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Style: Naturalistic
Still life with flutist - Realistic oil painting, Interior, Young Polish artist
Located in Warsaw, PL
AGNIESZKA STAAK-JANCZARSKA (born in 1994) A graduate of the State Secondary School of Art of Józef Kluza in Krakow. In 2020, she graduated from the Academy of Fine Arts in Krakow in ...
Category

2010s Naturalistic Art

Materials

Canvas, Oil

Geranium - Botanical Color Photography Prints
Located in Cambridge, GB
Martin’s innovative photographs are created from plants grown by himself in his garden and greenhouse in Cambridge. A keen horticulturist, he cultivates his own plants and flowers, t...
Category

2010s Naturalistic Art

Materials

Photographic Paper, C Print, Color, Silver Gelatin

Champignons, French antique mushroom fungi chromolithograph, 1910
Located in Melbourne, Victoria
'71. Lactarius rufus 72. Lactarius volemus 73. Lactarius subdulcis 74. Lactarius camphoratus' Antique French mushroom / fungi chromolithograph. From "Atlas des champignons de Franc...
Category

Early 20th Century Naturalistic Art

Materials

Lithograph

Vue des Montagnes du Val-Travers, Neuchatel, Switzerland, engraving, 1780
Located in Melbourne, Victoria
'Vue des Montagnes du Val-Travers, d'ou aperçoit le Lac de Neuchatel' French copper-line engraving by Duparc after Claude Louis Chatelet (1753-1794). From 'Th...
Category

1780s Naturalistic Art

Materials

Engraving

Champignons, French antique mushroom fungi chromolithograph, 1910
Located in Melbourne, Victoria
'176. Boletus piperatus 177. Boletus casteneus 178. Boletus bovinus' Antique French mushroom / fungi chromolithograph. From "Atlas des champignons de France, Suisse et Belgique," a...
Category

Early 20th Century Naturalistic Art

Materials

Lithograph

Thorn-Bill Hummingbirds: A Framed 19th C. Hand-colored Lithograph by Gould
Located in Alamo, CA
This is an original framed 19th century hand-colored folio-sized lithograph entitled "Ramphomicron vulcani" (Southern Thorn-Bill Hummingbirds) by John Gould, Pl. 186 from his "Monograph of the Trochilidae, or Family of Hummingbirds", published in London in 1853. The print depicts two Southern Thorn-Bill hummingbirds sitting on branches of a flowering plant. This striking framed Gould hand-colored lithograph is presented in a antiqued gold frame, a gold-colored fillet, and a light tan French mat, embellished with a mint-colored broad band. The frame measures 32" high, 25.5" wide and 1.25" thick. The hand-coloring is enhanced by the use of gum-arabic paint...
Category

Mid-19th Century Naturalistic Art

Materials

Lithograph

18th-century celestial - Camelopardal Auriga
Located in London, London
18th-century celestial FLAMSTEED, John. Camelopardal & Auriga London, C. Nourse, 1753. Hand coloured star chart heightened with gold and silver, engraved by John Mynde, from the s...
Category

1750s Naturalistic Art

Materials

Watercolor, Engraving

Durham, English County Antique map, 1847
Located in Melbourne, Victoria
Steel-engraved map with original outline colouring by Isaac Slater. A detailed engraved map of the English county with title, scale, and key. Decorated with an uncoloured engraved vi...
Category

19th Century Naturalistic Art

Materials

Engraving

Johann Weinmann 18th Century Hand Colored Copper Plate Engraving
Located in San Francisco, CA
Rare hand colored copper plate engraving by noted Botanist Johann Wilhelm Weinmann (1683-1741) Beautiful color after 250+ years! This wonderful antique engraving is beautifully mat...
Category

18th Century Naturalistic Art

Materials

Engraving

Flowering Medlar Tree: An 18th C. Hand-colored Botanical Engraving by Weinmann
Located in Alamo, CA
This hand-colored botanical mezzotint and line engraving by Johann Wilhelm Weinmann (1683-1741) is entitled "A. Mespilus Aronia Azarolie B. Mespilus Vulgaris Neflier". It is plate 7...
Category

