Antiques Associations Members Animal Paintings
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A collie lying on a stone wall
By Lilian Cheviot
Located in Stoke, Hampshire
Lillian Cheviot (1894-1930)
A collie lying on a stone wall
signed 'L. ChevioT.' (lower left)
Oil on canvas
Canvas Size - 20 x 24 in
Framed Size - 31 x 35 in
Provenance
Sale, Doyle &...
Category
19th Century Victorian Antiques Associations Members Animal Paintings
Materials
Oil
$7,536 Sale Price
35% Off
A collie standing in a landscape, a country house beyond
By Maud Earl
Located in Stoke, Hampshire
Maud Earl (1863-1943)
A collie standing in a landscape, a country house beyond
signed and dated 'Maud Earl/ 1899.' (lower right)
Oil on canvas
Canvas Size 30 x 40 in
Framed Size 40 x...
Category
19th Century Victorian Antiques Associations Members Animal Paintings
Materials
Oil
Pair of 19th Century sporting dog oil portrait paintings of setters
By Colin Graeme Roe
Located in Nr Broadway, Worcestershire
**PLEASE NOTE: EACH PAINTING INCLUDING THE FRAME MEASURES 14.5 INCHES X 16.5 INCHES**
Colin Graeme Roe
British, (1855-1910)
Waiting for Master & On the Scent
Oil on canvas, pair, bo...
Category
19th Century Victorian Antiques Associations Members Animal Paintings
Materials
Canvas, Oil
19th Century coaching oil painting
By John Charles Maggs
Located in Nr Broadway, Worcestershire
John Charles Maggs
British, (1819-1896)
Bristol, Bath & London Coach Outside The Crown Inn, Bath
Oil on canvas, signed & dated 1882
Image size: 17.5 inches x 29.5 inches
Size includ...
Category
19th Century Victorian Antiques Associations Members Animal Paintings
Materials
Canvas, Oil
The New Litter
By Heywood Hardy
Located in Belgravia, London, London
Oil on canvas
Canvas size: 19 x 27.25 inches
Signed lower left
Category
19th Century Antiques Associations Members Animal Paintings
Materials
Canvas, Oil
$40,239
Head of a terrier
By Samuel Raven
Located in Stoke, Hampshire
Samuel Raven (1775-1847)
Head of a terrier
signed and inscribed 'S. Raven pinxt./Patronized by H.R.H. the Duke of Sussex/& Prince Leopold of Saxe-Coburg' verso
oil on papier mâché
Pa...
Category
19th Century Victorian Antiques Associations Members Animal Paintings
Materials
Oil
Study of the Head of a Moorhen
By Joseph Mallord William Turner
Located in Belgravia, London, London
Watercolour on paper
Paper size: 4 x 5 inches
Framed size: 19 x 19.75 inches
PROVENANCE
A gift from Joseph Mallord William Turner to Miss Amelia Hawksworth (later Mrs Hotham), niece of Walter Fawkes. The watercolour descended through the ownership of Amelia Hawksworth, daughter of Francis Fawkes ( Walter Fawkes's brother) who was the main compiler of the Ornithological Collection (Miss Hawksworth owned five other bird studies by Turner).
Private collection, London
LITERATURE:
For similar works by J M W Turner see Anne Lyles, The Tate catalogue for the exhibition 'Turner and Natural History, The Farnley Project', 1988.
The present watercolour was drawn circa 1815-1820 for Walter Fawkes of Farnley Hall, for his Ornithological Collection Volume IV.
Between 1808 and 1824, Turner visited Farnley Hall in Yorkshire to stay with the Fawkes family. Turner felt at home at Farnley - the Fawkes daughters reminded him of his own. He helped illustrate a five volume ornithological scrap book for the Fawkes children, making watercolour studies of the birds for the children to stick in opposite the pages on which feathers from similar birds were attached. His bird portraits were most effective, most "life-like", when in fact the bird was dead ! His watercolours of a live robin and goldfinch have a more hesitant touch.
At this time Turner enjoyed the patronage first of Edward Lascelles, the heir to Harewood, and after 1808, of the radical landlord Walter Fawkes of Farnley Hall, near Otley. He became a close friend of the Fawkes family with whom he stayed for most summers until 1824.
The last owner of Old Farnley Hall was Francis Fawkes, a rich widower with no direct heirs. When Francis Fawkes died in 1786 he left the house to Walter Beaumont Hawksworth of Hawksworth Hall, on condition that Hawksworth adopt the Fawkes name by Royal Licence. Walter Fawkes brought in architect John Carr of York to make extensions to the house, but he died before the work was completed, and Farnley Hall was passed on to his son, also called Walter who also took the Fawkes name and was known as Walter Ramsden Fawkes. It was this Walter who was a great friend of J M W Turner.
Anne Lyles has confirmed the attribution and writes:
"Everything fits in relation to the style of the watercolour and most especially the provenance - in the Turner and Natural History exhibition catalogue of 1988 we know that Amelia Hawksworth (Mrs Hotham) owned three studies of birds' heads by J M W Turner (previously with the Maas Gallery, and numbers 36, 37 and 61 in that catalogue) as well as two studies of dead game by the artist (catalogue numbers 59 and 63, the latter untraced in 1988). Interestingly, catalogue numbers 36 and 37 (the Merganser and the Smew) seem also originally to have been intended for Volume IV of the Ornithological Collection - it is likely that the "Study of the Head of a Moorhen...
