Tree Art

A Louisiana Bayou Marsh Landscape with three large oak trees, wash on paper, signed lower right “A. J. Drysdale 1916” for American artist Alexander John Drysdale (1870-1934). This wo...

Late 19th Century French Barbizon School oil on wood panel of poplar trees in a landscape by Richard. The painting is signed bottom left. The painting is on a quality chamfered panel. A very charming, almost impressionist, rendition of a line of iconic French trees in a landscape. Before them an earth drive has been ploughed up by the wheels of passing carts and horses. Richard has created a wonderful perspective that draws us in to the painting and he has created a contrast between the strong greens of the trees and fields against the whites and blues of the sky. The painting is reminiscent of the works of Monet from the 1890s. to whom the poplar trees were a continuing inspiration. The Barbizon school of painters was part of an art movement towards Realism in art, which arose in the context of the dominant Romantic Movement of the time. The Barbizon school was active roughly from 1830 through 1870. It takes its name from the village of Barbizon, France, on the edge of the Forest of Fontainebleau, where many of the artists gathered. Most of their works were landscape paintings, but several of them also painted landscapes with farmworkers, and genre scenes of village life. Some of the most prominent features of this school are its tonal qualities, colour, loose brushwork, and softness of form. The leaders of the Barbizon school were: Théodore Rousseau, Charles-François Daubigny, Jules Dupré, Constant Troyon, Charles Jacque, and Narcisse Virgilio Díaz. Jean-François Millet lived in Barbizon from 1849, but his interest in figures with a landscape backdrop sets him rather apart from the others. Jean-Baptiste-Camille Corot was the earliest on the scene, first painting in the forest in 1829, but his work has a poetic and literary quality which sets him somewhat apart. Other artists associated with the school, often pupils of the main group, include: Henri Harpignies, Albert Charpin, François-Louis Français and Émile van Marcke. In 1824 the Salon de Paris exhibited works of John Constable, an English painter. His rural scenes influenced some of the younger artists of the time, moving them to abandon formalism and to draw inspiration directly from nature. Natural scenes became the subjects of their paintings rather than mere backdrops to dramatic events. During the Revolutions of 1848 artists gathered at Barbizon to follow Constable's ideas, making nature the subject of their paintings. The French landscape became a major theme of the Barbizon painters. Millet extended the idea from landscape to figures — peasant figures, scenes of peasant life, and work in the fields. In The Gleaners (1857), for example, Millet portrays three peasant women working at the harvest. Gleaners are poor people who are permitted to gather the remains after the owners of the field complete the main harvest. The owners (portrayed as wealthy) and their laborers are seen in the back of the painting. Millet shifted the focus and the subject matter from the rich and prominent to those at the bottom of the social ladders. To emphasize their anonymity and marginalized position, he hid their faces. The women's bowed bodies represent their everyday hard work. In the spring of 1829, Jean-Baptiste-Camille Corot came to Barbizon to paint in the Forest of Fontainebleau, he had first painted in the forest at Chailly in 1822. He returned to Barbizon in the autumn of 1830 and in the summer of 1831, where he made drawings and oil studies, from which he made a painting intended for the Salon of 1830; "View of the Forest of Fontainebleau'" (now in the National Gallery in Washington) and, for the salon of 1831, another "View of the Forest of Fontainebleau"'. While there he met the members of the Barbizon school: Théodore Rousseau, Paul Huet, Constant Troyon, Jean-François Millet, and the young Charles-François Daubigny. During the late 1860s, the Barbizon painters attracted the attention of a younger generation of French artists studying in Paris. Several of those artists visited Fontainebleau Forest to paint the landscape, including Claude Monet, Pierre-Auguste Renoir, Alfred Sisley and Frédéric Bazille. In the 1870s those artists, among others, developed the art movement called Impressionism and practiced 'plein air' painting. In contrast, the main members of the school made drawings and sketches on the spot, but painted back in their studios. The Post-Impressionist painter Vincent Van Gogh studied and copied several of the Barbizon painters as well, including 21 copies of paintings by Millet. He copied Millet more than any other artist. He also did three paintings in Daubigny's Garden. The Barbizon painters also had a profound impact on landscape painting in the United States. This included the development of the American Barbizon school by William Morris Hunt. Several artists who were also in, or contemporary to, the Hudson River School studied Barbizon paintings for their loose brushwork and emotional impact. A notable example is George Inness, who sought to emulate the works of Rousseau. Paintings from the Barbizon school also influenced landscape painting in California. The artist Percy Gray...