Mid-18th Century Naturalistic Art

Materials

Engraving, Mezzotint

Modern Autumnal Impressionist Landscape Oil Painting of Black Mountains Wales
Located in ludlow, GB
Modern Autumnal Landscape Oil Painting of Black Mountains Wales with Low Clouds A truly stunning Oil on Canvas by renowned Artist Crispin Thornton Jones - "Autumn View Black Mounta...
Category

20th Century Naturalistic Art

Materials

Oil

Durham. Paul Sandby C18th English landscape engraving
Located in Melbourne, Victoria
'Durham' Engraving by F Chesham after Paul Sandby (1731-1809). From Paul Sandby's 'The Virtuosi's Museum, Containing Select Views in England, Scotland, and Ireland', published by G...
Category

18th Century Naturalistic Art

Materials

Engraving

China Aster with Giant Sphinx Moth
Located in New Orleans, LA
Carmen Almon grew up in Barcelona and Washington DC and resides in San Miguel de Allende, Mexico. She uses copper sheeting, brass tubing, steel wire and enamel paint to create botani...
Category

2010s Naturalistic Art

Materials

Brass, Copper, Enamel, Steel

Orchids" Framed 19th C. Hand-Colored Engraving of "Lycaste Skinneri" by Fitch
Located in Alamo, CA
This beautiful, original hand-colored orchid lithograph entitled "Lycaste Harrisoniae Eburnea" Orchids by John Nugent Fitch is plate 100 in Robert Warner's publication 'The Orchid Al...
Category

1880s Naturalistic Art

Materials

Engraving

Calcochortus luteus, antique botanical yellow flower engraving
Located in Melbourne, Victoria
Engraving with original hand-colouring. 1834. 230mm by 155mm. From Paxton's 'Magazine of botany and register of flowering plants' by Sir Joseph Paxton.
Category

Mid-19th Century Naturalistic Art

Materials

Engraving

Pitch Weed (Madia Saliva, Mol), antique botanical plant lithograph
Located in Melbourne, Victoria
'Pitch Weed (Madia Saliva, Mol)' Colour lithograph, 1909.
Category

Early 20th Century Naturalistic Art

Materials

Lithograph

Cultivated Pea Plants: An 18th C. Hand-colored Botanical Engraving by Weinmann
Located in Alamo, CA
This hand-colored botanical mezzotint and line engraving by Johann Wilhelm Weinmann (1683-1741) is entitled "a. Pisum Minus sine Putamine, b. Pisa Indicum". It is plate 819 in Weinma...
Category

Mid-18th Century Naturalistic Art

Materials

Engraving, Mezzotint

Primo Tempo 3 - Bucolic Countryside Landscape Field Photograph Sepia Tone
Located in Brighton, GB
Primo Tempo 3 is a 30cm x 30cm digital print on 50cm x 50cm cotton paper in a limited edition of 9 + 2 Artist Proofs. A bucolic scene, almost reminiscent of Baroque or Renaissance ...
Category

21st Century and Contemporary Naturalistic Art

Materials

Cotton, Photographic Paper, Digital, C Print

Newstead in Nottinghamshire. Paul Sandby C18th landscape engraving
Located in Melbourne, Victoria
'Newstead in Nottinghamshire, the Seat of Lord Byron' Engraving by Thomas Malton after Paul Sandby (1731-1809). From Paul Sandby's 'The Virtuosi's Museum, Containing Select Views i...
Category

18th Century Naturalistic Art

Materials

Engraving

Tah-Ro-Hon, An Ioway Warrior: Original Hand-colored McKenney Hall Lithograph
Located in Alamo, CA
This is an original 19th century hand-colored McKenney and Hall lithograph of a Native American entitled "Tah-Ro-Hon, An Ioway Warrior", lithographed by J. T. Bowen after a painting by Charles Bird King and published by Rice and Hart & Co. in Philadelphia in 1848. For his portrait Tah-Ro-Hon is wearing a feathered multicolored headdress, long ornamental earrings, a chain necklace, a presidential piece medal on a ribbon necklace and he holds a multicolored staff with feathers. This original McKenney and Hall hand-colored lithograph is printed on a sheet measuring 10" high and 7" wide. There is a tiny spot of red paint adjacent to a red feather hanging...
Category

