Ifpda International Fine Print Dealers Association Landscape Prints
International Fine Print Dealers Association (IFPDA)
Launched in 1987, the International Fine Print Dealers Association has continually set the bar for quality and ethics while promoting prints as original works of art to generations of collectors, curators and art lovers. With over 160 members in 13 countries, the IFPDA is a worldwide community of leading dealers and editions publishers who represent the full spectrum of printmaking. Each year, the IFPDA hosts the IFPDA Print Fair in New York, the only major fair dedicated to fine-art prints.
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Zentsuji Temple in the Rain — from the series Collected Views of Japan II
By Kawase Hasui
Located in Myrtle Beach, SC
Kawase Hasui, 'Zentsuji Temple in the Rain' from the seres 'Collected Views of Japan II', color woodblock print, 1937. Signed Hasui in black ink, with the artist’s red seal Kawase, ...
Category
1930s Showa Ifpda International Fine Print Dealers Association Landscape Prints
Materials
Woodcut
Night Shadows
By Edward Hopper
Located in Storrs, CT
Night Shadows. 1921. Etching. Levin 82. 7 x 8 3/8 (sheet 10 x 13 7 1/16).s Series: Six American Etchings: The New Republic Portfolio, 1924. Edition approximately 500-600. Illustrate...
Category
1920s American Modern Ifpda International Fine Print Dealers Association Landscape Prints
Materials
Etching
$48,000 Sale Price
20% Off
LOBSTER and OCTOPUS (KAMPF - BATTLE)
By Norbertine Bresslern-Roth
Located in Santa Monica, CA
NORBERTINE VON BRESSLERN-ROTH (1891 1978)
KAMPF (BATTLE - LOBSTER and OCTOPUS) c. 1928
Color linoleum cut Signed in pencil. Image 8 5/8 x 8 11/16”
In excellent condition and full ...
Category
1920s Vienna Secession Ifpda International Fine Print Dealers Association Landscape Prints
Materials
Linocut
Manhattan Old and New
— Vintage New York Cityscape
By Samuel Chamberlain
Located in Myrtle Beach, SC
Samuel Chamberlain, 'Manhattan Old and New', drypoint, 1929, edition 100, Chamberlain and Kingsland 81. Signed, titled, and numbered '81/100' in pencil. Titled and annotated '30.00' in pencil, in the artist's hand, bottom margin. Matted to museum standards, unframed.
A superb, finely-detailed impression, with selectively wiped plate tone, on heavy Rives cream wove paper; full margins (1 1/2 to 2 1/4 inches), in excellent condition.
The subject of the print is the lower Manhattan cityscape just before the Depression.
Image size 8 3/4 x 6 13/16 inches (222 x 173 mm); sheet size 12 3/4 x 10 inches (324 x 254 mm).
Impressions of this work are held in the collections of the National Gallery of Art and the Zimmerli Art Museum.
ABOUT THE ARTIST
'There is something about the atmospheric vibrancy of an etching which imparts a peculiar and irresistible life to architectural drawing...A copper plate offers receptive ground to the meticulously detailed drawing which so often appeals to the architect'. —Samuel Chamberlain, from the Catalogue Raisonné of his prints.
Samuel V. Chamberlain (1896 - 1975), printmaker, photographer, author, and teacher, was born in Iowa. His family moved to Aberdeen, Washington in 1901, and in 1913, Chamberlain enrolled in the University of Washington in Seattle, where he studied architecture under Carl Gould. By 1915, he was enrolled in the School of Architecture of the Massachusetts Institute of Technology in Boston. With the United States' involvement in the First World War, Chamberlain sailed to France, where he volunteered in the American Field Service. In 1918, he was transferred to the United States Army to complete his tour of duty. After the war, he returned to Boston and resumed his architectural studies, which he eventually discontinued, working for a few years as a commercial artist.
Chamberlain received the American Field Service Scholarship in 1923, which he used to travel to Spain, North Africa, and Italy. In 1924 he was living in Paris, where he studied lithography with Gaston Dorfinant and etching and drypoint with Edouard Léon, publishing his first etching the following year. In 1927, he studied drypoint with Malcolm Osborne...
Category
1920s American Modern Ifpda International Fine Print Dealers Association Landscape Prints
Materials
Drypoint
Partners
— Mid-Century Modernist Regionalism
By Dale Nichols
Located in Myrtle Beach, SC
Dale Nichols, 'Partners', lithograph, edition 250, 1950. Signed in pencil. A fine, richly-inked impression, on cream wove paper; the full sheet with margins (7/8 to 1 5/8 inches); tw...
Category
1950s American Modern Ifpda International Fine Print Dealers Association Landscape Prints
Materials
Lithograph
Lafitte
s Blacksmith House (a bar named for a pirate on Bourbon St, New Orleans)
By Frederick Mershimer
Located in New Orleans, LA
Lafitte's Blacksmith Shop is a New Orleans landmark at 941 Bourbon St. Like most New Orleans legends, history of Lafitte's Blacksmith Shop is a gumbo of tru...
Category
Early 2000s Contemporary Ifpda International Fine Print Dealers Association Landscape Prints
Materials
Mezzotint, Aquatint
Missing Peace (Homage to 911)
By Carol Wax
Located in New Orleans, LA
The Artist's Christmas homage to the attack on the twin towers with reindeer atop the buildings.
Carol Wax originally trained to be a classical musician at the Manhattan School of Music but fell in love with printmaking. Soon after she began engraving mezzotints she was asked by the renowned print dealer Sylvan Cole to exhibit at Associated American Artists Gallery, launching her career as a professional artist/printmaker. With the publication of her book, The Mezzotint: History and Technique, published by Abrams, 1990 and 1996, Carol added author and teacher to her credits. In the ensuing years she has expanded her repertoire of mediums beyond printmaking into other works on paper and painting.
