Post-Modern Art

Caricature etching by American artist Charles Bragg. A group of jurors stares aimlessly around a courtroom. The Jury 2 Charles Bragg, American (1931–2017) Date: circa 1970 Etching, ...

Artist: Bill Ward, American (1919 - 1998) Title: Gawkers Year: circa 1981 Medium: Graphite and Watercolor on Paper, signed l.r. Size: 23 in. x 17 in. (58.42 ...

This engaging bronze abstract sculpture was created by the Italian artist Luciana Matalon in 1980. This is a mulptiple of 1000 specimens numbered and signed. The title is " Gente e d...

Artist: Mario Avati, French (1921 - 2009) Title: Maniere Noire a la Noisette Belle Year: 1963 Medium: Mezzotint, signed and numbered in pencil Edition: 22/75 Image Size: 9.5 x 11.5 i...

Caricature etching by American artist Charles Bragg. A man poses with a large stuffed bear, his “Trophy”. The Trophy Charles Bragg, American (1931–2017) Date: circa 1970 Etching, si...

Caricature etching by American artist Charles Bragg. A happy group of people is presented with drinks and smiles, presumably the people who hang out or work at the Klondike Bar & Gri...

Holopainting by French contemporary artist Dominique Mulhem. Dominique Mulhem is a contemporary artist who creates Holopaintings, works where painting meets technology. Using hologr...

This original acrylic painting by Eunice Katz offers a dreamlike, abstracted coastal scene. Two small boats float near a weathered pier as a female figure appears to rise from the wa...

"Self with Atlanta Shirt" is a post modern oil on canvas painting. It is a self portrait of Nick Weber. Nick Weber (b.1971), living and painting in Springs, NY (about a block away ...

Artist: Alexander Calder Title: Derriere le Miroir #221 Portfolio: Derriere le Miroir #221 Medium: Lithograph in colors Date: 1975 Edition: Unnumbered Sheet Size: 15" x 22" Image Siz...

Al Hirschfeld’s Rock'n in the Free World Neil Young. This print is signed and numbered in pencil. Al Hirschfeld, American (1903–2003) Date: 2000 Lithograph, signed and numbered in p...

Will Rogers Al Hirschfeld, American (1903–2003) Date: 1991 Lithograph, signed in pencil Edition: Printer's Proof Size: 20.5 x 26 in. (52.07 x 66.04 cm)

Old city. 1965. Paper, watercolor, 64x50 cm Colorful watercolor painting. Old town view Malda Muižule was born in 1937 in the family of a blacksmith. Graduated from Liepāja Applied...

An iconic photograph of John Lennon and Yoko Ono outsitde the Dakota Hotel in Manhattan. The photo was taken November 21st, 1980. The print is signed, titled and numbered 5/15 in ma...

Pierre Casenove (French) Silver patina bronze table lamp having a column form and various stamped patterns to the body, stamped signed mark to back of bas...