Category
19th Century Antiques Associations Members Animal Paintings
Materials
Paper, Watercolor
Early 19th Century sporting horse portrait oil painting of a horse
groom
By Clifton Tomson
Located in Nr Broadway, Worcestershire
Clifton Tomson
British, (1775-1828)
Catching a Horse
Oil on canvas, signed, inscribed & dated ‘Nottingham 1826’
Image size: 23 inches x 29.25 inches
Size including frame: 30.25 inch...
Category
Early 19th Century Antiques Associations Members Animal Paintings
Materials
Canvas, Oil
A fox at bay
By James Bateman
Located in Stoke, Hampshire
James Bateman (1814-1849)
A fox at bay
signed and dated 'J. Bateman 44' centre right
Oil on panel
Painting size 8 x 10 in
Framed size 13 x 15 in
James Bateman (1893–1959) was an Eng...
Category
19th Century Victorian Antiques Associations Members Animal Paintings
Materials
Oil
19th Century landscape animal oil painting of sheep with lambs
By Claude Cardon
Located in Nr Broadway, Worcestershire
Claude Cardon
British, (1864-1937)
Spring Lambs
Oil on canvas, signed
Image size: 9.5 inches x 13.5 inches
Size including frame: 16.25 inches x 20.25 inches
A charming painting of ...
Category
19th Century Victorian Antiques Associations Members Animal Paintings
Materials
Canvas, Oil
Deer in Windsor Park
By John Frederick Herring Sr.
Located in Stoke, Hampshire
John Frederick Herring Snr (Surrey 1795-1863 Kent)
Deer in Windsor Park
Signed and dated 'J.F. Herring 1835'
Oil on Panel
Painting size 10 x 12 in
Framed Size 15 x 17 in
John Frederick Herring Sr. was born on September 12, 1795, in London, England. He was the son of a London-based fringe maker, and the family lived in modest circumstances. Although little is known about his early education, Herring showed a natural affinity for art and horses from a young age. His father moved the family to Doncaster when Herring was still a boy, a town famous for horse racing, which would play a significant role in shaping his future career.
Herring’s love for horses became evident during his youth, where he worked as a coachman and sign painter. He often painted inn signs...
Category
19th Century Victorian Antiques Associations Members Animal Paintings
Materials
Oil
Waiting for Master
By Philip Eustace Stretton
Located in Stoke, Hampshire
Philip Eustace Sretton (1884-1919)
Waiting for Master
Oil on canvas
Canvas Size - 30 x 25 in
Framed Size - 37 x 32 in
Provenance
The Leverhulme Collection; Sotheby's, Thornton Mano...
Category
19th Century Victorian Antiques Associations Members Animal Paintings
Materials
Oil
A groom leading a bay hunter in a landscape
Located in Stoke, Hampshire
James Lynwood Palmer (1868-1941)
A groom leading a bay hunter in a landscape
signed and dated 'Lynwood Palmer/ 1903' (lower left)
Oil on canvas
Painting size 20 x 24 in
Framed size 2...
Category
20th Century Antiques Associations Members Animal Paintings
Materials
Oil
Ducks and Pigeons in a Barn Interior
By John Frederick Herring Sr.
Located in Stoke, Hampshire
John Frederick Herring Snr (Surrey 1795-1863 Kent)
Ducks and Pigeons in a Barn Interior
Signed and dated 1858
Oil on canvas
Painting size 18 1/2 x 28 1/2 in
Framed size 24 x 33 1/2 in
John Frederick Herring Sr. was born on September 12, 1795, in London, England. He was the son of a London-based fringe maker, and the family lived in modest circumstances. Although little is known about his early education, Herring showed a natural affinity for art and horses from a young age. His father moved the family to Doncaster when Herring was still a boy, a town famous for horse racing, which would play a significant role in shaping his future career.
Herring’s love for horses became evident during his youth, where he worked as a coachman and sign painter. He often painted inn signs...
Category
19th Century Victorian Antiques Associations Members Animal Paintings
Materials
Oil
A collie lying down
Located in Stoke, Hampshire
Charles Edward Stewart (fl. 1887-1938)
A collie lying down
signed 'C.E. Stewart' (lower right)
Oil on canvas
Canvas Size 28 x 36 in
Framed Size 35 x 43 in
Provenance
with Ross Hamil...
Category
19th Century Victorian Antiques Associations Members Animal Paintings
Materials
Oil
Study of two collies
By Arthur Wardle
Located in Stoke, Hampshire
Arthur Wardle (1864–1949)
Study of two collies
signed and inscribed 'Arthur Wardle to G.H.Proctor Esq' (upper right)
Oil on board
Painting size 16 x 13 in
Framed size 19 x 16 in
Pro...