In compositions reflecting an appreciation for antiquated machinery and vintage textiles, Wax creates imagery that, in her own words, “… speaks to an inner life perceived in inanimate objects.” She uses stylization and imagination to reinvent subjects, transforming an ordinary typewriter into a monumental icon...
Category
Early 2000s American Modern Ifpda International Fine Print Dealers Association Landscape Prints
Materials
Intaglio
Silent Snow (Poetical imagery and Christmas memories in New England)
By Mary Teichman
Located in New Orleans, LA
This image is from an exclusive edition published by Stone + Press in 1994 in an edition of 100. This impression is #98. It brings to mind the Robert Frost poem, Stopping by Woods on a Snowy Evening.
The woods are lovely, dark and deep,
But I have promises to keep,
And miles to go before I sleep,
And miles to go before I sleep.
Mary Teichman...
Category
1990s American Modern Ifpda International Fine Print Dealers Association Landscape Prints
Materials
Etching
Thames Warehouses
By James Abbott McNeill Whistler
Located in Santa Monica, CA
JAMES McNEILL WHISTLER (American 1834–1903 London)
THAMES WAREHOUSES, 1859 (K 38 ii/ii; Glascow 46 iv/v; Mansfield 37)
Etching and drypoint on fine thin laid paper. Plate: 3 × 8 i...
Category
1850s Impressionist Ifpda International Fine Print Dealers Association Landscape Prints
Materials
Drypoint, Etching
New York, Central Park
— 1930s American Modernism
By William Meyerowitz
Located in Myrtle Beach, SC
'New York, Central Park', etching, edition 40, c. 1930. Signed in pencil. Titled and numbered '14/40' on the bottom sheet edge, in pencil. Signed in the plate, lower left. A superb, ...
Category
1930s American Modern Ifpda International Fine Print Dealers Association Landscape Prints
Materials
Etching
Chepstow Castle ( on a limestone cliff above the River Wye in Wales)
By Percival Gaskell
Located in New Orleans, LA
The magnificent printed works of the Yorkshire artist, Percival Gaskell have only been fully rediscovered in recent years. Percival Gaskell rose to prominence whilst working together with Sir Frank Short in the engraving school at the Royal College of Art in London during the first two decades of the 20th century. A true painter-printmaker, Percival Gaskell developed a sensitivity to atmospheric tone which is displayed in an air of timeless beauty throughout his printed works.
(sheet 24 x 20 1/2). A fine impression with tone printed in warm brown/black ink on chine appliqué mounted on white wove paper, and a backing board. Signed in pencil. Superb signed proof impression printed in warm-brownish-black ink. One of Gaskell's best large scale mezzotints.
The speed with which William the Conqueror committed to the creation of a castle at Chepstow is testament to its strategic importance. There is no evidence for a settlement there of any size before the Norman invasion of Wales, although it is possible that the castle site itself may have previously been a prehistoric or early...
Category
1940s English School Ifpda International Fine Print Dealers Association Landscape Prints
Materials
Mezzotint, Etching
$296 Sale Price
25% Off
Manhattan Mountains
By Lawrence Wilbur
Located in Storrs, CT
Manhattan Mountains. 1938. Etching and drypoint. 14 3/4 x 12 3/8 (sheet 17 1/4 x 14 3/4). Artist proof, previous to the edition of 40. An atmospheric impression printed on buff-colored laid paper. Signed and dated in the plate. Signed, titled, and annotated 'Final state' and 'Jones Proof'in pencil. Housed in an archival sleeve.
Painter and printmaker Lawrence Nelson...
Category
20th Century American Modern Ifpda International Fine Print Dealers Association Landscape Prints
Materials
Drypoint, Etching
Woolworth Building Under Construction
— Early 20th Century Modernism
By Earl Horter
Located in Myrtle Beach, SC
Earl Horter, 'The Woolworth Building Under Construction', etching, c. 1912, edition not stated. Signed in pencil. A fine, richly-inked impression, in warm black ink, with selectively...
Category
1910s American Modern Ifpda International Fine Print Dealers Association Landscape Prints
Materials
Etching
Taos Placita
— American Southwest Regionalist Masterwork
By Gustave Baumann
Located in Myrtle Beach, SC
Gustave Baumann, 'Taos Placita', color woodcut, 1947, edition 125. Baumann 132. Signed, titled, and numbered '20-125' in pencil; with the artist’s Hand-in-Heart chop. A superb, richly-inked impression, with fresh colors, on fibrous oatmeal wove paper; the full sheet with margins (2 to 3 1/8 inches); slight rippling at the left sheet edge, in excellent condition. Matted to museum standards, unframed.
Image size 9 5/8 x 11 1/4 inches (244 x 286 mm); sheet size 13 1/4 x 17 inches (337 x 432 mm).
Collections: Harwood Museum of Art, New Mexico Museum of Art, Phoenix Art Museum, Scottsdale Art Museum, Wichita Art Museum.
ABOUT THE ARTIST
Gustave Baumann (1881-1971) was a renowned printmaker and a leading figure of the American color woodcut revival whose exquisite craftsmanship and vibrant imagery captured the essence of the Southwest.
"A brilliant printmaker, Baumann brought to the medium a full mastery of the craft of woodworking that he acquired from his father, a German cabinetmaker. This craftsmanship was coupled with a strong artistic training that resulted in the handsome objects we see in the exhibition today. After discovering New Mexico in 1918, Baumann began to explore in his woodblock prints of this period the light. color, and architectural forms of that landscape. His prints of this period are among the most beautiful and poetic images of the American West."