Photo Image taken in black & white of Western Wall (Wailing Wall) Kotel Hamaaravi in Jerusalem Israel. Hand signed, dated and titled. From very small edition of just 5 prints. Born in New York City, Mikael Levin grew up in Israel, the United States and France. He attended Williams College and received a B.A. in Film and Photography from Hampshire College in 1976 before studying at the Academy of Fine Arts in Stockholm. Levin's first published project was Silent Passage (1985), a series of romantic, reflective landscape photographs inspired by a pond in Sweden. This was followed by several other series, including Les Quatre Saisons du Territoire, a study of the changes in land use in western France; Borders, which focused on the political, practical, and conceptual transformation of national borders in contemporary Europe; and War Story, Levin's reconstruction of the journey his father, the war correspondent Meyer Levin, made while traveling with the photographer Eric Schwab during World War II. Meyer Levin wrote of these experiences in In Search (1950), which described his view of the final battles of World War II and the liberation of the Nazi concentration camps in 1944-45. Levin photographed sites his father and Schwab had visited as they appear today. These photographs and passages from the elder Levin's writings formed an installation work at ICP in 1997, and were also published as a book. Levin's most recent project, Common Places: Cultural Identity in the Urban Environment, considers the relationship between the past and present in the urban environments of four European cities: Katrineholm, Cambrai, Erfurt, and Thessaloniki. Although inflected differently in each series, Mikael Levin's photographs have in common their interest in the emotional, intellectual, and historical significance of landscape. His work ignites landscape's capacity simultaneously to recall and overwrite the events of the past, especially in works such as War Story and Common Places. His photographs represent a new approach to landscape photography that reinvigorates this traditional genre. Lisa Hostetler Handy et al. Reflections in a Glass Eye: Works from the International Center of Photography Collection, New York: Bulfinch Press in association with the International Center of Photography, 1999 Mikael Levin has been exhibited widely in the US and in Europe, including solo exhibitions at the Jewish Museum, Paris, 2010, the Berardo Museum, Lisbon, 2009, the Bibliotheque Nationale, Paris, 2003, the International Center of Photography, New York, 1997, and Fundacion Mendoza, Caracas, 1980. His work was included in the Venice Biannual in 2003. SELECT GROUP EXHIBITS 2018 Marquee Projects, Bellport, NY: "By the Sea: Mikael Levin, Vera Lutter, Steel Stillman, James Welling" Hohenems Jewish Museum, Hohenems, Austria: "Say Shibboleth! On Visible and Invisible Borders" 2014 Centre d'art Contemporain Faux Mouvement, Metz: "Travail d'archives" 2013 Galerie Michele Chomette, Paris. "Sleeping Beauties IV" 2011 Musée d'art et d'histoire du Judaïsme, Paris. "War Story" in "A journey through the MAHJ's Contemporary Collection" 2010 Bibliotheque Nationale de France, Paris. "Qumran" 2009 The Solo Project, Basel; Gilles Peyroulet Gallery. "New York Moments: Mikael Levin and Rudy Burckhardt" 1996 Galerie F-15 Alby, Moss, Norway: "James Welling and Mikael Levin" 1993 Grand Palais, Paris: "Salon Decouverts" ( Curated by Jean-Claude Lemagny) 1990 Brooklyn Museum, New York: "New Acquisitions" Musem Ludwig, Cologne:"Vom Landschafsbild zur Spurensicherung" 1989 Fotografiska Museet, Stockholm: "Lewis Baltz and Mikael Levin" 1987 One Penn Plaza, New York: "Beautiful Photographs" (Curated by Gene Thornton) 1985 Pavillon des Arts, Paris: "La Photographie Creative" (Curated by J.C. Lemagny) Caves Sainte-Croix, Metz, France: "Construire le Paysage de la Photographie" SELECT PUBLIC COLLECTIONS Jüdisches Museum, Berlin (a selection from War Story in the permanent installation.) Whitney Museum of American Art, New York Metropolitan Museum, New York International Center of Photography, New York Jewish Museum, New York Bibliothèque Nationale, Paris Centre national d'art et de culture George Pompidou, Paris Fonds National d'Art Contemporain, Paris Princeton University Art Museum, Princeton, NJ Victoria and Albert Museum, London Israel Museum, Jerusalem Moderna Museet, Stockholm Statens Konstrad, Stockholm Canadian Center for Architecture, Montréal From the David C. and Sarajean Ruttenberg Collection The Ruttenbergs are longtime art lovers who have collected abstract expressionist paintings, African art...

Artist: Marcia Marx, American (1931 - 2005) Title: Beach Year: circa 1975 Medium: Lithograph, signed and numbered in pencil Edition: 250 Paper Size: 25 x 38 inches

Holopainting by French contemporary artist Dominique Mulhem. Dominique Mulhem is a contemporary artist who creates Holopaintings, works where painting meets technology. Using hologr...

This artwork was created by the Italian artist Prospero Rasulo Title "Fossile " translate "Fossil". It is made in bronze and laquered in red. It is also available in black. Prospero...

This is a joyful bronze sculpture; this art work has signed by the well known Italian artist Concetto Pozzati. Title Lucky Charm. This is a multiple of a numbered edition of 1.000 p...

Howard Hodgkin Alexander Street, 1978 Serigraph in multiple colours on Velin Arches 300 gsm mould-made paper with deckled edges Signed, dated and numbered to lower edge '42/90 Hodgki...