Category
19th Century Victorian Antiques Associations Members Animal Paintings
Materials
Oil
$4,774 Sale Price
36% Off
19th Century sporting horse portrait oil painting of a chestnut hunter
By Abraham Cooper
Located in Nr Broadway, Worcestershire
Abraham Cooper RA
British, (1787-1868)
A Surrey Hunter
Oil on canvas, signed with monogram & dated 1850, further inscribed bottom left
Image size: 24 inches x 29 inches
Size includi...
Category
19th Century Victorian Antiques Associations Members Animal Paintings
Materials
Canvas, Oil
Guarding the flock
By Edwin Douglas
Located in Stoke, Hampshire
Edwin Douglas (1848-1914)
Guarding the flock
signed 'ED(in ligature)ouglas' (lower left)
Oil on canvas
Painting size 24 x 20 in
Framed size 29 1/2 x 25 1...
Category
19th Century Victorian Antiques Associations Members Animal Paintings
Materials
Oil
19th Century horse portrait oil painting of a chestnut hunter
Located in Nr Broadway, Worcestershire
Alfred Moginie Bryant
British, (1855-1935)
Sunshine
Oil on canvas, signed & dated (18)90
Image size: 17.75 inches x 23.75 inches
Size including frame: 26.5 inches x 32.5 inches
A f...
Category
Late 19th Century Victorian Antiques Associations Members Animal Paintings
Materials
Canvas, Oil
Both parent and guardian
By Frank Paton
Located in Stoke, Hampshire
Frank Paton (1856-1909)
Both parent and guardian
signed and dated 'F. Paton. 1882.' lower left
Oil on canvas
Painting Size - 25 x 30 in
Framed Size - 30 x 35 in
Provenance
With The ...
Category
19th Century Victorian Antiques Associations Members Animal Paintings
Materials
Oil
Sporting horse portrait oil painting of bay hunter in a stable
By Alfred Grenfell Haigh
Located in Nr Broadway, Worcestershire
Alfred Grenfell Haigh
British, (1880-1963)
Braydon
Oil on canvas, signed & dated 1913, further inscribed Braydon
Image size: 22.5 inches x 29.5 inches
Size including frame: 28.5 in...
Category
Early 20th Century Antiques Associations Members Animal Paintings
Materials
Canvas, Oil
Fishing Amongst The Reeds
By Sidney Richard Percy
Located in Belgravia, London, London
Fishing Amongst the Reeds
by Sidney Richard Percy
British, 1821-1886
Oil on canvas
Canvas size: 10 x 17 inches
Framed size: 13.5 x 20.5 inches
Signed lower right
Category
19th Century Antiques Associations Members Animal Paintings
Materials
Oil, Canvas
19th Century Oil Painting English Summer Landscape of the River Arun in Sussex
Located in Gerrards Cross, GB
‘On the Arun, Sussex’ by George Vicat Cole RA, RBA (1833-1893).
Academy Fine Paintings is fully conversant with the legal exemptions which, under the supreme law of the U.S. Consti...
Category
1860s English School Antiques Associations Members Animal Paintings
Materials
Oil
Welsh landscape oil painting of cattle by the River Llugwy, North Wales
Located in Nr Broadway, Worcestershire
Walter J Watson
British, (1877-1963)
On the Llugwy, North Wales
Oil on canvas, signed & dated 1922, further inscribed verso
Image size: 15.5 inches x...
Category
20th Century Antiques Associations Members Animal Paintings
Materials
Canvas, Oil
Sir Richard Sutton
s foxhounds
By John Ferneley Senior
Located in Stoke, Hampshire
John Ferneley Snr (1782-1860 Melton Mowbray)
Sir Richard Sutton's foxhounds
signed J. Ferneley lower right
Oil on canvas
Canvas Size 16 1/8 x 20 1/2 in
Framed Size 21 x 25 in
Proven...
Category
18th Century Old Masters Antiques Associations Members Animal Paintings
Materials
Oil
$8,440 Sale Price
24% Off
Leopard Cub
By Charles Fracé
Located in Belgravia, London, London
Oil on canvas
Canvas size: 21 x 18 inches
Framed size: 33.5 x 30.75 inches
Signed lower right
Category
20th Century Antiques Associations Members Animal Paintings
Materials
Canvas, Oil
$10,844
19th Century oil painting of a farm with horses, pigs, goats, poultry
cattle
By John Frederick Herring Jr
Located in Nr Broadway, Worcestershire
John Frederick Herring Jnr
British, (c1820-1907)
Farmyard Friends
Oil on canvas, signed
Image size: 23.25 inches x 35.25 inches
Size including frame: 29.75 inches x 41.75 inches
Provenance: Frost & Reed; Stacy Marks, Eastbourne
A fantastic rural farmyard scene featuring horses, pigs, goats, chickens, ducks and cattle by John Frederick Herring Jnr. In the foreground, pigs, goats and chickens are shown foraging for food whilst horses watch on. To the right, a bay horse drinks from a pond next to some ducks as cattle graze outside a barn. In the distance two figures can be seen walking along a country path towards a church.
John Frederick Herring was born in Doncaster c1820 to the artist John Frederick Herring (1795-1865) and his wife Anna Catharina (nee Harris) and was baptised on 2 May, 1821. There is some confusion about the date of his birth due to an earlier birth record existing for 21 June, 1815. To complicate matters further, all of the census records indicate he was born in 1816. Some sources suggest this was an earlier child who died and that Herring was the child born in 1820.
