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Association of Women Art Dealers Animal Drawings and Watercolors

Association of Women Art Dealers (AWAD)
Association of Women Art Dealers (AWAD)

The Association of Women Art Dealers (AWAD), established in 2009, is an international network that facilitates business and collaborations between and for members at all stages of their career as business owners, with a vision to positively impact the enterprise of each member. Each of the three chapters — London, New York and Global — has a monthly event and welcomes membership applications from women and women-identifying art dealers, advisors and gallerists based worldwide.

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Graphite and gouache on handmade paper: The Remains: 4
Located in New York, NY
The Remains, A series of 10 works An insect approaches a crumpled paper doily to eat what remains of a party. This series explores the moment when the trimmings become debris and ...
Category

2010s Contemporary Association of Women Art Dealers Animal Drawings and Watercolors

Materials

Gouache, Handmade Paper, Graphite

Whispers Hisses Series: In Defiance
Located in New York, NY
This series was inspired by a 1950’s era instruction manual found while clearing out my father’s basement workshop. The How To Light A Model manual employed voluptuous female models to teach lighting techniques to amateur photographers such as my father. Diagrams plot the prescribed direction of the lights. The nude women hold the pose, their lips bright red and their feet dirty from the studio floor. As naked props for the authoritarian photographer, their vulnerability seems palpable. This work visualizes the human condition as a balance between feral and fabricated worlds. Vivid, oversized creatures embody instinctual energy. Wax seals, gold spheres and text-like marks signify rational structures. One speaks in a whisper, the other in a hiss. Winifred McNeill...
Category

2010s Contemporary Association of Women Art Dealers Animal Drawings and Watercolors

Materials

Gold Leaf

Whispers Hisses Series: In Panic
Located in New York, NY
This series was inspired by a 1950’s era instruction manual found while clearing out my father’s basement workshop. The How To Light A Model manual employed voluptuous female models to teach lighting techniques to amateur photographers such as my father. Diagrams plot the prescribed direction of the lights. The nude women hold the pose, their lips bright red and their feet dirty from the studio floor. As naked props for the authoritarian photographer, their vulnerability seems palpable. This work visualizes the human condition as a balance between feral and fabricated worlds. Vivid, oversized creatures embody instinctual energy. Wax seals, gold spheres and text-like marks signify rational structures. One speaks in a whisper, the other in a hiss. Winifred McNeill...
Category

2010s Contemporary Association of Women Art Dealers Animal Drawings and Watercolors

Materials

Gold Leaf

Graphite and gouache on handmade paper: The Remains: 1
Located in New York, NY
The Remains, A series of 10 works An insect approaches a crumpled paper doily to eat what remains of a party. This series explores the moment when the trimmings become debris and ...
Category

2010s Contemporary Association of Women Art Dealers Animal Drawings and Watercolors

Materials

Gouache, Handmade Paper, Graphite

Pew Musicians, red work on paper with dog and horse
By Angela A Court
Located in New York, NY
Mixed media on paper. Framed: 15" x 18" My work comes from observation, memory and imagination. Collective daydreams that make another world out of this world--the experience of ‘in...
Category

2010s Contemporary Association of Women Art Dealers Animal Drawings and Watercolors

Materials

Paper, Mixed Media, Mulberry Paper, Monotype

Dina Brodsky, Pigeon 1, Miniature ink, gouache, and watercolor on paper
By Dina Brodsky
Located in New York, NY
In the miniature Pigeon 1, Dina Brodsky lovingly renders the notoriously undesirable bird in vibrant blue, purple, and pearly gray ink, gouache, and watercolor. The bird is made demu...
Category

2010s Contemporary Association of Women Art Dealers Animal Drawings and Watercolors

Materials

Paper, Watercolor, Gouache

Gold-fronted Woodpecker, realist gouache on paper miniature bird portrait, 2020
By Dina Brodsky
Located in New York, NY
Dina introduces a sense of movement to her gouache Bird by Bird series with her miniature portrait, Gold-fronted Woodpecker. Wings spread, beaks open wide, and legs hover in the air....
Category

2010s Realist Association of Women Art Dealers Animal Drawings and Watercolors

Materials

Paper, Gouache

Dina Brodsky, Crested Caracara, realist gouache animal portrait miniature, 2019
By Dina Brodsky
Located in New York, NY
Dina Brodsky is a contemporary realist miniaturist painter and curator known for her detailed drawings of animals, architecture, and trees. Her miniatures carry with them the traditi...
Category

2010s American Realist Association of Women Art Dealers Animal Drawings and Watercolors

Materials

Paper, Gouache

Dina Brodsky, Brown-Hooded Parrot, realist gouache animal miniature, 2018
By Dina Brodsky
Located in New York, NY
Dina Brodsky uses gouache and watercolor on paper in "Brown-Hooded Parrot," to depict the multi-hued bird hanging precariously from a thin branch. The li...
Category

2010s Realist Association of Women Art Dealers Animal Drawings and Watercolors

Materials

Paper, Watercolor, Gouache

Graphite and gouache on handmade paper: The Remains: 6
Located in New York, NY
The Remains, A series of 10 works An insect approaches a crumpled paper doily to eat what remains of a party. This series explores the moment when the trimmings become debris and ...
Category

2010s Contemporary Association of Women Art Dealers Animal Drawings and Watercolors

Materials

Gouache, Handmade Paper, Graphite

Graphite and gouache on handmade paper: The Remains: 10
Located in New York, NY
The Remains, A series of 10 works An insect approaches a crumpled paper doily to eat what remains of a party. This series explores the moment when the trimmings become debris and ...
Category