This captivating sculpture depicts a face emerging from the material, appearing to come to life with surprising fluidity. Crafted from stainless steel, it is shaped into fine, undula...

Shaoul Smira (Israeli, b. 1939) City Light Publisher, San Francisco. (Lawrence Ferlinghetti) signed "SMIRA" in pencil l.r. and numbered "86/100" in pencil l.l., Color lithograph on ...

Original and unique artwork by Hunt Slonem. Oil on wood Painting is framed, as seen in the images. Dimensions of the artwork with the frame: 27 x 28.5 inches Signed Verso, Dated and...

Richard Avedon was an American fashion and portrait photographer who's work often showed the vulnerability and humanity in celebrities. This poster is signed in marker. Published by ...

Artist: Rebecca Blake Title: Model in Organza Gown Year: 1980 Medium: Color Photograph, signed and dated l.r. Image: 13 x 9 in. (33.02 x 22.86 cm) Frame Size: 21 x 16 in.

Ali Acerol, who was born in Bursa, Turkey in 1948 and died in Los Angeles in 2007, became a kind of legend in the Southern California art world for his stunning maps of countries and continents, his invented and satiric postage stamps, and his brick furniture— as well as for being stubborn, impossible, and brilliant. He grew up in Istanbul, then was educated at the Sorbonne, in Paris. Acerol said that his earliest memories were of taking walks with his father in Istanbul and noticing old brick walls. He continued his fine arts education in 1975 at CalArts in Southern California. This piece contains elements of Arabic and Islamic calligraphic abstraction. This first posthumous exhibition of works is drawn primarily from the collection of Richard Hertz, author of two influential works on the local art scene: Jack Goldstein and the CalArts Mafia and The Beat and the Buzz: Inside the LA Art World. The show includes Acerol’s magnificent eight by twelve-foot World Map that has not been seen in public for over thirty years. The World Map, covered with sign language that names the countries and cities, was originally Acerol’s MFA thesis project. Like all his works, it does not speak in simple terms. As critic Jeremy Gilbert-Rolfe wrote, Ali’s art is about parallel meanings and mutual incomprehension — “lots of little hands where there should be words, a symbolic code unfamiliar to most…” Turkish Artist Ali arrived in California in 1975 after seven years in Paris and enrolled at Cal Arts, then in its fifth year of existence. Soon he became close friends with such well-known artists as John Baldessari and Michael Asher, the godfathers of the art program, along with many colleagues such as Diane Buckler...

Artur Duch Puig, born 1951 in Sitges In 1971 he started studying at the St. Jordi School of Fine Arts in Barcelona. There he developed his artistic skills in the fields of sculptu...

