Adaa Art Dealers Association Of America
Art Dealers Association of America (ADAA)
Founded in 1962, the Art Dealers Association of America is a vetted community of more than 180 top-tier galleries across the United States. Working with these member galleries, ADAA appraisers offer assessment services for artworks spanning from the Renaissance to the present day. The ADAA also arranges public forums on important art-related topics and hosts The Art Show, presented each year at New York’s Park Avenue Armory, which stands out among art fairs for its acclaimed selection of curated booths — many of which are one-artist exhibitions.to
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Mid 19th C. Oil on Canvas Painting "A Two Mast Schooner Under Full Sail at Sea"
Located in Incline Village, NV
Fine quality mid 19th century period oil on canvas painting; American School depicting a schooner in full sail at sea; resembling the popular yacht, and first America's Cup winner "T...
Category
1850s American Victorian Antique Adaa Art Dealers Association Of America
Materials
Paint
$1,920 Sale Price
20% Off
Plant Pruner
By Donald S. Vogel
Located in Dallas, TX
Donald Vogel’s paintings reflect his interest in seeking beauty in life and in sharing pleasure with his viewers. Vogel entreats us to "rejoice and celebrate each new day, knowing it...
Category
1980s American Impressionist Adaa Art Dealers Association Of America
Materials
Oil, Panel
Two Callas
By Imogen Cunningham
Located in New York, NY
This supremely elegant photograph illustrates why Imogen Cunningham’s botanical pictures are a keystone of modernist photography. In the 1920s, Cunnin...
Category
1920s Adaa Art Dealers Association Of America
Materials
Silver Gelatin
Dahlias and Hydrangeas in Porcelain Terrine
By Stone Roberts
Located in New York, NY
Signed and dated (at lower left): J. STONE ROBERTS. /2019/20.
Category
2010s Contemporary Adaa Art Dealers Association Of America
Materials
Oil, Panel
The Circle is Cast, We Are Between the Worlds
By Angela Fraleigh
Located in New York, NY
In Angela Fraleigh’s dynamic paintings, female subjects culled from art history become active protagonists in newly imagined spaces. In their original contexts, these figures were largely painted as docile objects for the male gaze...
Category
2010s Adaa Art Dealers Association Of America
Materials
Oil, Acrylic
Untitled (Chateau Marmont)
By Ed Templeton
Located in New York, NY
Ed Templeton grew up and lives in Huntington Beach. While Templeton originally gained fame as a professional skateboarder, he is now recognized as a semin...
Category
2010s Contemporary Adaa Art Dealers Association Of America
Materials
Acrylic
Eros and Psyche
By Barnaby Fitzgerald
Located in Dallas, TX
A professor of painting at Southern Methodist University since 1984, Barnaby Fitzgerald spent his childhood in Italy where he earned a printmaking degree in Urbino. He received a BFA...
Category
Early 2000s Contemporary Adaa Art Dealers Association Of America
Materials
Linen, Oil
Earthenware John Bennett Plaque with Pink and Blue Phlox
By John Bennett
Located in New York, NY
FAPG 20247D
John Bennett (1840-1907), New York
Plaque with pink and blue phlox, circa 1881-1882
Earthenware, painted and glazed
Measures: 14 7/8 in. diameter, 1 13/16 in. high
Signed and inscribed (on the back): J B[monogram] ENNETT /
E 24 NY. / MC [or] CM
If the Herter Brothers was the most distinguished and successful cabinet making and decorating firm in New York in the 1870s-1880s, the transplanted Englishman John Bennett was probably the most gifted ceramicist working in New York in the Aesthetic period. (Bennett was included in The Metropolitan Museum of Art’s landmark exhibition, In pursuit of beauty: Americans and the Aesthetic Movement, in 1986–87, and Alice Cooney Frelinghuysen’s chapter, “Aesthetic Forms in Ceramics and Glass,” pp. 216–19, significantly informs this essay). Born in England, the son of a potter who worked in the Staffordshire district, Bennett came under the influence of John Sparkes, head of London’s Lambeth School of Art. Soon thereafter, he was hired by Henry Doulton of the eponymous firm to teach artisans there the new art of underglaze faience decoration, which was part of a revival of the sixteenth-century interest in hand-painted ceramics.
