Antiques Associations Members Porcelain

An Exotic Dish: Fornasetti's "Iguana and Chicken Breasts" Plate Piero Fornasetti and the Recipe for the Absurd, Part II This magnificent porcelain plate, featuring the wickedly witty...

Beautiful English Porcelain Botanical Plaque, Attributed to Derby, Circa 1825 The upright rectangular porcelain plaque is painted with a finely painted grouping...

The triptych comprises a trio of porcelain plaques, depicting the patron saints of the German city of Cologne (Köln) by the renowned Berlin manufacturer KPM (Konigliche Porzellan-Man...

This is a hand-painted Chinese Export Kraak porcelain blue and white Side Plate or Dish, which we date to the Ming, Wanli period,( 1573-1620 ), datin...

A very good quality French Sevres porcelain comport, having wonderful gilded ormolu scrolling foliate mounts, with cherubs seated , the cobalt blue ground porcelain with inset hand p...

A Monumental Meissen Porcelain Figural Group of Apollo and the Nine Muses on Mount Parnassus. Comprised of sixteen interlocking parts. Apollo standing holding a lyre and with Pegasus besides a tree, atop a rocky outcrop detailed with foliage and waterfalls above nine goddesses: Calliope, seated and shown writing, representing eloquence and epic poetry. Clio, seated with an open book and blowing a trumpet, representing history. Erato, seated and holding a kithara, representing science and the arts Euterpe, seated and holding a flute, representing music. Melpomene, seated holding a knife and with one hand to her head, representing tragedy. Thalia, seated and holding aloft mask, representing comedy and idyllic poetry. Urania, seated with telescope and globe, representing astronomy and astrology, Polyhymnia, standing with one hand raised and holding a book, representing sacred poetry. Terpsichore, standing, representing dance. Each piece exceptionally finely detailed and painted. The base portions with rocaille edges. On a later black polished wooden base. Multiple blue crossed swords marks. Each piece titled to underside. German, Circa 1880. Mount Parnassus, is a spur of the Pindus Mountains in central Greece and was sacred to the ancient Greeks and in mythology to Apollo, the god of music and poetry and of the Sun and light. Mount Parnassus the mythical centre of poetry, music, and learning in ancient Greece was a popular theme in Barqoue and Rococo art, often substitutable with Athena’s arrival at Mount Helicon from the fifth book of Ovid’s “Metamorphoses”, where she asks the Muses to show her the new spring which gushed forth from the spot where Pegasus “with his hoof of horn opened the earth” (V, 250-260). Here, the mountain, formed from rugged rock cliffs, culminates in a plateau on which the youthful Apollo stands and plays the lyre. The Castalian spring flows from beneath Pegasus’ hoof, representing the source of inspiration and attracting the nine muses, who embody the arts and inspire creation through song, music, and dance. Mount Parnassus was created at the Meissen porcelain manufactory as a table centrepiece and an earlier version, apparently with only five muses, is listed in the inventory of the pastry shop of the Meissen manufactory manager and cabinet minister Heinrich Graf Brühl in 1753. The storage in the pastry shop of approximately 3,000 objects and dishes, including many individual parts for centrepieces, is related to their function as table decorations, replacing decorations previously made by the confectioner from perishable materials such as sugar or wax. The purpose of this table decoration was as a feast for the eyes to accompany the feast of the banquet. The sculptural figurines often depicted a particular theme, with characters drawn from theatre and opera, from classical mythology or pastoral idylls. Allegories and mythological themes, such as the glorification of fine arts, were also popular. Stylistically, Mount Parnassus fits Kändler’s style of the 1740s, and was sold by Brühl in 1762 to Frederick the Great of Prussia who used mythology as a means of self-expression and had already ordered individual figures of Apollo and the Muses as table decorations in 1744. Today it is in the Museum of Applied Arts, Frankfurt (inv. no. M.L. 41). There is another version of Mount Parnassus, from the collection of Prince Alexander Dolgorukoff, in the Hermitage in Saint Petersburg. The present version dates to the second half of the nineteenth century when there was a great revival of Kändler rococo figurines which were reissued and a “Second Rococo”. Another nineteenth century example is in the collection of the Museo Francesco Borgogna, Italy (inv. 1906, XIII, 19-20). These nineteenth century versions were made by the Meissen factory using Kändler's period models. It is recorded that a new version of Mount Parnassus, dating to the 1880s, was part of the Royal Porcelain collection in Dresden: 'In the porcelain collection there is a new version from the 1880s based on the old models, the largest group of this genre, the Parnassus, which shows the named muses all around on the lower part of the rock, each practising their own art, while on the top there is Apollo with the lyre and next to it the Castalian spring rises from the hoofbeat of Pegasus. Each figure is executed individually with its rocky background, and all the pieces are then fitted together, as we have already seen in his earlier, larger compositions. The rock pieces are finished off like a pedestal at the bottom with Rococo ornaments.' (Jean Louis Sponsel, Kabinettstücke der Meissner Porzellan-manufaktur von Johann Joachim Kändler, Leipzig, 1900, pp. 203-204). Kunst und kunsthandwerk; monatsschrift herausgegeben vom Österreichischen museum fuer kunst und industrie, Vienna, 1894, v.7 pt.1, p.133. Kari Berling, Das Meißner Porzellan und seine Geschichte. Leipzig 1900, S. 99, 187-200. Helmuth Gröger, Johann Joachim Kaendler. Dresden, 1956. Peter W Meister, Franz Adrian Dreier, Figürliche Keramik aus zwei Jahrtausenden. Kat Museum für Kunsthandwerk, Frankfurt. Frankfurt 1964, Nr. 90. Rainer Rückert, Meißener Porzellan, 1710-1810. Kat. Ausst. Bayerisches Nationalmuseum München. München 1966. Stefan Bursche, Tafelzier des Barock. München 1974, Abb. 300. "Tafelaufsatz, Der Parnass", Auswahlkatalog, Museum für Kunsthandwerk (Frankfurt am Main, Germany), 1987, pp. 86-87. Alfred Ziffer, ‘Meissener Porzellanplastik für fürstliches Interieur und Zeremoniell’, Keramos, Issue 241/242, pp. 29–52. MEISSEN The production of Meissen porcelain began in 1710 at the manufactory at Meissen...

