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Color-Field Art

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Style: Color-Field
Holi powder Tantra painting #4 - Colorful abstract tantric stain painting
Located in Philadelphia, PA
Holi powder Tantra painting #4 - Colorful abstract tantric stain painting, acrylic and powder on raw canvas by contemporary artist Elisa Niva 42 inche...
Category

2010s Color-Field Art

Materials

Cotton Canvas, Acrylic

At sea between fossils and satellites 7 (blue organic copper abstract texture)
Located in Quebec, Quebec
"At Sea between Fossils and Satellites 7" is a textural and elemental abstract painting on canvas. It explores the hybridization of chance-derived color-fields with art deco aestheti...
Category

2010s Color-Field Art

Materials

Acrylic Polymer, Found Objects, Oil, Acrylic

Conference of the birds no 28 (Abstract Painting)
Located in London, GB
Conference of the birds no 28 (Abstract Painting) Oil on panel. Natural and mystical processes inspire Ostovany. Informed by a variety of different cultures, Ostovany feels a conne...
Category

1990s Color-Field Art

Materials

Oil, Panel

9.77
Located in Phoenix, AZ
Mala Breuer grew up attending classes in painting and drawing from a young age at the California College of Arts and Crafts. After high school she attended the, now, San Francisco A...
Category

1970s Color-Field Art

Materials

Canvas, Acrylic

Shooting Star 1979 Large Signed Screen Print
Located in Rochester Hills, MI
Shooting Star - 1979 Print - Silkscreen 36.5'' x 36.75'' Edition: Signed in pencil, dated and marked 238/250 Unframed
Category

1970s Color-Field Art

Materials

Screen

What ll It Be? (Bartender)-Original Ultramarine Blue Colorist Bar Scene Painting
Located in Marco Island, FL
This painting of a bartender waiting for an order is an unusual composition for Fred Machetanz, who is known for his scenes of Alaska. It has been speculated that this was likely co...
Category

1990s Color-Field Art

Materials

Oil

"Path Orange" Gene Hedge, Vibrant Orange and Red, Color Field Painting
Located in New York, NY
Gene Hedge Path Orange, 1969, 1969 Acrylic on canvas 66 7/8 x 61 3/8 inches Provenance Estate of the artist Gene Hedge was born (1928) and raised in rural Indiana. After military ...
Category

1960s Color-Field Art

Materials

Canvas, Acrylic

La Plonge #23
Located in Toronto, Ontario
William Perehudoff (1918-2013) is one of the most cherished and collected Canadian abstract painters. His work exemplifies how color field painting was expressed in Canada. Like some of his contemporaries, he was encouraged and guided by legendary New York critic Clement Greenberg. Perehudoff spent several summers at the University of Saskatchewan's legendary Emma Lake Artist's Workshop where he worked and studied with Jules Olitski and Kenneth Noland during the 1960s. Perehudoff is known for his simple and exuberant compositions that juxtapose and celebrate color. His series "La Plonge...
Category

1980s Color-Field Art

Materials

Gouache

Birds are Emerging II
Located in Red Bank, NJ
Birds are Emerging II by Seth Ruggles Hiler Painting, Canvas, Oil Painting, Animal, Abstract, Bird, Wildlife, Outdoors, Nature, Colorful, Bright and Vivid Colors, Home Decor, Wall A...
Category

20th Century Color-Field Art

Materials

Canvas, Oil

Large-Scale Abstract Composition with Triangles in Acrylic on Canvas
Located in Soquel, CA
Large-Scale Abstract Composition with Triangles in Acrylic on Canvas Abstract composition by Ellis Hopkins (American, b. 1952). Sweeping black contours carve out angular and curved ...
Category

Late 20th Century Color-Field Art

Materials

Canvas, Acrylic

"Untitled" Friedel Dzubas, Red, Green, Bright Pastel Colors, Color Field Work
Located in New York, NY
Friedel Dzubas Untitled, 1982 Monotype on handmade paper 34 x 33 1/4 inches A noted figure in the New York School, Friedel Dzubas was associated with the Color Field painting movem...
Category

