Baroque Art

Signed lower right, 'A. Leonardi' for Achille Leonardi (Italian, 1800-1870), inscribed, '... Roma' and painted circa 1860. An exceptionally fine and detailed, nineteenth century oil...

This Game We Play #63 is a 30" x 40" C-Type Matte print from a Limited Edition of 5 by Franck Bohbot. A painted mural on a brick wall backdrop creates a lighthearted and amusing sce...

Elaborate Floral Arrangement French artist, 18th Century oil on canvas, framed Framed: 27 x 34 inches Canvas: 22 x 29 inches Provenance: private collection, England Condition: very...

This is an exclusive handprinted limited edition cyanotype of a gorgeous blue bouquet. Details: + Title: Blue Flower Bouquet + Year: 2024 + Edition Size: 100 + Medium: Acrylic Pain...

Resurrection of Christ Attributed to the Master of the Prodigal Son / Jan Mandyn (1500-1560) Oil on panel, 73 x 56 cm (without frame), 81 x 63 cm (with frame) The work was exa...

La obra es de autor anónimo. El retablo va muy bien enmarcado con un marco neogótico del siglo xix en madera estofada y policromada. Medidas del retablo: 88 cm. altura x 56 cm. anc...

The Virgin and Child with two music-making angels, after Van Dyck; in clouds, the Virgin shown half-length supporting the infant Jesus on an orb, looking to right at an angel playing...

(After) Sebastiano Conca (Gaeta 1680 - Naples 1764) The Adoration of the Shepherds oil on canvas, (cm): 122 x 100, framed The proposed table, datable in the first decades of the e...

On offer is an 18th- or 19th-century copy of Sir Anthony van Dyck's 1630 painting, “The Rest of the Holy Family during the Flight into Egypt.” The original painting hangs in Munich’s...

Figures in Rocky Outcrop Circle of Philipp Peter Roos (German, 1657–1706) 17th century, unsigned oil on linen canvas, unframed canvas: 29 x 34.5 inches Provenance: private collectio...

Francois BOUCHER Allegory of Love : Woman surrounded by Angels and Doves Etching Unsigned On Vellum 38 x 50 cm (c. 15 x 20 in) Probably edited c. 1950 Excellent condition

An early 19th century, figural oil of a young woman with chestnut hair, shown wearing a headscarf and glancing towards the viewers left. Unsigned. A detail from a copy of 'Rebeca at ...

Giovanni Francesco Romanelli (born Viterbo 1612; died Viterbo 1662) St. John the Baptist pointing out (revealing) Christ, in the far distance, to Simon Peter and Andrew. Oil on can...

Guido Reni (Bologna 1575 - Bologna 1642), follower of - Madonna and Child. 91.5 x 108 cm unframed, 134.5 x 150.5 cm with frame. Ancient oil painting on canvas, in a 19th-century ca...

An important 18th century Italian Old Master tempera on copper panel Baroque painting, "The Road to Emmaus", circa 1700. The painting represents the early resurrection biblical story...

Scultura in terracotta policroma raffigurante un angelo alato, Italia, XVIII secolo. L'angelo è plasmato con grande maestria, dalle forme rotonde tipiche del Barocco italiano. Gli ...

An important Old Master oil on canvas painting by the Flemish artist, Jan Cossiers, a follower of the style of Caravaggio (1600-1671). Born in Antwerp in 1600, Jan Cossiers was a pupil of his father, the painter Antoon Cossiers (died 1646/1647), and also studied under Cornelis de Vos...

Roaring Deer Stag Deiker Carl Friedrich Wetzlar, Germany 1836 – 1892 Dusseldorf, Germany German Painter Signature: Signed bottom right Medium: Oil on canvas Dimensions: Image size 58 x 81 cm, frame size 73 x 96 cm Biography: Deiker Carl Friedrich was born on April 3, 1836 in Wetzlar. He was a Prussian animal painter. Deiker was specialised in animal genres related to hunting and wildlife. He also illustrated magazines and books on hunting. Carl Friedrich Deiker was the son of Friedrich Deiker, a painter and drawing teacher at the high school. His older brother, Johannes Deiker, with whom he learned to draw after their father’s death in 1843, was a painter specialising in hunting scenes. Deiker attended the Hanau drawing Academy, where he was a pupil of the director Theodor Pélissier (1794-1863), and then studied at Johann Wilhelm Schirmer’s studio in Carlsruhe. In 1859, in the Reinhardswald forest, he collected studies for his large hunting paintings...