Original Etching by famous Taos Artist Gene Kloss (1903-1996). Full Margins. Edition of 75. Titled: Indian Summer. Image measures: 7 3/4" H x 11 1/8" W. Unframed. Archivally matted. ...

This artwork Titled "Bold Autumn Forest" 1989, is a colors Ilfochrome Photograph by noted photographer Christopher Burkett, b.1951. It is signed on the first matting at the lower right corner by the artist. also signed, titled and dated on the back. The photograph size is 20 x 24 inches, apparent part is 18 x 23 inches, framed size is 30.25 x 34.25 inches. Custom framed in a gold metal frame, with off white matting. It is in excellent condition, the colors are fresh and bright. About the artist: Christopher Burkett (born 1951) is an American landscape photographer, known not only for his large format photography of woodlands but also as a craftsman who "makes every print himself with a skill that is unsurpassed. Photography Burkett requires "absolute material accuracy" and has since 1980 evolved into one of the greatest color printers in the history of the medium, creating Cibachrome color prints of unprecedented dimension (40x50) from his brilliant 8x10 transparencies. "The best of Christopher Burkett's photographs have an almost mystical sense of connection to us, one that cannot fully be conveyed through words or reproductions. "All of Christopher's photographs, is able to act across distance, to illumine a viewer standing fifty or a hundred feet away, to transcend the physical dimensions of its frame. Burkett is also a former brother in an Orthodox Christian religious order who, Vincent Rossi writes, has "transformed photographic technique into a spiritual endeavor. On April 15, 2018 the PBS national network broadcast a segment about Burkett on NewsHour Weekend. The program states: "There are some photographers who are convinced that the old ways are worth preserving. One of these is Oregon Photographer Christopher Burkett, who works slowly and patiently to create some of the highest resolution photographs every made. Christopher Burkett has been photographing the American landscape for over four decades." "He and his wife, Ruth, have lugged their camera gear across all 50 states." "He says he want to make both the physical and the ethereal accessible." "Light and luminosity are critical elements of Burkett's work." "For Burkett, photography is not just an artistic but a spiritual experience that's informed by his religious faith." And Burkett says: "...going out and photographing is one thing, but spending time bringing the light out of these images to share them with other people is really what it’s all about. Reviews and awards[ Burkett's books and exhibits have been reviewed in the Bloomsbury Review, San Diego Union-Tribune, The Washington Post, and Book Reader; an interview with Burkett was published in View Camera magazine. Articles about Burkett have also appeared in Camera Arts, Hasselblad Forum, and Popular Photography.[8] The North American Bookdealers Exchange awarded Burkett's book Intimations of Paradise Best Book of the Year for Art and Photography in 1999 and in 2004 he was one of twelve photographers honored with the Hasselblad Masters award for his photography by camera manufacturer Hasselblad. Bibliography • Christopher Burkett (1999). Intimations of Paradise: Photographs by Christopher Burkett. West Wind Arts. ISBN 978-0967021607. • Christopher Burkett (2004). Resplendent Light: Photographs by Christopher Burkett. West Wind Arts. ISBN 0-9670216-1-8. • Robert Frost...

Marcel Fecteau, Canadian, b. 1927 Spring, 1989 Oil on canvas 20 x 24 in Signed lower right; signed and titled verso framed For our US customers: 1) The artwork is shipped from Mont...

Constant Duval's original poster for the Chemins de fer d'Orléans, showcasing La Bourboule in Auvergne, emerges as a visual gem that transcends the realms of a mere advertisement. D...

This photograph by Bianca Lee Vasquez captures an intimate moment in Uzès, France. Inspired by nature, the artist's work often features her close friends and family surrounded by gr...

Black and white fine art landscape photography. Archival pigment ink print as part of a limited edition of 9. All Gerald Berghammer prints are made to order in limited editions on Ha...

Kathleen Keifer's original artworks represent one of the most significant expressions of New California Realism. Keifer brings a fresh perspective to her colorful scenes of everyday ...

This original oil on canvas from the first half of the 20th century presents a quiet Scandinavian winter landscape. A winter road winds between open fields and dense forest wrapped i...

Allison Gildersleeve, born in Connecticut in 1970, earned her B.A. from the College of William and Mary and her M.F.A. from Bard College. Gildersleeve lives and works in Brooklyn, Ne...