A number of Bennett’s works for Doulton were shown in the Doulton display at the Centennial Exposition in Philadelphia in 1876, and the considerable success enjoyed by Bennett and Doulton from an American audience undoubtedly played an important role in Bennett’s decision to leave Doulton and England and set up shop in New York in 1877. By the next year, he had already established a studio in New York, where he produced his own pottery in the tradition of the Arts & Crafts innovators, William Morris and William De Morgan, and also taught classes at the new Society of Decorative Art to the growing band of women who had taken up china painting, both professionally and avocationally.
Bennett’s pottery developed a very serious following among students and collectors, and was offered for sale at such leading retail establishments as Tiffany & Company in New York. Typically, his work was brilliantly colored, with carefully drawn naturalistic flowers against a monochromatic background.
Bennett’s fully developed American work, particularly pieces of larger scale, is exceedingly rare, as he worked in New York only from 1877 to 1883, in which year he withdrew to a farm in rural West Orange, New Jersey, where his production continued on a limited basis. He remained listed as a ceramicist there until 1889. While in New York City, Bennett maintained a studio at 412 East 24th Street. The present charger, boldly featuring pink and blue phlox, is signed by Bennett, and is inscribed “E 24 NY,” indicating its manufacture during Bennett’s time in New York. Although it is not dated, this piece is closely related stylistically to various dated pieces from 1881–82, which would place its production toward the end of Bennett’s New York years.
Although we do not know whether Bennett worked out of this 24th Street studio from the outset, he was indeed working there by 1879 when he made (and signed, inscribed, and dated) a charger with white and red flowers now in the collection of the Art Institute of Chicago, which specifically points to “412 East 24 / NY” (acc. no. 1998.317). Additionally, the U.S. Census of 1880 lists Bennett as a ceramicist located at that same address, married to Mary Bennett with whom he had had six children. There are several other examples from Bennett’s time in New York City, which also give his studio address on East 24th Street, including a covered jar in cadmium yellow with indigo and green flowers made in 1881; an undated footed vase with lilac...
Category
1880s American Aesthetic Movement Antique Adaa Art Dealers Association Of America
Materials
Earthenware
Self-Portrait with Sanctuary
By Julie Heffernan
Located in New York, NY
Oil on canvas
Category
2010s Adaa Art Dealers Association Of America
Materials
Canvas, Oil
Winter on the River
By Randall Exon
Located in New York, NY
Signed and dated (at lower right): 2011
Category
2010s Contemporary Adaa Art Dealers Association Of America
Materials
Oil
Folk Art Early 19thC American Sampler Wrought By "Ruthanna Stoke" Dated 1836
Located in Incline Village, NV
All original and authentic folk art American hand stitched early 19th century needlepoint sampler, wrought by "Ruthanna Stoke"; the namesake; in dark blue stitchery at the bottom cen...
Category
Early 19th Century American Folk Art Antique Adaa Art Dealers Association Of America
Materials
Tapestry
$1,800 Sale Price
20% Off
Self-Portrait as Throne
By Julie Heffernan
Located in New York, NY
Oil on canvas
Category
2010s Abstract Adaa Art Dealers Association Of America
Materials
Canvas, Oil
Street Scene: "King George Dies"
By Thomas Fransioli
Located in New York, NY
Fransioli was born in Seattle, Washington, and received a degree in architecture from the University of Pennsylvania in 1930. He worked with John Russell Pope on plans for the exhibition galleries at the National Gallery of Art in Washington, D.C., which he pinpointed as the beginning of his interest in painting. World War II interrupted a promising career in architecture. Fransioli served in the Pacific Theatre from 1943 until 1946, and was among the first American soldiers to survey Hiroshima after the atomic bomb’s detonation in August 1945. He returned to civilian life and took up painting, basing himself in Boston, but working up and down the eastern seaboard.
