People Art

Resting against the gentle gradient of sand, a naked figure finds repose where water transforms gravity and perception. The slope becomes both support and metaphor—a study in balance...

6098 Spanish beauty with white bird Elaborate gilt frame Image size 15.5x19.5"

While "Composition for Film" evokes notable associations with masters of painting and poetry known precisely for their ability to evoke slow time, intimacy, poetry, and introversion ...

Medium: lithograph. This lithograph (after the Vlaminck painting) was printed in Paris in 1958 by the Mourlot atelier, and published by Andre Sauret in an edition of 2000. The image ...

John Rabone Harvey ( 1966 - 1922) graphic and chalk deep green artist paper , unframed artist paper : 5.5 x 7 inches Provenance: private collection Condition: very good condition Ha...

Exhibition poster for Hockney at Louisiana Museum for Modern Kunst October 12 - January 27, 2001. Published by Louisiana Museum for Modern Kunst, printed by Grafodan Offset in Vaerlo...

Medium: original lithograph. Printed in Paris in 1964 by Mourlot Frères and published in an edition of 2000 on Arches wove paper. Sheet size: 10 x 7 1/2 inches (255 x 188 mm). Not signed. This original Andre Brasilier lithograph...

Never ending Reading In this luminous and poetic work, a suspended moment of everyday life, infused with both serenity and the quiet solitude of modern existence. Two women, seated...

Color linocut on strong wove paper, realized in 1962. Image dimension: 53.2x39.2; Sheet dimension 62.5x44.3 cm. One of the "épreuves de passe" remaining with the printer Arnéra in ...

Original vintage World War I poster. U.S.A. bonds: Third Liberty Loan campaign: Boy Scouts of America. Depicted: Boy Scout handing a sword inscribed "Be prepared" to a stylized warri...