This antique porcelain mantel clock demonstrates the 19th century nostalgia for the delicately elegant decorative arts under King Louis XV, also known as the Rococo style. Crafted by celebrated porcelain artist Jacob Petit, this exquisite clock is particularly notable for the way in which the porcelain has been shaped so as to give the clock such a whimsically free-spirited, scrolling shape. The clock is formed as a clock case upon a lower base, which are both decorated as a though a singular piece with green glaze on a white ground, accented with painted floral panels and extensive gilt highlights all over. The clock case, which is particularly exuberant in design, features a central, circular clock dial. The white enamelled dial is bordered with beaded ormolu, and features black Roman numerals and the inscription 'Scherer'- the name of the 19th century Parisian clock...

A Chinese tulipiere of bulbous form in hand painted blue and white porcelain. the underside has a four-character Qianlong mark in the Kaishu script.

Chinese Export Porcelain European Flower Botanical Soup Tureen & Cover, Circa 1780 The Chinese Export porcelain tureen and cover are well painted with large European bouquets of ...

Surrealist Icon: Piero Fornasetti for Rosenthal "Themes & Variations" Plate, Motiv 22, Circa 1980s A striking and highly collectible porcelain plate from the celebrated "Themes & V...

A fine early vintage Danish Royal Copenhagen porcelain dish molded with a lobster dating from circa 1924. The shallow dish is heavily made and formed as a basket with a moulded baske...

This is a porcelain blue and white, gilded Coffee Can made by Miles Mason (Mason's), Staffordshire Potteries, in the early 19th century George 111rd period, circa 1805-1810. The piece is well potted with vertical flutes, a slightly wavy rim and the loop handle with the distinctive thumb rest spur. The can is decorated in the under-glaze blue printed Pagoda or Broseley, chinoiserie Willow pattern, (sometimes called Boy at the Door pattern). The piece is also richly gilded in Miles Mason pattern 50 as illustrated on Page 78 of the book; Miles Mason Patterns and Shapes, produced by the Mason's Collectors' Club. The coffee can is also hand gilded around the rims and on the outer handle. The piece is fully marked to the base with an under-glaze blue printed square seal mark (pseudo Chinese) as illustrated on page 92 of the above publication. Overall a very good Georgian coffee can...

A KPM porcelain model of a parrot German, late 19th century Measures: Height 23cm, width 12cm, depth 9cm Marked for KPM, the leading German porcelain makers, this charming and ...

Piero Fornasetti Porcelain Themes And Variations Plate, The Sun, Rosenthal Factory, Motiv Number 18, 1980s Wonderful rare example of the small range of plates made by Rosenthal in the 1980s from Piero Fornasetti designs. This one depicts the face of Lina Cavalieri as the face of the sun amongst clouds. These plates are sometimes called Julia plates...

The 1844 summer market in the town of Lengerich, in the western German province of Westphalia, is the subject of this antique KPM porcelain plaque...

