Expressionist Art

Medium: original lithograph. The title means "Dance". Printed in 1920 on a light brown tinted wove paper for the German Expressionist art revue Das Kunstblatt, published in Berlin by...

Jean Jansem (1920-2013) Stéphanie au collant à damier, 1989 Lithographie sur papier Arches Signée en bas à droite et justifiée en bas à gauche 50 x 65 cm / 54 x 76 cm Bibliographi...

Shipping Procedure Ships in a well-protected tube from Nigeria This work is unique, not a print or other type of copy. Accompanied by a Certificate of Authenticity About Artist Emma...

Shipping Procedure Ships in a well-protected tube from Nigeria This work is unique, not a print or other type of copy. Accompanied by a Certificate of Authenticity About Artist Emma...

In this vibrant oil painting, I poured my heart into capturing the fierce beauty of sunflowers standing tall. Each stroke embodies the energy and warmth these flowers exude, blending...

Tides of Change captures the constant ebb and flow of human experience, where moments of uncertainty give rise to transformation. Like the sea, life moves in rhythms of loss and rene...

Tides of Change captures the constant ebb and flow of human experience, where moments of uncertainty give rise to transformation. Like the sea, life moves in rhythms of loss and rene...

Giuseppe Ragazzini’s Omaggio a Bacon (2005) stands as a seminal piece in the artist's oeuvre, bridging traditional painting with contemporary expressionism. In this oil and mixed-med...

Signed and dated, upper right Provenance: Atelier of the artist

This exquisite lithograph by Marc Chagall (1887–1985), titled Le Ciel des Amoureux (The Lovers’ Sky), from the album The Lithographs of Chagall, Volume II, originates from the 1963 e...

after Carl Otto Czeschka, (1878-1960), Austrian A leading member of the Vienna Secession and later the Wiener Werkstätte (Viennese Workshop), Carl Otto Czeschka was a vital figu...

Barcelona watercolor original paper expressionist painting. framed MUNDO Ignasi Ignasi Mundó trained at the School of La Lonja, with Joaquín Mir, Mariano Pidelaserra and Manolo Hugu...

The Bolshevik Era (1917-1921) was a life and death struggle for the Bolsheviks and their ideology. The propaganda poster was everywhere, as the Bolsheviks struggled to win the Civil War against the Whites and fought the Poles over control of the Ukraine and parts of modern day Belarus. The early Soviet poster - an incredible 3600 designs - was remarkable for its revolutionary fervor and biting wit. Powerful visual symbols were invented, like the red star and hammer and sickle. These four posters are as follows: 1." May 1st All Russian Subbotnik " is a Russian poster promoting the first all Russian Subbotnik held on May 1st, 1920 in which Vladimir Lenin was in attendance. "Subbotnik" were weekend days of unpaid, volunteer community service work following the October Revolution which eventually became obligatory. By Russian artist Dmitry Moor 2. " Anniversary of Vsevobuch--Develop and Learn to Defend Freedom"    celebrates the second anniversary of the implementation of universal military training and says ‘2nd Anniversary of Vsevobuch, Develop and Learn How To Defend Freedom. Artist unknown 3." Devil Doll "    The Devil Doll' (January 1920) shows a soldier pointing his bayonet at a looming monster in the first panel. However, in the second it turns out to be the weak and insignificant enemies of the state behind a pathetic mask and cloak.  Russian artist Dmitri Moor 4. " Forward to defend the Ural"    ’By Russian artist A. Petroff ( pseudonym for Alexander Aspit ) from the ´´Plakate der Russichen Revolution 1917 - 1929´´ Dmitry Moor was a Russian graphic artist, poster designer and cartoonist, also known as D. Moor ("Д. Моор"). During the 1900s and 1910s he was a comic pioneer, making satirical comics ridiculing the Czarist regime and censorship. Under the Soviet regime he became one of the most celebrated propaganda artists. Both during the First and the Second World War he ridiculed the German army. In his work Moor often made use of sequential illustrated narratives or comics. He was the house cartoonist of magazines like Budilnik and later Bezbozhnik. Alexander Petrovich Apsit was born in Riga on 25th March, 1880. He moved to Saint Petersburg in 1894 and attended art school and became a student of Lew Dmitriew-Kawkaski. Aspit worked for various Russian magazines and on the outbreak of the First World War was employed by the government to design war posters. After the Bolshevik Revolution Apsit was commissioned by the State Publishing House to design revolutionary posters.

