Post-Modern Art

Much of Keith Hamilton's work is a comment on human perception: how our mind tries to recognize patterns and make sense of a complex world. Because context greatly influences how we ...

Bob Gruen John Lennon NYC 1974 (printed later) 40 x 30 inches Signed and numbered edition of 75 Also available as a color C-print Bob Gruen (born 1945) is an American photographer ...

River Landscape Painting of a Summer Evening in Ireland by 20th Century Artist, Doris Houston (Born 1948). Her work is held in the collections of several Irish Museums. Art measur...

This intense bronze sculpture was made by the well known Italian artist, Aron Demetz, in 2004, Italy. This is a lost wax bronze hand painted. The title is "Il grande freddo" translat...

This unique cyanotype monotype transforms organic, river-like forms into a serene field of flowing blues. Soft, undulating shapes echo water, canyon horizons, and desert calm, giving...

Edition of 10 Signed on print verso by Bill Owens Paper size: 16 x 19 1/2 in. Image size: 15 1/2 x 18 3/4 in. Series: Suburbia Bill Owens was born and raised in California. After v...

Al Held (American, 1928-2005), Untitled (Cubes), Lithograph on Strathmore Paper, 1969, signed in pencil and numbered edition "67 / 100" to verso, Strathmore blindstamp lower right co...

This unique monotype cyanotype, rendered in rich blue tones, draws inspiration from mid-century modern shapes to explore themes of balance and duality. Abstract forms echo harmony an...

Much of Keith Hamilton's work is a comment on human perception: how our mind tries to recognize patterns and make sense of a complex world. Because context greatly influences how we ...

Dimensions w/Frame: 25 3/4" x 20 3/4" Alek Rapoport (November 24, 1933, Kharkiv, Ukraine SSR – February 4, 1997, San Francisco) was a Russian Nonconformist artist, art theorist and ...

MASSIMO LISTRI Reggia di Caserta VII, Italy, 1993 60 x 48 inches 150 x 120 cm Edition of 5 Chromogenic Print Signed, dated, and numbered on verso label Unframed (Framing options a...

Marilyn Manson is an icon, a figure synonymous with controversy within heavy metal music, embroiled in numerous contentious moments throughout his storied career. This signed poster, numbered 158/500, is likely part of the series promoting his 1994 concerts at the Houston International Ballroom. It embodies the vibrant creativity of its era, a time when independent artists infused their unique flair into promotional materials for punk rock and heavy metal gigs. With its captivating blend of colors, specific typography, and arrangement reminiscent of Russian Constructivism and horror movie posters...

Bob Gruen Patti Smith Live - Schaefer Music Festival, Central Park, NYC, 1976 gelatin silver print 20 x 24 inches Bob Gruen is one of the most well known and respected photographers...

Here for your consideration is a vibrant and richly painted original work of a series of abstract figures by the well known American artist, Neith Nevelson. Signed lower right. Condi...

Artist: Warrington Colescott Title Out My Garden Window Year: 1969 Medium: Color drypoint, soft-ground etching, and aquatint, with roulette, vibrograver, à la poupée inking, found l...

This is an intense bronze sculpture created by the Italian artist Ugo Riva, in 2006. Lost wax bronze on iron basement. The title of this artwork is "I...