Large Renaissance style painted porcelain plaque German, 20th century Frame: Height 50cm, width 64cm, depth 6cm Plaque: Height 34cm, width 49cm, depth 0.5cm In this beautifully painted porcelain plaque, a young woman in fine aristocratic clothing sits in a dark Renaissance style interior scene. She sits in a gold armchair, covered in ornate floral upholstery, stretching out her arm to pluck a rose from a bouquet of flowers on the table beside her. Behind her is a landscape painting with red velvet...

Piero Fornasetti Rosenthal Porcelain Surreal Themes And Variations Plate, Cracked Ice Design, Motiv Number 23, With Original Black Box, 1980s Wonderful rare example of the small range of plates made by Rosenthal in the 1980s from Piero Fornasetti designs. This one depicts the face of Lina Cavalieri as a female Bacchus. These plates are sometimes called Julia plates...

A Unique and Monumental Late 19th Century German Meissen Porcelain Mirror This palatial mirror is made up of around 12 wonderful individually hand c...

From a collection of white and blanc de chine figures we are pleased to offer this fine German porcelain figure of a garden bird by renowned maker Meissen ...

An exceptional antique Austian hand-painted porcelain chocolate pot and stand by the renowned Vienna factory and dating from the 19th century. ...

The combination of sumptuous, lustrous ormolu and finely decorated Sevres style porcelain makes this mantel clock an exceptional piece. Built in France and retailed by the prestigiou...

A stylish Danish Royal Copenhagen contemporary design year mug designed by Ellen Malmer and dated 1974. The large, handled porcelain mug is of cylindrical shape standing on a round u...

This is a fine porcelain coffee can & saucer duo made by Miles Mason, of Lane Delph, Stoke on Trent, England, circa 1805. It has a plain loop handle with the characteristic upper spu...

Twelve parcel gilt Bohemian porcelain dinner plates by P.A.L.T Czech, early 20th century Measures: Height 2.5cm, diameter 27cm This rare set of...

Pair of antique florally decorated porcelain lamps French, 19th century Measures: With shades: Height 101cm, width 49cm, depth 36cm Withou...

Pair Dresden porcelain hand painted Swans each with wonderful bold colouring, signed to the base in blue Dresden and stamped. Measure: 11".

A scarce Danish Royal Copenhagen porcelain figure of two girls with a doll designed by Christian Thomsen (1860-1921) and dating from the mid 20th century. The figure stands raised on...

Very good quality 19th century Chinese Famille Rose fish bowl. Having a wonderful selection of raised, hand-painted vases, lanterns, furniture, ...

Antique Derby Porcelain Botanical Salmon-ground Plate, Annual Lavetera, by John Brewer, Circa 1815. The Derby porcelain plate is boldly p...

A fine quality 19th century Meissen Porcelain lidded tureen, having wonderful bold coloured raised floral decoration, berries and insects. Underg...

This is a porcelain blue and white, hand gilded Sucrier (Sugar Bowl) in the Broseley printed pattern made by Miles Mason (Mason's), Staffordshire Potteries, in the early 19th century, circa 1810. This piece is well potted with a lovely shape and twin side handles, but no lid. The sucrier is decorated in the under-glaze blue printed Pagoda or Broseley, chinoiserie Willow pattern, (sometimes called Boy at the Door pattern). There is hand gilded detail around the mid body, upper rim and on the handles. This piece is marked with the under-glaze printed mock Chinese seal...

This is a rare coffee cup and saucer in ‘The Traveller’ or ‘One Legged Duck’ blue transfer printed, hand gilded pattern by John Turner & family, of Lane End, Longton, Staffordshire. ...

A scarce and finely made French art deco porcelain lidded bonbonnerie formed as a flapper girl dating from around 1930. The bonbonnerie is of...

Big Dripper Ceramic Coffee Pot & Coffee Drip,, Design by Michael Graves for Swid Powell. 1980s The complete Big Dripper porcelain coffee pot and cover ...

Pair of Chinese Export Porcelain Cats with Turquoise Glaze This striking pair of Chinese porcelain figures, dating from the Early 20th Century, depicts two domesticated cats posed a...

This is a beautiful antique pair of French Sevres style porcelain and ormolu mounted twin handled urns, in the Louis XV manner, Circa 1870 in date. The bleu celeste...

Under Full Sail: Wedgwood Porcelain Plaques of Clipper Ships ________________________________________ This is a handsome pair of framed Wedgwood Porcelain Plaques from a limited-edition series, commemorating two of the most famous sailing vessels of the 19th century: the Clipper Ship Great Republic...

This is a hard paste porcelain Tea Bowl and Saucer by New Hall, dating to the turn of the 18th century, George 111rd period, circa 1800. Both pieces are decorated over-glaze with ...