A beautifully hand carved, full size Carrara marble figure of a boy. The robe is elegantly draped with clasps.

Giovanni Bernardo Carbone (Genoa 1614 – Genoa 1683) - Portrait of a gentleman. 200 x 142 cm without frame, 212 x 154 cm with frame. Antique oil painting on canvas, in wooden frame ...

Flemish school 17th or 18th century Circle of Thomas WILLEBOIRTS BOSSCHAERT (Berg-op-Zoom, 1613 - Antwerp, 1654) Oil on canvas 72 x 59 cm (90 x 77 cm with frame) This work has been painted in a style close to the Antwerp school of the middle of the 17th century, to Anton van Dyck especially. We have found in particular several paintings similar to our painting in the works of Thomas Willeboirts Bosschaert. After having studied with Gerard Seghers...

Primo Tempo 7 is a 30cm x 30cm digital print on 50cm x 50cm cotton paper in a limited edition of 9 + 2 Artist Proofs. A Baroque style landscape appears between a break in the canop...

Portrait of John Ludford (1653-1681), wearing a lace jabot and brown and gold trimmed cloak in a feigned stone oval cartouche. Inscribed 'John Ludford, Esq, nat. 14th March 1653, Ob,...

17th century German fountain design Copper-line engraving, published in 1664 in Nuremberg. From 'Architectura Curiosa Nova' by George Andreas Beckley (...

This is an exclusive handprinted limited edition cyanotype. Details: + Title: Vintage Pressed Flowers Nº1 + Year: 2021 + Edition Size: 20 + St...

South Tyrolean woodcarver, circa 1760 Wood, painted Mary, Mother of God, is missing the fingers of her right hand, and the baby Jesus is missing a foot, an arm, and a hand. The origi...

Tuscan Master (17th century) - Raising of the Cross. 52 x 45.5 cm without frame, 69 x 62.5 cm with frame. Antique oil painting on panel, in a carved, gild...

An impressive 19th-century copy of "The Little Fruit-Seller", after Bartolome Esteban Murillo (Spanish, 1617 - 1682), by an unknown artist (1...

Bernard Picart, 'The Death of Hercules' from 'The Temple of the Muses', engraving, 1730. Signed in the plate, lower left. Titled in French, English, German, and Dutch. A superb, rich...

Alessio de Marchis (Naples 1684 - Perugia or Urbino 1752) circle of - Arcadian Landscape with Shepherds and Flock. 60 x 72 cm unframed, 74 x 86 cm with frame. Ancient oil painting ...

Circle of Teniers, Peasants in a Landscape passing by a river and an Inn.

Caravaggesque painter (17th century) - Saint Jerome. 47 x 73 cm. Antique oil painting on canvas, without frame (not signed). Condition report: Lined canvas. Good state of conserva...