Thomas Fransioli’s cityscapes are crisp and tidy. Buildings stand in bold outline, their forms squarely defined by stark light and long shadows. Saturated color permeates every corner of his canvases, from vibrant oranges and greens to smoky terra cottas and granites. Even the trees that line Fransioli’s streets, parks, and squares are sharp and angular, exactly like those in an architect’s elevation rendering. But Fransioli’s cities often lack one critical feature: people. His streets are largely deserted, save for parked cars and an occasional black cat scurrying across the pavement. People make rare appearances in Fransioli’s compositions, and never does the entropy of a crowd overwhelm their prevailing sense of order and precision. People are implied in a Fransioli painting, but their physical presence would detract from the scene’s bleak and surreal beauty.
Magic Realism neatly characterizes Fransioli’s artistic viewpoint. The term was first broadly applied to contemporary American art in the 1943 Museum of Modern Art exhibition, American Realists and Magic Realists. As exhibition curator Dorothy Miller noted in her foreword to the catalogue, Magic Realism was a “widespread but not yet generally recognized trend in contemporary American art…. It is limited, in the main, to pictures of sharp focus and precise representation, whether the subject has been observed in the outer world—realism, or contrived by the imagination—magic realism.” In his introductory essay, Lincoln Kirstein took the concept a step further: “Magic realists try to convince us that extraordinary things are possible simply by painting them as if they existed.”
This is Fransioli, in a nutshell. His cityscapes exist in time and space, but certainly not in the manner in which he portrays them.
Fransioli—and other Magic Realists of his time—was also the heir to Precisionism, spawned from Cubism and Futurism after the Great War and popularized in the 1920s and early 1930s. While Fransioli may not have aspired to celebrate the Machine Age, heavy industry, and skyscrapers in the same manner as Charles Sheeler, his compositions tap into the same rigid gridwork of the urban landscape that was first codified by the Precisionists.
During the 1950s, Fransioli was represented by the progressive Margaret Brown...
Category
20th Century American Realist Adaa Art Dealers Association Of America
Materials
Canvas, Oil
A Ballet
By Otis Huband
Located in Dallas, TX
Otis Huband begins his work with no preconceived ideas, but rather to discover what will reveal itself. He states, "I work from the inside out rather than from the outside in. I do n...
Category
2010s Abstract Adaa Art Dealers Association Of America
Materials
Canvas, Oil
Against The Tide, Reflections 02
By Ori Gersht
Located in New York, NY
From the series Chasing Good Fortune
Category
2010s Adaa Art Dealers Association Of America
Materials
Archival Pigment
Peek-a-Boo
By Seymour Joseph Guy
Located in New York, NY
In the latter half of the nineteenth century and into the first decade of the twentieth, New York City art aficionados could count on finding recent work of Seymour Joseph Guy hanging on the walls of the city’s major galleries. Primarily a genre artist, but also a portraitist, between 1859 and 1908 Guy showed more than seventy works at the National Academy of Design. From 1871 to 1903 he contributed over seventy times to exhibitions at the Century Club. From 1864 to 1887, he sent about forty pictures to the Brooklyn Art Association. A good number of these works were already privately owned; they served as advertisements for other pictures that were available for sale. Some pictures were shown multiple times in the same or different venues. Guy was as easy to find as his canvases were omnipresent. Though he lived at first in Brooklyn with his family and then in New Jersey, from 1863 to his death in 1910 he maintained a studio at the Artist’s Studio Building at 55 West 10th Street, a location that was, for much of that period, the center of the New York City art world.
Guy’s path to a successful career as an artist was by no means smooth or even likely. Born in Greenwich, England, he was orphaned at the age of nine. His early interest in art was discouraged by his legal guardian, who wanted a more settled trade for the young man. Only after the guardian also died was Guy free to pursue his intention of becoming an artist. The details of Guy’s early training in art are unclear. His first teacher is believed to have been Thomas Buttersworth...
