Assemblage Art

"The Garden of Buren " is an original mixed media artwork by Volker Kuhn. The work is hand-signed and numbered by the artist below the artwork on the mat. It is a witty reference for...

"Homage to Dali" is an original mixed media artwork by Volker Kuhn. The work is hand-signed and numbered by the artist below the artwork on the mat. It is a witty reference formed as...

"Golf Malheur" is an original mixed media artwork by Volker Kuhn. The work is hand-signed by the artist below the artwork on the mat. It is a witty reference formed as a hand-made as...

Blue and black toned collage. Pricing is based on value of the artwork. There is no charge for the frame Willie Torbert is a Brooklyn NY based artist. His primary medium is collage...

figuratif sculptures "Guitar"mechanism parts assembled 95x34x13 métal rock music Jean-Pierre Bagnols is an artist who likes to take pieces of objects and give them a second life here he used parts from a motorcycle to create a 70’s...

HUBLOT CARIBBEAN BLUE is a small-scale, mixed-media assemblage on wood that captures the raw materiality and ephemeral beauty of the natural world. Created following a trip to the C...

These collages were created first in the presence of a model, working quickly, in charcoal and pastel, and again, later, alone, furiously tearing and pasting images from magazines, v...

"It's A Long Way II" is an original mixed media artwork by Volker Kuhn. The work is hand-signed and numbered by the artist below the artwork on the mat. 66 x 63 cm framed in a silver...

This sculpture is a ceramic totem fired in a kiln to 2200 degrees. Its several parts glide onto a one inch galvanized pole that can either sit in a pot full of cement or go into the ...

Heide Hatry is a NYC-based German artist, former rare bookseller, and best known for her work employing animal parts or other discarded, disdained, or “taboo” materials. She has cura...

photo-eye Gallery is very excited to share new work from represented artist Maggie Taylor. After completing her prodigious series of illustrations for Lewis Carroll's Through the Loo...

"Equanimity" is an original mixed media artwork by Volker Kuhn. The work is hand-signed and numbered by the artist below the artwork on the mat. 51 x 43 cm...

Heide Hatry is a NYC-based German artist, former rare bookseller, and best known for her work employing animal parts or other discarded, disdained, or “taboo” materials. She has cura...

Heide Hatry is a NYC-based German artist, former rare bookseller, and best known for her work employing animal parts or other discarded, disdained, or “taboo” materials. She has cura...

Heide Hatry is a NYC-based German artist, former rare bookseller, and best known for her work employing animal parts or other discarded, disdained, or “taboo” materials. She has cura...

"The Necklace" is an original mixed media artwork by Volker Kuhn. The work is an homage to Picasso, hand-signed by the artist below the artwork on the mat...

This one depicts a sports wristwatch over an aerial landscape and is titled Clock Garden. it is signed and dated 1979. SIMONS, Vera (1920 - 2012) Vera Habrecht Simons, was a German/...

"Little Ballerina" is an original mixed media artwork by Volker Kuhn. The work is an homage to Ellworth Kelly, hand-signed by the artist below the art...

Dada style assemblage work critiquing modern culture. The work includes a man being spoon fed "hate". Ray Collins is known to create works that extend from the canvas board. Everythi...

Original vintage poster from Spain "In the Holy Year Visit Saragossa, Spain". Spanish Tourist Office New York, NY. Signed in the plate by the artist but illegible. Size: 24" x 3...

Heide Hatry is a NYC-based German artist, former rare bookseller, and best known for her work employing animal parts or other discarded, disdained, or “taboo” materials. She has cura...

This one Mona Lisa, some with glasses drawn on, cut and torn newspaper, collage, assemblage and looks like a Guerrilla Girl ad in a pattern and decoration style. It is not signed or ...

This one depicts a sports wristwatch over an aerial city or field landscape and is titled "Time Frame". It is signed and dated. I believe it might be Amsterdam or London. SIMONS, Ver...

This one depicts a sports wristwatch over an aerial city or field landscape and is titled "Time Frame". It is signed and dated. I believe it might be Amsterdam or London. SIMONS, Ver...