Set of twenty four blue and white floral porcelain dinner plates Continental, 19th Century Height 2.5cm, diameter 23.5cm These blue and white porcelain dinner plates...

A very finely made German porcelain cabinet plate with a pierced patterned and rim and hand painted with floral designs made by the renowned Royal Porcelain Factory, Berlin around 18...

This is a stunning and unique antique Berlin framed porcelain plaque, circa 1870 in date. This magnificent plaque is oval in shape with an ...

A very large giltwood framed K.P.M. porcelain plaque of Jephthah's daughter German, late 19th century Frame: height 97cm, width 84cm, depth 8cm Plaque: height 65cm, width 52cm ...

This is a good late 18th century Worcester porcelain TRIO of Coffee Cup, Tea Bowl and Saucer in a combined blue and gold pattern, full...

The 18th Century First Period Worcester porcelain botanical kidney-shaped dish has a blue-scale ground with four large shaped panels and four smaller vase-shaped panels on the rim, all finely painted with flowers. The vase-form panels each have a single flower while the larger panels are painted with an assortment of flowers, each has a distinctive long stemmed flower...

This is an excellent example of a Japanese porcelain Charger or very large plate with a finely hand painted design, dating to the Edo period circa 1840 or possibly earlier. This cha...

This is a beautiful hand painted, blue and white Chinese porcelain large diameter dish or plate, which we date to the early 19th century period of the Qing dynasty. The plate is wel...

This is a very decorative, porcelain milk jug or creamer in the early Grecian shape, made by John and William Ridgway, of Shelton, Hanley, Staffordshire Potteries, England, dating to...

Late 19th century gilt bronze and turquoise Sèvres porcelain 'Jeweled' three-piece clock set The clock surmounted by a covered urn, the c...

19th Century KPM porcelain plaque, after Old Master painting German, 19th Century Plaque: Height 24cm, width 18cm Frame: Height 53cm, width 50cm, depth 8cm This fine KPM porcelain p...

This is an important large decorative antique French ormolu-mounted Sèvres Porcelain charger featuring portaits of Louis XVI and important members of his court, the rear with underglaze blue factory Sevres mark, mid-19th century in date. It has a striking Bleu Celeste and gilt tooled border with a central portrait of Louis XVI surounded by eight profile portraits of lady courtiers, including Marie Antoinette, Princess Marie-Louise Thérèse and Marquise de Montesson. There is no mistaking the quality and unique design of this charger which is sure to be a treasured addition to your home. Condition: In excellent condition, with no chips, cracks or signs of repair and only minor signs of wear associated with useuse, please see photos for confirmation. Dimensions in cm: Height 50 x width 50 x depth 3 Dimensions in inches: Height 19.7 x width 19.7 x depth 1.2 Louis XVI was king of France when the monarchy was overthrown during the French Revolution and was guillotined in 1793. Louis was born at Versailles on 23 August 1754. In 1770, he married Marie Antoinette, daughter of the emperor and empress of Austria...

This delicately detailed set of four allegorical porcelain plaques portrays family scenes within the theme of the four seasons: Spring, Summer, Autumn and Winter. Spring can be ide...

Antique Paris Porcelain set of Botanical plates, Flamen-Fleury Factory, circa 1830-1835 The set of four Paris porcelain circular plates from Fl...

Chamberlain Worcester Porcelain Crested Fruit Coolers, Covers and Liners, The crest on the coolers – ‘a phoenix in flames.’ could be that of the St Clair family of Staverton Court, G...

Large Meissen porcelain Rococo style centrepiece German, Late 19th Century Height 42cm, width 40cm, depth 25cm According to a design by E. A. Leuteritz,...

This fine neoclassical style mantel clock will make a sumptuous addition to a grand room, or could be given as a unique gift to a loved one. The clock is the work of Ernest Royer, an...

Set of antique coalport porcelain dinner plates depicting English fish. English, late 19th century Dimensions: Height 2cm, diameter 22cm ...

This beautiful Gothic Revival style porcelain clock was made by the prestigious French firm Dagoty and Honore, founded by the esteemed porcelain makers Pierre-Louis Dagoty and Edouard Honore...

A very good quality pair of 19th century lidded 'Sevres' porcelain lidded vases. Each having wonderful gilded ormolu mounts. Classical hand-painted scenes set on a Turquoise back gro...

This is a very beautifully hand painted Chinese porcelain blue and white large Dish or Plate, marked to the base with the Qing, Kangxi mark( 1662-1722) but dating to the Kangxi reviv...

A very fine antique English Staffordshire porcelain jug decorated with lilac sprigged floral designs and dating from around 1830. The jug is finely made in white porcelain and is of ...