"Collage" by Bernard Herzog (French, b.1935) signed lower corner signed and stamped verso with catalogue number photo collage cut outs on paper, unframed overall paper: 25.5 x 20 in...

In this piece, I captured the transient beauty of life through the delicate interplay of light and color. My strokes convey a dance between realism and imagination, an expressionisti...

Shipping Procedure FREE Shipping Worldwide Ships in a well-protected tube from Nigeria This work is unique, not a print or other type of copy. Accompanied by a Certificate of Authenticity (Issued by the Gallery) "I'm Alright, Just Here" is a captivating artwork that captures the viewer's attention with its tender depiction of a young girl. The artist skillfully brings the subject to life, with delicate brushstrokes and meticulous attention to detail. The girl's features are portrayed with remarkable precision, revealing a sense of innocence and vulnerability that tugs at the heartstrings. The expression on the girl's face speaks volumes—a delicate blend of calmness and introspection. Her eyes, a window to her soul, radiate a sense of quiet strength and resilience, hinting at a pearl of wisdom beyond her years. Simon's choice to depict the girl alone, with no external distractions, creates a sense of intimacy and invites viewers to connect with her inner world. "I'm Alright, Just Here" explores the themes of solitude, self-reflection, and the resilience of youth. The title itself offers insight into the subject's state of mind—an assurance that she is content and at peace in her presence. It serves as a gentle reminder of the importance of finding solace within oneself, even amidst the chaos and noise of the world. The young girl's presence in the artwork represents the universal experience of navigating the complexities of life. Her portrayal invites viewers to reflect on their journey, prompting questions about the inner strength we possess and the moments of introspection we all seek. She becomes a mirror, reminding us to find moments of stillness and self-care, where we can gather strength and nurture our well-being. The muted color palette employed by Simon contributes to the contemplative mood of the artwork. Soft, earthy tones evoke a sense of serenity and harmony, further enhancing the atmosphere of quiet introspection. The artist's careful attention to the interplay of light and shadow adds depth to the girl's expression, underscoring the layers of emotion and resilience that lie beneath the surface. Obeka Simon...

Medium: collotype (after the woodcut). Printed in 1925 and published in Paris by Albert Morance for "L'Art d'Aujourd'hui", and now very scarce. Image size: 7 7/8 x 5 1/4 inches (200 ...

This piece captures the delicate spirit of a little bird perched quietly, radiating calm and gentle energy. I poured my love for nature into each brushstroke, blending realism with e...

"In this vivid oil canvas, I've captured the fleeting vibrancy of twilight through a blend of impressionism and expressionism, with a touch of realism heartily mixed in. The bold, em...

Original painting by Daria Kusto. They say that an entire universe is hidden in every gaze. "Dreams in the Eyes" is a window into the infinite space of the soul, telling the story of...

Shipping Procedure Ships in a well-protected tube from Nigeria This work is unique, not a print or other type of copy. Accompanied by a Certificate of Authenticity (Issued by the Gal...

In this piece, I melded oil paints to captivate the timeless dance of nature with human grace. Inspired by the delicate irises swaying in a serene field, I portrayed a figure harmoni...

Max Beckmann (Leipzig 1884 – New York 1950), Portrait of Baron Simolin II (large version)(1928) Drypoint, 38 x 25 cm (plate), 48 x 40 cm (sheet), signed and dated lower right.

This exquisite lithograph by Marc Chagall (1887–1985), titled L’Offrande (The Offering), from the album The Lithographs of Chagall, Volume I, originates from the 1960 edition publish...