Dimensions w/Frame: 18.5 X 14.5 Alek Rapoport (November 24, 1933, Kharkiv, Ukraine SSR – February 4, 1997, San Francisco) was a Russian Nonconformist artist, art theorist and teacher. Alek Rapoport spent his childhood in Kiev (Ukraine SSR). During Stalin's "purges" both his parents were arrested. His father was shot and his mother spent ten years in a Siberian labor camp. Rapoport lived with his aunt. At the beginning of World War II, he was evacuated to the city of Ufa (the Bashkir Autonomous Soviet Socialist Republic). A time of extreme loneliness, cold, hunger and deprivation, this period also marked the beginning of Rapoport's drawing studies. After the war, Rapoport lived in Chernovtsy (Western Ukraine), a city with a certain European flair. At the local House of Folk Arts, he found his first art teacher, E.Sagaidachny (1886–1961), a former member of the nonconformist artist groups Union of the Youth (Soyuz Molodyozhi) and Donkey's Tail, popular during the 1910s–1920s. His other art teacher was I. Beklemisheva (1903–1988). Impressed by Rapoport's talent, she later (1950) organized his move to Leningrad, where he entered the famous V.Serov School of Art (the former School of the Imperial Society for the Promotion of Arts, OPKh, later the Tavricheskaya Art School). His association with this school lasted eight years, first as a student, and then, from 1965 to 1968, as a teacher. With "Socialist realism" the only official style during this time, most of the art school's faculty had to conceal any prior involvement in non-conformist art movements. Ya.K.Shablovsky, V.M.Sudakov, A.A.Gromov introduced their students to Constructivism only through clandestine means. (1959–1963) Rapoport studied stage design at the Leningrad Institute of Theater, Music and Cinema under the supervision of the famous artist and stage director N.P.Akimov. Akimov taught a unique course based on theories of Russian Suprematism and Constructivism, while encouraging his graduate students to apply their knowledge to every field of art design. Despite differences in personal artistic taste with Akimov, who was drawn to Vermeer and Dalí, Rapoport was influenced by Akimov's personality and liberalism, as well as the logical style of his art. In 1963, Rapoport graduated from the institute. His highly acclaimed MFA work involved the stage and costume design for I.Babel's play Sunset. In preparation, he traveled to the southwest regions of the Soviet Union, where he accumulated many objects of Judaic iconography from former ghettos, disappearing synagogues and old cemeteries. He wandered Odessa in search of Babel's characters and the atmosphere of his books. He organized a new liberal course in technical aesthetics, introducing his students to Lotman's theory of semiotics, the Modulor of Le Corbusier, the Bauhaus school, Russian Constructivism, Russian icons and contemporary Western art. As a result of his "radicalism," Rapoport was fired for "ideological conspiracy." He sought to cultivate himself as Jewish artist. This became particularly noticeable after the Six-Day War, when the Israeli victory led intellectuals, including the Jewish intelligentsia, to feel a heightened interest in Jewish culture and its Biblical roots. Rapoport's works of this period include Three Figures, a series of images of Talmudic Scholars, and works dealing with anti-Semitism. In the 1970s Rapoport joined the non-conformist movement, which opposed the dogmas of "Socialist realism" in art, along with Soviet censorship. The movement sought to preserve the traditions of Russian iconography...

Nan Goldin (b. 1953) is one of the most influential photographers of the 20th century. Beginning in the 1970s, Goldin took candid shots of her friends and lovers, characters often li...

Artist: Shahrokh Hatami Title: The Fab Four Year: 1962 / Printed: 2005 Medium: Archival Pigment Print on Watercolor paper, signed and numbered in pencil Editi...

Artist: Ron Galella, American (1931 - ) Title: Limelight - Mick Jagger and Jerry Hall Year: 1984 Published: 2009 Medium: Gelatin Silver Print, signed and numbered in pencil verso Ed...

Artist: Herb Greene Title: Ron Wood Year: circa 1984 Printed circa 1995 Medium: Color Photograph Size: 13.5 in. x 10.5 in. (34.29 cm x 26.67 cm) Frame Size...

Artist: Norman McGrath Title: Guggenheim Museum Year: 1995 Medium: Photograph, Signed and Dated in l.r. Paper Size: 22 x 17 inches/ 56 x 43 cm Frame Size: 26 x 21 inches/ 66 x 53 cm

Artist: Maggie Taylor, American (1961 - ) Title: Untitled (Well, He May Be A Foreigner After All) Year: 1988 Medium: Color Photograph Edition: 15 Size: 12.5 x 16.5 in. (31.75 x 41.91...

"Little Crow-Sioux" is an original lithograph created by Leonard Baskin. This is a proof purchased directly from the artist. Baskin signed the work in the lower right margin and lab...

Artist: Mario Avati, French (1921 - 2009) Title: Nature Morte au Coquetieu Year: 1966 Medium: Mezzotint, signed and numbered in pencil Edition: 31/75 Image Size: 10 x 11.5 inches Fra...

Artist: Herb Greene Title: Rod Stewart Year: circa 1966 Printed 1995 Medium: Gelatin Silver Print, Signed in ink Size: 9 in. x 12 in. (22.86 cm x 30.48 cm) Frame Size: 17.5 x 21.5 i...

Dances. Paper, watercolor, 59x83.5 cm "Dances" is a watercolor artwork that portrays colorful figures dancing in nature. The medium used is paper, and the dimensions of the artwork ...

This sculpture is a multiple 1 piece of 50 realized in 1980 by the well known artist Bruno Chersicla. All the pieces are numbered and signed by the artist and completed by the Certif...