—Lewis I. Sharp, Director, Denver Art Museum
Baumann, the son of a craftsman, immigrated to the United States from Germany with his family when he was ten, settling in Chicago. From 1897 to 1904, he studied in the evenings at the Art Institute of Chicago, working in a commercial printmaking shop during the day. In 1905, he returned to Germany to attend the Kunstwerbe Schule in Munich, where he decided on a career in printmaking. He returned to Chicago in 1906 and worked for a few years as a graphic designer of labels.
Baumann made his first prints in 1909 and exhibited them at the Art Institute of Chicago the following year. In 1910, he moved to the artists’ colony in Nashville, Indiana, where he explored the creative and commercial possibilities of a career as a printmaker. In 1915, he exhibited his color woodcuts at the Panama-Pacific International Exposition in San Francisco, winning the gold medal.
Among Baumann’s ongoing commercial activities was his work for the Packard Motor Car Company from 1914 to 1920 where he produced designs, illustrations, and color woodcuts until 1923.
In 1919, Baumann’s printmaking work dominated the important exhibition of American color woodcuts at the Detroit Institute of Arts. Twenty-six of his prints were included, far more than the works of any other artist. A set of his blocks, a preparatory drawing, and seven progressive proofs complemented the exhibition. That same year, Baumann worked in New York and, over the summer, in Provincetown, Massachusetts. His airy images of Cape Cod employed soft, pastel colors and occasionally showed the influence of the white-line woodcut technique.
Many of his Chicago artist friends had traveled to the southwest, and Baumann became intrigued by their paintings, souvenirs, and stories of an exotic place named Taos, New Mexico. In the summer of 1918, he spent the summer in Taos sketching and painting before visiting Santa Fe. Paul Walter, the director of the Museum of New Mexico, offered him a studio in the museum's basement. Inspired by the rugged beauty of the Southwest—the vibrant colors and dramatic landscapes of the region became a central theme in his work, influencing his artistic style and subject matter for the remainder of his career. Later in the decade, he traveled to the West Coast and made prints of California landscape.
Baumann's prints became synonymous with the Southwest, capturing the spirit of its place in America's identity with a unique sense of authenticity and reverence. His iconic images of desert vistas, pueblo villages, and indigenous cultures served as visual tributes to the region's rich cultural heritage, earning him a dedicated following among collectors and curators alike.
A true craftsman and artist, Baumann completed every step of the printmaking process himself, cutting each block, mixing the inks, and printing every impression on the handmade paper he selected. His dedication to true craftsmanship and his commitment to preserving the integrity of his artistic vision earned him widespread acclaim and recognition within the art world. About the vibrant colors he produced, Baumann stated, “A knowledge of color needs to be acquired since they don’t all behave the same way when ground or mixed...careful chemistry goes into the making of colors, with meticulous testing for permanence. While complicated formulae evolve new colors, those derived from Earth and metal bases are still the most reliable.”
In the 1930s, Baumann became interested in puppet theater. He designed and carved his own marionettes and established a little traveling company. From 1943 to 1945, the artist carved an altarpiece for the Episcopal Church of the Holy Faith in Santa Fe. In 1952, a retrospective exhibition of his prints was mounted at the New Mexico Museum of Fine Arts. Throughout his prolific career, Baumann executed nearly four hundred color woodcuts.
Baumann’s woodcuts...
Category
1940s American Modern Ifpda International Fine Print Dealers Association Landscape Prints
Materials
Woodcut
The Plaza, Sunset Glow
By Walter Tittle
Located in Myrtle Beach, SC
'The Plaza, Sunset Glow', drypoint, c. 1920s, edition not stated. Signed in pencil and initialed in the plate, lower right. Titled 'The Plaza, Sunset' and annotated 'no. 165' in ink, in the bottom left sheet corner. A superb, luminous impression in dark brown ink, with selectively wiped plate tone; on cream wove paper; the full sheet with margins (1 to 2 1/4 inches). Pale tape stains on the top sheet edge, recto, well away from the image, otherwise in excellent condition. Matted to museum standards, unframed.
A view across 'The Pond' in New York City's Central Park, toward Grand Army Plaza...
Category
1920s American Impressionist Ifpda International Fine Print Dealers Association Landscape Prints
Materials
Drypoint
Prickles and Hairs - In Celebration of Pride Month
By Christine Ravaux
Located in New Orleans, LA
This is impression #12 from an edition of 45
Born in Charleroi, Belgium, Ravaux is an artist who mirrors her surroundings in the mezzotints she creates. She has portrayed the black ...
Category
Early 2000s Modern Ifpda International Fine Print Dealers Association Landscape Prints
Materials
Mezzotint
$75 Sale Price
25% Off
Old Cedars
– Early New Mexico Landscape, Southwest Regionalism
By George Elbert Burr
Located in Myrtle Beach, SC
George Elbert Burr, 'Old Cedars – New Mexico', etching, 1920, edition 40, Seeber 218. Signed and annotated '(c) George Elbert Burr Del. et Imp.' in pencil. ...
Category
1920s Realist Ifpda International Fine Print Dealers Association Landscape Prints
Materials
Etching
SEA TREASURES
By Frances H. Gearhart
Located in Santa Monica, CA
FRANCES H. GEARHART and Sisters (THE GEARHARTS)
SEA TREASURES...
Category
1920s American Impressionist Ifpda International Fine Print Dealers Association Landscape Prints
Materials
Woodcut
$975 Sale Price
50% Off
Rowboat
By Alex Katz
Located in New York, NY
Although best known for his portraits, Katz has depicted landscapes both inside the studio and out of doors since the beginning of his career. This print of a boat on the water feat...
