Ifpda International Fine Print Dealers Association Landscape Prints
International Fine Print Dealers Association (IFPDA)
Launched in 1987, the International Fine Print Dealers Association has continually set the bar for quality and ethics while promoting prints as original works of art to generations of collectors, curators and art lovers. With over 160 members in 13 countries, the IFPDA is a worldwide community of leading dealers and editions publishers who represent the full spectrum of printmaking. Each year, the IFPDA hosts the IFPDA Print Fair in New York, the only major fair dedicated to fine-art prints.
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Fourteenth Street. The Wigwam. (Tammany Hall).
By John Sloan
Located in Storrs, CT
1928. Etching. Morse catalog 235. state ii. Image: 9 3/4 x 7 (sheet 17 1/4 x 11 3/8). From the first printing of 100 proofs by Peter Platt. There were an additional 10 printed by Er...
Category
1920s American Modern Ifpda International Fine Print Dealers Association Landscape Prints
Materials
Etching
$2,560 Sale Price
36% Off
La Colegiata Toro (Romanesque Santa Maria la Mayor/Zamora province Spain)
By John Taylor Arms
Located in New Orleans, LA
John Taylor Arms created this superb architectural image of La Colegiata in 1935 in an edition of 153. It is #12 in his Spanish Churches series and is referenced as Fletcher #284.
One of the most characteristic examples of transitional Romanesque architecture in Spain, the church of Santa María la Mayor is inspired by the Cathedral of Zamora, in turn inspired by the Old Cathedral of Salamanca. The tower-dome is usually listed as one of the four most typical in León together with those in the cathedrals of Salamanca, Plasencia and Zamora.
The church was begun around 1170, and was finished in the mid-13th century. Two different directors of the work have been identified, according to the different types of stone used (limestone in the old sections, sandstone in the most recent ones), and by the barrel vaults...
Category
1930s American Modern Ifpda International Fine Print Dealers Association Landscape Prints
Materials
Etching
Leaf
By Christine Ravaux
Located in New Orleans, LA
This image is #17 of an edition of 35
Born in Charleroi, Belgium, Ravaux is an artist who mirrors her surroundings in the mezzotints she creates. She has portrayed the black hills t...
Category
1990s Contemporary Ifpda International Fine Print Dealers Association Landscape Prints
Materials
Mezzotint
$90 Sale Price
25% Off
Rio Osmarin (boats on the canal Rio de S. Provolo o de l
Osmarin, Venice)
By Judith Rothchild
Located in New Orleans, LA
Rio Osmarin shows boats on the canal Rio de S. Provolo o de l'Osmarin in Venice) It was created in 2006 and this impression is #31 of 75 It is signed, titled, numbered and dated by...
Category
21st Century and Contemporary American Modern Ifpda International Fine Print Dealers Association Landscape Prints
Materials
Mezzotint
The Mill, Amsterdam, 1889
By James Abbott McNeill Whistler
Located in New York, NY
James Whistler (1834-1903), The Mill, 1889, etching and drypoint, signed in pencil with the butterfly on the tab and inscribed “imp”, and inscribed “first state” (twice) and annotated “Wunderlich” and signed again with the butterfly verso. Reference: Kennedy 413, first state (of 5). Glasgow 457, second state (of 6; see discussion below) (cf. Margaret F. MacDonald, Grischka Petri, Meg Hausberg, and Joanna Meacock, James McNeill Whistler: The Etchings, a catalogue raisonné, University of Glasgow, 2011)
On laid paper, in very good condition, trimmed just outside of the platemark all around except for the tab by the artist, 6 1/4 x 9 3/8 inches.
A very fine impression of this great rarity, printed in black/brown ink with a slight veil of plate tone.
provenance:
H. Wunderlich & Co., New York
Louis B. Dailey, New York (Lugt 4500)
sale, Sotheby’s, New York, October 31, 2003, lot 69
literature;
Neue Lagerliste 122: James McNeill Whistler – Etchings...
Category
1880s Impressionist Ifpda International Fine Print Dealers Association Landscape Prints
Materials
Drypoint, Etching
Drift (dramatic nocturne in America
s suburbia)
By Jacob Crook
Located in New Orleans, LA
Drift is a hand-pulled mezzotint in an edition of 10. This is #3/10. Location is Jarnigan ST in Starksville, Mississippi
Jacob Crook was born in St. Loui...