Mid-19th Century Naturalistic Art

Materials

Lithograph

Flowering Sweet William Plant: 18th C. Hand-colored Weinmann Botanical Engraving
Located in Alamo, CA
This hand-colored botanical mezzotint and line engraving by Johann Wilhelm Weinmann (1683-1741) is entitled "a. Caryophyllus Arborescens, b. Caryophyllus Barbatus". It is plate 327 i...
Category

Mid-18th Century Naturalistic Art

Materials

Engraving, Mezzotint

Crustaceans, antique English natural history engraving print, 1837
Located in Melbourne, Victoria
'Crustacea' Copper-line engraving with original hand-colouring. From Baron Georges Cuvier's (1769-1832) 'Animal Kingdom', published in London in 1837. 210mm by 130mm (sheet)
Category

Mid-19th Century Naturalistic Art

Materials

Engraving

Crustaceans - cyclops etc, antique English natural history engraving print, 1837
Located in Melbourne, Victoria
'Crustacea' Copper-line engraving with original hand-colouring. From Baron Georges Cuvier's (1769-1832) 'Animal Kingdom', published in London in 1837. 210mm by 130mm (sheet)
Category

Mid-19th Century Naturalistic Art

Materials

Engraving

Crustaceans - shrimps, antique English natural history engraving print, 1837
Located in Melbourne, Victoria
'Crustacea' Copper-line engraving with original hand-colouring. From Baron Georges Cuvier's (1769-1832) 'Animal Kingdom', published in London in 1837. 210mm by 130mm (sheet)
Category

Mid-19th Century Naturalistic Art

Materials

Engraving

Thisbe and Pyramus, Ovid s Metamorphoses, French Classical Myth engraving, 1768
Located in Melbourne, Victoria
Copper-line engraving by Nicolas de Launay after Charles Monnet (1732-1808). Thisbe, finding the dead body of Pyramus, throws herself on a sword. Fro...
Category

Mid-18th Century Naturalistic Art

Materials

Engraving

Schizanthus Priestii, antique botanical white flower engraving
Located in Melbourne, Victoria
Engraving with original hand-colouring. 1834. 230mm by 155mm. From Paxton's 'Magazine of botany and register of flowering plants' by Sir Joseph Paxton.
Category

Mid-19th Century Naturalistic Art

Materials

Engraving

Passiflora Kermesina, antique botanical pink flower passionflower engraving
Located in Melbourne, Victoria
Engraving with original hand-colouring. 1834. 230mm by 155mm. From Paxton's 'Magazine of botany and register of flowering plants' by Sir Joseph Paxton.
Category

Mid-19th Century Naturalistic Art

Materials

Engraving

Hibiscus Lindlei, antique botanical pink flower engraving
Located in Melbourne, Victoria
Engraving with original hand-colouring. 1834. 230mm by 155mm. From Paxton's 'Magazine of botany and register of flowering plants' by Sir Joseph Paxton.
Category

Mid-19th Century Naturalistic Art

Materials

Engraving

Gesneria Cooperi, antique botanical red flower engraving
Located in Melbourne, Victoria
Engraving with original hand-colouring. 1834. 230mm by 155mm. From Paxton's 'Magazine of botany and register of flowering plants' by Sir Joseph Paxton.
Category

Mid-19th Century Naturalistic Art

Materials

Engraving

Fistulina Hepatica, Leuba antique mushroom fungi chromolithograph print
Located in Melbourne, Victoria
'1-3 Fistulina Hepatica 4-6 Boletus Chrysentheron' Antique Swiss mushroom / fungi chromolithograph, lithographed by H Furrer after Fritz Leuba. The print is titled with the scientif...
Category

Late 19th Century Naturalistic Art

Materials

Lithograph

Agaricus Azureus, Leuba antique mushroom fungi botanical chromolithograph print
Located in Melbourne, Victoria
'Agaricus Azureus' Antique Swiss mushroom / fungi chromolithograph, lithographed by H Furrer after Fritz Leuba. The print is titled with the scientific name ...
Category