Category
1990s Contemporary Ifpda International Fine Print Dealers Association Landscape Prints
Materials
Aquatint
$10,000
Fly Fishing, Saranac Lake
By Winslow Homer
Located in Storrs, CT
Fly Fishing, Saranac Lake. 1889. Etching, aquatint and burnishing. Goodrich 104. 14 1/4 x 20 5/8; sheet 18 1/2 x 24 1/2. Edition unknown but quite possibl...
Category
Late 19th Century American Modern Ifpda International Fine Print Dealers Association Landscape Prints
Materials
Etching
$40,000 Sale Price
20% Off
Riders at Sundown
— Mid-Century Southwest Regionalism
By Gene Kloss
Located in Myrtle Beach, SC
'Riders at Sundown', aquatint and drypoint, edition 75, 1953, Kloss 451. Signed, titled, and annotated 'Artist's Proof' in pencil. A superb, richly-inked, atmospheric impression, in ...
Category
1950s American Modern Ifpda International Fine Print Dealers Association Landscape Prints
Materials
Drypoint, Aquatint
Chion-in Temple Gate
from
Eight Scenes of Cherry Blossoms
— Jizuri Seal
By Hiroshi Yoshida
Located in Myrtle Beach, SC
Hiroshi Yoshida, 'Chion-in Temple Gate (Sunset)' from the series 'Eight Scenes of Cherry Blossoms (Sakura hachi dai: Sakura mon)', color woodblock print, 1935. Signed in brush 'Yoshida' and in pencil 'Hiroshi Yoshida'. A superb, early impression, with fresh colors; the full sheet with margins, on cream Japan paper; an area of slight toning in the top right sheet corner, not affecting the image, otherwise in excellent condition. Marked with a jizuri (self-printed) seal, upper left margin. Self-published by the artist.
Image size 9 5/8 x 14 3/4 inches (444 x 375 mm); sheet size 10 7/8 x 16 inches (276 x 406 mm). Archivally sleeved, unmatted.
Provenance: M. Nakazawa, Tokyo.
Literature: Japanese Landscapes of the 20th Century (Hotei Publishing calendar), 2001, May.
Collections: Honolulu Museum of Art, Museum of Fine Arts, Boston.
ABOUT THE IMAGE
Located in Kyoto, Chionin is the main temple of the Jodo sect of Japanese Buddhism, one of the most popular Buddhist sects in Japan, having millions of followers. The Sanmon Gate, Chionin's entrance gate, standing 24 meters tall and 50 meters wide, it is the largest wooden temple gate in Japan and dates back to the early 1600s. Behind the gate, a broad set of stairs leads to the main temple grounds.
ABOUT THE ARTIST
Painter and printmaker Yoshida Hiroshi (1876-1950) is regarded as one of the greatest artists of the Japanese 'shin hanga' (New Print) movement.
Yoshida was born as the second son of Ueda Tsukane in Kurume, Fukuoka Prefecture, a schoolteacher from an old samurai family. In 1891 he was adopted by his art teacher Yoshida Kasaburo in Fukuoka and took his surname. In 1893 he went to Kyoto to study painting, and the following year to Tokyo to join Koyama Shotaro's Fudosha private school; he also became a member of the Meiji Fine Arts Society. These institutions taught and advocated Western-style painting, greatly influencing Yoshida’s artistic development.
In 1899 Yoshida had his first American exhibition at Detroit Museum of Art (now Detroit Institute of Art), making the first of many visits to the US and Europe. In 1902 he helped reorganize the Meiji Fine Arts Society, renaming it the Taiheiyo-Gakai (Pacific Painting...
Category
1930s Showa Ifpda International Fine Print Dealers Association Landscape Prints
Materials
Woodcut
MADRE INFELIZ (Unhappy Mother)
By Francisco Goya
Located in Santa Monica, CA
FRANCISCO GOYA (1746 - 1828)
MADRE INFELIZ (Unhappy Mother) circa 1811-13. (Delteil 169; Harris 170)
Aquatint with etching, Plate 50 From Los Disastres de la Guerra. (Disasters of ...
Category
1810s Old Masters Ifpda International Fine Print Dealers Association Landscape Prints
Materials
Etching, Aquatint
The French Farm
— Mid-Century Modernism
By Edward August Landon
Located in Myrtle Beach, SC
Edward Landon, 'The French Farm', color serigraph, 1942, Ryan 86. Signed, titled, and annotated 'Edition 50' in pencil. A superb impression, with fresh colors, on cream, wove paper; ...
Category
Mid-20th Century American Modern Ifpda International Fine Print Dealers Association Landscape Prints
Materials
Screen
$2,240 Sale Price
20% Off
The Beach at Kaiganji in Sanuki Province
— Lifetime Impression
By Kawase Hasui
Located in Myrtle Beach, SC
Kawase Hasui, 'The Beach at Kaiganji in Sanuki Province (Sanuki Kaiganji no hama),' from the series Collected Views of Japan II, Kansai Edition (Nihon fûkei shû II Kansai hen), woodblock print, 1934. A very fine, atmospheric impression, with fresh colors; the full sheet, in excellent condition. Signed 'Hasui' with the artist’s seal 'Kawase', lower left. Published by Watanabe Shozaburo with the Watanabe ‘D’ seal indicating an early impression printed between 1931 - 1941. Stamped faintly 'Made in Japan' in the bottom center margin, verso.
Horizontal ôban; image size 9 3/8 x 14 1/4 inches (238 x 362 mm); sheet size approximately 10 5/16 x 15 1/2 inches ( 262 x 394 mm).