Category
2010s American Modern Ifpda International Fine Print Dealers Association Landscape Prints
Materials
Mezzotint
$525 Sale Price
25% Off
Convertible
By Isca Greenfield-Sanders
Located in Berkeley, CA
Color spitbite aquatint and aquatint with drypoint.
Edition of 35
Category
2010s Contemporary Ifpda International Fine Print Dealers Association Landscape Prints
Materials
Etching, Intaglio
Dark House
By Earl Horter
Located in New Orleans, LA
Dark House is a soft-ground etching with aquatint signed in pencil by the artist. This image is in the collection of the Detroit Institute of the Arts
Printmaker Earl Horter, born in 1881 in Germantown, Pennsylvania, was known for his realistic etchings and aquatints of urban scenes, though he was also an illustrator and painter. As a teenager, he engraved stock certificates. He was essentially self-taught, though he did take an etching class when he moved to New York City in 1903 to work for an advertising agency. Horter had a one-man show in 1916 in New York City at the Frederick Keppel and Company gallery. He was given the exhibition by Carl Zigrosser, later the first Curator of Prints and Drawings at the Museum of Modern Art. Horter was back in Philadelphia in 1917, where he would remain until his death in 1940. He worked there as art director for the N. W. Ayer advertising firm from 1917-1923.
Horter was a member of the Society of Illustrators. He exhibited at the Pan American Exposition in 1915 in San Francisco, California; the Art Institute of Chicago, Illinois; and the Philadelphia Print Club's National Exhibition of Prints; as well as Corcoran Gallery biennials from 1935 to 1939, in Washington, D.C. Horter is listed in "Mantle Fielding's Dictionary of American Artists"; "Who Was Who in American Art"; and Mallett's "Index of Artists".
Though not a man of extraordinary means, Horter was a lover of modernist art, which he gradually purchased, creating an important collection, well ahead of its time in America, of Cubist and Precisionist works, as well as African sculpture and Native American artifacts. Artists Horter collected include Europeans Picasso, Braque, Duchamp and Brancusi, and Americans Charles Sheeler and Arthur B. Carles. He was a friend of Carles, as well as other artists and collectors such as Leopold Stokowski, conductor of the Philadelphia Orchestra; Franklin Watkins; S. S. White; and Carroll Tyson...
Category
1930s American Modern Ifpda International Fine Print Dealers Association Landscape Prints
Materials
Etching
$296 Sale Price
40% Off
A Sandstorm on the Little Colorado River, Arizona
By George Elbert Burr
Located in Storrs, CT
A Sandstorm on the Little Colorado River, Arizona. 1920. Soft-ground etching. Seeber 189. 6 7/8 x 9 3/4 (sheet 9 5/8 x 13). Edition 40, #6. Series: Desert Set. Illustrated: American ...
Category
Early 20th Century American Modern Ifpda International Fine Print Dealers Association Landscape Prints
Materials
Watercolor
$750 Sale Price
25% Off
Church
Located in New Orleans, LA
An original print of a church signed in pencil by artist
Mr. H. Dewitt Welsh, Artist of Philadelphia, acting secretary of the Division of Pictorial Publicity Committee on Public Inf...
Category
Early 20th Century Ifpda International Fine Print Dealers Association Landscape Prints
Materials
Etching, Aquatint
$112 Sale Price
25% Off
Limehouse
By James Abbott McNeill Whistler
Located in New York, NY
JAMES MCNEILL WHISTLER (1834-1903)
Limehouse, from Notes
lithotint, on cream Japan paper mounted to plate paper (as issued), 1878, Spink, Stratis & Tedesch 7, second state (of three)...
Category
1870s Impressionist Ifpda International Fine Print Dealers Association Landscape Prints
Materials
Lithograph
Palazzo, Florence
By Rudy O. Pozzatti
Located in Fairlawn, OH
Palazzo, Florence
Etching, engraving, aquatint, soft ground and lift ground, printed in colors from three copper plates. 1954
Signed in pencil lower right (see photo)
Edition 250 plis 10 on Rives wove paper, printed by the artist
Published by The Print Club of Cleveland, No. 33 for 1955
REFERENCE: Geske #32
Condition: Mint
Image size: 9 3/16 x 13 1/8 inches
Impressions of this image can be found in the following museums:
National Gallery of Art, Washington
Toledo Museum of Art
Oberlin, Allen Museum of Art
Cornell Univeristy
Cleveland Museum of Art
Indianapolis Museum of Art
Baltimore Museum of Art
Georgetown University
Indiana Univeristy, Eskenazi Museum of Art
David Museum of Art at Wellesley College
"Painter and printmaker Rudolph Otto "Rudy" Pozzatti was born in Telluride, Colorado, on January 14, 1925. Upon graduation from high school, he received a scholarship to attend the University of Colorado in Boulder where he enrolled as an art major. In 1943, his studies were interrupted by his induction into the U. S. Army. After his discharge in 1946, he re-enrolled in the University of Colorado where he studied under Wendell...