Photo Image taken in black & white of Western Wall (Wailing Wall) Kotel Hamaaravi in Jerusalem Israel. Hand signed, dated and titled. From very small edition of just 5 prints. Born in New York City, Mikael Levin grew up in Israel, the United States and France. He attended Williams College and received a B.A. in Film and Photography from Hampshire College in 1976 before studying at the Academy of Fine Arts in Stockholm. Levin's first published project was Silent Passage (1985), a series of romantic, reflective landscape photographs inspired by a pond in Sweden. This was followed by several other series, including Les Quatre Saisons du Territoire, a study of the changes in land use in western France; Borders, which focused on the political, practical, and conceptual transformation of national borders in contemporary Europe; and War Story, Levin's reconstruction of the journey his father, the war correspondent Meyer Levin, made while traveling with the photographer Eric Schwab during World War II. Meyer Levin wrote of these experiences in In Search (1950), which described his view of the final battles of World War II and the liberation of the Nazi concentration camps in 1944-45. Levin photographed sites his father and Schwab had visited as they appear today. These photographs and passages from the elder Levin's writings formed an installation work at ICP in 1997, and were also published as a book. Levin's most recent project, Common Places: Cultural Identity in the Urban Environment, considers the relationship between the past and present in the urban environments of four European cities: Katrineholm, Cambrai, Erfurt, and Thessaloniki. Although inflected differently in each series, Mikael Levin's photographs have in common their interest in the emotional, intellectual, and historical significance of landscape. His work ignites landscape's capacity simultaneously to recall and overwrite the events of the past, especially in works such as War Story and Common Places. His photographs represent a new approach to landscape photography that reinvigorates this traditional genre. Lisa Hostetler Handy et al. Reflections in a Glass Eye: Works from the International Center of Photography Collection, New York: Bulfinch Press in association with the International Center of Photography, 1999 Mikael Levin has been exhibited widely in the US and in Europe, including solo exhibitions at the Jewish Museum, Paris, 2010, the Berardo Museum, Lisbon, 2009, the Bibliotheque Nationale, Paris, 2003, the International Center of Photography, New York, 1997, and Fundacion Mendoza, Caracas, 1980. His work was included in the Venice Biannual in 2003. SELECT GROUP EXHIBITS 2018 Marquee Projects...

This intense artwork was created by the Italian artist Mirella Forlivesi. Title "Stupore" traslated in "Astonishment". The piece is a multiple of 1...

This intense and engaging artwork was created by the Italian artist Nato Frascà. The title is "Il Volume" translated in " The Book". This is a multiple of 50 specimens and this piec...

This sculpture is a multiple 1 piece of 1000 realized in 1980 by the well known Italian artist Bruno Chersicla. All the pieces are numbered and signed by the artist and completed by ...

Photo Image taken in black & white of Western Wall (Wailing Wall) Kotel Hamaaravi in Jerusalem Israel. Hand signed, dated and titled. From very small edition of just 5 prints. (American-Israeli) Born in New York City, Mikael Levin grew up in Israel, the United States and France. He attended Williams College and received a B.A. in Film and Photography from Hampshire College in 1976 before studying at the Academy of Fine Arts in Stockholm. Levin's first published project was Silent Passage (1985), a series of romantic, reflective landscape photographs inspired by a pond in Sweden. This was followed by several other series, including Les Quatre Saisons du Territoire, a study of the changes in land use in western France; Borders, which focused on the political, practical, and conceptual transformation of national borders in contemporary Europe; and War Story, Levin's reconstruction of the journey his father, the war correspondent Meyer Levin, made while traveling with the photographer Eric Schwab during World War II. Meyer Levin wrote of these experiences in In Search (1950), which described his view of the final battles of World War II and the liberation of the Nazi concentration camps in 1944-45. Levin photographed sites his father and Schwab had visited as they appear today. These photographs and passages from the elder Levin's writings formed an installation work at ICP in 1997, and were also published as a book. Levin's most recent project, Common Places: Cultural Identity in the Urban Environment, considers the relationship between the past and present in the urban environments of four European cities: Katrineholm, Cambrai, Erfurt, and Thessaloniki. Although inflected differently in each series, Mikael Levin's photographs have in common their interest in the emotional, intellectual, and historical significance of landscape. His work ignites landscape's capacity simultaneously to recall and overwrite the events of the past, especially in works such as War Story and Common Places. His photographs represent a new approach to landscape photography that reinvigorates this traditional genre. Lisa Hostetler Handy et al. Reflections in a Glass Eye: Works from the International Center of Photography Collection, New York: Bulfinch Press in association with the International Center of Photography, 1999 Mikael Levin has been exhibited widely in the US and in Europe, including solo exhibitions at the Jewish Museum, Paris, 2010, the Berardo Museum, Lisbon, 2009, the Bibliotheque Nationale, Paris, 2003, the International Center of Photography, New York, 1997, and Fundación Mendoza, Caracas, 1980. His work was included in the Venice Biannual in 2003. Judaic, Judaica. SELECT GROUP EXHIBITS 2018 Marquee Projects...