This exquisite lithograph after Edgar Degas (1834–1917), titled Danseuse arrangeant sa robe (Dancer Arranging Her Dress), originates from the 1945 folio Degas, Ten Ballet Sketches. Published by The Studio Publications, Inc., New York, rendered and printed by Albert Carman, City Island, 1945, this work reflects Degas’s sensitive mastery of line, movement, and intimate observation, capturing the grace, poise, and psychological immediacy that define his iconic ballet imagery. In Danseuse arrangeant sa robe (Dancer Arranging Her Dress), Degas reveals gesture and inner emotion through economical contour and lyrical nuance. Executed as a lithograph and pochoir on velin paper, this work measures 17 x 13 inches (43.18 x 33.02 cm). Signed in the plate and unnumbered as issued. Rendered and printed by Albert Carman, City Island, one of the notable American ateliers specializing in fine art lithography during the mid-20th century. Artwork Details: Artist: After Edgar Degas (1834–1917) Title: Danseuse arrangeant sa robe (Dancer Arranging Her Dress), from Degas, Ten Ballet Sketches, 1945 Medium: Lithograph and pochoir on velin paper Dimensions: 17 x 13 inches (43.18 x 33.02 cm) Inscription: Signed in the plate and unnumbered as issued Date: 1945 Publisher: The Studio Publications, Inc., New York Printer: Albert Carman, City Island, 1945 Condition: Well preserved, consistent with age and medium Provenance: From the 1945 folio Degas, Ten Ballet Sketches, published by The Studio Publications, Inc., New York Notes: Excerpted from the album, Born in Paris in 1834, Edgar Degas lived, and surely loved the life of that city during most of his years. These continued somewhat sadly beyond those of most of his friends— into the debacle of the first World War, during which he died in 1917. Judging by the frequency with which he used them as models, he must have had an especial admiration for the ballet girls who followed a profession that at the time brought none of the glory and prosperity which attend it today. New aspects of the human body, revealed in movement, fascinated him. But his occupation with the simply anatomical side of his subjects never resulted in a cold interpretation. On the contrary there is a warmth and sympathy that pervades all of his work. The drawings here represent the painter in one important phase of his multi-sensitive view of life; and permit an insight which a more ambitious work might not do-into the operation of the creative process, the artist's transformation of reality as it passes through the mesh of his sensibilities. The Edition of this Portfolio is limited to MMMD examples. Rendered by Albert Carman. About the Publication: Degas, Ten Ballet Sketches, published in 1945 by The Studio Publications, Inc., New York, stands as one of the most elegant and scholarly mid-century American fine art folios devoted to the ballet imagery of Edgar Degas. Conceived as a high-quality interpretive portfolio, the album presents a series of lithograph-and-pochoir renderings based on Degas’s original drawings, executed with exceptional attention to tonal subtlety, contour fidelity, and the emotional interiority that defines the artist’s draftsmanship. Rendered and printed by Albert Carman on City Island, the publication embodies an American postwar effort to restore and celebrate European masterworks through meticulous handcraft and artisanal color application, honoring Degas’s distinctive line and the atmospheric delicacy of his studio-based studies. Produced in a substantial edition of MMMD examples, the portfolio offered audiences rare access to Degas’s private working drawings—images rarely seen outside institutional collections—while exemplifying the technical refinement and interpretive care characteristic of Carman’s workshop. Today, Degas, Ten Ballet Sketches remains a sought-after historical publication, valued for its craft, fidelity to Degas’s aesthetic, and its role in preserving and disseminating the artist’s intimate ballet imagery in a beautifully executed mid-century fine art format. About the Artist: Edgar Degas (1834–1917) was a French painter, draughtsman, printmaker, and sculptor whose groundbreaking fusion of classical draftsmanship, modern experimentation, and psychological depth helped define the trajectory of Western art, positioning him as one of the most influential figures of the nineteenth and early twentieth centuries; renowned for his depictions of ballet dancers, racehorses, theater scenes, cafe life, domestic interiors, milliners, laundresses, and women at their toilette, Degas reimagined observational realism through radical compositional innovation—employing extreme cropping, asymmetrical framing, oblique viewpoints, and dramatic lighting that anticipated photographic and cinematic language long before these technologies shaped visual culture, and although associated with Impressionism, he rejected plein-air spontaneity in favor of studio-based discipline rooted in the linear precision of Jean-Auguste-Dominique Ingres, the expressive chromaticism of Eugene Delacroix, and the modernity of Edouard Manet while also drawing inspiration from Japanese ukiyo-e prints, classical sculpture, and early photography; his independent artistic philosophy resonated with and helped shape the innovations of Pablo Picasso, Alexander Calder, Alberto Giacometti, Salvador Dali, Joan Miro, Wassily Kandinsky, Marcel Duchamp, and Man Ray, whose explorations of movement, form, dream logic, abstraction, and conceptualism all find antecedents in Degas’s investigations into seriality, temporality, and the fragmented figure, and his pioneering use of pastel, monotype, and wax sculpture fundamentally transformed each medium, influencing artists from Henri Matisse, Francis Bacon, Lucian Freud, and Giacomo Manzu to Paula Rego, contemporary realists, experimental photographers, and choreographers; his works are held in nearly every major museum collection worldwide—including the Musee dOrsay, the Louvre, the Metropolitan Museum of Art, the National Gallery of Art, the Art Institute of Chicago, the Courtauld Institute, and the National Gallery, London—affirming his central place in the history of art, and the highest auction record for Degas was achieved at Sothebys London on February 3, 2015, when Danseuses en Bleu sold for 37,033,000 GBP, cementing his status as one of the most sought-after and enduringly significant artists of the Western canon. Edgar Degas lithograph...

ABOUT THIS ARTIST: Madeleine Gross is a Toronto-based artist who customizes her photographs with paint in a way designed to abstract landscapes but without completely abstracting rea...

This atmospheric early 19th-century landscape by British artist John Berney Crome (1794-1842) depicts a quiet moment at dusk on the outskirts of Hingham, Norfolk. A small group of ...

A large Mid-20th Century oil painting landscape depicting sail boats by the Port de Plaisance in France with homes and a tree lined path to the left. This piece has a strong presence...

Pablo Picasso La Danse des Faunes, 1957 Lithograph on Arches paper Artist's stamped signature, lower right on recto Image: 41.2 x 53 cm Sheet: 48.2 x 63.5 cm Framed: 64 x 53.2 cm Edi...

This sumptuous Scottish oil painting is by noted artist Robert Hope. It was most recently part of the Paisley Art Institute Collection, formerly held by the Paisley Museum and Art Ga...