Collections: Art Institute of Chicago; Austrian Museum of Applied Arts (Vienna); Honolulu Museum of Art; Museum of Fine Arts, Boston; National Museum in Warsaw; University of Wisconsin-Madison.
ABOUT THE ARTIST
“I do not paint subjective impressions. My work is based on reality...I can not falsify...(but) I can simplify…I make mental impressions of the light and color at the time of sketching. While coloring the sketch, I am already imagining the effects in a woodblock print.” — Kawase Hasui
Hasui Kawase...
Category
1930s Showa Ifpda International Fine Print Dealers Association Landscape Prints
Materials
Woodcut
Matsu (Pine)
Located in Fairlawn, OH
Matsu (Pine)
Woodcut, 1968
Signed: "'Matsu' Naoko Matsubara" in pencil by the artist (see photo)
Annotated in pencil "Ed 25" (see photo)
Edition: 25
Condition: 7" long waterstain at ...
Category
1960s Abstract Ifpda International Fine Print Dealers Association Landscape Prints
Materials
Woodcut
A Mirage
By James McBey
Located in Storrs, CT
A Mirage. 1928. Etching. Hardie 238. 11 13/16 x 14 3/8 (sheet 12 3/16 x 18 3/4). Edition 76, #46. Illustrated: Fine Prints of the Year, 1928 and 1938; Holmes, Etchings of Today. A ri...
Category
1920s Modern Ifpda International Fine Print Dealers Association Landscape Prints
Materials
Drypoint, Etching
$1,750 Sale Price
30% Off
"Apparition at the Border of Language"
By Enrique Chagoya
Located in Lyons, CO
This print presents a fictitious encounter between contemporary colonial forces and Native Americans who are defenders of immigrant refugees and displaced populations.
The artist de...
Category
2010s Contemporary Ifpda International Fine Print Dealers Association Landscape Prints
Materials
Lithograph
SLOW TRAIN THROUGH ARKANSAS
By Thomas Hart Benton
Located in Portland, ME
Benton, Thomas Hart (American, 1889-1975 SLOW TRAIN THROUGH ARKANSAS. Fath . Lithograph, 1941. Edition of 250 published by Associated American Artists (A.A.A.). 9 7/8 x 12 inches (im...
Category
1940s Ifpda International Fine Print Dealers Association Landscape Prints
Materials
Lithograph
Brooklyn Bridge
— Iconic New York City Landmark
By Luigi Kasimir
Located in Myrtle Beach, SC
Luigi Kasimir, 'Brooklyn Bridge', color etching with aquatint, 1927, edition 100. Signed in pencil.
A superb impression, with fresh colors, on heavy, cream wove paper; with margins...
Category
1920s American Modern Ifpda International Fine Print Dealers Association Landscape Prints
Materials
Etching, Aquatint
Piazza del Popolo con Obelisco Egizio
By Giuseppe Vasi
Located in Fairlawn, OH
Piazza del Popolo con Obelisco Egizio
Etching, 1752
Signed in the plate lower left (see photo)
From: Della Magnificenze di Roma Antica e Moderna ( The Magnificense of Ancient and Modern Rome) , (1747-1761)
Volume II, The Main Squares and Obelisks, columns and other ornaments, 1752, Plate No. 21
Della Magnificenze di Roma Antica e Moderna_ (1747-61), a collection of 238 plates that was published in ten volumes. Vasi recorded all types of architecture and organized these images of contemporary Rome by subject, with each volume representing a different category of architecture. This comprehensive project provides one of the most complete views of eighteenth-century Rome
Condition: Excellent
Image/Plate size: 8.25 x 12.63 inches
Sheet size: 11 x 15 7/8 inches
Vasi was Giovanni Battista Piranesi’s teacher. Piranesi (1720-1778) entered Vasi’s studio as an apprentice at age 20 c. 1740. Piranesi left Vasi’s employment after stabbing Vasi over the perception that Vasi was withholding secrets of the etching process.
Giuseppe Vasi was an Italian engraver and painter born and trained in Sicily. He received a classical education in his hometown of Corleone and trained as a printmaker in nearby Palermo, perhaps under the tutelage of the etchers Antonino Bova and Francesco Cichè. He moved to Rome in 1736, already an established printmaker, and spent most of his career documenting the urban landscape of the city in engravings. Through his patron, the politically and culturally influential Cardinal Troiano Acquaviva d’Aragona, Vasi met other artists working in Rome, such as Sebastiano Conca, Ferdinando Fuga, and Luigi Vanvitelli. He was also influenced by his predecessors, including Giovanni Paolo Panini, Giovanni Battista Falda...
Category
1750s Old Masters Ifpda International Fine Print Dealers Association Landscape Prints
Materials
Etching
Las Cabanas
By Emilio Sanchez
Located in New York, NY
Emilio Sanchez (1921-1999) created this color lithograph entitled “LAS CABANAS” in 1996-98. This impression is signed, titled, and inscribed in pencil. Estate stamped on verso. The...
Category
1990s Other Art Style Ifpda International Fine Print Dealers Association Landscape Prints
Materials
Lithograph
Jonah
By Sadao Watanabe
Located in Santa Monica, CA
SADAO WATANABE (Japanese 1913-1996)
JONAH, 1959
Color stencil, signed, numbered and dated in white ink. Sheet, 25 5/8 x 22 5/8 inches. Edition: 44/50. Good color and generally good ...
Category
1950s Modern Ifpda International Fine Print Dealers Association Landscape Prints
Materials
Woodcut, Stencil
$1,200 Sale Price
20% Off
Plowing It Under
— WPA Era American Regionalism
By Thomas Hart Benton
Located in Myrtle Beach, SC
Thomas Hart Benton, 'Goin' Home', lithograph, 1937, edition 250, Fath 14. Signed in pencil. Signed in the stone, lower right. A fine, richly-inked impression, on off-white, wove pape...