This exquisite lithograph after Marc Chagall (1887–1985), titled Le Lac des Cygnes (Swan Lake), from the album Le plafond de l’Opera de Paris par Marc Chagall (The Ceiling of the Par...

Artist: Teo Tobiasse (French/Israeli, 1927-2012) Title: "The Songs of Songs of King Solomons" Year: 1975 Medium: Color lithograph Edition: Numbered LVII/C in pencil Paper: Jap...

Medium: original woodcut. This impression on thin wove paper was printed in 1902 and published by Gazette des Beaux Arts. Image size: 8 1/8 x 5 1/2 inches (207 x 140 mm). Signed in t...

Jean Jansem (1920-2013) Christina et sa poupée, 1985 Lithographie sur papier Arches Signée et justifiée 76 x 54 cm Imprimeur: Mourlot, Paris Editeur Sanbi, Tokyo Bibliographie: Jan...

This exquisite lithograph by Marc Chagall (1887–1985), titled Hommage a Georges Braque (Homage to Georges Braque), originates from the 1964 folio Derriere le Miroir, Nos. 144–145–146, L’Hommage a Georges Braque (Tribute to Georges Braque). Published by Maeght Editeur, Paris, under the direction of Aime Maeght, and printed by Mourlot Freres, Paris, this luminous composition stands as Chagall’s poetic tribute to his friend and contemporary Georges Braque, “Neither the sun nor the brilliance of the moon can calm today this strange sadness. Something close has gone, though his life was distant. And there is nothing with which this life can be compared. And from this departure there arise feelings inexpressible, like his colors which spoke but not to everyone. I have seen his plastic world so far from the worries of the day and his personality beyond this world. That is what he called “reality.” How true he was, and how troubling that is! Perhaps if we enter into the grandeur of certain French paintings — La Poix d’Avignon, a still life by Chardin, or The Embarkation for Cythera by Watteau — then the dream of Braque will seem clearer to us. And our path will become clearer too.” In Hommage a Georges Braque, Chagall fuses symbolic imagery to evoke themes of flight, harmony, and spiritual transcendence, celebrating Braque’s lifelong devotion to art and transformation. The composition reflects Chagall’s unique synthesis of emotion and imagination, merging the visionary with the intimate. Executed on velin paper, this lithograph measures 15 x 22 inches (38.1 x 55.9 cm), with centerfold, as issued. Signed in the plate and unnumbered, as issued. The edition exemplifies Chagall’s lyrical command of color and form within the refined graphic artistry of Derriere le Miroir. Artwork Details: Artist: Marc Chagall (1887–1985) Title: Hommage a Georges Braque (Homage to Georges Braque), from Derriere le Miroir, Nos. 144–145–146, L’Hommage a Georges Braque (Tribute to Georges Braque), 1964 Medium: Lithograph on velin paper Dimensions: 15 x 22 inches (38.1 x 55.9 cm), with centerfold, as issued Inscription: Signed in the plate and unnumbered, as issued Date: 1964 Publisher: Maeght Editeur, Paris Printer: Mourlot Freres, Paris Condition: Well preserved, consistent with age and medium Provenance: From the 1964 folio Derriere le Miroir, Nos. 144–145–146, published by Maeght Editeur, Paris Notes: Excerpted from the folio (translated from French): Taken from this special issue of “Behind the Mirror,” CCCL examples on velin de Rives were numbered, constituting the original edition of L’Hommage a Georges Braque. These deluxe examples also included an etching based on Trois oiseaux sur fond violet. The lithographs for this issue were printed in the ateliers of Maeght Editeur, Levallois. The text