Shore Sentry, is an original color, limited edition lithograph on handmade German black etching paper; printed by Topaz Editions in 1977. Artist proofs 10. Edition size 100. Provenance:: A Sarasota, Florida collector Signed: Artist signed lower left with edition size Image size: 22 by 30 inches Sheet size: 30 by 38 inches Edition 38/100 Condition: Excellent Overall framed size: 30.25 by 38.25 inches Framed under plexiglass in chrome colored metal gallery frame SYD SOLOMON BIOGRAPHY Written by Dr. Lisa Peters/Berry Campbell Gallery “Here, in simple English, is what Syd Solomon does: He meditates. He connects his hand and paintbrush to the deeper, quieter, more mysterious parts of his mind- and he paints pictures of what he sees and feels down there.” --Kurt Vonnegut Jr. from Palm Sunday, 1981 Syd Solomon was born near Uniontown, Pennsylvania, in 1917. He began painting in high school in Wilkes-Barre, where he was also a star football player. After high school, he worked in advertising and took classes at the Art Institute of Chicago. Before the attack on Pearl Harbor, he joined the war effort and was assigned to the First Camouflage Battalion, the 924th Engineer Aviation Regiment of the US Army. He used his artistic skills to create camouflage instruction manuals utilized throughout the Army. He married Ann Francine Cohen in late 1941. Soon thereafter, in early 1942, the couple moved to Fort Ord in California where he was sent to camouflage the coast to protect it from possible aerial bombings. Sent overseas in 1943, Solomon did aerial reconnaissance over Holland. Solomon was sent to Normandy early in the invasion where his camouflage designs provided protective concealment for the transport of supplies for men who had broken through the enemy line. Solomon was considered one of the best camoufleurs in the Army, receiving among other commendations, five bronze stars. Solomon often remarked that his camouflage experience during World War II influenced his ideas about abstract art. At the end of the War, he attended the École des Beaux-Arts in Paris. Because Solomon suffered frostbite during the Battle of the Bulge, he could not live in cold climates, so he and Annie chose to settle in Sarasota, Florida, after the War. Sarasota was home to the John and Mable Ringling Museum of Art, and soon Solomon became friends with Arthur Everett “Chick” Austin, Jr., the museum’s first Director. In the late 1940s, Solomon experimented with new synthetic media, the precursors to acrylic paints provided to him by chemist Guy Pascal, who was developing them. Victor D’Amico, the first Director of Education for the Museum of Modern Art, recognized Solomon as the first artist to use acrylic paint. His early experimentation with this medium as well as other media put him at the forefront of technical innovations in his generation. He was also one of the first artists to use aerosol sprays and combined them with resists, an innovation influenced by his camouflage experience. Solomon’s work began to be acknowledged nationally in 1952. He was included in American Watercolors, Drawings and Prints at the Metropolitan Museum of Art, New York. From 1952–1962, Solomon’s work was discovered by the cognoscenti of the art world, including the Museum of Modern Art Curators, Dorothy C. Miller and Peter Selz, and the Whitney Museum of American Art’s Director, John I. H. Baur. He had his first solo show in New York at the Associated American Artists Gallery in 1955 with “Chick” Austin, Jr. writing the essay for the exhibition. In the summer of 1955, the Solomons visited East Hampton, New York, for the first time at the invitation of fellow artist David Budd. There, Solomon met and befriended many of the artists of the New York School, including Jackson Pollock, Franz Kline, Willem de Kooning, James Brooks, Alfonso Ossorio, and Conrad Marca-Relli. By 1959, and for the next thirty-five years, the Solomons split the year between Sarasota (in the winter and spring) and the Hamptons (in the summer and fall). In 1959, Solomon began showing regularly in New York City at the Saidenberg Gallery with collector Joseph Hirshhorn buying three paintings from Solomon’s first show. At the same time, his works entered the collections of the Whitney Museum of American Art, the Solomon R. Guggenheim Museum, and the Wadsworth Athenaeum in Hartford, Connecticut, among others. Solomon also began showing at Signa Gallery in East Hampton and at the James David Gallery in Miami run by the renowned art dealer, Dorothy Blau. In 1961, the Guggenheim Museum’s H. H. Arnason bestowed to him the Silvermine Award at the 13th New England Annual. Additionally, Thomas Hess of ARTnews magazine chose Solomon as one of the ten outstanding painters of the year. At the suggestion of Alfred H. Barr, Jr., the Museum of Modern Art’s Director, the John and Mable Ringling Museum in Sarasota began its contemporary collection by purchasing Solomon’s painting, Silent World, 1961. Solomon became influential in the Hamptons and in Florida during the 1960s. In late 1964, he created the Institute of Fine Art at the New College in Sarasota. He is credited with bringing many nationally known artists to Florida to teach, including Larry Rivers, Philip Guston, James Brooks, and Conrad Marca-Relli. Later Jimmy Ernst, John Chamberlain, James Rosenquist, and Robert Rauschenberg settled near Solomon in Florida. In East Hampton, the Solomon home was the epicenter of artists and writers who spent time in the Hamptons, including Alfred Leslie, Jim Dine, Ibram Lassaw, Saul Bellow...

Signed and dated lower right Provenance David Stuart Galleries, Los Angeles Willard Gallery, New York Daisy Viertel Shapiro, New York Exhibition Corcoran Gallery of Art, Washington...