Herring’s brothers Charles Herring (1828-1856) and Benjamin Herring (1830-1871) also became artists. He and his brothers were exposed to art at an early age and were all tutored by their father whose subject matter influenced their work. The family moved to Newmarket during the early 1830’s and Herring would visit the racecourse to study the horses. The brothers would often collaborate with their father on paintings, however, Herring Jnr soon developed his own style and began painting farmyard and rustic scenes featuring horses and other farm animals. His emerging success caused some discord with his father, who from around 1836 began adding ‘SR’ or ‘Senr’ to his signature to avoid confusion between the two artists. Herring did not join his father when he later moved to London but at some point moved to Cambridgeshire where he met and married Emma Jane Dawson on 29 August, 1836. Together, they lived at Great Wilbraham with their 5 children.
By 1861, he had moved to nearby Fulbourn and continuing his successful career made his debut at the Royal Academy in 1863. He began exhibiting at the British Institution from 1864 and also exhibited at the Royal Society of British Artists at Suffolk Street.
After the death of his first wife, Herring married the artist Catherine Augusta Rolfe on 5 December 1865 at St Pauls Church, Hammersmith in London. Catherine (or Kate) was the sister of the artists Alexander Frederick Rolfe (1814-1875) and Henry Leonides Rolfe (1823-1881) and the daughter of William E Rolfe, a friend of his father. They lived at Wilbraham Road in Fulbourn, later moving to The Poplars in Fulbourn where Herring spent the rest of his life. He died at Fulbourn on 6 March 1907.
Examples of his work are held by a number of museums and public collections including the Bradford Museum, Hawarth Art Gallery, Government Art Collection, Grundy Art Gallery, the Tate, National Gallery of Art, Washington DC and the Watford Museum & Witt Library.
Presentation: The painting is housed in a new, English made gilt frame which is in excellent condition.
Condition: As with all of our original antique oil paintings, this work is offered in ready to hang gallery condition, having been professionally cleaned, restored and revarnished.
© Benton Fine Art
Category
19th Century Antiques Associations Members Animal Paintings
Materials
Canvas, Oil
Horse portrait oil painting of a fleabitten grey horse in a stable
By George Wright
Located in Nr Broadway, Worcestershire
George Wright
British, (1860-1944)
Fleabitten Grey Horse in a Stable
Oil on canvas, signed, old label verso
Image size: 15.5 inches x 21.25 inches
Size including frame: 22.75 inche...
Category
Early 20th Century Victorian Antiques Associations Members Animal Paintings
Materials
Canvas, Oil
19th Century landscape genre oil painting of farmworkers with horses
a dog
By George Cole
Located in Nr Broadway, Worcestershire
George Cole
British, (1810-1883)
Rick Making, Lunchtime
Oil on canvas, signed & dated 1883
Image size: 23.5 inches x 35.5 inches
Size including frame: 30.5 inches x 42.5 inches
Prove...
Category
19th Century Victorian Antiques Associations Members Animal Paintings
Materials
Canvas, Oil
Horse portrait oil painting of a bay hunter in a landscape
Located in Nr Broadway, Worcestershire
Thomas Percy Earl
British, (1874-1947)
Deerslayer
Oil on canvas, signed & dated 1913 & inscribed ‘Deerslayer’
Image size: 24.25 inches x 29.25 inches
Size including frame: 30.5 inch...
Category
20th Century Victorian Antiques Associations Members Animal Paintings
Materials
Canvas, Oil
19th Century animal oil painting of ducks
ducklings next to a river
By Constant David Ludovic Artz
Located in Nr Broadway, Worcestershire
Constant Ludovic Artz
Dutch, (1870-1951)
The Swimming Lesson
Oil on canvas, signed
Image size: 11.5 inches x 15 inches
Size including frame: 16.5 inches x 20 inches
An enchanting painting of ducks and ducklings next to a river by constant Ludovic Artz. A white duck can be seen about to enter the water with her ducklings. Two more ducks are depicted resting on the bank beside a male duck who is shown puffing his chest out.
Constant David Ludovic Artz was born in Paris on 3 June, 1870, the son of David Adolph Constant Artz (1837-1890) and Josephine Jouanin. His father was a Dutch artist who had moved his family to Paris to set up a studio. The family returned to Holland in 1874 and settled in the Hague. Artz was taught art by his father and at the age of 12 enrolled at the Academy of Visual Arts in The Hague. He also received tuition from Hendrik Mesdag (1831-1915) and Willem Maris (1844-1910) who had an influence on his subject matter.
He married Johanna Sophia Cecilia Ginjoolen at the Hague on 5 July, 1893. One of the witnesses was the artist Tony Offermans (1854-1911) whom he was apprenticed to at his studio. The couple went on to have two children together and to supplement his income, Artz also worked as an art teacher. One of his pupils was Leendert Scheltema (1876-1966).