was printed by Fequet et Baudier, typographers. Finished printing May 13, 1964. About the Publication: Derriere le Miroir (translated as "Behind the Mirror") was an iconic French art periodical published from 1946 to 1982 by Maeght Editeur, one of the most influential art publishers of the 20th century. Founded by Aime Maeght in Paris, the publication was conceived as a visual and literary collaboration between leading modern artists, poets, and critics. Each issue functioned as both an exhibition catalogue and a work of art in itself—featuring original lithographs printed directly from the artists' stones or plates, alongside essays, poems, and critical commentary. Over the course of 36 years, Derriere le Miroir produced more than 250 issues and showcased an extraordinary roster of artists including Henri Matisse, Marc Chagall, Joan Miro, Georges Braque, Alexander Calder, Fernand Leger, Pierre Bonnard, Alberto Giacometti, Eduardo Chillida, Ellsworth Kelly, Francis Bacon, Paul Rebeyrolle, Claude Garache, Antoni Tapies, Bram van Velde, Pierre Alechinsky, Pol Bury, Shusaku Arakawa, and Gerard Titus-Carmel. Printed in the ateliers of Mourlot, Arte, and Imprimerie Moderne du Lion, the periodical set new standards for quality in color lithography, combining fine art printing with elegant typography and poetic text. Beyond its visual brilliance, Derriere le Miroir also became a cultural chronicle of postwar European modernism. Each issue coincided with exhibitions held at Galerie Maeght, providing a collectible and widely accessible record of groundbreaking shows. Its integration of image, text, and philosophy created a dialogue between art and literature that elevated the modern art book to new aesthetic heights. Today, Derriere le Miroir remains one of the most sought-after and historically significant art publications, prized by collectors and scholars alike for its craftsmanship, influence, and its role in defining the visual language of 20th-century modernism. The Maeght Foundation in Saint-Paul-de-Vence continues to honor this legacy through exhibitions and archival preservation of the series, affirming Derriere le Miroir's enduring place in the history of modern art and fine art publishing. About the Artist: Marc Chagall (1887–1985) was a Belarus-born French painter, printmaker, and designer whose visionary use of color and poetic symbolism made him one of the most beloved and influential artists of the 20th century. Rooted in the rich imagery of his Jewish heritage and childhood in Vitebsk, Chagall’s dreamlike compositions fused memory, folklore, faith, and romance with the expressive innovations of modern art. His work evolved alongside and in dialogue with the great modern masters—Pablo Picasso, Henri Matisse, Alexander Calder, Salvador Dali, Joan Miro, Georges Braque, Wassily Kandinsky, Marcel Duchamp, and Man Ray—artists who, like Chagall, redefined artistic language for a new century. Spanning painting, printmaking, stained glass, ceramics, stage design, and illustration, Chagall’s career reflected both his deep spirituality and his boundless imagination. His works are held in major museum collections worldwide, including the Museum of Modern Art, the Guggenheim, the Tate, and the Centre Pompidou. The highest price ever paid for a Marc Chagall artwork is approximately $28.5 million USD, achieved in 2017 at Sotheby’s New York for Les Amoureux (1928). Marc Chagall Hommage a Georges Braque, Chagall Derriere le Miroir, Chagall Maeght Editeur Paris, Chagall Mourlot Freres, Chagall 1964...