MASSIMO LISTRI Opera Nacional, Paris, France 40 x 48 inches 100 x 120 cm Edition of 5 48 x 60 inches 120 x 150 cm Edition of 5 71 x 88.5 inches 180 x 225 cm Edition of 5 Framing ...

Genre: Modern, Modernist Subject: Abstract Medium: Print, Aquatint with metal foil Hand signed dated 1988, limited edition Surface: Paper Country: Italy Dimensions: 26" x 20" approxi...

Artist: Rita Barros Title: Keith Richards at the Chelsea Hotel Year: 1989 Medium: Gelatin Silver Photograph, Signed and numbered in ink verso Edition: 2/15...

Alexander Clader Friendship 1974 Signed in the plate lower right

Artist: Unknown Title: Downtown New York City Skyline Year: 1981 Medium: Color Photograph Edition: 4/150 Size: 30 in. x 40 in. (76.2 cm x 101.6 c...

Artist: Stanley Einzig Title: Birthday Party Scene 4 Year: c. 1970's Medium: Color Photograph Size: 8 x 10 inches Mr. Einzig was the personal photographer to...

Artist: Rita Barros Title: Arthur Miller at the Chelsea Hotel Year: 1992 Medium: Gelatin Silver Photograph, Signed and numbered in ink verso Edition: 2/6 S...

Nick Veasey - The Bird in Colour No 2 TM Signed and numbered by artist Lenticular Digital C Print, framed 30.5 x 37.5 cm Edition of 15. Also available as a part of the full set. T...

Edition of 25 Signed, titled, dated, print date, and numbered. Paper size: 11 x 14 in. AVAILABLE SIZES: 11 x 14 in., Edition of 25 16 x 20 in., Edition of 25 24 x 36 in., Edition of...

Artist: Curtis Knapp, American Title: Roy Lichtenstein Year: 1990 (printed 1991) Medium: Silver Print on Fiber Paper, signed and numbered in ink Edition: 35 Size: 20 in. x 16 in. (5...

Artist: Anne Turyn, American (1954 - ) Title: What Do You Whisper Year: 1982 Medium: Photograph Size: 16 x 20 in. (40.64 x 50.8 cm) Frame Size: 27.5 x 32 inches

Artist: Willie Miller, American (1940 - ) Title: Colors Year: 1990 Medium: Color Photograph Size: 18 in. x 12 in. (45.72 cm x 30.48 cm) Willie Miller has been a South Beach based f...

Artist: Hugh Smith Haynie, American (1927 - 1999) Title: Thank Goodness for Summits (Richard Nixon) Year: 1974 Medium: Ink and Collage, signed Size: 16.5 in. x 12 in. (41.91 cm x 30....

Artist: Willie Miller, American (1940 - ) Title: Lady in Red Year: 1995 Medium: Color Photograph, signed verso Size: 18 in. x 12 in. (45.72 cm x 30.48 cm) Willie Miller has been a S...

Artist: Anne Turyn, American (1954 - ) Title: Who Are You Year: 1982 Medium: Photograph Size: 16 x 20 in. (40.64 x 50.8 cm) Frame Size: 27.5 x 32 inches