Category
19th Century American Realist Adaa Art Dealers Association Of America
Materials
Canvas, Oil
$110,000
Still Life
By Pierre Bisiaux
Located in Dallas, TX
Signed "P. Bisiaux" at lower right
The overall dimensions, including the frame, are 29 x 34 7/8 inches
Category
Mid-20th Century Modern Adaa Art Dealers Association Of America
Materials
Canvas, Oil
USA Flag, Fragment
By Sharon Core
Located in New York, NY
From Sharon Core's series Oldenburgs, which playfully explores the sculptural work of Claes Oldenburg.
Category
2010s Adaa Art Dealers Association Of America
Materials
Archival Pigment
September
By Randall Exon
Located in New York, NY
Oil on panel
Category
2010s Contemporary Adaa Art Dealers Association Of America
Materials
Oil, Panel
$18,000
Maple and Oak Candle Stand
Located in West Chester, PA
This is a very unusual candle stand made from maple and oak. It has a stationary oak dish top, maple turned urn shaped pedestal with three maple tu...
Category
1780s American Antique Adaa Art Dealers Association Of America
Materials
Maple, Oak
Iceland (55530)
By Luca Campigotto
Located in New York, NY
Edition of 15 (includes all sizes).
Signed, titled, dated and editioned on frame label provided.
Final shipping costs will depend on the size of the print ordered, and whether it is purchase framed or unframed.
Luca Campigotto's photographic expeditions have taken him to disparate and exotic locations around the world – Japan, India, Thailand, Chiba, Cambodia in the Far East; many European and North American cities; as well as Cairo, Lapland, Argentina, Iceland, and Easter Island.
Campigotto’s works are held in private and public collections worldwide, including Maison Européenne de la Photographie (Paris), Museo Nazionale delle Arti del XXI Secolo (Rome), Museo Fortuny...
Category
2010s Contemporary Adaa Art Dealers Association Of America
Materials
Archival Pigment
North Sea
By Mimmo Paladino
Located in Dallas, TX
from the Padoli Monotypes III
Category
1970s Modern Adaa Art Dealers Association Of America
Materials
Monotype
Like Ice in the Clouds (Japan) No. 71
By Simone Rosenbauer
Located in New York, NY
15 x 15 archival pigment print, edition 8.
Signed, titled, dated and editioned on frame label provided.
In this latest body of work, Simone Rosenbauer continues her series "Like Ic...
Category
2010s Contemporary Adaa Art Dealers Association Of America
Materials
Archival Pigment
Untitled Portrait
By Seydou Keïta
Located in New York, NY
Listing includes framing with UV Plexi ($900 value), free shipping, and a 14-day return policy.
Seydou Keïta
Untitled Portrait, 1952 - 1955 (00089-MA.K...
Category
1950s Adaa Art Dealers Association Of America
Materials
Photographic Film, Photographic Paper, Silver Gelatin
Interloper, Sheesh Mahal, Udaipur City Palace, 2019
By Karen Knorr
Located in New York, NY
Listing includes framing with UV Plexi ($1,700 value), free shipping to the continental US and a 14-day return policy.
Interloper (2019) by Karen Knorr.
31.5 x 39.5 inches, 34 x 4...
Category
2010s Adaa Art Dealers Association Of America
Materials
Photographic Paper, Color, Archival Pigment
Dover
By James Twitty
Located in Dallas, TX
Signed "Twitty" at lower right
Category
1960s Abstract Geometric Adaa Art Dealers Association Of America
Materials
Acrylic, Linen
$4,000
Human and Animal Locomotion. Plate 319.
By Eadweard Muybridge
Located in New York, NY
Human and Animal Locomotion.
Plate 319. Heaving 75-lb. rock.
14 x 20 inch original vintage collotype print from 1887 (image size 5.25 x 15.125 inches)
Inventor, photographer, entre...