Category
1930s American Realist Ifpda International Fine Print Dealers Association Landscape Prints
Materials
Lithograph
Christmas Pine Cones, festive printed image has the feel of a watercolor wash.
By Frederick Mershimer
Located in New Orleans, LA
This Holiday wreath adorns the door of a Brooklyn Mansion
Frederick Mershimer (American, b. 1958)
Moody, mysterious, majestic – these are some of the ways to describe the mezzotint...
Category
1990s American Modern Ifpda International Fine Print Dealers Association Landscape Prints
Materials
Mezzotint
VALLEY RAMPARTS -
By Frances H. Gearhart
Located in Santa Monica, CA
FRANCES H. GEARHART (1869-1958)
VALLEY RAMPARTS 1933
Color block print, signed and titled in pencil. 10 1/8 x 12 inches. Very large and good impression In generally good condition. ...
Category
1930s Impressionist Ifpda International Fine Print Dealers Association Landscape Prints
Materials
Woodcut
George
s Dock, LIverpool.
By Sir Frank Short
Located in Storrs, CT
1890. Etching. Hardie 245. 5 7/8 x 7 3/4 (sheet 8 1/4 x 10 1/8). Two hinge stains in the top sheet edges; otherwise excellent condition. A rich impression with plate tone, printed on cream wove paper with full margins. Signed in pencil. Housed in a 16 x 20-inch archival mat.
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George's Dock was located on the River Mersey, England, within the Port of Liverpool. It was connected to Canning Dock to the south and George's Basin to the north. The dock, which opened in 1771, was designed and built by Henry Berry and expanded by John Foster, Sr.
In 1899 the dock and the adjoining George's Basin were filled in to create what is now the Pier Head...
Category
19th Century Modern Ifpda International Fine Print Dealers Association Landscape Prints
Materials
Etching
7th Avenue Canyon
By Anton Schutz
Located in Fairlawn, OH
7th Avenue Canyon
Etching, 1927
Signed and titled in pencil by the artist (see photo)
Depicts what was then referred to s the Garment Disctrict in New York City.
References And Exhib...
Category
1920s American Modern Ifpda International Fine Print Dealers Association Landscape Prints
Materials
Etching
The Helmsman
By Arthur John Trevor Briscoe
Located in Storrs, CT
The Helmsman. 1925. Etching. Hurst 130. 7 x 10 7/8 (sheet 11 x 5). Trial proof, apart from the edition of 75 An extremely rich impression printed cream wove paper. An exceptionally r...
Category
1920s Modern Ifpda International Fine Print Dealers Association Landscape Prints
Materials
Drypoint, Etching
$2,000 Sale Price
20% Off
Here They Come !
By Frank W. Benson
Located in New York, NY
This impression of "Here They Come !" is from the fourth state of eight. There are six known impressions of the fourth state. Edition 150 (final state). It is signed in pencil in the lower left and inscribed "D-1". The image size 13 7/8 x 11 3/4" (34.6 x 28.8 cm) and sheet size 16 3/4 x 14 5/8" (42.8 x 37.1 cm).
FRANK W. BENSON (1862-1951)
Frank Weston Benson, well known for his American impressionist paintings, also produced an incredible body of prints - etchings, drypoints, and a few lithographs. Born and raised on the North Shore of Massachusetts, Benson, a natural outdoorsman, grew up sailing, fishing, and hunting. From a young age, he was fascinated with drawing and birding – this keen interest continued throughout his life.
His first art instruction was with Otto Grundman at the Museum of Fine Arts in Boston, and then in 1883 in Paris at the Academie Julian where he studied the rigorous ‘ecole des beaux arts’ approach to drawing and painting for two years.
During the early 1880’s Seymour Haden visited Boston giving a series of lectures on etching. This introduction to the European etching...
Category
1920s American Impressionist Ifpda International Fine Print Dealers Association Landscape Prints
Materials
Drypoint
Old Hoadley House
By John Taylor Arms
Located in New Orleans, LA
This image was in the personal collection of the artist. The Wheeler-Beecher House, sometimes referred to as the Hoadley House, is located on Amity Road in Bethany, CT. Built at the ...
Category
1910s American Modern Ifpda International Fine Print Dealers Association Landscape Prints
Materials
Etching
$150 Sale Price
25% Off
PAYSAGE D’ ITALIE
By Jean-Baptiste-Camille Corot
Located in Santa Monica, CA
JEAN-BAPTISTE CAMILLE COROT (1876 - 1875)
PAYSAGE D’ ITALIE 1866 (Melot 7 iii/iii)
Etching, plate 6 ¼ x 9 inches, Third state after the removal of the text but before the random scr...
Category
1860s Romantic Ifpda International Fine Print Dealers Association Landscape Prints
Materials
Etching
The Ponte and Castel S. Angelo (Veduta del Ponte e Castello Sant
Angelo)
By Giovanni Battista Piranesi
Located in Fairlawn, OH
The Ponte and Castel S. Angelo
Veduta del Ponte e Castello Sant' Angelo
Etching, 1754
Signed in the plate lower right above the caption
From: Vedute di Roma
A proper Roman printing w...
Category
1750s Old Masters Ifpda International Fine Print Dealers Association Landscape Prints
Materials
Etching
Westminster Abbey
— Royal Church, London
By Anton Schutz
Located in Myrtle Beach, SC
Anton Schutz, 'Westminster Abbey', etching, edition not stated, 1927. Signed in pencil. Signed and dated in the plate, lower left. A superb, richly-i...