After divorcing from his first wife in 1915, he married Lucie Sophie van der Hoeven in 1917. At some point he moved to Soestdijk, living there until 1926 when he relocated to Katwijk at Sea in. He returned to Soestdijk in 1931 where he died on 23 February, 1951.
Like his father, Artz was fascinated by nature and after painting a series of landscapes and seascapes began producing scenes featuring ducks and waterfowl usually on or by lakes and rivers. He was an expert at painting the play of light upon water and also preferred to work with smaller canvasses. His work can be found in private and public collections including the Rijksmuseum.
Presentation: The painting is housed in a new, English made gilt frame which is in excellent condition.
Condition: As with all of our original antique oil paintings, this work is offered in ready to hang gallery condition, having been professionally cleaned, restored and revarnished.
© Benton Fine...
Category
19th Century Victorian Antiques Associations Members Animal Paintings
Materials
Canvas, Oil
19th Century landscape oil painting of a logging cart on a country track
By Henry H. Parker
Located in Nr Broadway, Worcestershire
Henry H Parker
British, (1858-1930)
At Ewhurst near Guildford, Surrey
Oil on canvas, signed & dated (18)95, further transcribed verso
Image size: 23.25 inches x 35.25 inches
Size including frame: 30.25 inches x 42.25 inches
An atmospheric landscape painting of a logging cart and horses on a country track by Henry Parker. A figure and a dog are depicted leading a logging cart and team of horses past a village church as dusk falls.
Henry Parker was born in the St Pancras area of London on 27 June, 1860 and was christened Henry Deacon...
Category
Late 19th Century Antiques Associations Members Animal Paintings
Materials
Canvas, Oil
English early 19th century painting of a chestnut hunter in a landscape
By John Ferneley Senior
Located in Bath, Somerset
A painting of a chestnut hunter in a landscape with a horse and rider accompanied by two hounds by a woodland river in the distance.
Signed and inscribed 'Melton Mowbray', lower left.
Oil on canvas in a giltwood frame.
John Ferneley Sr (1782-1860) was born the son of a Leicestershire wheelwright, the youngest of six children. He is known as one of the great British equine artists, perhaps only second to Stubbs in terms of raw ability.
Ferneley originally worked with his father, until by chance the Duke of Rutland saw some of his work on the side of a cart on which Ferneley and his father had been working. The Duke was so impressed with Ferneley that he persuaded John's father to allow him to become the pupil of Benjamin Marshall. Ferneley was so talented that apparently he produced almost perfect copies of his tutor's paintings and they were said to have been indistinguishable from the master’s. Marshall also enrolled him as a student of the Royal Academy Schools.
In 1804 Ferneley paid a man named Thomas Harrison...
Category
Early 19th Century English School Antiques Associations Members Animal Paintings
Materials
Canvas, Oil
19th Century sporting dog oil painting of a setter in a landscape
By Colin Graeme Roe
Located in Nr Broadway, Worcestershire
Colin Graeme Roe
British, (1855-1910)
Setter Standing Proud
Oil on canvas, signed
Image size: 15.25 inches x 21.25 inches
Size including frame: 22.25 inches x 28.25 inches
A fine s...
Category
19th Century Victorian Antiques Associations Members Animal Paintings
Materials
Canvas, Oil
Highland Pastures
By Thomas Sidney Cooper
Located in Belgravia, London, London
Highland Pastures
by Thomas Sidney Cooper RA
British, 1803-1902
Oil on panel
Panel size: 16.5 x 21 inches
Framed size: 23 x 27 inches
Signed and dated 1851 lower right
Category
19th Century Antiques Associations Members Animal Paintings
Materials
Oil, Panel
English 19th century portrait of Lord Methuen
s favourite dogs
By William Barraud
Located in Bath, Somerset
A painting of Lord Methuen’s Spaniels Gipsy and Fairy, by William Barraud, standing beside a classical urn in a landscape by a lake, probably in the grounds of Corsham Court in Wiltshire, the Methuen family country seat. Signed and dated 'W Barraud...
Category
19th Century English School Antiques Associations Members Animal Paintings
Materials
Canvas, Oil
News from the Front - 19th Century Oil Painting Royal Academy 1849 Exhibition
By Frederick Goodall R.A.
Located in Gerrards Cross, GB
‘News from the Front’ by Frederick Goodall R.A. H.R.I. (1822-1904).
The painting – which depicts a diverse cross-section of Victorian figures gathered outside a post office as they...
Category
Mid-19th Century Victorian Antiques Associations Members Animal Paintings
Materials
Oil
19th Century landscape oil painting of sheep on a clifftop near Herne Bay, Kent
By William Sidney Cooper
Located in Nr Broadway, Worcestershire
William Sidney Cooper
British, (1854-1927)
Near Herne Bay, Kent
Oil on canvas, signed & dated 1923, inscribed in pencil on stretcher
Image size: 19.5 inches x 29.5 inches
Size inclu...
Category
Early 20th Century Antiques Associations Members Animal Paintings
Materials
Canvas, Oil
19th Century coaching scene oil painting outside a Bath inn
By John Charles Maggs
Located in Nr Broadway, Worcestershire
John Charles Maggs
British, (1819-1896)
Saracens Head
Oil on canvas, signed & labelled ‘Bath’
Image size: 13.5 inches x 25.5 inches
Size including frame: 21 inches x 33 inches
A wo...