1980s Color-Field Art

Materials

Acrylic, Handmade Paper, Monotype

"Untitled" Friedel Dzubas, Hand-painted, Color Field, Earth and Primary Colors
Located in New York, NY
Friedel Dzubas Untitled, 1987 Hand-painted monotype on paper 29 3/4 x 21 3/4 inches A noted figure in the New York School, Friedel Dzubas was associated with the Color Field painti...
Category

1980s Color-Field Art

Materials

Paper, Acrylic, Monotype

Moon Rising - Abstract stain painting acrylic on raw canvas
Located in Philadelphia, PA
'Moon Rising' acrylic painting by contemporary artist Elisa Niva, Acrylic on raw canvas 42 inches x 30 inches. This moon rise painting uses the soak- method created by Helen Franke...
Category

2010s Color-Field Art

Materials

Cotton Canvas, Acrylic

Spanish Ghost
Located in Austin, TX
Waterline Fine Art, Austin, TX is pleased to present the following work: Acrylic on canvas. Signed, dated, and titled verso. 52.25 x 52.75 in. 54 x 54.25 in. (framed) Custom framed in a maple hardwood floater. Provenance Salander O’Reilly Galleries, New York Private Collection, Connecticut Provenance Estate of Samuel Feinstein...
Category

1980s Color-Field Art

Materials

Canvas, Acrylic

Divided Lands, Signed Contemporary Blue Abstract Color Field Digital Painting
Located in Boston, MA
Divided Lands, Signed Contemporary Blue Abstract Color Field Digital Painting 30" x 30" x 1.5" (HxWxD) Archival Print on Canvas Hand-signed by the artis...
Category

21st Century and Contemporary Color-Field Art

Materials

Canvas, Digital, Archival Pigment

Fragments Of Poetry And Silence No. 39 (Abstract Painting)
Located in London, GB
Fragments Of Poetry And Silence No. 39 (Abstract Painting) Oil on canvas - Unframed Informed by a variety of different cultures, Ostovany feels a connection to multiple separate an...
Category

2010s Color-Field Art

Materials

Canvas, Oil

Green and Blue No.2 – Colour Field Abstract, 25x25 cm, Limited Edition of 25
Located in London, GB
'Green and Blue No.2' is a colour field abstract artwork, focusing on the interplay of form and tone within a monochromatic composition. The deep blue hue creates a sense of depth an...
Category

21st Century and Contemporary Color-Field Art

Materials

Giclée

Mountain Series, Orange Light
Located in Greenwich, CT
Born in 1934 in Brooklyn, New York, Ira Barkoff’s paintings feature empty, Zen-like landscapes whose stillness reflects a location’s essence. Barkoff seeks to “portray a sense of vas...
Category

2010s Color-Field Art

Materials

Canvas, Oil

Red 7 and Pink Z - Large-Scale Abstract Composition in Acrylic on Canvas
Located in Soquel, CA
Red 7 and Pink Z - Large-Scale Abstract Composition in Acrylic on Canvas Abstract composition by Ellis Hopkins (American, b. 1952). Angular red and pink forms appear to push against...
Category

Late 20th Century Color-Field Art

Materials

Canvas, Acrylic

Danish Mid-Century Colourfield Oil on Board of Houses and People in a Landscape.
Located in Cotignac, FR
Danish oil on board painting of couples making their way in a landscape, by Poul Møller. Though not signed the painting has a dated artist's label to the side of the frame. Presented...
Category

Mid-20th Century Color-Field Art

Materials

Oil, Board

Large-Scale Abstract Composition in Acrylic on Canvas
Located in Soquel, CA
Large-Scale Abstract Composition in Acrylic on Canvas Abstract composition by Ellis Hopkins (American, b. 1952). Strong black and blue brushstrokes cross the canvas, broken by areas...
Category