Category
1920s American Realist Ifpda International Fine Print Dealers Association Landscape Prints
Materials
Etching
The East River
, Brooklyn Bridge — Mid-Century Realism, New York City
By Lawrence Wilbur
Located in Myrtle Beach, SC
Lawrence Nelson Wilbur (1897-1988), 'The East River', drypoint, edition 65, 1946. Signed, titled, and annotated 'A. Jones Proof 1946' in pencil. Signed and dated in the plate, lower ...
Category
1940s American Modern Ifpda International Fine Print Dealers Association Landscape Prints
Materials
Drypoint
Financial District
, New York City — American Modernism
By Howard Norton Cook
Located in Myrtle Beach, SC
Howard Cook, 'Financial District', lithograph, 1931, edition 75, Duffy 155. A fine, richly-inked impression, on cream wove paper, the full sheet with wide margins (2 3/4 to 5 5/8 inches), in excellent condition. Image size 13 5/16 x 10 3/8 inches (338 x 264 mm); sheet size 23 x 16 inches (584 x 406 mm). Matted to museum standards, unframed.
Literature: 'American Master Prints from the Betty and Douglas Duffy Collection', the Trust for Museum Exhibitions, Washington, D.C., 1987.
Collections: Crystal Bridges Museum of American Art, Library of Congress, Metropolitan Museum of Art, Philadelphia Museum of Art, Smithsonian American Art Museum.
ABOUT THE ARTIST
Howard Norton Cook (1901-1980) was one of the best-known of the second generation of artists who moved to Taos. A native of Massachusetts, he studied at the Art Students League in New York City and at the Woodstock Art Colony. Beginning his association with Taos in 1926, he became a resident of the community in the 1930s. During his career, he received two Guggenheim Fellowships and was elected an Academician in the National Academy of Design. He earned a national reputation as a painter, muralist, and printmaker.
Cook’s work in the print mediums received acclaim early in his career with one-person exhibitions at the Denver Art Museum (1927) and the Museum of New Mexico (1928). He received numerous honors and awards over the years, including selection in best-of-the-year exhibitions sponsored by the American Institute of Graphics Arts, the Brooklyn Museum, the Society of American Etchers, and the Philadelphia Print Club. His first Guggenheim Fellowship took him to Taxco, Mexico in 1932 and 1933; his second in the following year enabled him to travel through the American South and Southwest.
Cook painted murals for the Public Works of Art Project in 1933 and the Treasury Departments Art Program in 1935. The latter project, completed in Pittsburgh, received a Gold Medal from the Architectural League of New York. One of his most acclaimed commissions was a mural in the San Antonio Post Office in 1937.
He and Barbara Latham settled in Talpa, south of Taos, in 1938 and remained there for over three decades. Cook volunteered in World War II as an Artist War Correspondent for the US Navy, where he was deployed in the Pacific. In 1943 he was appointed Leader of a War Art Unit...
Category
1930s American Modern Ifpda International Fine Print Dealers Association Landscape Prints
Materials
Lithograph
East River View of N.Y.
By Mark Freeman
Located in Fairlawn, OH
East River View of N.Y.
Etching, 1934
Signed, dated and titled in pencil by the artist
From a very small edition.
Brilliant impression
Condition: Excellent
Image/Plate size: 5-1/8 x...
Category
1930s American Modern Ifpda International Fine Print Dealers Association Landscape Prints
Materials
Etching
Kintai Bridge at Iwakuni in Suo Province (Suo iwakuni kintai-bashi), 1859
By Hiroshige II
Located in Myrtle Beach, SC
Utagawa Hiroshige II (1829-1869), 'Kintai Bridge at Iwakuni in Suo Province' (Suo iwakuni kintai-bashi), from the series 'One Hundred Views of Famous Pla...
Category
1850s Edo Ifpda International Fine Print Dealers Association Landscape Prints
Materials
Woodcut
VILLAGE SCENE / TOWN FESTIVAL
By Herbert Gurschner
Located in Santa Monica, CA
HERBERT GURSCHNER (Austrian / English (1901-1975)
VILLAGE SCENE / TOWN FESTIVAL ca.1924
Color woodcut 4 ¾ x 5 3/8” Signed in pencil. Good strong colors. On thin paper. Faint darkeni...
Category
1920s Modern Ifpda International Fine Print Dealers Association Landscape Prints
Materials
Woodcut, Linocut
GRASS FIRE. - Very Scarce Early signed Impression
By Paul Landacre
Located in Santa Monica, CA
PAUL LANDACRE (1883 – 1963)
GRASSS FIRE, 1928 (Wien 53)
Wood engraving on tissue thin Japanese paper, signed in pencil and titled with full margins. Thee are only 20 signed, titled,...
Category
1920s Ifpda International Fine Print Dealers Association Landscape Prints
Materials
Woodcut
PONTE DEL TRINITE, FLORENCE
By Ernest David Roth
Located in Portland, ME
Roth, Ernest (American, 1879-1964). PONTE DEL TRINITE, FLORENCE. Etching, 1908. Signed and dated in pencil, and inscribed by Roth with tthe title and date, and numbered "26", at the ...
Category
Early 1900s Ifpda International Fine Print Dealers Association Landscape Prints
Materials
Etching
SAN GIMINIANO
By Ben Nicholson
Located in Portland, ME
Nicholson, Ben. San Gimignano. Lafranca 38. Etching, 1966. Edition of 50, signed in pencil and dated "66," and numbered "1/50." With the chop of the printer Lafranca embiossed lowe...