Lakelands is a color vintage photo, realized in 1960s. Good conditions and aged. It belongs to a historical and nostalgic album including hi...

Red Farmhouse in a Vineyard - Horse in Rocky Meadow on Reverse Acrylic on Board (Two Sided) Lush vineyard landscape by California Plein Aire artist Nick White (American, 1943-2009)....

"""Through the Pines"" A perfect arrangement of pine trees in a snow-covered Yellowstone National Park A composition of pine trees along the road in Yellowstone National Park in a ...

This richly textured oil painting by American impressionist Bernard Corey captures the golden beauty of a forest in autumn. With warm, dappled light filtering through tall pines and ...

Watercolor on heavy gauge watercolor paper, 9 x 12 inches (228 x 306 mm), the full sheet. Titled illegibly and dated in pencil in the lower right margin, recto. In good condition wit...

Lithograph hand watercolored. Belongs to the Series "Atlante di Botanica popolare ossia Illustrazione di Piante Notevoli di ogni famiglia" (Atlas of popular botany or illustration o...

Wine Press House Winter Study 2, Austria - no. 21043 Wine press house with tree in snowy field, Winter, Weinviertel, Austria. Archival pigment ink print, edition of 7. Signed, titled...

“Female Figure” (2023) by Zura is a life-size sculpture measuring 39 × 16 × 12 inches (99.1 × 40.6 × 30.5 cm), crafted in plaster with an option for bronze casting. This unique work ...

Rolling Hills with Trees 1, Tuscany, Italy - no. 21098 Black and White Fine Art Panorama Landscape Photography. Two trees on the harvested wheat field with nice cloud in Tuscany, Ita...

Italian Stone Pines Study 6, Tuscany - no. 21097 Prints are made to order in limited editions on Hahnemuehle Photo Rag Baryta. Each print is stamped on the back and signed and number...

Antique American modernist landscape oil painting. Oil on canvas. Framed. Signed illegibly.

In our increasingly intrusive electronic culture, how do we delineate the boundaries between public and private? "No Man's Land: Views From a Surveillance State" is a body of work th...

Oil on canvas 52 x 36 inches (132.1 x 91.4 cm) Framed dimensions: 53 1/4 x 37 1/4 in Dated and inscribed on verso: 2009/42 Provenance Morrison Gallery, Kent, CT; Private collection,...

Palm Tree Restaurant II (Stranger than Paradise) - 2005 20x20cm, Edition of 10, plus 2 Artist Proofs. Archival C-Print, based on the Polaroid. Signature label and Certificate. ...

'Untitled' from the Dwell series - 2017, Edition of 10 plus 2 Artist Proof, 20x48cm. Archival Print based on an original Polaroid on Hahnemühle photo rag paper. Signature label a...

Painting size w/o frame: 14”x16” Painting size with frame: 18”x20” Gianni Cilfone (1908–1992) captures the serene stillness of a snow-covered countryside.His brushwork brings a sens...