Late 19th Century Naturalistic Art

Materials

Lithograph

Henley-bridge, Oxon, Thames, late 18th century English sepia aquatint, 1799
Located in Melbourne, Victoria
'Henley-bridge, Oxon' Aquatint published by Samuel Ireland. From his 'Picturesque Views on the River Thames'. Ireland was an author and engraver who published several series of aqua...
Category

Late 18th Century Naturalistic Art

Materials

Engraving, Etching, Aquatint

Passiflora Cinnabarina, antique botanical Australian flower lithograph print
Located in Melbourne, Victoria
'Passiflora Cinnabarina' (Passionflower) Botanical lithograph of an Australian native plant with original hand-colouring , 1871, by Walter Hood Fitch (1817...
Category

Mid-19th Century Naturalistic Art

Materials

Lithograph

Fish, engraving with original hand-colouring, circa 1815
Located in Melbourne, Victoria
Fish, engraving with original hand-colouring, circa 1815. From Bilderbuch Zum Nutzen und Vergnugen Der Jugend by Friedrich Justin Bertuch (1747-1822), an encyclopaedic collection of...
Category

Early 19th Century Naturalistic Art

Materials

Engraving

Lily and praying mantis hand-forged in wrought iron
Located in Milan, IT
Description: A marvellous balance between the animal and plant worlds is the spell forged in metal by Ivan Zanoni: the lily, symbol of purity, welcomes on its top the praying mantis,...
Category

21st Century and Contemporary Naturalistic Art

Materials

Iron

‘Summer Evening’ British landscape and figures, cattle in moonlit scene
Located in Hillsborough, NC
Fine 19the century landscape by member of the renowned Williams family of artists, George Augustus (1814-1901). George Augustus was the son of Edward Williams (1781-1855), whose wife...
Category

Mid-19th Century Naturalistic Art

Materials

Canvas, Oil

Genip Tree Fruit: An 18th C. Hand-colored Botanical Engraving by J. Weinmann
Located in Alamo, CA
This hand-colored botanical mezzotint and line engraving by Johann Wilhelm Weinmann (1683-1741) is entitled "A. Geniculata Wieder Kraief, B. Genipa seu Ganipaba". It is plate 531 in...
Category

Mid-18th Century Naturalistic Art

Materials

Engraving, Mezzotint

Falcon Crag, Lake District scenery C19th English aquatint
Located in Melbourne, Victoria
'Falcon Crag' Aquatint by William Green, 1804 William Green of Ambleside was a Lake District draughtsman, soft ground etcher and aquatint engraver of ...
Category

Early 19th Century Naturalistic Art

Materials

Engraving, Aquatint

Caballo el Palmar, Silver Gelatin Print
Located in Miami Beach, FL
About the BRUMA series: What began as a pretext to exercise MIguel Wynograd's gaze, little by little became a meditation on different intertwined temporalities. The superposition of ...
Category

21st Century and Contemporary Naturalistic Art

Materials

Black and White, Silver Gelatin

Vue d une partie du Lac de Geneve, Switzerland, engraving, circa 1780
Located in Melbourne, Victoria
French copper-line engraving depicting the Lake of Geneva, Switzerland. From 'The Scenery and Science of Switzerland illustrated', by Antoine Baron de Zurlauben (1720-1795) & Jean B...
Category

1780s Naturalistic Art

Materials

Engraving

Lycoperdon Echinatum, Leuba antique mushroom fungi food chromolithograph print
Located in Melbourne, Victoria
'1-6 Lycoperdon Echinatum 7-11 Scleroderma Verrucosum' (Spiny puffball mushroom and Scaly earth ball) Antique Swiss mushroom / fungi chromolithograph, lith...
Category

Late 19th Century Naturalistic Art

Materials

Lithograph

Landscape with Lake - Oil on Canvas by Giuseppe Raggio - 1884
Located in Roma, IT
Signed and dated in the right hand corner. Beautiful and impressive painting by the italian painter Giuseppe Raggio, both in size and atmosphere, representing a Lake in the countrys...
Category

1880s Naturalistic Art

Materials

Oil

Iceland or Gyr Falcon: An Original 1st Ed. Audubon Hand-colored Bird Lithograph
Located in Alamo, CA
This is an original rare first edition John James Audubon hand-colored lithograph entitled "Iceland or Gyr Falcon", No. 4, Plate 19 from Audubon's "Birds of America, lithographed, pr...
Category