2010s Contemporary Association of Women Art Dealers Animal Drawings and Watercolors

Materials

Gouache, Handmade Paper, Graphite

Graphite and gouache on handmade paper: The Remains: 8
Located in New York, NY
The Remains, A series of 10 works An insect approaches a crumpled paper doily to eat what remains of a party. This series explores the moment when the trimmings become debris and ...
Category

2010s Contemporary Association of Women Art Dealers Animal Drawings and Watercolors

Materials

Gouache, Handmade Paper, Graphite

Whispers Hisses Series: In Regret
Located in New York, NY
This series was inspired by a 1950’s era instruction manual found while clearing out my father’s basement workshop. The How To Light A Model manual employed voluptuous female models to teach lighting techniques to amateur photographers such as my father. Diagrams plot the prescribed direction of the lights. The nude women hold the pose, their lips bright red and their feet dirty from the studio floor. As naked props for the authoritarian photographer, their vulnerability seems palpable. This work visualizes the human condition as a balance between feral and fabricated worlds. Vivid, oversized creatures embody instinctual energy. Wax seals, gold spheres and text-like marks signify rational structures. One speaks in a whisper, the other in a hiss. Winifred McNeill...
Category

2010s Contemporary Association of Women Art Dealers Animal Drawings and Watercolors

Materials

Gold Leaf

Whispers Hisses Series: In Knowing
Located in New York, NY
This series was inspired by a 1950’s era instruction manual found while clearing out my father’s basement workshop. The How To Light A Model manual employed voluptuous female models to teach lighting techniques to amateur photographers such as my father. Diagrams plot the prescribed direction of the lights. The nude women hold the pose, their lips bright red and their feet dirty from the studio floor. As naked props for the authoritarian photographer, their vulnerability seems palpable. This work visualizes the human condition as a balance between feral and fabricated worlds. Vivid, oversized creatures embody instinctual energy. Wax seals, gold spheres and text-like marks signify rational structures. One speaks in a whisper, the other in a hiss. Winifred McNeill...
Category

2010s Contemporary Association of Women Art Dealers Animal Drawings and Watercolors

Materials

Gold Leaf

Whispers Hisses Series: In Dread
Located in New York, NY
This series was inspired by a 1950’s era instruction manual found while clearing out my father’s basement workshop. The How To Light A Model manual employed voluptuous female models to teach lighting techniques to amateur photographers such as my father. Diagrams plot the prescribed direction of the lights. The nude women hold the pose, their lips bright red and their feet dirty from the studio floor. As naked props for the authoritarian photographer, their vulnerability seems palpable. This work visualizes the human condition as a balance between feral and fabricated worlds. Vivid, oversized creatures embody instinctual energy. Wax seals, gold spheres and text-like marks signify rational structures. One speaks in a whisper, the other in a hiss. Winifred McNeill...
Category

2010s Contemporary Association of Women Art Dealers Animal Drawings and Watercolors

Materials

Gold Leaf

Whispers Hisses Series: In Defence
Located in New York, NY
This series was inspired by a 1950’s era instruction manual found while clearing out my father’s basement workshop. The How To Light A Model manual employed voluptuous female models to teach lighting techniques to amateur photographers such as my father. Diagrams plot the prescribed direction of the lights. The nude women hold the pose, their lips bright red and their feet dirty from the studio floor. As naked props for the authoritarian photographer, their vulnerability seems palpable. This work visualizes the human condition as a balance between feral and fabricated worlds. Vivid, oversized creatures embody instinctual energy. Wax seals, gold spheres and text-like marks signify rational structures. One speaks in a whisper, the other in a hiss. Winifred McNeill...
Category

2010s Contemporary Association of Women Art Dealers Animal Drawings and Watercolors

Materials

Gold Leaf

Illustration Framed on Canvas: It s A Long Tail
Located in New York, NY
The murder of John Lennon. The birth of my children. Nixon’s resignation. Brain surgery. Driven by the desire to express myself, and leave a physical record of my life and times, I’v...
Category

Early 2000s Contemporary Association of Women Art Dealers Animal Drawings and Watercolors

Materials

Canvas, Wood, Color Pencil

Murex, black and white pop art pastel, semi-abstract silhouette, 1996
By Idelle Weber
Located in New York, NY
Enlarged, abstracted, and decontextualized, Weber transforms a delicate seashell into a sublime icon. The black silhouette of the shell is a callback to her Pop period, though softened by her use of pastel. This is the first piece from a major body of work inspired by shore walks in South Melbourne, Australia. ''Murex,'' a spiny menace with a long rat's tail, gets its devilish due in black silhouette lightly touched with white. - Grace Glueck, The New York Times, 1996 Idelle Weber...
Category

1990s Pop Art Association of Women Art Dealers Animal Drawings and Watercolors

Materials

Paper, Pastel

Beyond Night and Day
By Elizabeth Waggett
Located in Los Angeles, CA
Elizabeth Waggett Beyond Night and Day, 2019 71 x 36 inches canvas size Oil on Belgian linen with 22 k gold and UV varnish This piece is unique Signed by artist Unframed Elizabeth W...
Category

2010s Contemporary Association of Women Art Dealers Animal Drawings and Watercolors

Materials

Gold Leaf

We Are Here
By Elizabeth Waggett
Located in Los Angeles, CA
Elizabeth Waggett We Are Here 32 x 60 inches, paper size Graphite, charcoal and 24 k gold on cotton paper This piece is unique Signed by artist Beautifully...
Category

2010s Association of Women Art Dealers Animal Drawings and Watercolors

Materials

Gold