Themistokles von Eckenbrecher (1842 Athens - 1921 Goslar), Norwegian pine grove, 1901. Watercolor on blue-green paper, 30 x 22 cm. Signed, dated and inscribed in his own hand "TvE. Fagermes [i.e. Fagermes]. 26.6.[19]01." - Slight crease throughout at left margin, otherwise in good condition. About the artwork Themistokles von Eckenbrecher often traveled to Norway to study the nature that fascinated him there. On June 26, 1901, near the southern Norwegian town of Fagernes, in the summer evening sun, he saw a small pine grove, which he immediately captured in a watercolor. He exposed the trees growing on a small hill in front of the background, so that the pines completely define the picture and combine to form a tense motif. The tension comes from the contrast of form and color. The trunks, growing upward, form a vertical structure that is horizontally penetrated by the spreading branches and the pine needles, which are rendered as a plane. This structural tension is further intensified by the color contrast between the brown-reddish iridescent trunks and branches and the green-toned needlework. Themistokles von Eckenbrecher, however, does not use the observed natural scene as an inspiring model for a dance of color and form that detaches itself from the motif and thus treads the path of abstracting modernism. Its inner vitality is to be brought to light and made aesthetically accessible through the work of art. It is precisely in order to depict the inner vitality of nature that von Eckenbrecher chooses the technique of watercolor, in which the individual details, such as the needles, are not meticulously worked out, but rather a flowing movement is created that unites the contrasts. The trees seem to have formed the twisted trunks out of their own inner strength as they grew, creatingthose tense lineations that the artist has put into the picture. The inner strength continues in the branches and twigs, culminating in the upward growth of the needles. At the same time, the trunks, illuminated by the setting sun, seem to glow from within, adding an almost dramatic dimension to the growing movement. Through the artwork, nature itself is revealed as art. In order to make nature visible as art in the work, von Eckenbrecher exposes the group of trees so that they are bounded from the outside by an all-encompassing contour line and merge into an areal unity that enters into a figure-ground relationship with the blue-greenish watercolor paper. The figure-ground relationship emphasizes the ornamental quality of the natural work of art, which further enforces the artwork character of the group of trees. With the presentation of Themistokles von Eckenbrecher's artistic idea and its realization, it has become clear that the present watercolor is not a study of nature in the sense of a visual note by the artist, which might then be integrated into a larger work context, but a completely independent work of art. This is why von Eckenbrecher signed the watercolor. In addition, it is marked with a place and a date, which confirms that this work of nature presented itself to him in exactly this way at this place at this time. At the same time, the date and place make it clear that the natural work of art has been transferred into the sphere of art and thus removed from the time of the place of nature. About the artist Themistocles' parents instilled a life of travel in their son, who is said to have spoken eleven languages. His father, who was interested in ancient and oriental culture, was a doctor and had married Francesca Magdalena Danelon, an Italian, daughter of the British consul in Trieste. During a stay in Athens - Gustav von Eckenbrecher was a friend of Heinrich von Schliemann and is said to have given him crucial clues as to the location of Troy - Themistokles saw the light of day in 1842. After an interlude in Berlin, where Themistokles was educated at the English-American School, the journey began again. From 1850 to 1857 the family lived in Constantinople, after which the father opened a practice in Potsdam, where Themistokles, who wanted to become a painter, was taught by the court painter Carl Gustav Wegener. In 1861 the von Eckenbrechers left Potsdam and settled in Düsseldorf. There Themistokles received two years of private tuition from Oswald Aschenbach, who greatly admired the talented young artist. After his artistic training, he undertook extensive travels, often accompanied by Prince Peter zu Sayn-Wittgenstein, which took him to northern and eastern Europe, but above all to the Middle East and even to South America. The paintings that resulted from these journeys established his artistic reputation and led to his participation in large panoramas such as the 118 x 15 metre Entry of the Mecca Caravan into Cairo, painted for the City of Hamburg in 1882. 1882 was also the start of a total of 21 study trips to Scandinavia, most of them to Norway, and the unique Norwegian landscape with its rugged fjords became a central motif in his work. Along with Anders Askevold and Adelsteen Normann...

Palm Springs Riders, 1970 - Desert Landscapes in Southern California Hills 16 x 20" print. Limited Edition Estate Stamped Print. Digital C-Type print. Edition of 150. Printed Later....

Black and White Fine Art landscape - minimalist photography art print. Detached avenue of trees in the snow, Waldviertel, Austria. Archival pigment ink print, edition of 9. Signed,...

Kathleen Keifer's original artworks represent one of the most significant expressions of New California Realism. Keifer brings a fresh perspective to her colorful scenes of everyday ...

Palm Springs Palm Trees (Californication) - 2023 50x49cm. Edition of 10 plus 2 Artist Proofs. Archival C-Print, based on the Polaroid. Certificate and Signature label. Artist I...

Black and White Fine Art Panorama Landscape. Archival pigment ink print, edition of 7. Signed, titled, dated and numbered by artist. Certificate of authenticity included. Printed wit...

Le jardin de Miriam Nordman, sur la côte by Lélia Pissarro (b. 1963) Oil on canvas 46 x 55 cm (18 ¹/₈ x 21 ⁵/₈ inches) Signed lowerr left, Lélia Pissarro Signed and titled on the rev...

New as of Jan. 1, 2025. This is a brand-new addition to the artist's ever-growing series of foggy woods in northern California near San Francisco. These tall eucalyptus trees are the...

This 12" x 12" acrylic on canvas painting by Cindy Mason, depicts a winter landscape with a monochromatic palette. The painting prominently features six bare trees with slender trun...

Gerald Berghammer - Color minimalist landscape photography. Frost-covered trees in a foggy winter landscape with green grass. Pigment ink print, limited edition of 7. Prints are made...