Mid-19th Century Naturalistic Art

Materials

Lithograph

Crustaceans - crabs, antique English natural history engraving print, 1837
Located in Melbourne, Victoria
'Crustacea' Copper-line engraving with original hand-colouring. From Baron Georges Cuvier's (1769-1832) 'Animal Kingdom', published in London in 1837. 210mm by 130mm (sheet)
Category

Mid-19th Century Naturalistic Art

Materials

Engraving

Jeune Femme des Iles Sandwich dansant , Hawaii, antique lithograph print
Located in Melbourne, Victoria
'Jeune Femme des Iles Sandwich dansant' (Young woman of the Sandwich Islands dancing) Shows a tattooed and bare-breasted young woman, seated on the ground among her skirts. Her cur...
Category

Early 19th Century Naturalistic Art

Materials

Lithograph

PRÉVOST. Print from Collection des Fleurs et des Fruits
Located in London, London
Original stipple engraving by Charles-Louis Ruotte, printed in colour and finished by hand. Framed and glazed, overall size: 63.3 by 47.2 cm. [Paris 1805]. Prevost came from a lo...
Category

Early 1800s Naturalistic Art

Materials

Color, Engraving, Handmade Paper

Dawn of Change - NYC Skyline Photography, 36"x52", Signed Limited Edition of 5
Located in New York, NY
" The desaturation was done to create a cinematic feel that reflected my mood on current changes and upheavals there...pretty much around the world where some things just aren't maki...
Category

2010s Naturalistic Art

Materials

Archival Pigment

Primula Verticillata Var. Sinensis, antique botanical flower lithograph print
Located in Melbourne, Victoria
Botanical lithograph with original hand-colouring , 1873, by Walter Hood Fitch (1817-1892). 235mm by 145mm (sheet) Walter Hood Fitch was a Scottish botan...
Category

Late 19th Century Naturalistic Art

Materials

Lithograph

Champignons, French antique mushroom chromolithograph, 1910
Located in Melbourne, Victoria
'37 Tricholoma saponaceum 38 Tricholoma terreum' Antique French mushroom / fungi chromolithograph. From "Atlas des champignons de France, Suisse et B...
Category

Early 20th Century Naturalistic Art

Materials

Engraving, Lithograph

"Bald Eagle", an Original Audubon Hand-colored First Edition Lithograph
Located in Alamo, CA
An original rare and extremely collectible first octavo edition John James Audubon hand-colored royal octavo lithograph entitled "White-headed Sea Eagle or Bald Eagle", No. 3, Plate ...
Category

Mid-19th Century Naturalistic Art

Materials

Lithograph

Champignon de la France, a French antique mushroom engraving, 1791
Located in Melbourne, Victoria
'Le Bolet Parasite' & 'Le Bolet Poivre' A French copper-line engraving with original printed colouring of mushrooms by Jean Baptiste Francois Buillard (1742-1793). From Bulliard's 'Histoire des Champignons de la France', a series of engravings describing the mushrooms of France, published in Paris in 1791. This series of engravings are 'probably the first botanical work completely colour-printed without retouching by hand' (Great Flower Books...
Category

Late 18th Century Naturalistic Art

Materials

Engraving

Honey Buzzard Bird: A Framed Original 19th C. Hand-colored Lithograph by Gould
Located in Alamo, CA
This is a framed original 19th century hand-colored folio-sized lithograph entitled “Pernis Apivorus (The Honey Buzzard) by John Gould, plate 6 in volume 1 of his "Birds of Great Britain", published in London between 1862 and 1873. The print depicts an adult Honey Buzzard perched on a branch of a leafy tree in the foreground and three others in the background. The bird in the foreground has an insect in its beak and others are in flight on the right This striking framed Gould...
Category

Mid-19th Century Naturalistic Art

Materials

Lithograph

Champignon de la France, a French antique mushroom engraving, 1791
Located in Melbourne, Victoria
'L'Agaric Glutineux' A French copper-line engraving with original printed colouring of mushrooms by Jean Baptiste Francois Buillard (1742-1793). From Bulliard's 'Histoire des Champignons de la France', a series of engravings describing the mushrooms of France, published in Paris in 1791. This series of engravings are 'probably the first botanical work completely colour-printed without retouching by hand' (Great Flower Books...
Category