Category
1950s American Modern Ifpda International Fine Print Dealers Association Landscape Prints
Materials
Aquatint
The Bridge
By Bror Julius Olsson Nordfeldt
Located in Santa Monica, CA
B. J. O. NORDFELDT (Bror Julius Olsson) 1878-1955)
THE BRIDGE, 1906
Color woodcut signed, dated 1906 and numbered 150 in pencil. Image 8 x 10 - small margins as issued. 4 corners tipped to acid free support board. Nordfelt is one of the most important early twentieth century American Masters of the Color woodcut. This 1906 work predates many of the other woodcut masters. Nordfeldt had a peculiar numbering system. The number is not necessarily the edition number.
Frances H. Gearhart, Blanche Lazzell, William S. Rice, Gustave Baumann, Margaret Patterson, Norma Basset Hall. Waldo Chase.
Category
Early 1900s American Modern Ifpda International Fine Print Dealers Association Landscape Prints
Materials
Woodcut
Rainy Day / Fifth Avenue in New York
By Levon West
Located in New Orleans, LA
This is a rare New York image by Levon West.
Levon West, who also used the name Ivan Dimitri, was born on February 3, 1900 in Centerville, North Dakota....
Category
1930s Ifpda International Fine Print Dealers Association Landscape Prints
Materials
Etching, Drypoint
$2,200 Sale Price
20% Off
PERU
By Johannes Jansson
Located in Santa Monica, CA
JOHANNES JANSSON (1588 - 1664)
PERU, engraving with early coloring. Platemark 15 1/8 x 19 3/8 inches, sheet 17 x 20 1/2
A nice example of one of the earliest maps of Peru. From the ...
Category
1630s Old Masters Ifpda International Fine Print Dealers Association Landscape Prints
Materials
Engraving
Roofs, Summer Night.
By John French Sloan
Located in Storrs, CT
Roofs, Summer Night. 1906. Etching. Morse catalog 137 state ii. 5 1/4 x 7 (sheet 9 1/2 x 12 1/8). Series: New York City Life. A fine impression on cream ...
Category
Early 1900s American Modern Ifpda International Fine Print Dealers Association Landscape Prints
Materials
Etching
$3,400 Sale Price
20% Off
FOG, GOG, AND MAGOG
By Roberto Matta
Located in Santa Monica, CA
ROBERTO MATTA (1911-2002)
FOG, GOG, AND MAGOG 1971
Color lithograph. Plate 1 from “Fog Gog, and Magog” 1971. Signed in pencil and numbered. This work is number 92 from the edition o...
Category
1970s Surrealist Ifpda International Fine Print Dealers Association Landscape Prints
Materials
Lithograph
$880 Sale Price
20% Off
The Pump House, Notre Dame, Paris
By Charles Meryon
Located in Storrs, CT
La Pompe Notre Dame. (The Pumphouse, Notre Dame). Schneiderman catalog 26.x.
1861. Etching. Image 6 3/4 x 10. Edition of 30 in this state. Series: Eaux-Fortes sur Paris .
Initial...
Category
Mid-19th Century Old Masters Ifpda International Fine Print Dealers Association Landscape Prints
Materials
Etching
$3,000 Sale Price
70% Off
New Map of the Terraqueous Globe - WORLD MAP - CALIFORNIA AS AN ISLAND
By Edward Wells
Located in Santa Monica, CA
EDWARD WELLS (British 1667- 1727)
A NEW MAP of the TERRAQUEOUS GLOBE - according to the latest Discoveries and most general Divisions of it into CONTINENTS and OCEANS, 1700-01 (Shirley 609)
Engraved by Michael Burghers, Oxford. Hand-colored, Platemark 14 1/4 x 20 1/8 inches. Central cartouche flanked by figures representing the continents with dedication to William, Duke of Gloucester...