Archival Pigment Print Mounted and Framed Museum Standards Available sizes: 40 x 60 inches edition of 7 48 x 72 inches edition of 7 Certificate of Authenticity, Signed by the Artis...

1930s French Impressionist Barbizon School oil on panel view of a wooded landscape with autumn colours by Georges Guerin (1910-1984). The painting is signed top right to the back of ...

Artist: Vahe Yeremyan Title: Trees Medium: Oil on Linen Year: 2025 Style: Impressionism Dimensions: 20" x 12.5" x 0.8" inch (51 x 32 x 2cm) Presentation: Unframed, Gallery Wrapped on...

Artist/ School: Deborah Poynton, British contemporary, signed Title: The Bluebell Woods Medium: oil painting on canvas, framed Size: painting: 20 x 30 inches, frame: 24.5 x 34.5 ...

Frank Dekkers (1961) is a landscape painter par excellence. Full of dedication and diligence he always works on location outdoors, defying the elements. The weather plays an importan...

Brett Weston (American, 1911-1993), "Lake Patzcuaro, Mexico", Gelatin Silver Print, 1976, signed and dated in pencil lower right, silver-tone metal frame. Image: 10.75" H x 13.5" W;...

Celestial Dreams photograph. Taken in Oregon in 2013. Limited Edition of #365/950.

Landscape, skiing, black and white, mountain, snow, france. Sam Gare is available online and in our gallery at Wychwood Art. Samantha Gare Chamonix, France Alps Pen, Marker and Pastel on Mountboard Framed (gray box...

Oscar Lycke’s Aprilafton, Delsbo (“April Evening, Delsbo”), c. 1910, is a luminous oil painting that masterfully captures the gentle transition from winter to early spring in the rur...

By the Baker House 10.0 x 8.0 x 0.1, 0.2 lbs Oil paint on panel Hand signed by the artist Artist's Commentary: "A plein air painting, I got out of the house late one afternoon and...

Part of Richard Heeps 'Dream in Colour' Series, he was set a challenge to find something interesting on the road from LA to Las Vegas. In the heart of the Mojave Desert, Richard foun...

This is a painting from my series of sunny architectural pool paintings. As a swimmer I love to paint swimming pools in the sun and dream about actually being in one of my paintings....

Title: Dune Medium: Oil on canvas Size: 21.25 x 25.25 inches Frame: Framing options available! Condition: The painting appears to be in good condition.Although, please note the ...

This is an original oil painting on canvas depicting a summer landscape, titled "A Shady Path". Signed in the lower-right corner Jeanne M.Leeber. There are some notes on verso. Nic...

Artist/ School/ Date: Douglas Stuart Allen (American/ French 1923-2021) American born artist from Chicago, retiring to France during his latter years to...

Gaia 58 - Black and White Lily Pads Lake Catalonia Nature Photographic Print by Jaume Llorens Bach Gaia 58 is a 18cm x 24cm Black-and-White print on Premio Kozo 180gsm White Paper b...

"Twilight, Kyoto, Japan" is a unique (one-of-a kind) photo-based mixed media sepia toned print with hand manipulation on hand-edged Japanese artist's...

Spring Poplar Trees by Michael Kenna depicts a forest scene. The barren white trees stand tall in rows, seemingly multiplying as they get further in the distance. Spring Poplar Tre...

This artwork titled " Fallen Leaf III" 2015 is an oil painting on canvas depicting the Lake Tahoe area by noted American artist Andrew (Andy) Skaff, b.1945. It is signed at the lower...

The present painting, Autumn mood in the garden by the female artist Elisabeth Warling (1858–1915) is a fine example of her impressionistic works. Signed "Elisabeth Warling" and with...

BACKLAND is an original hand drawn limited edition lithograph(not a photo reproduction or digital print) by the realist painter, Peter Sculthorpe (b.1948 Ontario, Canada) printed using hand lithography techniques on archival Arches paper, 100% acid free. BACKLAND is a finely detailed drawing of a Bucks County...

"Sunset Over the Lake" by Carl Kjellin is a Nordic Light painting capturing the ephemeral beauty of a lake at sunset. The vibrant canvas, dominated by a b...

This painting captures the serene beauty of a snowy Vermont landscape. A stream winds gently through a forest, its dark, reflective waters contrasting with the bright, snow-covered r...