Category
1880s Adaa Art Dealers Association Of America
Materials
Photographic Paper
Floating Bridge
By Ori Gersht
Located in New York, NY
From the series Floating World
Category
2010s Adaa Art Dealers Association Of America
Materials
Archival Pigment
Lost World 01
By Ori Gersht
Located in New York, NY
From the series Floating World
Category
2010s Adaa Art Dealers Association Of America
Materials
Archival Pigment
The Outskirts of Guatemala City, [girl with candy apples] Guatemala
By Sebastião Salgado
Located in Santa Monica, CA
Signed, titled & dated in pencil on verso with the photographer's embossed stamp on recto
Gelatin silver print
Image - 12"x17.5", Matted - 20"x24"
Category
1970s Adaa Art Dealers Association Of America
Materials
Silver Gelatin
![The Outskirts of Guatemala City, [girl with candy apples] Guatemala](https://a.1stdibscdn.com/sebastiao-salgado-photography-the-outskirts-of-guatemala-city-girl-with-candy-apples-guatemala-for-sale/a_14/1749080794361/BC78AEAA_DC0A_4706_BE85_7C22E5FF5979_master.jpg?width=240 "Sebastião Salgado - The Outskirts of Guatemala City, [girl with candy apples] Guatemala")
Still Life in a Landscape
By Paul LaCroix
Located in New York, NY
Oil on canvas
Category
19th Century Adaa Art Dealers Association Of America
Materials
Oil
Bird in Cage
Located in New York, NY
Gouache on board, 20 x 24 in.
Signed (at lower right): Atherton
Painted about 1940
RECORDED: Art News (May 11, 1940), illus. [clipping citation]
EXHIBITED: The Art Institute of Chicago, 1940, The International Watercolor Exhibition, no. 156, illus. on cover as Bird in Cage...
Category
Mid-20th Century American Modern Adaa Art Dealers Association Of America
Materials
Tempera, Wood Panel
Buddies in the house
By Lindy Chambers
Located in Dallas, TX
This painting is from Lindy Chambers' 2023 series "Animal Love."
Born in Tennessee, Lindy Chambers, an identical twin, spent her youth drawing and riding horses with her twin sister LeeLee Brazeal before moving to Texas in 1972.
Lindy has loved animals forever, and her favorite paintings and drawings are of animals. However, she has avoided painting horses until now because she knows horses so well. Lindy's new series includes all variety of animals, including horses.
Lindy Chambers says:
"When I start to paint, the color is intuitive, and the process is spontaneous. I try to listen to the canvas and react to it. I follow the river of the subconscious - it is all about exploration and revelations along the way. My attention is drawn to the relationship of forms - and to unrecognizable shapes that are thought provoking and unworldly."
Lindy Chambers has had solo exhibitions at the Lawrence Arts Center, Lawrence, Kansas; Women & Their Work, Austin, Texas; Fort Worth Community Arts Center, Fort Worth, Texas; and Pelham Art...
Category
2010s Contemporary Adaa Art Dealers Association Of America
Materials
Canvas, Oil
Library, Gaineswood, Demopolis, AL
By Andrew Moore
Located in New York, NY
The result of twelve trips over three years, Moore’s work in the American South uses historic homes, both grand and modest, the preserved backroom of a Jewish social club,
the curta...
Category
2010s Adaa Art Dealers Association Of America
Materials
Archival Pigment
Like Ice in the Sunshine No. 09
By Simone Rosenbauer
Located in New York, NY
Archival pigment print, edition 3.
Signed, titled, dated and editioned on frame label provided.
In this new series by Simone Rosenbauer, entitled Like Ice in the Sunshine...
Category
21st Century and Contemporary Contemporary Adaa Art Dealers Association Of America
Materials
Archival Pigment
Hydrangeas and Other Garden Flowers
By John Ross Key
Located in New York, NY
Signed (at lower right): John Ross Key 1882
Category
Late 19th Century American Realist Adaa Art Dealers Association Of America
Materials
Canvas, Oil
Hanging Sky 01
By Ori Gersht
Located in New York, NY
From the series Floating World
Category
2010s Adaa Art Dealers Association Of America
Materials
Archival Pigment
n Memory of the Great Fire at Chicago (Cartoon for the Mural Lunette in the Chic
Located in New York, NY
On October 8, 1871, one of the greatest fires of modern times broke out in Chicago. Engulfing the entire city within hours, it left over 90,000 people homeless and destroyed thousands of buildings, causing many people to flee into the water to escape the flames. Among the property destroyed were the proudest cultural and civic institutions of the city. While the financial center was rebuilt within a year and trade was greater in 1872 than it had been in 1870, it took over a decade for the city’s cultural resources to recover from the disaster. Many of the city’s best artists did not even return to Chicago for several years. Foreign aid poured in from around the world, with half coming from England alone. It is not surprising therefore, that in 1872 it was an English artist that should have designed the mural for City Hall commemorating the Great Fire...