MASSIMO LISTRI Sammezanno I, Tuscany, 2005 40 x 48 inches 100 x 120 cm Edition of 5 48 x 60 inches 120 x 150 cm Edition of 5 71 x 88.5 inches 180 x 225 cm Edition of 5 Framing op...

Golden Raintree 01 48.0 x 48.0 x 8.0, 40.0 lbs Organic materials Hand signed by artist Artist's Commentary: "This piece is made up of the fallen sticks of the Golden Raintree, (o...

This is an engaging bronze sculpture created by the Italian artist Patrizia Guerresi, in 1986. The piece is a multiple of 1000 specimens on a green-painted wooden base. This artwork ...

Vase designed by Laura de Santillana in edition for Arcade, 2001. this is from a series of tropical fruit and plant form inspired vases with the same matte, hand engraved, finish: PA...

This vintage black and white photograph by Harold E. Malde (1923–2007) presents a compelling view of the Chetro Ketl Ruins in Nageezi, New Mexico, one of the most significant archite...

"Galerie Maeght" lithograph poster. This poster holds Bazine's name in harsh orange lines near the top of the piece. Diagonally bisecting the b and a in Bazaine is a teal line. Bellow this horizontally against the white backgrounds are two lines, one painted yellow and the other blue. Unsigned. Image: 29 x 21 in Jean Bazaine was a French painter, designer of stained glass windows, and writer. He was the great great grandson of the English Court portraitist Sir George Hayter. In 1949/1950 he had his first major one man show at the Galerie Maeght, who remained his art dealer thenceforth. From then on it was a steady progress of major exhibitions: Bern, Hanover, Zürich, Oslo... 1987 a retrospective exhibition in Galerie Maeght, 1988 a retrospective of his drawings in the Musée Matisse and finally in 1990 the Exposition Bazaine in the Galeries Nationales du Grand Palais, Paris., which was accompanied by the reissue of his major texts on painting in art theory as Le temps de la peinture (Paris, Aubier 1990). "The motley crowds of international tourists and souvenir-shoppers who fill the ancient streets of the Latin Quarter in Paris spend most of their time admiring the open-air displays of seafood outside the Greek restaurants in the rue de la Huchette. They ignore the beautiful church of St Severin in the same street, for have they not already "done" Notre Dame? So they miss one of the most wonderful series of stained-glass windows in France: Jean Bazaine's vivid, dynamic works irradiating the sombre ambulatory and apsidal chapels. These windows represent the seven sacraments of the Church, portrayed as essential forms from nature in all its glory and symbolising Water, Fire and Light, sacred emblems of Divine Grace. An appropriate biblical verse is inscribed beneath each. Only Pierre Soulages with his "luminous black" windows at l'Abbaye de Conques (1998) can stand comparison with the majesty of these contemporary works by Bazaine, created between 1965 and 1970. Bazaine was fortunate in his friends. He received at an early stage in his student career support and advice from another master colourist, Pierre Bonnard. In his youth he knew Leger, Braque, James Joyce and Marcel Proust. One of his great personal friends was Jean Fautrier, with whom he shared his first exhibition in 1930. His work gradually developed as a form of bold tachisme - brilliantly composed but well-controlled "splashes" of sumptuous colour. He rejected the term "abstract" which he considered a denial of the essentially intimate relationships between art and reality. He quoted his friend Braque: "The canvas must efface the idea behind it." In 1941, during the Nazi occupation, at a time when Hitler was destroying many works of modern art, Bazaine had the courage to organise in Paris a first "avant-garde" exhibition of 20 French artists. In 1948, he wrote his first book, an unpedantic, unacademic view of contemporary painting, Notes sur la peinture d'aujourd'hui. He quotes Braque on Cezanne: "He's a painters' painter - other people think it's unfinished." Bazaine, too, reverenced Cezanne: Three lines drawn by Cezanne overturn our whole concept of the world, proclaim the liberty of man, his courage. The great painters have never had any other aims. The painter says: "I exist, therefore you exist. I am free, therefore you are free. Or at least he tries to. It's his one aim in life." After the Second World War, Bazaine produced vast compositions with virtuoso colour structures, mostly with references to nature, like the breathtaking Vent de mer (1949, now in the Museum of Modern Art, Paris) and Orage au jardin (1952, now in the Van Abbemuseum at Eindhoven). His Earth and Sky (1950) is in the Maeght Foundation at Saint Paul de Vence. One of his greatest works, L'Arbre tenebreux (1962), was sold to the Sonja Henie...

