim frame : 40 X 58 cm Certificate of authenticit...

BURLING Gilbert (1843-1875) Two oil on wood panel signed low right Showing scenes of fishing by the sea Frames giglded with leaves Size wood panel : 22 X 41 cm (each) Size frame : 33...

Wenzel Ulrik Tornøe (Danish, 1844-1907) A very fine and large oil on canvas titled "Systue" ("The Sewing Room"). The finely executed artwork depicting the interior of a sewing room w...

Female Illustrator of the Golden Age Alice Barber Stephens renders in an academic style and women sitting in a chair and responding to something outside of the frame. Signed lower left. Most likely done for a major newsstand magazine like Harper's, Century or Scribner's Monthly. Work is framed under glass in a simple black wood frame. Perhaps period. Matt is new. Frame size: 20.5 x 14.5 From: Wikipedia Alice Barber Stephens (July 1, 1858 – July 13, 1932) was an American painter and engraver, best remembered for her illustrations. Her work regularly appeared in magazines such as Scribner's Monthly, Harper's Weekly, and The Ladies Home Journal. Early life and education Alice Barber was born near Salem, New Jersey. She was the eighth of nine children born to Samuel Clayton Barber and Mary Owen, who were Quakers. She attended local schools until she and her family moved to Philadelphia, Pennsylvania. At age 15 she became a student at the Philadelphia School of Design for Women (now Moore College of Art & Design), where she studied wood engraving. The Women's Life Class (1879), Pennsylvania Academy of the Fine Arts, Philadelphia, Pennsylvania. She was admitted to the Pennsylvania Academy of the Fine Arts in 1876 (the first year women were admitted), studying under Thomas Eakins. Among her fellow students at the Academy were Susan MacDowell, Frank Stephens, David Wilson Jordan, Lavinia Ebbinghausen, Thomas Anshutz, and Charles H. Stephens (whom she would marry). During this time, at the academy, she began to work with a variety of media, including black-and-white oils, ink washes, charcoal, full-color oils, and watercolors. In 1879, Eakins chose Stephens to illustrate an Academy classroom scene for Scribner's Monthly. The resulting work, Women's Life Class, was Stephens' first illustration credit. New Woman As educational opportunities were made more available in the nineteenth century, women artists became part of professional enterprises, including founding their own art associations. Artwork made by women was considered to be inferior by the art world, and to help overcome that stereotype women became "increasingly vocal and confident" in promoting women's work, and thus became part of the emerging image of the educated, modern and freer "New Woman". Artists then, "played crucial roles in representing the New Woman, both by drawing images of the icon and exemplifying this emerging type through their own lives." Alice Barber Stephens, The Women Business, oil, 1897, Brandywine River Museum, Chadds Ford, Pennsylvania One example of overcoming women stereotypes was Stephens' Woman in Business from 1897, which showed how women could focus not only in the home, but also in the economic world.[8] As women began to work, their career choices broadened and illustration became a commendable occupation. People's ideas about education and art started to merge, and the outcome of a certain sensitivity to the arts began to be seen as uplifting and educational. By using illustration as a means to further their practices, women were able to fit the traditional gender role while still being active in their pursuits for the "New Woman". According to Rena Robey of Art Times, "The early feminists began to leave the home to participate in clubs as moral and cultural guardians, focused on cleaning up cities and helping African Americans, impoverished women, working children, immigrants, and other previously ignored groups." Stephens took advantage of the explosion of illustration opportunities, including the opportunity to work from home. Women's education Edwin Forrest House, formerly the home of the Philadelphia School of Design for Women. Throughout the period before the civil war, textile and other decorative work became acceptable occupations for those who aspired to be in the middle class. The Philadelphia School of Design for Women, founded in 1848 by Sarah Worthington Peter was first among a group of women's design schools established in the 1850s and 1860s; others appeared in Boston, New York, Pittsburgh, and Cincinnati. It began as a charitable effort to train needy and deserving young women in textile and wallpaper design, wood engraving, and other salable artistic skills, providing a means for training women who needed wage work. The Pennsylvania Academy of the Fine Arts (PAFA) was established in 1805 by painter and scientist Charles Willson Peale, sculptor William Rush...