"Great Reflection" is an original mixed media artwork by Volker Kuhn. The work is hand-signed and numbered by the artist below the artwork on the mat. It is a witty reference formed ...

Heide Hatry is a NYC-based German artist, former rare bookseller, and best known for her work employing animal parts or other discarded, disdained, or “taboo” materials. She has cura...

Heide Hatry is a NYC-based German artist, former rare bookseller, and best known for her work employing animal parts or other discarded, disdained, or “taboo” materials. She has cura...

Heide Hatry is a NYC-based German artist, former rare bookseller, and best known for her work employing animal parts or other discarded, disdained, or “taboo” materials. She has cura...

Heide Hatry is a NYC-based German artist, former rare bookseller, and best known for her work employing animal parts or other discarded, disdained, or “taboo” materials. She has cura...

"With Power" is an original mixed media artwork by Volker Kuhn. The work is hand-signed and numbered by the artist below the artwork on the mat. It is a witty reference formed as a h...

Heide Hatry is a NYC-based German artist, former rare bookseller, and best known for her work employing animal parts or other discarded, disdained, or “taboo” materials. She has cura...

"On the Right Track" is an original mixed media artwork by Volker Kuhn. The work is hand-signed by the artist below the artwork on the mat. 25 x 29 cm framed in a silver wood-framing...

Abstract Assemblage work with various torn and cut fabrics. The work was donated to the Assistance League of Houston in 2018. Work is signed by the artist on the back and dated. The ...

"On at the Top" is an original mixed media artwork by Volker Kuhn. The work is hand-signed and numbered by the artist below the artwork on the mat. 65 x 63 cm framed in a silver wood...

These collages were created first in the presence of a live model, working quickly, in charcoal and pastel, and again, later, alone in the studio, furiously tearing and pasting image...

"Look for Traces" is an original mixed media artwork edition by Volker Kuhn. The work is hand-signed by the artist below the artwork on the mat. 51 x 49 cm framed in a silver wood-fr...

Assemblage work using vintage printed paper. Assemblage has a dress with a traditional style sparrow on the top of the work. It is stamped by the...

Blue, black and red assemblage painting created with found materials and acrylic paint. Work is titled by the artist and dated 2011. Artist Biography: Lucinda Cobley was born in 19...

"Little Man" is an original mixed media artwork by Volker Kuhn. The work is an homage to Giacometti, hand-signed by the artist below the artwork on the mat. 51 x 43 cm framed in a si...

"Anticipation" is an original mixed media artwork by Volker Kuhn. The work is hand-signed by the artist below the artwork on the mat. 28 x 25 cm framed in a silver-gold wood-framing ...

"Homage to Mondrian - The Pool" is an original mixed media artwork by Volker Kuhn. The work is hand-signed and numbered by the artist below the artwork on the mat. It is a witty refe...

Heide Hatry is a NYC-based German artist, former rare bookseller, and best known for her work employing animal parts or other discarded, disdained, or “taboo” materials. She has cura...

Heide Hatry is a NYC-based German artist, former rare bookseller, and best known for her work employing animal parts or other discarded, disdained, or “taboo” materials. She has cura...

Heide Hatry is a NYC-based German artist, former rare bookseller, and best known for her work employing animal parts or other discarded, disdained, or “taboo” materials. She has cura...

Heide Hatry is a NYC-based German artist, former rare bookseller, and best known for her work employing animal parts or other discarded, disdained, or “taboo” materials. She has cura...

Heide Hatry is a NYC-based German artist, former rare bookseller, and best known for her work employing animal parts or other discarded, disdained, or “taboo” materials. She has cura...

Paper paint charcoal collage Paper charcoal collage These collages were created first in the presence of a live model, working quickly, in charcoal and pastel, and again, later, alon...

"Geknackt - cracked open" is an original mixed media artwork by Volker Kuhn. The work is hand-signed and numbered by the artist below the artwork on the mat. 26x26x26 cm comes in an...

"Homage to Mondrian - The Pool" is an original mixed media artwork by Volker Kuhn. The work is hand-signed and numbered by the artist below the artwork on the mat. It is a witty refe...