His series "Room" or "My carnival" evokes the fantasy of the mistress, fetishist eroticism, 5 to 7, free fantasy. Eric produces erotic art without ever biting into porn-chic always b...

"Cruising Altitude" (2025) by Denise Dambrackas is an original oil painting that depicts a young girl sending a plane into flight, amongst a vibrant and colorful sky, presented in a ...

In this neoclassical oil on canvas signed and dated “Otto Bache 1864”, the artist depicts Psyche standing with her back turned to the viewer beside a red draped table. Her hair is arranged in a tight knot, secured with a hairpin adorned with two large pearls. She holds a light drapery that covers her legs, while the rest of her body remains nude. With her head turned toward the right, she gazes downward toward the table, where a blue gown or drapery lies, the garment she is about to put on. Her softly illuminated profile emerges as she turns in the light falling from the upper left, creating a striking backlight that heightens the contrast along the contours of her body. On the richly red draped table before her rest her jewellery and, to her left, a large amphora-shaped jug and a tazza bowl. The light descending from above to the left defines the composition with sharp contrasts between brightness and shadow, revealing the delicate modelling of Psyche’s form and lending the scene a quiet sense of introspection and grace. Exhibited: Winkel & Magnussen October 1915 no. 5, ill. p. 5. Otto Bache was born in 1839 in Roskilde, Denmark, and died in 1927 in Copenhagen. At the age of only eleven he was admitted to the Royal Danish Academy of Fine Arts in Copenhagen where he studied drawing and painting under the supervision of artists such as Wilhelm Marstrand. His early training gave him a basis in the Danish “Golden Age” tradition of realism and naturalism, but he went on to travel and extend his horizons. In 1866 he received an Academy travel-scholarship and went to Paris, then Italy (1867–68). The influence of Paris is often noted: his palette became richer, his handling freer, his light stronger, and his subjects broader. Later in his career, from around 1887, he held the post as professor and on various occasions director of the Royal Danish Academy. Bache’s early work reflects his rigorous academic training: careful drawing, subdued palette and interest in genre scenes and rural life. After his travel in Paris and Italy he adopted a somewhat more robust handling of color and light, but still remained essentially realist and narrative in approach. He painted portraits, animal and hunting subjects, genre scenes, and large history-paintings depicting key moments from Danish history. In particular, during the 1880s and 1890s when he was commissioned to execute large history canvases for the Museum of National History at Frederiksborg Castle and similar institutions, depicting events such as the exploits of Danish soldiers...

A truly masterful depiction of waves crashing by the rocks at Loblolly Cover in Rockport Massachusetts. The scene of Seagulls flying through the water as the waves crash create a stu...

French Landscape by Bernard Labbe (French mid 20th century) original watercolour/ gouache painting on artist paper, unframed size: 16.5 x 9.5 inches condition: very good and ready to...

1926. Etching in sepia ink on Japon paper, 9 5/8 x 11 1/2 inches (245 x 292 mm), full margins with the lower margin slightly notched. Signed, titled and dated in pencil in the lower ...

From the Nudes promotional portfolio published by Tyler Graphics in 1994, this rare offset lithograph was issued as part of an informational set including a printed title sheet listi...

Cecile Plaisance (1973) Burqa profile 2018 Lenticular print Signed Numbered 1/8 Artist's certificate Framed Perfect condition H 160 x W 100 x D 6 cm Perfect condition 6,900 euro...

Mike Carson is a Minneapolis painter, and graduate of the Minneapolis College of Art and Design, whose artwork can be found in private and corporate collections throughout the Unite...

MAX LIEBERMANN (1847 1935) SELF PORTRAIT DRAWING (Selbstportrat) c. 1922 (Schiefler, 341, III b) Etching, signed in pencil, Scarce signed example found in Max Liebermann “Sein Leb...

Artist/ School: R. Leroy (French b. 1932) Title: The Orchestra Medium: oil painting on canvas Size: painting: 7 x 5 inches Provenance: all the paintings we have for sale by this ...

Black and white fine art landscape photography. Archival pigment ink print as part of a limited edition of 9. All Gerald Berghammer prints are made to order in limited editions on Ha...