Category
19th Century Antiques Associations Members Animal Paintings
Materials
Canvas, Oil
Animal oil painting of a cockerel, chickens
chicks
By Edgar Hunt
Located in Nr Broadway, Worcestershire
Edgar Hunt
British, (1876-1953)
Cockerel, Chickens & Chicks
Oil on canvas, signed & dated 1933
Image size: 7.75 inches x 13.75 inches
Size including frame: 14.5 inches x 20.5 inches...
Category
Early 20th Century Victorian Antiques Associations Members Animal Paintings
Materials
Canvas, Oil
A Farmyard Gathering
By Edgar Hunt
Located in Belgravia, London, London
Oil on canvas
Canvas size: 30 x 50 inches
Framed size: 38 x 57.75 inches
Signed and dated 1907 lower right
Category
19th Century Antiques Associations Members Animal Paintings
Materials
Canvas, Oil
$122,082
Genre oil painting of women
dog outside a country house in winter
Located in Nr Broadway, Worcestershire
Sydney Kendrick
British, (1874-1955)
Going for a Walk
Oil on canvas, signed
Image size: 25.75 inches x 19.5 inches
Size including frame: 32.75 inches x 26.5 inches
Provenance: Jack & Boyle, 23 Market Street, Brighton, Sussex
A lovely genre painting of a woman outside a country house with a dog by Sydney Kendrick. A young woman can be seen dressed for a wintry day in a green velvet cloak over a brown dress and holds a fur muffler in her hands. She is shown walking down the snow covered stone steps of a country house followed by a black and tan rough collie.
Sydney Percy Kendrick was born on 17 September, 1874. Little is known about his early life, however he is believed to have studied art in Paris. By the early 1900’s he was living in London where he set up a studio at 3D Warwick Avenue, Maida Vale known as Fulthorpe Studios.
He began exhibiting at the Royal Academy in 1903 and later at the New Society of Artists in Suffolk Street. Kendrick became known for his genre paintings featuring women and also painted portraits of well-known people including the Duke of Devonshire, Marquess of Lansdowne, Dame Sybil Thorndike, Cecil John Rhodes...
Category
Early 20th Century Antiques Associations Members Animal Paintings
Materials
Canvas, Oil
A portrait of an English terrier dog standing in a walled garden, signed.l
By John Emms
Located in Bath, Somerset
A terrier named Joe standing in an English country house walled garden, painted by the eminent animal painter John Emms (1844-1912) in the late 19th cent...
Category
1890s English School Antiques Associations Members Animal Paintings
Materials
Oil, Canvas
19th Century coaching scene oil painting
By Heywood Hardy
Located in Nr Broadway, Worcestershire
Heywood Hardy
British, (1842-1933)
The Arrival of the Coach
Oil on canvas, signed
Image size: 19 inches x 29 inches
Size including frame: 25.75 inches x 35.75 inches
A superb paint...
Category
19th Century Victorian Antiques Associations Members Animal Paintings
Materials
Canvas, Oil
Mother
s Brood
By Valentine Thomas Garland
Located in Belgravia, London, London
Oil on panel
Panel size: 16 x 12 inches
Framed size: 23.25 x 19.25 inches
Signed lower right
Category
19th Century Antiques Associations Members Animal Paintings
Materials
Oil, Panel
19th Century exhibition size landscape oil painting of Sheep on a cliff
By Charles Jones (b.1836)
Located in Nr Broadway, Worcestershire
Charles Jones
British, (1836-1892)
Sheep Resting
Oil on canvas, signed with monogram & dated 1877, further inscribed verso
Image size: 35 inches x 59 inches
Size including frame: 47 inches x 71 inches
Exhibition Size Painting
A fantastic exhibition sized landscape painting of sheep on a cliff top by the coast by Charles ‘Sheep’ Jones. At the time he produced this painting, Jones was living at Heathercroft, Balham Hill in London. Given the size and quality of the work it was most likely an exhibition piece. The topography and landscape suggest that this is the Dorset coast, one of his favourite places to paint.
Charles Jones was an animal painter who was born in Stepney, London in 1836. He was the son of the artist Samuel John Egbert Jones (1797-1861) and Dinah Jones. He lived with his parents and 9 siblings in Mile End and was a pupil of his father. In September 1859, he married Frances Rosalinda Downe, who was born in America. His son Arthur Bertram Loud (1863-1930) also became an artist. They lived at 12 Hayes Place, Lisson Grove from where he made his debut in London at the Royal Academy in 1861. He also exhibited at the British Institution, Suffolk Street, New Watercolour Society, Royal Institute of Oil Painters and the Royal Institute of Painters in Watercolours.
By 1867, he had become a successful artist and they had moved to 7 Paragon Place, Brixton Hill. From 1874 he lived at Heathercroft, Balham Hill where he spent the rest of his life. Jones became well known for specialising in paintings of sheep, cattle and deer in landscape settings. He spent his time travelling around visiting areas such as Devon, Dorset, Kent, Sussex and the Highlands. However, it is for his skilful painting of sheep that he is perhaps best known, and for which earned him the nickname of ‘Sheep’ Jones.