Late 18th Century Naturalistic Art

Materials

Engraving

Norwegian Pine Grove - The inner glow of the trees -
Located in Berlin, DE
Themistokles von Eckenbrecher (1842 Athens - 1921 Goslar), Norwegian pine grove, 1901. Watercolor on blue-green paper, 30 x 22 cm. Signed, dated and inscribed in his own hand "TvE. Fagermes [i.e. Fagermes]. 26.6.[19]01." - Slight crease throughout at left margin, otherwise in good condition. About the artwork Themistokles von Eckenbrecher often traveled to Norway to study the nature that fascinated him there. On June 26, 1901, near the southern Norwegian town of Fagernes, in the summer evening sun, he saw a small pine grove, which he immediately captured in a watercolor. He exposed the trees growing on a small hill in front of the background, so that the pines completely define the picture and combine to form a tense motif. The tension comes from the contrast of form and color. The trunks, growing upward, form a vertical structure that is horizontally penetrated by the spreading branches and the pine needles, which are rendered as a plane. This structural tension is further intensified by the color contrast between the brown-reddish iridescent trunks and branches and the green-toned needlework. Themistokles von Eckenbrecher, however, does not use the observed natural scene as an inspiring model for a dance of color and form that detaches itself from the motif and thus treads the path of abstracting modernism. Its inner vitality is to be brought to light and made aesthetically accessible through the work of art. It is precisely in order to depict the inner vitality of nature that von Eckenbrecher chooses the technique of watercolor, in which the individual details, such as the needles, are not meticulously worked out, but rather a flowing movement is created that unites the contrasts. The trees seem to have formed the twisted trunks out of their own inner strength as they grew, creatingthose tense lineations that the artist has put into the picture. The inner strength continues in the branches and twigs, culminating in the upward growth of the needles. At the same time, the trunks, illuminated by the setting sun, seem to glow from within, adding an almost dramatic dimension to the growing movement. Through the artwork, nature itself is revealed as art. In order to make nature visible as art in the work, von Eckenbrecher exposes the group of trees so that they are bounded from the outside by an all-encompassing contour line and merge into an areal unity that enters into a figure-ground relationship with the blue-greenish watercolor paper. The figure-ground relationship emphasizes the ornamental quality of the natural work of art, which further enforces the artwork character of the group of trees. With the presentation of Themistokles von Eckenbrecher's artistic idea and its realization, it has become clear that the present watercolor is not a study of nature in the sense of a visual note by the artist, which might then be integrated into a larger work context, but a completely independent work of art. This is why von Eckenbrecher signed the watercolor. In addition, it is marked with a place and a date, which confirms that this work of nature presented itself to him in exactly this way at this place at this time. At the same time, the date and place make it clear that the natural work of art has been transferred into the sphere of art and thus removed from the time of the place of nature. About the artist Themistocles' parents instilled a life of travel in their son, who is said to have spoken eleven languages. His father, who was interested in ancient and oriental culture, was a doctor and had married Francesca Magdalena Danelon, an Italian, daughter of the British consul in Trieste. During a stay in Athens - Gustav von Eckenbrecher was a friend of Heinrich von Schliemann and is said to have given him crucial clues as to the location of Troy - Themistokles saw the light of day in 1842. After an interlude in Berlin, where Themistokles was educated at the English-American School, the journey began again. From 1850 to 1857 the family lived in Constantinople, after which the father opened a practice in Potsdam, where Themistokles, who wanted to become a painter, was taught by the court painter Carl Gustav Wegener. In 1861 the von Eckenbrechers left Potsdam and settled in Düsseldorf. There Themistokles received two years of private tuition from Oswald Aschenbach, who greatly admired the talented young artist. After his artistic training, he undertook extensive travels, often accompanied by Prince Peter zu Sayn-Wittgenstein, which took him to northern and eastern Europe, but above all to the Middle East and even to South America. The paintings that resulted from these journeys established his artistic reputation and led to his participation in large panoramas such as the 118 x 15 metre Entry of the Mecca Caravan into Cairo, painted for the City of Hamburg in 1882. 1882 was also the start of a total of 21 study trips to Scandinavia, most of them to Norway, and the unique Norwegian landscape with its rugged fjords became a central motif in his work. Along with Anders Askevold and Adelsteen Normann...
Category