Ritratto di giovane ragazza intitolato "Chiquita" e firmato in basso a sinistra Rigny per Alfred Rigny. Questo intenso e bellissimo ritratto colpisce immediatamente per l'energia de...

"Rainy Night in Paris, Kissing in the Rain" 1908 Frédéric Levé (1877-1968) Oil on canvas Signature notated on stretcher bars on reverse 25 5/8 x 21 1/4 (32 7/8 x 28 1/3 frame) inch...

AGNIESZKA STAAK-JANCZARSKA (born in 1994) A graduate of the State Secondary School of Art of Józef Kluza in Krakow. In 2020, she graduated from the Academy of Fine Arts in Krakow in ...

“God Answers”(God answers) is a profound and thought-provoking artwork that explores the universal human quest for connection, guidance, and meaning. This powerful title captures the...

From the City Stories series, New Stories portrays the quiet poetry of urban encounters. Figures gather around a café beneath a bright awning, some pausing in conversation, others si...

A new series inspired by architecture, décor and stylish personalities of the world of interior design. The worlds of fashion, society and pop culture are captured in the illustrati...

Portrait of Princess Olga Gorchakov by female 19th century artist Elise Hügel. An oval portrait of Princess Olga Gortschakoff (1838–1926), here pictured soon after her marriage to Baron Friedrich Adeldagus Felix von Meyendorff, becoming Baroness von Meyendorff, signed Elise Hügel and dated 1858. Executed in oil on canvas, the work shows a young Olga in her early 20´s...

Original Moulin Rouge - Striking small-format vintage poster by Rene Gruau. Archival linen-backed and in excellent condition, ready to frame. Bright, vibrant colors. Grade A. Celebrate the electric allure of Parisian nightlife with this authentic René Gruau poster made for the Moulin Rouge. In flowing ribbons of red and a bold splash of inky black, Gruau captures the can-can's motion in a memorable silhouette. Elegant, striking, and unmistakably Paris, this piece makes a perfect addition to any collection of fashion, advertising, or mid-century graphic art. The legendary Moulin Rouge poster...

Church Courtyard by Irina Hale (British 1932-2022) oil painting on artist paper, unframed size: 5 x 7.25 inches provenance: private collection, Cotswolds condition: very good Irina...

Medium: original lithograph. Printed in 1967 for the art revue Derriere le Miroir (issue number 168) and published in Paris by Maeght. Size: 15 x 11 inches (380 x 277 mm). There is p...

The Group is a bronze sculpture by French contemporary artist Martine Demal, dimensions are 40 × 21.5 × 5.5 cm (15.7 × 8.5 × 2.2 in). The sculpture is signed and numbered, it is par...

Title: Reclining Nude Artist: Roser Vinardell Tolrà (Cabrera de Mar, 1941) Technique: Oil on canvas Dimensions: 46 x 65 cm (18.1 x 25.6 in) Date: 1970s Signature: Signed in the lower...

Passionate, sensitive and an eye for detail, light and color, this is the working method of Dutch photographer Ursula van de Bunte (1969). She is a perfectionist, enthusiastic and di...

Top of the Cliffs Study 1 - England - no. 21378 >> Archival pigment ink print, edition of 9. >> Signed, titled, dated and numbered by artist. >> Certificate of authenticity include...

Giovanni Giacomo Van Lint (Rome 1723 - 1790) Attributed View of Rome with Piazza Navona flooded Oil on canvas 50 x 62 cm - framed 61 x 74 cm The work belongs to a series of t...

This painting captures a serene moment of suspended time. A young woman stands at the edge of a diving board, her white dress stirred gently by a passing breeze. Against a vast cobal...

This beautiful Italian religious Old Master oil painting is attributed to circle of Massimo Stanzione. Painted circa 1640, the composition is the Madonna holding baby Jesus as he sta...

Unidentified Artist Schoolboy, Early 1900s century signed lower left oil on canvas unframed 24 × 29 cm (9.4 × 11.4 in) framed 41 × 47 cm (16.1 × 18.5 in) This intimate genre pain...

Movies, TV and magazines are constant source of inspiration. Fame, as fleckring and shallow it can be sometimes, is very intriguing to him. The worlds of fashion, society and pop cu...