Category
1960s Ifpda International Fine Print Dealers Association Landscape Prints
Materials
Etching
Kreuzende Segelschiffe 2 (Cruising Sailing Ships 2)
By Lyonel Feininger
Located in New York, NY
Lyonel Feininger, “Kreuzende Segelschiffe 2 (Cruising Sailing Ships 2)”
1919, Woodcut.
Prasse W175. Edition 275 unsigned for portfolio Die tunlte Jahresgabe des Kreises graphischer ...
Category
1910s Bauhaus Ifpda International Fine Print Dealers Association Landscape Prints
Materials
Woodcut
AMERICA
By John Speed
Located in Santa Monica, CA
IMPORTANT AMERICAN MAP - ONE OF THE FIRST TO SHOW CALIFORNIA as an ISLAND
JOHN SPEED (1552-1629)
AMERICA - With Those Known Parts In That Unknown Worlde (sic),
1626-(76)
(Burden 217 iv/iv) Engraving, uncolored. Engraved by Abraham Goos and
published by Thomas Basset and Richard Chiswell - 4th state of 4 in 1676
15 1/8 x 20 1/2” From “A Prospect of the Most Famous Parts of the
World”. Generally good condition. A repaired split in lower centerfold. This
is the most common version of this important map...
Category
1620s Old Masters Ifpda International Fine Print Dealers Association Landscape Prints
Materials
Engraving
$4,080 Sale Price
52% Off
THE MAKING OF TORTILLAS - Mural Size 47 1/2 inches Long
By Leopoldo Méndez
Located in Santa Monica, CA
LEOPOLDO MENDEZ (1902 – 1969)
THE MAKING OF TORTILLAS 1954
Linocut. Edition unknown. This example signed in pencil and dated 1957. 14” x 47 3/8” ...
Category
1950s Modern Ifpda International Fine Print Dealers Association Landscape Prints
Materials
Linocut
Peking - Paifang Gate
— Mid-Century Watanabe Color Woodcut
By Cyrus Le Roy Baldridge
Located in Myrtle Beach, SC
Cyrus Le Roy Baldridge, 'Peking '25', woodblock print, published 1926. Signed, titled, dated, and annotated 'No 124' in pencil. A fine impression, with fresh, undiminished colors; the full sheet, in excellent condition. Watanabe 6 mm seal, lower right, indicating an impression printed between 1945 and 1957. Archivally sleeved, unmatted.
Image size 9 5/8 x 14 5/16 inches; sheet size 10 7/16 x 15 3/8 inches.
ABOUT THE IMAGE
A 'paifang', also known as a 'pailou', is a traditional style of Chinese architectural arch or gateway structure. It has been theorized that the paifang gate architecture was influenced by Buddhist torana temple gates. Paifang are designed with traditional Chinese architectural motifs including multi-tiered roofs, prominent supporting posts, and gracefully arched openings.
This is an unusual ukiyo-e or 'floating world' woodcut published by Watanabe Shozaburo, Tokyo, in that the subject is of an early 20th-century scene in Peking, China.
ABOUT THE ARTIST
Cyrus Leroy Baldridge...
Category
1920s Showa Ifpda International Fine Print Dealers Association Landscape Prints
Materials
Woodcut
Summer Maple
By Sylvia Plimack Mangold
Located in New York, NY
A drypoint and aquatint by artist Sylvia Plimack Mangold.
Category
21st Century and Contemporary Ifpda International Fine Print Dealers Association Landscape Prints
Materials
Drypoint
Fugue (Are these boats running away from the others)
By Anne Dykmans
Located in New Orleans, LA
In Anne Dykmans' "Fugue", sailing vessels race across the seas. This impression is #65 of 75 and is signed, titled and dated by the artist.
Anne Dykmans (Belgian, b. 1952)
Anne Dykma...
Category
1990s Contemporary Ifpda International Fine Print Dealers Association Landscape Prints
Materials
Mezzotint
$90 Sale Price
25% Off
Over Cape Cod
By Frank W. Benson
Located in New York, NY
"Over Cape Cod" is an etching created by Frank W. Benson in 1932. Benson only printed trial proofs of this plate - there is no edition. This impression is a first state of four. There are six impressions of the first state, three impressions of the second, four impressions of the third, and eight of the fourth state have been recorded. Signed in pencil in the lower left under the image. The image size is 7 15/16 x 14 7/8" (20.1 x 37.8 cm) and sheet size 11 9/16 x 18 3/8" (29.3 x 46.7 cm).
FRANK W. BENSON (1862-1951)
Frank Weston Benson, well known for his American impressionist paintings, also produced an incredible body of prints - etchings, drypoints, and a few lithographs. Born and raised on the North Shore of Massachusetts, Benson, a natural outdoorsman, grew up sailing, fishing, and hunting. From a young age, he was fascinated with drawing and birding – this keen interest continued throughout his life.
His first art instruction was with Otto Grundman at the Museum of Fine Arts in Boston, and then in 1883 in Paris at the Academie Julian where he studied the rigorous ‘ecole des beaux arts’ approach to drawing and painting for two years.
During the early 1880’s Seymour Haden visited Boston giving a series of lectures on etching. This introduction to the European etching...
Category
Mid-20th Century American Impressionist Ifpda International Fine Print Dealers Association Landscape Prints
Materials
Etching
FISH MARKET
By Frances H. Gearhart
Located in Santa Monica, CA
FRANCES H. GEARHART (1869 – 1958)
FISH MARKET 1930
Color block print, Signed and titled in pencil. Image 11 x 9 inches. Full sheet with deckle edges 14 3/...
Category
1930s Ifpda International Fine Print Dealers Association Landscape Prints
Materials
Woodcut
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