Brigitte Series Emulsion and cotton sewn on cotton on paper

"Homage to Daniel Buren" is an original mixed media artwork by Volker Kuhn. The work is hand-signed and numbered by the artist below the artwork on the mat. It is a witty reference f...

Folk Outsider Naive Art Metal NYC Cityscape Sculpture Wall Hanging Contemporary "NYC Cityscape" 39 1/2 x 29 1/2 x 2 inches Unsigned Offered is an extraordinary hand crafted wall s...

In the mid 1990s Richard Klein started working with found glass objects, including bottles, drinking glasses, ashtrays, and eyeglasses. Initially, Klein rejected any object with commercial or advertising content, but in 2015 he became fascinated with the promotional content that was screen printed on ashtrays from the 1950s, 1960s and early 1970s. This period was before smoking was looked at as being primarily a negative habit, and iconic American businesses, including Howard Johnson’s, International House of Pancakes (iHop) and Holiday Inn, all produced promotional ashtrays printed with their graphic identity. By the time Klein became interested in these objects, the businesses had either ceased to exist, or had changed their logos, and many of their signature buildings, which where examples of classic, “Pop” roadside architecture, has been torn down or repurposed. The artist wanted to connect the glass objects with the business’s sites that were still recognizable and spoke of their history, so he began researching where original buildings still stood. Klein then embarked on a series of road trips to photograph these sites with the intention of combining the photographs with the promotional glass objects. This led him to as far south as Maryland and as far north as upstate New York from his home in Connecticut. In the case of Holiday Inn, it wasn’t their buildings, but their iconic illuminated sign that appeared on ashtrays, so he sought out a standing example of the sign he could photograph. As it turned out all had been removed years before from the hotels' properties and the only working example was indoors at the Henry Ford Museum in Dearborn, Michigan. He did, however, find out that there was one still standing, surprisingly, in Beruit, Lebanon. He found an image of it on the web and used it to make Holiday Inn (Beruit). In 1973 Holiday Inn changed their tagline from “The Nations Innkeeper” to “The World’s Innkeeper” as they expanded overseas, including the Mideast. For the hotel chain it was bad timing: the disastrous Lebanese civil war began in 1975. In the war, the different Lebanese militias involved in the conflict, including the Nasserites, Christian Phalangists, and the Lebanese National Movement engaged in what came to be called “The Battle of the Hotels” where they each occupied a major high-rise hotel in central Beruit. The Phalangists commanded the Holiday Inn, which they used to fire with both light arms and heavier weapons at the militias in neighboring hotels. Klein used the photo of the heavily damaged Holiday Inn sign as I thought it spoke in a curious, offhanded way about American cultural imperialism in juxtaposition with an ashtray that proclaimed Holiday Inn to be “The World’s Innkeeper.” In the work Holiday Inn (Nocturne) the artist utilized a found, 35mm slide of a Holiday Inn sign at night at an unknown location as the basis of the photograph in the work. Richard Klein is a Connecticut-based artist, independent curator and writer. As an artist, he has exhibited widely, including the Neuberger Museum of Art at SUNY Purchase; Caren Golden Fine Art, New York; the John Michael Kohler Arts Center, Sheboygan, WI; Hales Gallery, London; Gavlak Gallery, Palm Beach, FL; deCordova Sculpture Park and Museum, Lincoln, MA; James Barron Art, Kent, CT; The Portland Institute of Contemporary Art (PICA), Portland, OR; Schoolhouse Gallery, Provincetown, MA; Stephan Stoyanov Gallery, NY; Katonah Museum of Art, Katonah, NY; Brattleboro Museum and Art Center, Brattleboro, VT; Ortega y Gasset Projects, Brooklyn, NY; Exhibit by Alberson Tulsa, OK; Incident Report/Flow Chart Foundation, Hudson, NY; ICEHOUSE Project Space, Sharon, CT; Kenise Barnes Fine Art in Kent, CT and with ODETTA Gallery at the Equity Gallery in New York City.. Reviews of his work have appeared in Two Coats of Paint, Whitehot Magazine, The New York Times, Sculpture Magazine, Art in America, and The New Yorker. In the summer of 2024 he will be the first Artist-In-Residence at Peck Ledge Light...