Flemish school, 17th century Orpheus and the animals Oil on canvas, 146,5 x 217 cm Provenance: South German private collection. On an impressive, room-filling format, this painting depicts "Orpheus and the Animals." The harp-playing Orpheus sits centrally in front of a tree whose trunk bifurcates above his head. This central tree frames with its crown the scenery towards the horizon and at the same time offers through branches the possibility for many birds to find space. The left half of the picture is characterized by a seascape, at the edge of which the ruins of a castle can be seen deep in the background. This seascape, framed by mountains on the horizon, is the only area where sky can be seen. On this side, waterfowl such as storks, swans and ducks can be seen. In the right half, the viewer looks into a deep European forest. On this right side, more land animals can be found, such as deer, rabbits and lions, among others. Orpheus wears opulent red and gold trimmed clothing, under his blue breastplate we see a white shirt. His feet are adorned by elaborate sandals. His head is surrounded by a radiant laurel wreath ("poeta laureatus"). The young man is clearly identifiable as the singer and poet of Greek mythology, Orpheus, by his harp, the laurel wreath and the animals surrounding him. Orpheus was one of the Argonauts who, under Jason, was searching for the Golden Fleece. He sang so beautifully that he even conquered the angry sea and enemies by the magic of his lyre. During the journey, Orpheus is said to have drowned out even the sirens with his singing. It is said that he was the greatest of all poets and charmed people, animals, stones and trees with his singing. In total, 51 birds and 37 different species are depicted in the painting. The animals are mostly depicted in great detail and, except for a few, can be identified. Mainly European species of animals are shown. Exceptions are the ostrich-like nandu peeking out from behind the deer, as well as the large parrot on the upper left, and the two lions. Similar is the case for the large animal directly behind Orpheus on the right. The shape of the head suggests an arctic fox from the polar regions, even though the body is much too large. The arctic fox was first described in 1555 by Olaus Magnus. However, it could also be a depiction of a brown or black bear. An unusual detail is the animal, which is relatively isolated in the right background and looks to the left. It is not clearly identifiable, but it shows certain similarities with the Australian kangaroo. This was first described by Vespucci in 1500 and further by Francisco Pelsaert in 1629. If it is indeed a kangaroo, this would be one of the earliest surviving pictorial representations. In this painting, Orpheus is accompanied by a small monkey playing a viola da gamba. This is an iconographic peculiarity. In general, this painting has some peculiarities compared to other paintings with "Orpheus and the animals". The central positioning of Orpheus is quite common, but he usually holds a lyre and is dressed in an antique style, but not as opulently. The choice of animals is also remarkable: European animals in particular are seen, hardly any exotic features, such as camels or elephants. The two lions in the right foreground are a quotation from Peter Paul Rubens and his depiction of "Daniel in the Lion's Den", which was realized in an engraving. The present painting can be classified as belonging to the Flemish School of the 17th century on the basis of its painterly and compositional conception. From the circle of Jan Brueghel the Younger are numerous representations of this Orpheus - theme, which take it as an opportunity to show as many exotic animals. There are also echoes of Spanish painters such as Juan de Arellano...

Wilds Birds Dutch School, 17th century Circle of Melchior d'Hondecoeter (Dutch, 1636-1695) framed: 52.5 x 46 inches canvas: 50 x 44 inches provenance: private collection, UK conditio...

Figures in an Italianate Landscape Flemish, late 17th century oil on canvas, 11.5 x 18 inches framed in highly ornate gilt frame (see condition notes below) framed: 17.5 x 24 inches ...

Hercules and Omphale Oil on panel, 52 x 41 cm According to legend, Hercules had to make atonement and became a slave to the Lydian queen Omphale. When she found out who her slave was, she married him. Falling for his mistress and made effeminate by the luxury of court life, the former hero allowed himself to become the laughing stock of the court. He dressed in women's clothes, spun wool and did other women's work, whereas Omphale wore his lion's skin and carried a wooden club. When the time of punishment was over, the hero realised his delusion and left Omphale. So far, the painting could not be clearly assigned to an artist. Nevertheless, it impresses with its fluid and convincing painting, whose colourfulness and conception are reminiscent of the Prague School around Bartholomäus Spranger. This work follows an engraving and an etching made by Michel Dorigny in 1643 after a design by Simon Vouet. It shows the same scene but the print differs in minor details from the present painting (see e.g. the head of the lion) and the treatment of the faces seems to be painted more detailed and refined. So far there is no painting...

The Flagellation of Christ Flemish Baroque, 17th century oil on wood panel, framed framed: 31 x 42 inches wood panel: 19.5 x 26 inches Provenance: pri...

His first name sounds like a concerto. Vivacious, its name is reminiscent of an aperitif or a cyclist. The addition of the two evokes the Italianate. Indomitable and unavoidable. Mor...

Alabaster sculpture - Hercules and Cerberus. Rome, 17th century. 18 x 9.5 x h 37 cm. Made entirely of carved alabaster. Separate alabaster base, missing left foot and arm, and othe...

Classical mythological painting by Houston artist Edsel Cramer. Known for his classically inspired portraits of prominent Houstonians, this work featuring the myth of the Judgement o...

Carved and painted wooden sculpture - Madonna in Prayer - Italy, 17th-18th century. 25 x 20 x 65 cm. Made entirely of carved, lacquered, and painted wood. Some signs of wear and pa...

A fine, large 18th century veduta capriccio scene with temple ruins after Gennaro Greco from the circle of Pietro Cappelli. The painting is presented in a more modern carved gilt woo...

- ANNA CATERINA GILLI or GILLI Anna Caterina Turin 1729- 1751 Her paintings recorded in Turin as a decorative artist for the Royal Palace and the Stupinigi, working in a simil...