Canvas size: 57 3/4 x 45 1/2 inches A striking and impressive French Academic painting in a high quality Italian style gold leaf frame. Gorguet was an Academic French artist who was trained by Boulanger, Gerome, Bonnat and Morot. His academic training was so strong that he was asked by the Opera House to illustrate many of their posters and he made his living illustrating many books of the time. In the market today this is most of what circulates and comes to light by the artist. He was ultimately made a professor of Drawings at L’Institut. However, Gorguet was also a Symbolist artist and did works aligned with the Art Nouveau movement. Many of these works are quite impressive but rarely have surfaced in the art market. Jupiter and Mercury Received by Philemon and Baucis is more of an Allegorical work and Gorguet switched gears to do a painting which would garner International attention at the important Concourse du Prix de Rome competition. 1891 was a year where the competition would be stiff and he knew he had to do an impressive painting with a compelling historical or allegorical content. In this painting, Gorguet is depicting their Jupiter and Mercury’s arrival at their home and the indication that Philemon and Baucis will share what they have with them despite their poverty-stricken means. The technical execution of this work is exceptional as the figurative work is done masterfully and any small detail within the canvas demonstrates tremendous attention of subtlety of tone and modeling. An example is the strand of cloth that crosses Jupiters chest and the delicate shades of pink and gray and how it is modeled. More than ever, the academic artists of this period are to be appreciated for the quality and creativeness of their work. And the timelessness of these classical allegories are still applicable to our lives today. So we predict a turn back toward work like this as qualitatively we know it will never be done again. Story of Jupiter and Mercury Visiting Philemon and Baucis (one interpretation) According to ancient Roman mythology and Ovid's Metamorphoses (8.631, 8.720.), Philemon and Baucis had lived out their long lives nobly, but in poverty. Jupiter, the Roman king of the gods, had heard of the virtuous couple, but based on all his previous experiences with humans, he had serious doubts as to their goodness. Jupiter was about to destroy mankind but was willing to give it one final chance before starting over again. So, in the company of his son Mercury, the wing-footed messenger god, Jupiter went about, disguised as a worn and weary traveler, from house to house among the neighbors of Philemon and Baucis. As Jupiter feared and expected, the neighbors turned him and Mercury away rudely. Then the two gods went to the last house...

This exquisite oil on canvas painting, "The Walk on Sunday," by Hippolyte Fournier is a captivating depiction of 19th-century leisure. The artist's meticulous brushstrokes bring to l...

Ferdinand Wagner II (German, 1847-1927) A very fine and charming triptych group of three oil on canvas laid on board titled "An Allegory to Spring" each panel depicting different pla...

The painting is signed and dated 1894 Description: Eugene Alexis Girardet (1853-1907) was a prominent Swiss painter known for his remarkable attention to detail and his ability to capture vivid and dynamic scenes. Born in Paris, France, Girardet came from a family of artists and received early artistic training from his father, Paul Girardet, and his uncle, Jules Girardet, both respected engravers. He later studied at the prestigious École des Beaux-Arts in Paris, where he honed his skills and developed a deep appreciation for historical and orientalist subjects. He was interred at the Père-Lachaise Cemetery. In addition to several museums in France, his works may be seen at the Dahesh Museum of Art and the National Museum of Fine Arts of Algiers, as well as at museums in Switzerland and New York City. Girardet’s artwork often depicted historical and exotic scenes, particularly focusing on Middle Eastern and North African themes. His meticulous attention to detail and his ability to convey a sense of movement and drama made his works highly sought after. One of his most renowned paintings, “The Charge,” exemplifies his exceptional talent and his ability to create a captivating and immersive experience for viewers. In “The Charge,” Girardet presents an army of Arab camel...

Eastman Johnson John Van Schaick Lansing Pruyn, 1883 Initialed and dated lower left Oil on canvas 28 x 18 inches For many years the foremost genre painter in the United States, Eas...

Biblioteca di Michelozzo a S.Marco, Firenze, 2009 C-print Signed, titled, dated and numbered edition of 5 on artist's label on verso. The photographer is based in Florence, and is f...

Fernand de Launay (1838-1904) Portrait of a child, probably the daughter of the artist Lead pencil on paper Signed and dated "4 septembre 1890" on the lower left 27 x 21 cm In quite ...

Departure of the Caravan, 1834-1887, by Theodore Frere (1814-1888) Oil on wood 10 x 16 inches unframed (25.4 x 40.64 cm) 18 ¾ x 24 ¾ inches framed (47.625 x 62.865 cm) Signed on bott...

Signed lower right. Louis Charles Moeller was a master of American genre painting. His meticulously detailed, highly finished paintings of late Victorian interiors received consider...

Alfred PLAUZEAU Avanton-Paché (Vienna), 1875 - Hendaye, 1918 Oil on oil 61 x 38 cm (75.5 x 52.5 cm with frame) Signed lower right "A. Plauzeau" Good condition (sevreal restoration, w...

Exhibited at the Paris Salon, exhibition label on reverse. Description: Édouard François Zier (1837-1924) was a French painter known for his captiva...

Otto Eerelman 1839-1926 Dutch Newfoundland with a Kitten Oil on canvas Signed “O. Eerelman” (lower right) This monumental painting is by the celebrated Dutch artist Otto Eerelman...

BIVA Paul (1851 – 1900) Flowers Still-Life Oil on canvas signed low right Old frame gilded with leaves Dim canvas : 90 X 117 cm - Dim frame : 117 X 145 cm BIVA Paul (1851 – 1900) Fr...

Sculpture Terracotta From Marcel Bouraine (1886-1948)" Original terra cotta sculpture of Marcel Bouraine Naïade of the 1930's Signed Bouraine On the ...

Isidore Pils (Paris, 1813 – Douarnenez, 1875) Study of a Woman Holding a Bowl Red chalk, heightened with white chalk, on buff paper 36.3 × 26.5 cm (14 ¼ × 10 ⅜ in.) Unsigned Prove...