Category
Late 19th Century Realist Adaa Art Dealers Association Of America
Materials
Paper, Charcoal
The Japanese Corner
By Elliott Daingerfield
Located in New York, NY
A child of the American South, Elliott Daingerfield was born in Harper’s Ferry, Virginia, and raised in Fayetteville, North Carolina, where his father, C...
Category
19th Century American Impressionist Adaa Art Dealers Association Of America
Materials
Canvas, Oil
"Sapphire"
By John Schieffer
Located in Scottsdale, AZ
John Schieffer graduated in 1995 from Paier College of Art in Hamden, Connecticut with a Bachelor of Fine Arts degree. The salutatorian entered the world of illustration at Mercer Ma...
Category
2010s Contemporary Adaa Art Dealers Association Of America
Materials
Oil, Wood Panel
"Trio of Gummy Bears"
By John Schieffer
Located in Scottsdale, AZ
John Schieffer graduated in 1995 from Paier College of Art in Hamden, Connecticut with a Bachelor of Fine Arts degree. The salutatorian entered the world of illustration at Mercer Ma...
Category
2010s Contemporary Adaa Art Dealers Association Of America
Materials
Oil, Wood Panel
Like Ice in the Clouds (Japan) No. 117
By Simone Rosenbauer
Located in New York, NY
15 x 15 archival pigment print, framed, edition 8.
Signed, titled, dated and editioned on frame label provided.
In this latest body of work, Simone Rosenbauer continues her series "...
Category
2010s Contemporary Adaa Art Dealers Association Of America
Materials
Archival Pigment
Classic Western Lariat Style Cowgirl / Cowboy Hat by Iconic Stetson Hat Co Texas
By Stetson
Located in Incline Village, NV
HAT SIZE = 6 7/8"
Product of Texas, hand made high quality western cowboy or cowgirl hat, made by the iconic Stetson Hat Company, this "Lariat" style hat with the three piece silver...
Category
1990s American American Craftsman Adaa Art Dealers Association Of America
Materials
Animal Skin, Fur
Full Moon over Jack
s Pasture
By Randall Exon
Located in New York, NY
Randall Exon (b. 1956) was born in Vermillion, South Dakota. Exon earned his B.F.A. in painting from Washburn University in Topeka, Kansas, and an M.F.A. at the University of Iowa. I...
Category
2010s Contemporary Adaa Art Dealers Association Of America
Materials
Linen, Oil
The Bottom of the River
By Randall Exon
Located in New York, NY
Signed and dated (at lower right): Randall Exon 2012
Category
2010s Contemporary Adaa Art Dealers Association Of America
Materials
Oil
Yosemite Falls
By Ian Ruhter
Located in New York, NY
Listing includes free shipping for unframed prints and 14-day return policy.
Ian Ruhter
Yosemite Falls
30 x 40 inch archival pigment print
Edition of ...
Category
2010s Adaa Art Dealers Association Of America
Materials
Photographic Paper
"Star Confetti"
By John Schieffer
Located in Scottsdale, AZ
John Schieffer graduated in 1995 from Paier College of Art in Hamden, Connecticut with a Bachelor of Fine Arts degree. The salutatorian entered the world of illustration at Mercer Ma...