Alessio (or Alesso) Baldovinetti (Florence, 1427 – Florence, 1499) circle Saint George and the Dragon Oil on panel 32 x 42 cm Framed 47 x 57 cm Provenance: Hampel Munich, 31 ...

Title: Original 1943 WWII Propaganda Poster - "Americans Will Always Fight for Liberty" - Authentic U.S. Government Issue. Archival linen-backed with the original US Government-issue...

A vibrant small oil painting on canvas featuring a lively street scene rendered in thick, expressive impasto. The artist captures the movement and energy of pedestrians, cyclists, an...

The Borghese Gladiator, 19th Century Bronze on marble base Musée du Louvre signed on base 15 x 12 x 8 inches Since its discovery in the early seventeenth century, the Borghese Gladi...

Etching on paper, realized in the early 17th Century. Dramatic apocalyptic engraving illustrating the vision from the Book of Revelation, Chapter 16, depicting the angels pouring th...

Samantha Millington’s unique style of figurative art pops and zings from the canvas while also nodding in the direction of cubism and goddess figures from pre-history. Both thoughtfu...

Title: Winter Urban Landscape Houses Trees and Misty Street Watercolor Artist: Pierre Neveu (French b.1929) Medium: Watercolour on artists paper, unframed Size (H x W): 6.75 x 8.5 in...

An extremely fine nineteenth-century oil portrait of a young lady in profile, dating to the second half of the century. The sitter wears a silky cerulean dress adorned with delicate ...

Three figures at a table during a tea break. A simple everyday scene, filled with the atmosphere of conversation.

A beautiful oil on canvas painting by the French artist, Te Pencke. Pencke was a Parisian painter known for his colorful cityscapes depicting the times of his generation. His work is...

A luminous blend of cosmology and cartography, this original 1951 Air France poster by Lucien Boucher transforms the night sky into an elegant celebration of flight, mystery, and mod...

Title: Sitges Artist: Rafael Durancamps i Folguera (1891–1979) Technique: Oil on canvas Dimensions: 38 x 61 cm (14.96 x 24.01 in) Support: Canvas stretched over wooden stretcher Framing: Unframed Signature: Signed lower left: Durancamps Period: 1960s (estimated based on style, technique, and materials) Work Description The painting Sitges depicts an evocative scene of the iconic Catalan coastal town. At the center stands the unmistakable silhouette of the Church of Sant Bartomeu i Santa Tecla, surrounded by cascading white houses that descend toward the shore. A solitary fisherman in the foreground casts his rod from the sand, adding a human and melancholic dimension to the landscape. The composition reflects Rafael Durancamps’s mastery in atmospheric construction: the balance between sky, architecture, and figure is achieved through loose yet controlled brushstrokes, and a sober palette dominated by earthy tones, ochres, blues, and greys. The scene conveys stillness, everyday life, and a sense of belonging to the landscape—recurring qualities in the artist’s work. Artist Biography: Rafael Durancamps i Folguera (1891–1979) Born in Sabadell, Rafael Durancamps was one of the leading Catalan figurative painters of the 20th century. Initially trained under Joan Vila Cinca and a friend of Joaquim Mir, he chose a personal path that distanced him from avant-garde movements. In 1926, he moved to Paris, where he founded La Fenêtre Ouverte gallery, bringing together artists such as Salvador Dalí, André Derain, Joan Miró, and Pablo Picasso. After permanently returning to Barcelona in 1939, he exhibited regularly at Sala Parés and established a distinctive style rooted in lyrical light, intimate observation of everyday life, and a refined technique—particularly in still lifes, landscapes, and solitary figures. His work is held in major collections, including the Museu Nacional d’Art de Catalunya (MNAC), the Montserrat Museum, the Sabadell Art Museum, and the BBVA Collection. Comparable Artists Rafael Durancamps can be linked stylistically or spiritually to several major names in modern figurative art: Joaquim Mir – for his lyrical treatment of the Catalan landscape and vibrant light Santiago Rusiñol – for his poetic approach to architecture and the Mediterranean environment Maurice Utrillo – in his sober and nostalgic depictions of towns and vernacular architecture Edward Hopper – for the silent presence of solitary figures in open spaces Darío de Regoyos...