In the mid 1990s Richard Klein started working with found glass objects, including bottles, drinking glasses, ashtrays, and eyeglasses. Initially, Klein rejected any object with commercial or advertising content, but in 2015 he became fascinated with the promotional content that was screen printed on ashtrays from the 1950s, 1960s and early 1970s. This period was before smoking was looked at as being primarily a negative habit, and iconic American businesses, including Howard Johnson’s, International House of Pancakes (iHop) and Holiday Inn, all produced promotional ashtrays printed with their graphic identity. By the time Klein became interested in these objects, the businesses had either ceased to exist, or had changed their logos, and many of their signature buildings, which where examples of classic, “Pop” roadside architecture, has been torn down or repurposed. The artist wanted to connect the glass objects with the business’s sites that were still recognizable and spoke of their history, so he began researching where original buildings still stood. Klein then embarked on a series of road trips to photograph these sites with the intention of combining the photographs with the promotional glass objects. This led him to as far south as Maryland and as far north as upstate New York from his home in Connecticut. In the case of Holiday Inn, it wasn’t their buildings, but their iconic illuminated sign that appeared on ashtrays, so he sought out a standing example of the sign he could photograph. As it turned out all had been removed years before from the hotels' properties and the only working example was indoors at the Henry Ford Museum in Dearborn, Michigan. He did, however, find out that there was one still standing, surprisingly, in Beruit, Lebanon. He found an image of it on the web and used it to make Holiday Inn (Beruit). In 1973 Holiday Inn changed their tagline from “The Nations Innkeeper” to “The World’s Innkeeper” as they expanded overseas, including the Mideast. For the hotel chain it was bad timing: the disastrous Lebanese civil war began in 1975. In the war, the different Lebanese militias involved in the conflict, including the Nasserites, Christian Phalangists, and the Lebanese National Movement engaged in what came to be called “The Battle of the Hotels” where they each occupied a major high-rise hotel in central Beruit. The Phalangists commanded the Holiday Inn, which they used to fire with both light arms and heavier weapons at the militias in neighboring hotels. Klein used the photo of the heavily damaged Holiday Inn sign as I thought it spoke in a curious, offhanded way about American cultural imperialism in juxtaposition with an ashtray that proclaimed Holiday Inn to be “The World’s Innkeeper.” In the work Holiday Inn (Nocturne) the artist utilized a found, 35mm slide of a Holiday Inn sign at night at an unknown location as the basis of the photograph in the work. Richard Klein is a Connecticut-based artist, independent curator and writer. As an artist, he has exhibited widely, including the Neuberger Museum of Art at SUNY Purchase; Caren Golden Fine Art, New York; the John Michael Kohler Arts Center, Sheboygan, WI; Hales Gallery, London; Gavlak Gallery, Palm Beach, FL; deCordova Sculpture Park and Museum, Lincoln, MA; James Barron Art, Kent, CT; The Portland Institute of Contemporary Art (PICA), Portland, OR; Schoolhouse Gallery, Provincetown, MA; Stephan Stoyanov Gallery, NY; Katonah Museum of Art, Katonah, NY; Brattleboro Museum and Art Center, Brattleboro, VT; Ortega y Gasset Projects, Brooklyn, NY; Exhibit by Alberson Tulsa, OK; Incident Report/Flow Chart Foundation, Hudson, NY; ICEHOUSE Project Space, Sharon, CT; Kenise Barnes Fine Art in Kent, CT and with ODETTA Gallery at the Equity Gallery in New York City.. Reviews of his work have appeared in Two Coats of Paint, Whitehot Magazine, The New York Times, Sculpture Magazine, Art in America, and The New Yorker. In the summer of 2024 he will be the first Artist-In-Residence at Peck Ledge Light...