Category
Early 1700s Old Masters Ifpda International Fine Print Dealers Association Landscape Prints
Materials
Engraving
Grand Central, Night
— 1920s New York City Realism
By Walter Tittle
Located in Myrtle Beach, SC
Walter Tittle, 'Grand Central Night', drypoint, edition not stated, c. 1920s. Signed in pencil. Titled, and annotated '36.00' and with the inventory numb...
Category
1920s American Impressionist Ifpda International Fine Print Dealers Association Landscape Prints
Materials
Drypoint
Estuary
By Richard Bosman
Located in New York, NY
Richard Bosman (b. 1944) is a painter and printmaker known for his woodcuts depicting turbulent seascapes. He studied at Bryam Shaw School of Painting and Drawing in London, The New ...
Category
Late 20th Century Modern Ifpda International Fine Print Dealers Association Landscape Prints
Materials
Woodcut
Manhattan Nocturne
By Armin Landeck
Located in Myrtle Beach, SC
A superb, richly-inked, early impression, in warm black ink, on cream wove paper; the full sheet with wide margins (1 1/2 to 1 3/4 inches). Signed in pencil and dedicated by the art...
Category
1930s American Realist Ifpda International Fine Print Dealers Association Landscape Prints
Materials
Drypoint
The Pool of London.
By William Lionel Wyllie
Located in Storrs, CT
The Pool of London. c. 1915. Etching and drypoint. 7 7/8 x 15 7/8 (sheet 11 x 14 7/8 x 21 1/4). A rich impression with drypoint burr printed on the full sheet of simili-Japan paper. ...
Category
1910s Modern Ifpda International Fine Print Dealers Association Landscape Prints
Materials
Drypoint, Etching
$1,500 Sale Price
23% Off
Sunset - Ardgour
By Percival Gaskell
Located in Myrtle Beach, SC
Percival Gaskell, 'Sunset - Ardgour", aquatint, edition not stated, c. 1920. A superb, atmospheric impression, in brown/black ink, on cream wove paper; the full sheet with margins (2 to 3 inches), in excellent condition. Signed, titled, and numbered '2' in pencil. Matted to museum standards, unframed.
Ardgour is a district of Lochaber on Ardnamurchan peninsula on the western shore of Loch Linnhe...
Category
1920s Post-Impressionist Ifpda International Fine Print Dealers Association Landscape Prints
Materials
Aquatint
Hungerford Bridge, London
By Kerr Eby
Located in Myrtle Beach, SC
Kerr Eby 'Hungerford Bridge, London', etching and sandpaper ground, 1929, edition 90, Giardina 144. Signed, titled, and annotated 'Ed 90' in pencil. Signed again in the bottom right sheet corner. A fine, atmospheric impression, with delicate plate tone, on cream wove paper; the full sheet with margins (1 1/2 to 1 5/8 inches), in excellent condition. Matted to museum standards, unframed.
Hungerford Foot Bridge spans the River Thames in London, between Westminster Bridge and Waterloo Bridge. Eby visited Great Britain and France during 1924 and 1925.
Impressions of this work are in the permanent collection of the following institutions: American Academy and Institute of Arts and Letters, Arizona State University, Boston Public Library, Davison Art Center (Wesleyan University), Herbert F, Johnson Museum of Art, Huntington Museum of Art, Hood Museum of Art (Dartmouth College), Metropolitan Museum of Art, Montgomery Museum of Fine Arts, National Museum of American Art, New York Public Library, Smithsonian Museum of American Art.
ABOUT THE ARTIST
Kerr Eby was born in 1890 in Tokyo, Japan, the son of Methodist missionaries from Canada. The family returned to Vancouver when Eby was only three, and he grew up studying art encouraged by his parents as his mother was from a family of prominent artists. By age twelve, he had lived in Vancouver, Kingston, Toronto and Bracebridge where he found work as a ‘printer’s devil’ on the local Bracebridge newspaper.