MASSIMO LISTRI Castello di Friedstein a Gotha, Germany, 1999 48 x 60 inches 120 x 150 cm Edition of 5 Chromogenic Print Signed, dated, and numbered on verso label Unframed (Framin...

Surf Wagon, St. Petersburg Beach by Al Satterwhite is a 16 x 20 inch archival pigment print, available in an edition of 25. This photograph features a group of teenagers sitting on top of a car filled with surfboards. The image size is 12 x 17 3/4 inches, the paper size is 16 x 20 inches. This photograph is signed, titled, dated, print date, and numbered by Al Satterwhite. This photograph is available in multiple sizes: 11 x 14 in., Edition of 25 16 x 20 in., Edition of 25 20 x 24 in., Edition of 25 24 x 36 in., Edition of 25 36 x 54 in., Edition of 15 Al Satterwhite started working as a photographer at a major daily newspaper in Florida while in high school, covering major news stories in the Southeast. After a year as the Governor of Florida's personal photographer, he started a career as a freelance magazine photographer. Over the next 10 years he worked on assignment for almost every major magazine (Automobile, Car & Driver, Fortune, Geo, Life, Look, Money, Newsweek, People, Playboy, Sports Illustrated, Time, Travel & Leisure, to name a few). He was a consultant to Kodak for digital imaging for a number of years. He has lectured at Boston University, Brooks Institute of Photography, Hallmark Institute of Photography, ASMP, NYU/Tisch School of the Arts, PhotoExpos in Los Angeles & New York. He has given workshops at Dawson College (Montreal), ICP (NYC), Kauai Photographic (Hawaii), the Maine Workshops, the Missouri Workshops, Palm Beach Photographic Workshops, Santa Fe Workshops & his own studio in New York City. He lectures and holds workshops at various facilities around the U.S. His photographic prints are in the permanent collections of the Smithsonian National Portrait Gallery, Houston Fine Art...

Alexander Ney (Russian-American, 1939-2023) Terra cotta sculpture Signed on the underside Dimensions: Approximately 6-1/2 inches high x 6-1/2 inches wide x 5 inches deep. De...

MASSIMO LISTRI Massimo Listri - Rijksmuseum Library, Amsterdam, 1994 60 x 48 inches 150 x 120 cm Edition of 5 Chromogenic Print Signed, dated, and numbered on verso label Unframed...

Original and unique artwork by Hunt Slonem. Oil & Acrylic w/ Diamond Dust on Wood Framed size: 14.5 x 12.5 inches Painting is framed, as seen in the images. Signed Verso, titled a...

Emerging young artist with a very personal and recognizable style. Without a doubt he will have a long journey and a great progression in her artistic career. Acrylic on canvas Ship...

Jim Dine and Lee Friedlander From the Portfolio: Photographs and Etchings Lee Friedlander & Jim Dine, published by Petersberg Press 1969 Signed and numbered (Edition of 20/75). Paper...

Edition of 25 Signed, titled, dated, print date, and numbered. Paper size: 11 x 14 in. AVAILABLE SIZES: 11 x 14 in., Edition of 25 16 x 20 in., Edition of 25 24 x 36 in., Edition of...

Swim Class, Columbia, MO by Al Satterwhite is a limited edition black and white photograph featuring a woman directing a group of swimmers in a large body of water. Archival Pigmen...

MASSIMO LISTRI Reggia di Caserta II, Italy, 1993 60 x 48 inches 150 x 120 cm Edition of 5 Chromogenic Print Signed, dated, and numbered on verso label Mounted on aluminum, framed ...

This is an intense bronze sculpture created by the Italian artist Ugo Riva, in 2006. Lost wax bronze. The title of this artwork is "Con gli occhi nell...

MASSIMO LISTRI Trinity College Library, Dublin, Ireland, 2012 60 x 48 inches 150 x 120 cm Edition of 5 Chromogenic Print Signed, dated, and ...

Complex and masterfully thought out the composition of rifle, gun shells, target shapes, and buck shots. Most likely done for a ad or men's magazine. Signed lower right Atherton. Housed in a rustic House of Heydenryk frame...

St. Barbara Church Baernbach by Friedensreich Hundertwasser Ceramic miniature in the scale 1:140 size 12 x 9 x 12 cm Each ceramic object is individually handmade, hand-painted and b...