Melanie Sherman Vintage Peacock III (Wall Piece/Dish (handpainted) Porcelain, Glaze, Overglaze, Chinapaints, 24k German Gold Luster, Brass Wire (for hanging, can be removed) Year: 2023 (and following years) Size: 5.5x4x0.25in Signed by hand COA provided Ref.: 924802-1333 *Made to Order Every piece is unique, design might differ slightly Customization possible **Lead time approx. 2 weeks for qty 1-3 ------------------------ My ceramics are handmade and painted with the finest overglazes from Europe. The gold luster used is 24k liquid Gold from Germany. Every piece is unique. My imagery is inspired by vintage Meissen dinnerware, William Morris wallpaper and other historical sources. Porcelain, Ceramics, Pottery, Ornament Vintage Moth Wall Piece Ornament Small Dish Candy Sugar Tea handpainted handmade butterfly peacock 24k German gold luster ceramics porcelain charm, jewelry, personalized, family, tree, retro, heart, mother, moon, baby, feet, gemstone, flower, mom, birth, year, art, chinapaint, luster, lustre, contemporary ceramics, futility of pleasure, herend, meissen, sevre, pattern, arita, arita ware, imari, imari ware, dresden, germany, japan, jingdezhen, china, photography, momento mori, flowers, flower motif, drawing, illustration, peacock, cherry blossom, chrysanthemum, kiku, 菊, kikka, 菊花, Ōka, 黄花, Kiku no hana...

Portrait of a Lady - Ettore Frattini Italia 2005 - Oil on canvas cm.100x70. The painting by Ettore Frattini depicts an elegant and refined noblewoman, the painting is inspired by t...

Mercury, circa 1700s. Bronze with green patina. Height with base: 58 cm (22 7/8 in.)

Fine Group of Sculptures in Bronze after Jean de Boulogne (Giambologna) The torturously twisting Rape of the Sabine Women is one of the finest and most technically difficult sculpt...

Classical Figures in Ancient Landscape Italian School, 18th century oil on panel, painting: 9 x 12 inches provenance: private collection, Paris condition: very good and sound condition

Domenichino, actually Domenico Zampieri (after) Bologna 1581 – 1641 Naples Rinaldo and Armida in Armida's Enchanted Garden, circa 1700 Oil on canvas (doubled) Size: 80 x 138 cm ...

Oil on canvase realized by Giovanni Francesco Romanelli, so called "Il Viterbese" (1610-1662). It depicts the famous abduction of Persephone, daughter of Zeus and Demeter, by Hades....

Portrait of a Child with Pet Dog Italian School, early 1600's circle of Annibale Carracci (1560-1609) oil on canvas, framed Framed: 11.5 x 9 inches Board : 10.5 x 8.5 inches Provenan...

- ANNA CATERINA GILLI or GILLI Anna Caterina Turin 1729- 1751 Her paintings recorded in Turin as a decorative artist for the Royal Palace and the Stupinigi, working in a simil...

Shepherds in Field German School, late 17th century circle of Philipp Peter Roos (1655-1706) oil on canvas 19 x 31 inches, unframed provenance: private collection, France condition: ...

An important & large oil on canvas Baroque painting by the Bohemian Old Master artist, Franz Xaver Karl Palko (1724-1767), an allegory of architecture, circa 1750. The painting depic...

Designed as entrance guardians, this pair of mythical lady sphinx statuary display the head and chest of a neoclassical woman and the body of a recu...

Eduardo León GARRIDO (French, Madrid 1856-1949 Caen) Picture Size: 16 x 13" (41 x 33cm) Outside Frame Size: 22 x 19" (56 x 48cm) Eduardo León Garrido was born in Madrid in 1856. He...

Important patinated plaster bust representing the Faun of Vienna. the original of which is in the collections of the Louvre museum (marble statue discovered in Vienna in 1820 and dat...

A magnificent oil on canvas representing a Vase of Flowers in a Metal Vase with a Mask, realized by an italian artist in the first half of 17th Century. In very good condition, it i...

Rembrandt van Rijn, After by Amand Durand, Dutch (1606 - 1669) - Rembrandt Dessinant (B22). Year: 1878 (of original 1648), Medium: Heliogravure, Size: 6.5 x 5 in. (16.51 x 12.7 c...

A very important painting by the great artist of the Florentine school, Onorio Marinari. Dr. Silvia Benassai has confirmed Marinari’s authorship of the Saint Margaret of Antioch; ava...