Category
2010s Contemporary Adaa Art Dealers Association Of America
Materials
Oil, Wood Panel
Still Life with Box
By David Ligare
Located in New York, NY
Signed (at lower right): L; (on verso): David Ligare
Category
2010s Contemporary Adaa Art Dealers Association Of America
Materials
Canvas, Oil
"Her Mother
s Locket"
By Tim Rees
Located in Scottsdale, AZ
Timothy Rees was fascinated with drawing throughout his youth and after high school pursued a degree in animation. The pull to painting portraits and figures was strong, however, le...
Category
2010s Contemporary Adaa Art Dealers Association Of America
Materials
Linen, Oil Pastel, Panel
Hermit Crab Cup
By Ken Price
Located in New York, NY
Ken Price
Hermit Crab Cup
1972
Silkscreen on paper
Print: 28 x 22 inches; 71 x 56 cm
Frame: 30 5/8 x 24 3/4 inches; 78 x 63 cm
Edition of 60
Signed, title...
Category
1970s Contemporary Adaa Art Dealers Association Of America
Materials
Screen
17th Century Dutch Brass Hemskirk Candlestick
Located in West Chester, PA
17th century Dutch brass Hemskirk candlestick.
Category
Early 17th Century European Antique Adaa Art Dealers Association Of America
The Old Monastery Wall
By William S. Schwartz
Located in New York, NY
Signed (at lower left): WILLIAM S. SCHWARTZ
Category
Early 20th Century American Modern Adaa Art Dealers Association Of America
Materials
Canvas, Oil
Aquila Degli Abruzzi, Italy
By Henri Cartier-Bresson
Located in Santa Monica, CA
Signed in ink on recto
Gelatin silver print
Image: 14 x 9 1/2 inches, Paper: 15 7/8 x 12 inches, Mat: 20 x 16
Category
1950s Adaa Art Dealers Association Of America
Materials
Silver Gelatin
Cascade Lake
By Ian Ruhter
Located in New York, NY
Listing includes free shipping for unframed prints and 14-day return policy.
Ian Ruhter
Cascade Lake
30 x 40 inch archival pigment print
Edition of 30
*Please note that most order...
Category
2010s Adaa Art Dealers Association Of America
Materials
Photographic Paper
Pinks
By Gary Hume
Located in New York, NY
Gary Hume
Pinks
2002
Silkscreen
17 3/8 x 14 inches; 44 x 36 cm
Edition of 45
Signed, titled, dated and numbered in graphite (lower recto)
Frame available upon request
Available fr...
Category
Early 2000s Contemporary Adaa Art Dealers Association Of America
Materials
Screen
$2,000
The Winds of Change, Villa Farnese, Caprarola, 2014
By Karen Knorr
Located in New York, NY
Listing includes free shipping, and a 14-day return policy.
24 x 30 inch archival pigment print
Edition 4 of 5
Signed on artist certificate
Also available in 3 other sizes.
Arti...
Category
2010s Adaa Art Dealers Association Of America
Materials
Photographic Paper, Color
Walnut Queen Anne Mirror
Located in West Chester, PA
Queen Anne mirror with carved and gilded shell. 2 part glass. English, circa 1740-1750.
Category
Mid-18th Century English Queen Anne Antique Adaa Art Dealers Association Of America
Materials
Walnut
$3,000
Pinto
s Spinetail
By Elizabeth Turk
Located in New York, NY
Anodized aluminum (gold)
Category
2010s Contemporary Adaa Art Dealers Association Of America
Materials
Metal
Brigitte Bardot Prepares to Meet the Press, London
By Larry Burrows
Located in New York, NY
Image size is 15 x 19.5 inches. Printed in 1999. Larry Burrows Collection and copyright stamps on verso.
Larry Burrows career as a LIFE Magazine photographer culminated in his renow...
Category
1950s Adaa Art Dealers Association Of America
Materials
Silver Gelatin
Girl in Decorative Wrap
By Winold Reiss
Located in New York, NY
Winold Reiss (1886-1953), who scholars increasingly recognize as a pivotal figure in early 20th-century American art, is known for his evocative portraits that capture the spirit and...
Category
20th Century American Modern Adaa Art Dealers Association Of America
Materials
Mixed Media, Board