Artist: Malcolm Morley, British (1931 - 2018) Title: Soldier Year: Circa 1980 Medium: Etching, signed and numbered in pencil Edition: 100 Image Size: 22 x 18 inches Size: 30 in. x 22...

On the waterfront. Paper, watercolor, 60x80 cm Malda Muižule was born in 1937 in the family of a blacksmith. Graduated from Liepāja Applied Arts High School (1957). She continued he...

On the waterfront. Paper, watercolor, 60x80 cm Malda Muižule was born in 1937 in the family of a blacksmith. Graduated from Liepāja Applied Arts High School (1957). She continued he...

On the waterfront. Paper, watercolor, 60x80 cm Malda Muižule was born in 1937 in the family of a blacksmith. Graduated from Liepāja Applied Arts High School (1957). She continued he...

An original and unique painting by contemporary artist Eric Alfaro in acrylic on cotton canvas. Painting is signed by the artist, accompanied with it's certificate of authenticity. S...

An original and unique painting by contemporary artist Eric Alfaro in acrylic on cotton canvas. Painting is signed by the artist, accompanied with it's certificate of authenticity. S...

An original and unique painting by contemporary artist Eric Alfaro in acrylic on cotton canvas. Painting is signed by the artist, accompanied with it's certificate of authenticity. S...

Cover of The Saturday Evening Post, April 23, 1960. The Post described, "'Here's the pitch, Snider connects! It's a pop foul heading in the direction of the third-base stands. Mathe...

Antonio Caputo (Italian, 1933-2021) Architectural oil paintings on canvas boards titled Ciney. The composition captures a distinct stark Italian cityscape, blending classical and ind...

"I wanted Christina to learn some responsibility for cleaning her room, but it didn't work." Edition of 15 Gelatin silver print, 11 x 14 in. Signed, numbered, and dated in pencil wi...

Muhammad Ali, Fifth Street Gym, Miami by Al Satterwhite is a 20 x 16 inch archival pigment print. This photograph features Muhammad Ali leaning against gym equipment with his arms ra...

Photograph from the "Swimming" series by renowned Spanish photographer Vari Caramés. It is one of his most iconic series, capturing different people bathing in pools, both in and out...

Original pencil drawing on sketch book paper of the “Torso of Christ” by Malcolm Morley. Signed lower right. Circa 1983. Condition is very good. Under glass. Original thin gold lea...

#14 Shelby Cobra Daytona Coupe/Bob Holbert, Daytona 2000 Kilometer race by Al Satterwhite is an 11 x 14 inch archival pigment print. This photograph features a racecar with the numbe...

MASSIMO LISTRI Massimo Listri - Museo Archeologico II, Naples, Italy (Portrait of Interiors), 2018 48 x 60 inches 120 x 150 cm Edition of 5 Chromogenic Print Signed, dated, and nu...

Edition of 25 Signed, titled, dated, print date, and numbered. Paper size: 20 x 16 in. AVAILABLE SIZES: 11 x 14 in., Edition of 25 16 x 20 in., Edition of 25 24 x 36 in., Edition of...

Nick Veasey 2025 Framed chromaluxe (dye-sub) Edition of 50 Featured in Nick Veasey's solo show at OA Fine Art gallery Paris, France, November 2025 Through his lens, Veasey unveils ...

This engaging abstract bronze sculpture was created by the Italian artist Franco Zazzeri. The title is "Sfera Stratificata" translated in " Stratified Sphere". This is a multiple of ...

Edition of 25 Signed, titled, dated, print date, and numbered by Al Satterwhite Image size: 17.5 x 11.5 in. Paper size: 20 x 16 in. AVAILABLE SIZES: 14 x 11 in., A/P 24 x 20 in., Ed...

Edition of 25 Signed, titled, dated, print date, and numbered by Al Satterwhite Archival pigment print Paper size: 24 x 36 in., Image size: 21.5 x 32 in. AVAILABLE SIZES: 11 x 14 in...

Signed, print date, misc. notation in pencil on verso. Series: Suburbia Bill Owens was born and raised in California. After volunteering in the Peace Corps he picked up photography ...

MASSIMO LISTRI Salla delle Niobe, Uffizi, Florence, Italy, 2012 48 x 60 inches 120 x 150 cm Edition of 5 Also available in: 40 x 48 inches 100 x 120 cm Edition of 5 71 x 88.5 inch...