Late 20th Century Color-Field Art

Materials

Canvas, Acrylic

Captain Cook
Located in Austin, TX
Waterline Fine Art, Austin, TX is pleased to present the following work: Acrylic on canvas. Signed and dated lower right, titled verso. 69 x 68.25 in. 70.5 x 70 in. (framed) Custom framed in a solid maple floater. Provenance Private Collection, Hilton Head Island, SC Cleve Gray was born Cleve Ginsberg in New York on September 22, 1918. The family subsequently changed its surname to ‘Gray’ in 1936. He attended the Ethical Culture School in New York, and completed his college preparatory studies at Phillips Academy in Andover, MA, where he won the Morse Prize for most promising art student. In 1940, Gray graduated summa cum laude from Princeton University with degrees in art and archaeology. He wrote his thesis on Chinese landscape painting, which would later become an important influence on his own painterly practice. Gray joined the U.S. Army in 1942 and was deployed to the U.K., France, and Germany, where he sketched wartime destruction. After the liberation of Paris in 1944, he began informal studies with the French artists André Lhote and Jacques Villon, which continued following the conclusion of the war. Soon after, he began to exhibit his work at the Galerie Durand-Ruel in Paris, followed shortly by his first solo exhibition at the Jacques Seligmann Gallery in New York in 1947. Before 1950, Gray would participate in group exhibitions at such venerable institutions as the Metropolitan Museum of Art, New York; the Corcoran Gallery, Washington, D.C.; the Whitney Museum of American Art, New York; and the Art Institute of Chicago. In the 1960s, he formed a close friendship with the first generation Abstract Expressionist Barnett Newman. It was during this time that Gray experienced an artistic metamorphosis, dissolving his earlier cubist compositions in a sea of distilled color. This dramatic body of work marked the beginning of an artistic meditation that would last for over 40 years. The rigors of French modernism, the ethos of Abstract Expressionism, and the meditative restraint of Chinese and Japanese scroll painting commingle with astounding affect. The atmospheric, subdued tones of his 1960s paintings gradually gave way to bright, monochromatic fields of color, hazily washed onto the canvas in stain like swathes. Much of his work from the last three decades of his career feature striking graphic brushwork that conjures the influence of Japanese and Chinese calligraphy. Beginning with his marriage in 1957 to the French author and New Yorker staff writer, Francine Du Plessix, Gray would spend the remainder of his life working out of his home base in Warren, CT, while continuously exhibiting and participating in residencies around the world. He enjoyed representation and exhibitions with some of the most influential galleries of the day, including the Betty Parsons Gallery, Staempfli Gallery, Salander-O’Reilly Galleries, Eva Cohon Gallery, and Berry-Hill Gallery. Cleve Gray died in Hartford, CT in 2004, at the age of 86. Gray's work is included in the collections of the Metropolitan Museum of Art, the Museum of Modern Art (MoMA), the Whitney Museum of American Art, the Brooklyn Museum, the Solomon R. Guggenheim Museum, and many other museums and institutional collections around the world. Source: The New York Times and Loretta Howard...
Category

1970s Color-Field Art

Materials

Canvas, Acrylic

Neon Shapes - Large-Scale Abstract Composition in Acrylic on Canvas
Located in Soquel, CA
Neon Shapes - Large-Scale Abstract Composition in Acrylic on Canvas Abstract composition by Ellis Hopkins (American, b. 1952). Bold arcs of color sweep across a smoky gray backgroun...
Category

Late 20th Century Color-Field Art

Materials

Canvas, Acrylic

Shadow body – Colour Field Abstract, 25x25 cm, Limited Edition of 25
Located in London, GB
Shadow body is a colour field abstract artwork, focusing on the interplay of form and tone within a monochromatic composition. The deep blue hue creates a sense of depth and fluidity...
Category