Early 1900s Naturalistic Art

Materials

Watercolor

Hoo-Wan-Ne-Ka, A Winnebago Chief: Original Hand-colored McKenney Hall Litho
Located in Alamo, CA
This is an original 19th century 1st octavo edition hand-colored McKenney and Hall lithograph of a Native American entitled "Hoo-Wan-Ne-Ka, A Winnebago Chief", lithographed by J. T. Bowen after a painting by Charles Bird King and published by Rice and Hart in Philadelphia in 1848. For this portrait, Hoo-Wan-Ne-Ka appeared in the costume that he wore at the time of his address to Congress. McKenney described his costume as "...fantastic style, and clad in these wild and picturesque habiliments". This included a single feather and a comb in his hair, two metallic bands on each arm, a large medallion over his abdomen, a silver necklace and his presidential peace medal...
Category

Mid-19th Century Naturalistic Art

Materials

Lithograph

The Laughing Cavalier, etching by W Edwin Law after Frans Hals, c1925
Located in Melbourne, Victoria
Etching by W Edwin Law after Frans Hals. Signed and titled in pencil by the etcher. 280mm by 220mm (platemark)
Category

Early 20th Century Naturalistic Art

Materials

Etching

Stormy Seas
Located in Columbia, MO
Egide Linnig (1821–1860) was a Belgian painter known for his landscape and genre paintings. He was born in Antwerp, Belgium, and studied at the Royal Academy of Fine Arts in Antwerp....
Category

1850s Naturalistic Art

Materials

Canvas, Oil

Poppy No.7 - analogue black and white floral photography, limited edition of 10
Located in London, GB
Poppy No.7 printed on archival Hahnemühle Photo Rag Baryta fine art paper, this limited edition piece measures 125 x 100 cm and is part of an exclusive series of 20 prints, each hand...
Category

21st Century and Contemporary Naturalistic Art

Materials

Giclée

"Prairie Wolf": An Original Audubon 19th Century Hand-colored Lithograph
Located in Alamo, CA
This is an original John James Audubon hand-colored royal octavo lithograph entitled "Prairie Wolf", No. 15, Plate LXXI, 71 from Audubon's "Quadrupeds of North America". It was drawn...
Category

Mid-19th Century Naturalistic Art

Materials

Lithograph

Blue-eyed Cockatoo: A Framed Original 19th C. Hand-colored Lithograph by Gould
Located in Alamo, CA
This is a framed original 19th century hand-colored folio-sized lithograph entitled “Cacatua Ophthalimica” (Blue-eyed Cockatoo) by John Gould, from the supplement to his "Birds of Australia", published in London between 1851 and 1869. The print depicts a large blue-eyed cockatoo perched on a branch, with its head turned to the left. The scene is enhanced with leaves and sky and clouds in the background. This striking framed Gould...
Category

Mid-19th Century Naturalistic Art

Materials

Lithograph

Naturalistic art for sale on 1stDibs.

Find a wide variety of authentic Naturalistic art available for sale on 1stDibs. Works in this style were very popular during the 21st Century and Contemporary, but contemporary artists have continued to produce works inspired by this movement. If you’re looking to add art created in this style to introduce contrast in an otherwise neutral space in your home, the works available on 1stDibs include elements of blue, orange, green, red and other colors. Many Pop art paintings were created by popular artists on 1stDibs, including Miguel Winograd , John James Audubon, McKenney Hall, and William Curtis. Frequently made by artists working with Paint, and Engraving and other materials, all of these pieces for sale are unique and have attracted attention over the years. Not every interior allows for large Naturalistic art, so small editions measuring 0.5 inches across are also available. Prices for art made by famous or emerging artists can differ depending on medium, time period and other attributes. On 1stDibs, the price for these items starts at $38 and tops out at $191,816, while the average work sells for $863.