Raventos. buildings. city. original expressionist acrylic painting RAVENTÓS Mª Assumpció – (San Sadurní d’Anoia, Barcelona 1930). Raventos trained at the elite Sant Jordi School of F...

In creating this vibrant piece, I embraced the vivid, passionate essence of sunflowers. My brushstrokes carry the emotion of raw energy juxtaposed with the gentle dance of light, hop...

In this piece, I poured my soul into the delicate blooms, capturing their tender energy with vibrant, soft hues of coral and pink. Using oil, I aimed to blend expressionism and reali...

Unique Yosemite Park Valley in winter mountain and lake scene by listed California artist Vladimir Shkurkin (American, 1900-1990). Circa 1950's. Signed "...

Mark King (1931 - 2014) - Tennis, Year: 1977, Medium: Screenprint, signed and numbered in pencil, Edition: 126/350, Image Size: 21 x 28 inches, Size: 27.5 x 34 in. (69.85 x 86...

Persian Ballet is a xylograph on ivory-colored, realized at the beginning of the XX century by the Italian artist Arturo Martini (Treviso, 1889 - Milan, 1947). On the lower right ma...

Work on canvas This captivating still life features an understated ceramic vase, set on a delicate doily, housing a bouquet of vibrant flowers. The yellow, white and red flowers stan...

Shipping Procedure FREE Shipping Worldwide Ships in a well-protected tube from Nigeria This work is unique, not a print or other type of copy. Accompanied by a Certificate of Authent...

In her solitude, she finds clarity. The world outside may move at an unforgiving pace, but here, in the quiet, she breathes. She sits with her thoughts, letting them rise and fall li...

Giuseppe Ragazzini's Kamasutra I captivates with its bold exploration of intimacy and sensuality, presented through a fragmented digital collage. The composition features intertwined...

The Harvest View French artist, 'Chevalier' signed and dated 1958 oil on canvas, unframed canvas: 29 x 23.5 inches Provenance: private collection, France Condition: very good condit...

Medium: original woodcut. The title means "Landscape with Women". Printed in 1920 for the German Expressionist art revue Das Kunstblatt, published in Berlin by Verlag Gustav Kiepenhe...

The artist opens a new series of works with this beautiful painting. When we peer at this picture, we seem to be immersed in the thicket of a dense forest located on the slope of a m...

Artist: Charles Levier, French (1920 - 2003) Title: Nudes in Fur II Year: circa 1970 Medium: Watercolor on Paper, signed Image Size: 22 x 16.5 inches Size: 28.5 in. x 22 in. (72.39 ...

Golden Sails 110x160cm diptych (each side :110x80cm.) 7000 evro Linen canvas, oil, acrylic,potal,oil pastel. This artwork presents a mesmerizing landscape dominated by a striking ...

Medium: collotype (after the woodcut). Printed in 1925 and published in Paris by Albert Morance for "L'Art d'Aujourd'hui", and now very scarce. Image size: 6 3/8 x 4 1/2 inches (160 ...

Norman Basil Town (British, 1915 – 1987) A biblical allegory Black and white gouache on paper 7.1/4 x 11.3/8 in. (18.4 x 29 cm.) Norman Basil Town (1905–1984) was a British artist k...

Two Lovers - 1957 Original Watercolor on Paper Original 1957 watercolor depicting two nude figures, a man and a woman, laying together by Louis Nadalini (American, 1927-1995). The m...

Shipping Procedure Ships in a well-protected tube. This work is unique, not a print or other type of copy. Accompanied by a Certificate of Authenticity. About Artist Josue M Pierre ...

Oil on board. Abstracted, expressionist, figurative. Cool and warm greys with heightened color.

Shipping Procedure Ships in a well-protected crater from Nigeria This work is unique, not a print or other type of copy. Accompanied by a Certificate of Authenticity. About Artist A...

Shipping Procedure Ships in a well-protected tube from Nigeria This work is unique, not a print or other type of copy. Accompanied by a Certificate of Authenticity (Issued by the Gal...

Shipping Procedure Ships in a well-protected tube from Nigeria This work is unique, not a print or other type of copy. Accompanied by a Certificate of Authenticity. About Artist Ola...

Colourful Expressionist oil on canvas view of a market scene by A Monis. The painting is signed and dated bottom right and presented in a magnificent custom gilt wood frame. Provena...

Richard Seewald, 'Der Hirte (The Shepherd)', woodcut with hand coloring, c. 1919. Unsigned as published in 'Genius', Vol 1, no. 1, 1919. A fine, richly...

She once loved and lost— left holding wilted promises, growing strength in silence. But still, she stood. Time healed what hurt tried to ruin. And when love came again, It came gent...

Two Figures oil, graphite on linen canvas 40x30 framed. Jurgen Gorg was born in 1951 in​, Dernbach Germany. His formative years were spent in Koblentz, before moving to Maintz to s...

In this triptych, I poured my soul into each brushstroke, capturing the delicate, vibrant energy of coral tulips amid a dark backdrop. The contrast breathes life and passion into eve...