21st Century and Contemporary Color-Field Art

Materials

Giclée

Larry Zox, original Red, White and Blue acrylic painting, signed, dated, framed
Located in New York, NY
Larry Zox Red, White and Blue painting, 1963 Original acrylic painting on board Signed and dated upper right front; Signed, titled and dated on the back as well Unique This work was originally sold by Jill Kornblee of the legendary Kornblee Gallery, with the back of the panel bearing Kornblee's original Upper East Side address before the gallery moved to West 57th Street Frame included: Elegantly double framed. Measurements: Outer Frame 13.5 inches vertical by 13.5 horizontal by 2.5 inches Original Frame: 10 inches vertical by 9.75 inches horizontal Painting 9.25 inches vertical x 9 inches horizontal Larry Zox Biography: A PAINTER who played an essential role in the Color Field discourse of the 1960s and 1970s, Larry Zox is best known for his intensely and brilliantly colored geometric abstractions that question and violate symmetry.1 Zox stated in 1965: “Being contrary is the only way I can get at anything.” To Zox, this position was not necessarily arbitrary, but instead meant “responding to something in an examination of it [such as] using
a mechanical format with X number of possibilities.”2 What he sought was to “get at the specific character and quality of each painting in and for itself,” as James Monte stated in his introductory essay in the catalogue for Zox’s 1973–1974 solo exhibition at the Whitney Museum of American Art.3 Zox’s robust paintings reveal
a celebrated artist and master of composition who is explored and challenged the possibilities of Post-Painterly Abstraction and Minimalist pictorial conventions. Zox began to receive attention in the 1960s when he was included in several groundbreaking exhibitions of Color Field and Minimalist art, including Shape and Structure (1965), organized by Henry Geldzahler and Frank Stella for Tibor de Nagy, New York, and Systemic Painting (1966), organized by Lawrence Alloway for the Solomon R. Guggenheim Museum, New York. In 1973–1974, the Whitney’s solo exhibition of Zox’s work gave recognition to his significance in the art scene of the preceding decade. In the following year, he was represented in the inaugural exhibition of the Hirshhorn Museum and Sculpture Garden, Wahsington, DC, which acquired fourteen of his works.
 Zox was born in Des Moines, Iowa in 1937. He attended the University of Oklahoma and Drake University, Des Moines, Iowa, and then studied under George Grosz at the Des Moines Art Center. In 1958, Zox moved to New York, joining the downtown art scene. His studio on 20th Street became a gathering place for artists, jazz musicians, bikers, and boxers, and he occasionally sparred with visiting fighters. He later established a studio in East Hampton, a former black smithy used previously by Jackson Pollock. In his earliest works, such as Banner (1962) Zox created
collages consisting of pieces of painted paper stapled onto sheets of plywood. He then produced paintings that were illusions of collages, including both torn- and trued-edged forms, to which he added a wide range of strong hues that created ambiguous surfaces. In paintings such as For Jean (1963), he omitted the collage aspect of his work and applied flat color areas to create more complete statements of pure color and shape. He then replaced these torn and expressive edges with clean and impersonal lines that would define his work for the next decade. From 1962 to 1965, he produced his Rotation series, at first creating plywood and Plexiglas reliefs, which turned squares into dynamic polygons. He used these shapes in his paintings as well, employing white as a foil between colors to produce negative spaces that suggest that the colored shapes had only been cut out and laid down instead of painted. The New York Times in 1964 wrote of the works in show such as Rotation B (1964) and of the artist: “The artist is hip, cool, adventurous, not content to stay with the mere exercise of sensibility that one sees in smaller works.”4 In 1965, he began the Scissor Jack series, in which he arranged opposing triangular shapes with inverted Vs of bare canvas at their centers that threaten to split their compositions apart. In several works from this series, Zox was inspired by ancient Chinese water vessels. With a mathematical precision and a poetic license, Zox flattened the three dimensional object onto graph paper, and later translated his interpretation of the vessel’s lines onto canvas with masking tape, forming the structure of the painting. The Diamond Cut and Diamond Drill paintings...
Category

1960s Color-Field Art

Materials

Acrylic

Elegy by Jules Olitski, 2002 (abstract blue and yellow screen print)
Located in New York, NY
This 30 color screen print was created at Brand X Editions to commemorate the terrorist attacks of September 11, 2001 in New York City. This print comes directly from the publisher, Lincoln Center Editions...
Category

Early 2000s Color-Field Art

Materials

Screen

Large-Scale Multicolored Gestural Abstraction with Circle in Acrylic on Canvas
Located in Soquel, CA
Large-Scale Multicolored Gestural Abstraction with Circle in Acrylic on Canvas Abstract composition by Ellis Hopkins (American, b. 1952). This bold abstraction explores spatial tens...
Category

Late 20th Century Color-Field Art

Materials

Canvas, Acrylic

"Untitled" Gene Hedge, Color Field, Abstract Expressionist, Yellow and Red
Located in New York, NY
Gene Hedge Untitled Acrylic on canvas 28 3/8 x 95 inches Provenance Estate of the artist Gene Hedge was born (1928) and raised in rural Indiana. After military service, he briefly...
Category