As well as the major London galleries, he also exhibited provincially at various locations including: the Royal Cambrian Academy where he was elected a member in 1886, the Glasgow Institute of Fine Arts, Manchester City Art Gallery, Royal Hibernian Academy, Royal Society of British Artists, Birmingham and the Walker Art Gallery, Liverpool. Some of the smaller more intimate galleries he exhibited at were Arthur Tooth & Sons and Thomas...
Category
19th Century Victorian Antiques Associations Members Animal Paintings
Materials
Canvas, Oil
A portrait of two hound dogs standing in a landscape, signed and dated 1889
By Henry Frederick Lucas Lucas
Located in Bath, Somerset
Two Warwickshire hounds, named Hermit and Wildboy, standing in a landscape.
Signed and dated 1889 (lower right) and signed, inscribed and dated on the reverse.
Oil on canvas in a gil...
Category
19th Century English School Antiques Associations Members Animal Paintings
Materials
Canvas, Oil
19th Century animal oil painting of calves
ducks at a river
By Claude Cardon
Located in Nr Broadway, Worcestershire
Claude Cardon
British, (1864-1937)
Farm Friends
Oil on canvas, signed
Image size: 13.5 inches x 20.5 inches
Size including frame: 19.25 inches x 26.25 inches
A tranquil scene of ca...
Category
19th Century Victorian Antiques Associations Members Animal Paintings
Materials
Canvas, Oil
19th century portrait of a spaniel dog in a landscape, a country house beyond
By Charles Bilger Spalding
Located in Bath, Somerset
A 19th century black and white spaniel standing in a landscape, with a country house in the distance. Signed C B Spalding, lower right.
Oil on canvas in a giltwood frame.
Charles B...
Category
19th Century English School Antiques Associations Members Animal Paintings
Materials
Canvas, Oil
Scion of a Noble - 19th Century Exhibition Oil Painting English Forest Landscape
Located in Gerrards Cross, GB
‘A Scion of a Noble’ by Andrew MacCallum (1821-1902). The painting is signed by the artist and dated 1889, in which year it was exhibited at the Grosvenor Gallery in London.
At fir...
Category
1880s Victorian Antiques Associations Members Animal Paintings
Materials
Oil
Horse portrait oil painting of a chestnut hunter in a stable
By George Wright
Located in Nr Broadway, Worcestershire
George Wright
British, (1860-1944)
Chestnut Hunter in a Stable
Oil on canvas, signed, old label verso
Image size: 15.5 inches x 21.25 inches
Size including frame: 22.75 inches x 28...
Category
Early 20th Century Victorian Antiques Associations Members Animal Paintings
Materials
Canvas, Oil
A portrait of a black and white spaniel dog in a sumptuous interior
Located in Bath, Somerset
A black and white spaniel standing on a yellow silk damask covered day-bed in a sumptuous interior.
Provenance:
With Arthur Ackermann & Son Ltd., London.
Anonymous sale; Christie's, South Kensington, 15 May 2007, lot 284
Private collection, London
Samuel John Carter...
Category
1870s English School Antiques Associations Members Animal Paintings
Materials
Canvas, Oil
Sheep Resting
By Thomas Sidney Cooper
Located in Belgravia, London, London
Oil on panel
Panel size: 17 x 14 inches
Framed size: 22.75 x 20 inches
Signed lower left
Category
19th Century Antiques Associations Members Animal Paintings
Materials
Oil, Panel
19th Century Scottish landscape oil painting of Highland cattle at Glen Goil
By William Watson
Located in Nr Broadway, Worcestershire
William Watson Jnr
British, (1847-1921)
Up Glen Goil, West Highlands
Oil on canvas, signed & dated 1892, further inscribed verso
Image size: 23.5 inches x 35.5 inches
Size including frame: 36.25 inches x 48.25 inches
This highly atmospheric and well executed painting by William Watson Jnr depicts Highland Cattle watering at Glen Goil. Glen Goil is a valley area of Argyll and Bute in the West Highlands. It is situated at the junction of Hell’s Glen and Gleann Mor and has the river Goil flowing through. Located around 2 miles from Lochgoilhead, it is well known as an area of outstanding natural beauty. Watson made several trips to the Highlands and produced a number of paintings of the locality, many of which included highland cattle such as this fine example. Another painting by him of Glen Goil is held by the Walker Art Gallery, Liverpool.
William Watson was born in Islington in 1847, the son of the London miniature painter William John Watson (1810-1871) and his wife Caroline (née Butcher). His brothers Charles Watson (1837-1900) and Robert Watson (1855-1921) were also artists. His father seems to have travelled around and after spending time in Brighton, the family moved to Bransford Road in Worcester during the early part of the 1860’s.
As well as being taught by his father, Watson received his early training in the studio of Sir Francis Grant PRA (1803-1878). He later became a pupil of Sir Edwin Henry Landseer RA (1802-1873) and Rosa Bonheur (1822–1899). Both Landseer and Bonheur had a great influence on his work and he began specialising in scenes of cattle and sheep. By 1866 he had become a full time artist and began exhibiting at the Royal Society of British Artists.