In the mid 1990s Richard Klein started working with found glass objects, including bottles, drinking glasses, ashtrays, and eyeglasses. Initially, Klein rejected any object with commercial or advertising content, but in 2015 he became fascinated with the promotional content that was screen printed on ashtrays from the 1950s, 1960s and early 1970s. This period was before smoking was looked at as being primarily a negative habit, and iconic American businesses, including Howard Johnson’s, International House of Pancakes (iHop) and Holiday Inn, all produced promotional ashtrays printed with their graphic identity. By the time Klein became interested in these objects, the businesses had either ceased to exist, or had changed their logos, and many of their signature buildings, which where examples of classic, “Pop” roadside architecture, has been torn down or repurposed. The artist wanted to connect the glass objects with the business’s sites that were still recognizable and spoke of their history, so he began researching where original buildings still stood. Klein then embarked on a series of road trips to photograph these sites with the intention of combining the photographs with the promotional glass objects. This led him to as far south as Maryland and as far north as upstate New York from his home in Connecticut. In the case of Holiday Inn, it wasn’t their buildings, but their iconic illuminated sign that appeared on ashtrays, so he sought out a standing example of the sign he could photograph. As it turned out all had been removed years before from the hotels' properties and the only working example was indoors at the Henry Ford Museum in Dearborn, Michigan. He did, however, find out that there was one still standing, surprisingly, in Beruit, Lebanon. He found an image of it on the web and used it to make Holiday Inn (Beruit). In 1973 Holiday Inn changed their tagline from “The Nations Innkeeper” to “The World’s Innkeeper” as they expanded overseas, including the Mideast. For the hotel chain it was bad timing: the disastrous Lebanese civil war began in 1975. In the war, the different Lebanese militias involved in the conflict, including the Nasserites, Christian Phalangists, and the Lebanese National Movement engaged in what came to be called “The Battle of the Hotels” where they each occupied a major high-rise hotel in central Beruit. The Phalangists commanded the Holiday Inn, which they used to fire with both light arms and heavier weapons at the militias in neighboring hotels. Klein used the photo of the heavily damaged Holiday Inn sign as I thought it spoke in a curious, offhanded way about American cultural imperialism in juxtaposition with an ashtray that proclaimed Holiday Inn to be “The World’s Innkeeper.” In the work Holiday Inn (Nocturne) the artist utilized a found, 35mm slide of a Holiday Inn sign at night at an unknown location as the basis of the photograph in the work. Richard Klein is a Connecticut-based artist, independent curator and writer. As an artist, he has exhibited widely, including the Neuberger Museum of Art at SUNY Purchase; Caren Golden Fine Art, New York; the John Michael Kohler Arts Center, Sheboygan, WI; Hales Gallery, London; Gavlak Gallery, Palm Beach, FL; deCordova Sculpture Park and Museum, Lincoln, MA; James Barron Art, Kent, CT; The Portland Institute of Contemporary Art (PICA), Portland, OR; Schoolhouse Gallery, Provincetown, MA; Stephan Stoyanov Gallery, NY; Katonah Museum of Art, Katonah, NY; Brattleboro Museum and Art Center, Brattleboro, VT; Ortega y Gasset Projects, Brooklyn, NY; Exhibit by Alberson Tulsa, OK; Incident Report/Flow Chart Foundation, Hudson, NY; ICEHOUSE Project Space, Sharon, CT; Kenise Barnes Fine Art in Kent, CT and with ODETTA Gallery at the Equity Gallery in New York City.. Reviews of his work have appeared in Two Coats of Paint, Whitehot Magazine, The New York Times, Sculpture Magazine, Art in America, and The New Yorker. In the summer of 2024 he will be the first Artist-In-Residence at Peck Ledge Light...

This cello sculpture created by Ken Butler is part cello mannequin dress form torso. It is made in the spirit of absurdity many surrealists embraced using f...

"Back in a Fews Minutes (Bin gleich zurück)" is an original mixed media artwork by Volker Kuhn. The work is hand-signed and numbered by the artist below the artwork on the mat. It is...

"The Golden Boy - Homage to Andy Warhol" is an original mixed media artwork by Volker Kuhn. The work is hand-signed by the artist below the artwork on the mat. 57 x 51 cm framed in a...

Original painting by William Finlayson Sighed on back Can be hung horizontally or vertically

Paper paint charcoal collage Paper charcoal collage These collages were created first in the presence of a live model, working quickly, in charcoal and pastel, and again, later, alon...