1970s Color-Field Art

Materials

Canvas, Acrylic

"Untitled" Friedel Dzubas, Shades of Red and Blue, Lyrical Expressionist Work
Located in New York, NY
Friedel Dzubas Untitled, 1985 Acrylic on paper 24 1/2 x 30 inches A noted figure in the New York School, Friedel Dzubas was associated with the Color Field painting movement in the...
Category

1980s Color-Field Art

Materials

Paper, Acrylic

Bay with Boats Color Monotype unique signed abstract color field landscape frame
Located in New York, NY
Wolf Kahn Bay with Boats, 1987 Color monotype on Somerset white wove paper Hand signed and dated by Wolf Kahn on the lower right front, bears labels on the back Frame Included: matte...
Category

1980s Color-Field Art

Materials

Lithograph, Monotype

Colour Check
Located in Toronto, Ontario
Kenneth Lochhead (1926-2006) was a prolific Canadian painter (and educator) who made an important contribution to abstraction both nationally and beyond. After studying at the Penn...
Category

1970s Color-Field Art

Materials

Enamel

"Reflection" by Katheryn Holt - Vivid Blue Color Field Abstract Painting on Wood
Located in Carmel, CA
Katheryn Holt (American, born 1951) "Reflection" 2024 Oil paint, Mixed Media, Wood Panel, Wood The artist signed the back of the painting. "Reflection" by Katheryn Holt is a stunnin...
Category

2010s Color-Field Art

Materials

Wood, Mixed Media, Oil, Wood Panel

Red Brick Factory Long Island City with Empire State Building in Manhattan
Located in Miami, FL
Mitchell Funk's photograph of a Red Brick Factory in Long Island City is as much about color-field theory as it is a document of a brightly painted factory facade. Additionally, Fun...
Category

1970s Color-Field Art

Materials

Archival Ink, Archival Paper, Archival Pigment

Monograph titled Themes and Variations 1958-2000 (hand signed by Kenneth Noland)
Located in New York, NY
Kenneth Noland Themes and Variations 1958-2000 (hand signed by Kenneth Noland), 2002 Softback monograph with stiff wraps (hand signed and dated by Kenneth Noland) Official hand signe...
Category

Early 2000s Color-Field Art

Materials

Paper, Ink, Mixed Media, Lithograph, Offset

Glide - large, purple, pink, hues, striped, abstract, acrylic on shaped canvas
Located in Bloomfield, ON
Gradient bands of washed violet turn to dust rose in this shaped canvas from 1968 by Milly Ristvedt. From the first part of her career, this powerful painting is rooted in the tenets...
Category

1960s Color-Field Art

Materials

Canvas, Acrylic

Fauvist Color-Field Landscape, Autumn Leaves.
Located in Cotignac, FR
A French Fauvist Color-Field gouache and chalk on paper landscape by G Ricard. The painting is not signed but was acquired from the atelier of the artist. There is another painting o...
Category

Late 20th Century Color-Field Art

Materials

Gouache

Racing Cars in Bright Red, Sports Illustrated Illustration - Sports Car - Pink
Located in Miami, FL
Punchy reds and zestful hot pinks convey a sense of intense motion and engine heat. The art is as much a color-field painting as a narrative work. It was a commissioned illustration for Sports Illustrated...
Category

1970s Color-Field Art

Materials

Canvas, Acrylic, Laid Paper

Color Theory #546 Red, White, Blue, Green
Located in New York, NY
A unique and impactful small "color theory" work by great American artist Carl Holty. Holty spanned one of the longest and most eventful careers on the American abstract front. Bei...
Category

1950s Color-Field Art

Materials

Canvas, Oil

Early Autumn - Color Field Painting, Yellow and Orange, 1967 Abstract Art
Located in New York, NY
This 1967 painting by Martin Canin, titled Early Autumn, is a prime example of the Color Field movement, blending vibrant hues into a seamless gradient of yellows, oranges, and golds...
Category

1960s Color-Field Art

Materials

Canvas, Oil

Yellow and black No.2 - Colour field, 100x100cm, Limited Edition of 10.
Located in London, GB
'Yellow and black. No.2' London, United Kingdom 2024 Limited edition of 10 Pinted on archival Hahnehmule Photo rag paper, with care and attention to detail. The process involv...
Category