Perhaps to take advantage of the inspiring scenery, Watson moved to Birkenhead, Cheshire where in 1871 he met and married Eleanor Davies who was from Caernarvonshire. Four of their children Sidney Watson (1881-1931), Caroline Ellen Watson (1871-1947), William Robert Charles Watson (1873-1928) and Walter James Watson...
Category
19th Century Victorian Antiques Associations Members Animal Paintings
Materials
Canvas, Oil
Studies of Zebra and Giraffe
Located in Belgravia, London, London
Oil on canvas
Canvas size: 24 x 36 inches
Framed size: 32.5 x 44.75 inches
Signed and inscribed
Category
20th Century Impressionist Antiques Associations Members Animal Paintings
Materials
Canvas, Oil
19th Century winter landscape oil painting of Highland cattle
sheep
By Charles Jones (b.1836)
Located in Nr Broadway, Worcestershire
Charles Jones
British, (1836-1892)
Highland Cattle & Sheep in Winter
Oil on canvas, signed with monogram & dated (18)65, further inscribed verso
Image size: 23.5 inches x 35.5 inches...
Category
19th Century Victorian Antiques Associations Members Animal Paintings
Materials
Canvas, Oil
19th Century landscape oil painting of sheep grazing on a clifftop
By Charles Jones (b.1836)
Located in Nr Broadway, Worcestershire
Charles Jones
British, (1836-1892)
Sheep Grazing on a Cliff Top
Oil on canvas, signed with monogram
Image size: 7.5 inches x 11.5 inches
Size including frame: 13.5 inches x 17.5 inches
A lovely landscape painting of sheep on a coastal cliff by Charles ‘Sheep’ Jones. The sheep and her two lambs are depicted against the backdrop of the sea with shipping and chalk cliffs in the distance. The location is likely to be the Devon coast, an area Jones visited often.
Charles Jones was an animal painter who was born in Stepney, London in 1836. He was the son of the artist Samuel John Egbert Jones (1797-1861) and Dinah Jones. He lived with his parents and 9 siblings in Mile End and was a pupil of his father. In September 1859, he married Frances Rosalinda Downe, who was born in America. His son Arthur Bertram Loud (1863-1930) also became an artist. They lived at 12 Hayes Place, Lisson Grove from where he made his debut in London at the Royal Academy in 1861. He also exhibited at the British Institution, Suffolk Street, New Watercolour Society, Royal Institute of Oil Painters and the Royal Institute of Painters in Watercolours.
By 1867, he had become a successful artist and had moved to 7 Paragon Place, Brixton Hill. From 1874, he lived at Heathercroft, Balham Hill where he spent the rest of his life. As well as the major London galleries, he also exhibited provincially at various locations including: the Royal Cambrian Academy where he was elected a member in 1886, the Glasgow Institute of Fine Arts, Manchester City Art Gallery, Royal Hibernian Academy, Royal Society of British Artists, Birmingham and the Walker Art Gallery, Liverpool. Some of the smaller more intimate galleries he exhibited at were Arthur Tooth & Sons and Thomas Richardson...
Category
19th Century Victorian Antiques Associations Members Animal Paintings
Materials
Canvas, Oil
19th Century landscape oil painting of cattle
By Thomas Baker of Leamington
Located in Nr Broadway, Worcestershire
Thomas Baker
British, (1809-1864)
Cows with a Willow Tree
Oil on canvas, signed & dated 1860
Image size: 14 inches x 11.75 inches
Size including frame: 20.5 inches x 18.25 inches
P...
Category
19th Century Antiques Associations Members Animal Paintings
Materials
Canvas, Oil
19th Century sporting animal oil painting of a horse
groom in a stable
By John Ferneley Junior
Located in Nr Broadway, Worcestershire
John Ferneley Jnr
British, (1815-1862)
Horse & Groom in a Stable
Oil on canvas, indistinctly signed
Image size: 18.75 inches x 23.25 inches
Size including frame: 23.5 inches x 28 inches
Provenance: The Parker Gallery, Berkeley St., London
A mid-19th century sporting painting of a horse and groom in a stable by John Ferneley Jnr. A stable hand is depicted in the middle of a stall grooming a bay horse. Nearby, a tabby cat can be seen resting on table whilst a small black and tan dog wanders by a door to the left.
John Ferneley Junior was born in 1815, at Melton Mowbray, the son of the sporting artist John E Ferneley (1782-1869) and his first wife Sarah. His brother Claude Lorraine Ferneley (1822-1892) and sister Sarah Ferneley...
Category
19th Century Victorian Antiques Associations Members Animal Paintings
Materials
Canvas, Oil
Animal portrait oil painting of Pekingese dog
By Florence Mabel Hollams
Located in Nr Broadway, Worcestershire
Florence Mabel Hollams
British, (1876-1963)
Robert
Oil on panel, signed & also inscribed ‘Robert’
Image size: 12.25 inches x 15.25 inches
Size including frame: 16.5 inches x 19.5 in...
Category
20th Century Antiques Associations Members Animal Paintings
Materials
Oil, Panel
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