21st Century and Contemporary Color-Field Art

Materials

Glass, Ink, Archival Ink, Archival Paper

Echoes of the Deep - Colour field blue, 100x100cm, Limited Edition of 10.
Located in London, GB
'Echoes of the Deep' London, United Kingdom 2024 Limited edition of 10 Pinted on archival Hahnehmule Photo rag paper, with care and attention to detail. The process involves l...
Category

21st Century and Contemporary Color-Field Art

Materials

Glass, Ink, Archival Ink, Archival Paper

Yellow and black - Colour field, 100x100cm, Limited Edition of 10.
Located in London, GB
'Yellow and black' London, United Kingdom 2024 Limited edition of 10 Pinted on archival Hahnehmule Photo rag paper, with care and attention to detail. The process involves lay...
Category

21st Century and Contemporary Color-Field Art

Materials

Glass, Ink, Archival Ink, Archival Paper

Peinture Bleue 2002 Begian Artist Marc Angeli Monochrom Contemporary
Located in Eltville am Rhein, DE
Marc Angeli Brussels 1954 - lives in Liège Peinture Bleue, 2002 Pigmente auf Holz Rückseitig signiert und datiert Größe: 12 x 11 x 7,6 cm Plexiglaskasten: 26 x 25 x 13,5 cm Proven...
Category

Early 2000s Color-Field Art

Materials

Pigment

Yellow and Black No.2 – Colour Field Abstract, 25x25 cm, Limited Edition of 25
Located in London, GB
'Yellow and Black No.2' is a colour field abstract artwork, focusing on the interplay of form and tone within a monochromatic composition. The deep blue hue creates a sense of depth ...
Category

21st Century and Contemporary Color-Field Art

Materials

Giclée

Yellow and Black – Colour Field Abstract, 25x25 cm, Limited Edition of 25
Located in London, GB
'Yellow and Black' is a colour field abstract artwork, focusing on the interplay of form and tone within a monochromatic composition. The deep blue hue creates a sense of depth and f...
Category

21st Century and Contemporary Color-Field Art

Materials

Giclée

Yellow and black No.3 - Colour field, 100x100cm, Limited Edition of 10.
Located in London, GB
'Yellow and black. No.3' London, United Kingdom 2024 Limited edition of 10 Pinted on archival Hahnehmule Photo rag paper, with care and attention to detail. The process involv...
Category

21st Century and Contemporary Color-Field Art

Materials

Glass, Ink, Archival Ink, Archival Paper

Green and blue - Colour field, ink on glass, 100x100cm, Limited Edition of 10.
Located in London, GB
'Green and blue' London, United Kingdom 2024 Limited edition of 10 Pinted on archival Hahnehmule Photo rag paper, with care and attention to detail. The process involves layer...
Category

21st Century and Contemporary Color-Field Art

Materials

Glass, Ink, Archival Ink, Archival Paper

Sand Sea
Located in Phoenix, AZ
encaustic on panel b. 1954, Reno Nevada Michael David is best known for his use of encaustic on large abstract paintings. A practitioner of Abstract Expressionism, David layers bees...
Category

2010s Color-Field Art

Materials

Wood, Wax, Encaustic, Oil

Green and Blue – Colour Field Abstract, 25x25 cm, Limited Edition of 25
Located in London, GB
'Green and Blue' is a colour field abstract artwork, focusing on the interplay of form and tone within a monochromatic composition. The deep blue hue creates a sense of depth and flu...
Category

21st Century and Contemporary Color-Field Art

Materials

Giclée

Joanne Mattera, Riz 13, 2020, oil on paper, 14.25x14.25 in, Color Abstraction
Located in Darien, CT
Summer is Joanne Mattera’s time to work on paper. When she is fully engaged, as she has been with Riz, that time slides well into autumn. These are paintings on paper, oil and wax on...
Category

2010s Color-Field Art

Materials

Oil, Archival Paper

Yellow and Black No.3 – Colour Field Abstract, 25x25 cm, Limited Edition of 25
Located in London, GB
'Yellow and Black No.3' is a colour field abstract artwork, focusing on the interplay of form and tone within a monochromatic composition. The deep blue hue creates a sense of depth ...
Category

21st Century and Contemporary Color-Field Art

Materials

Giclée

Body in Blue - Colour Field Abstract, 25x25 cm, Limited Edition of 25
Located in London, GB
Body in Blue is a colour field abstract artwork, focusing on the interplay of form and tone within a monochromatic composition. The deep blue hue creates a sense of depth and fluidit...
Category

21st Century and Contemporary Color-Field Art

Materials

Giclée

Shadow body - Colour field green and yellow, 100x100cm, Limited Edition of 10.
Located in London, GB
'Shadow body' London, United Kingdom 2024 Limited edition of 10 Pinted on archival Hahnehmule Photo rag paper, with care and attention to detail. The process involves layering...
Category

21st Century and Contemporary Color-Field Art

Materials

Glass, Ink, Archival Ink, Archival Paper

Green and blue No.2 - Colour field, 100x100cm, Limited Edition of 10.
Located in London, GB
'Green and blue No.2' London, United Kingdom 2024 Limited edition of 10 Pinted on archival Hahnehmule Photo rag paper, with care and attention to detail. The process involves ...
Category

21st Century and Contemporary Color-Field Art

Materials

Glass, Ink, Archival Ink, Archival Paper

Silk Road 445, 2019, encaustic on panel, 12 x 12 x 2 inches
Located in Darien, CT
Lush Minimalism Silk Road is chromatically juicy and compositionally reductive. Each painting in this ongoing series is a small, luminous color field composed with layers of translu...
Category

2010s Color-Field Art

Materials

Encaustic, Panel

Blue
Located in New York, NY
In 1968, a review in the New York Times referred to Inukai’s paintings as “Very pure”. This fresh, graphic work features a single color with bands around the edges that are truly int...
Category

Late 20th Century Color-Field Art

Materials

Acrylic

Green Square No. 4
Located in New York, NY
In 1968, a review in the New York Times referred to Inukai’s paintings as “Very pure”. This fresh, graphic work features a single color with bands around the edges that are truly int...
Category

1960s Color-Field Art

Materials

Acrylic

Old School Board Original Painting Science Art Series
Located in Zofingen, AG
“Old School Board” Original Painting Science Art Series Size: 50 x 60 cm Medium: Acrylic on canvas Artist Certificate included A part of the Science Art series by international art...
Category

21st Century and Contemporary Color-Field Art

Materials

Oil Pastel, Acrylic

Walter Darby Bannard, Ammersee #2 signed painting by renowned Color Field artist
Located in New York, NY
Walter Darby Bannard Ammersee #2, 1975 Watercolor and acrylic painting on paper Signed, titled and dated lower recto This is a unique work Frame included: elegantly floated and frame...
Category

1970s Color-Field Art

Materials

Ink, Mixed Media, Acrylic, Watercolor, Graphite

Jack Bush at Andre Emmerich (Exhibition invitation postmarked to McNay director)
Located in New York, NY
Jack Bush Jack Bush at Andre Emmerich, 1966 Offset lithograph exhibition poster. Postmarked to McNay Art institute director 22 1/2 × 17 3/4 inches Unframed This special mid century modern exhibition...
Category

1960s Color-Field Art

Materials

Lithograph, Offset

Color-field art for sale on 1stDibs.

Find a wide variety of authentic Color-Field art available for sale on 1stDibs. Works in this style were very popular during the 21st Century and Contemporary, but contemporary artists have continued to produce works inspired by this movement. If you’re looking to add art created in this style to introduce contrast in an otherwise neutral space in your home, the works available on 1stDibs include elements of blue, red, purple, orange and other colors. Many Pop art paintings were created by popular artists on 1stDibs, including Mala Breuer, Mitchell Funk, Wolf Kahn, and Anne Russinof. Frequently made by artists working with Paint, and Fabric and other materials, all of these pieces for sale are unique and have attracted attention over the years. Not every interior allows for large Color-Field art, so small editions measuring 5.5 inches across are also available. Prices for art made by famous or emerging artists can differ depending on medium, time period and other attributes. On 1stDibs, the price for these items starts at $350 and tops out at $295,000, while the average work sells for $5,000.

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