After graduating from high school in 1907, Eby moved to New York City to study art, first at the Pratt Institute, and later at the Art Students League. He enrolled in art classes at Pratt Institute while working for a lithographic firm earning $4.00 a week. His pay barely covered his room and drawing supplies. Within a year, starving and feeling defeated, he returned to Canada and was employed by a surveying party in Northern Ontario. Eby gradually regained his dream of becoming an artist, and in his spare time, he began to draw the surrounding wilderness landscapes. By fall he had returned to New York to attend night classes at the Art Students League while working for another lithographic firm. He spent several more summers surveying in Northern Ontario before he was able to make a living as an illustrator. During this period he formed several friendships with influential artists including John Henry Twachtman and Childe Hassam and joined a summer artists' colony founded by them at Cos Cob, Connecticut. He supported himself by working as a magazine illustrator and at the American Lithographic Company. Through diligent study and practice, Eby refined both his drawing and printmaking techniques.
In 1917, when the United States entered World War I, Eby joined the U.S. Army. Failing to obtain a commission as an artist, he was assigned first to ambulance duty and later as a sergeant in the 40th Engineers in France. He spent most of WWI on the front line as a camouflager of the field artillery ‘big guns”. On his time off duty, he would sketch everything he witnessed, from the explosive big guns and men in action to the dead soldiers in the field. He sent the drawings home each week, and upon his return from the war, they became the basis for his first successful group of etchings. He continued creating his war-related prints throughout the 1920s and '30s as his work became widely exhibited Frederick Keppel, the renowned print dealer and a relative of Eby, became the exclusive agent for many of his print editions.
With another global conflict beginning in the mid-1930s, Eby wanted to show the world the true face of war...
Category
1920s Impressionist Ifpda International Fine Print Dealers Association Landscape Prints
Materials
Etching
Chelsea Old Church, London
By William Walcot R. E. Hon. R. I. B. A.
Located in Storrs, CT
Chelsea Old Church. 1924. Etching, drypoint, and aquatint. Dickins 94. 5 3/8 x 8 (sheet 8 1/2 x 9 3/4). Edition 100 for The Print Collector's Club. A fine proof with tonal wiping, printed on cream wove paper. Signed and dedicated "W.R. Button from W. Walcot London 1930" in pencil.
Chelsea Old Church, also known as All Saints, is an Anglican church, on Old Church Street, Chelsea, London SW3, England, near Albert Bridge. It is the church for a parish in the Diocese of London, part of the Church of England. Inside the Grade I listed building, there is seating for 400 people. There is a memorial plaque to the author Henry James (1843–1916) who lived nearby on Cheyne Walk. To the west of the church is a small public garden containing a sculpture by Sir Jacob Epstein.
When he was seventeen,William Walcot began to study architecture under Louis Benois at the Imperial Academy of Art in Saint Petersburg. He went to Paris where he continued his studies at the Ecole des Beaux-Arts and the Atelier Redon. He practiced as an architect briefly in Moscow, designing the Hotel Metropole...
Category
Early 20th Century Modern Ifpda International Fine Print Dealers Association Landscape Prints
Materials
Drypoint, Etching, Aquatint
$400 Sale Price
20% Off
Ostend Horse
By Edmund Blampied
Located in Storrs, CT
Ostend Horse. 1926-27. Drypoint. Appleby 125. 7 x 815/16 (sheet 9 1/8x 12 1/5). Proof B, apart from the edition 100. A rich impression with tonal wiping and drypoint burr, printed on...
Category
1920s Modern Ifpda International Fine Print Dealers Association Landscape Prints
Materials
Drypoint, Etching
Netherton Chapel
By Frederick Landseer Griggs, R.A., R.E.
Located in Storrs, CT
Netherton Chapel. 1935. Etching. Comstock 53.v. 5 11/16 x 4 3/8 (sheet 8 15/16 x 6 1/2). Edition 85 in this state (total edition 88-89). Illustrated Fine Prints of the Year, 1936; Print Collector's Quarterly 26 (1939): 286. A fine impression on white laid paper with a partial crown watermark. Signed in pencil. Housed in a striking 11 1/2 x 10 7/8 wood and champagne gold frame.
According to Comstock "The subject is a small memorial chapel, now much more ruinous than the etching shows, near Bredon Hill...
Category
Mid-20th Century Modern Ifpda International Fine Print Dealers Association Landscape Prints
Materials
Etching
$1,600 Sale Price
20% Off
La Espera (The Wait -- Three Women by the sea)
By Francisco Dosamantes
Located in New Orleans, LA
The Wait. Three native Mexican women wait by the sea. This impression is #31/100. An impression of this lithograph is in the permanent collectio...
Category
Mid-20th Century Modern Ifpda International Fine Print Dealers Association Landscape Prints
Materials
Lithograph
$506 Sale Price
40% Off
Landscape with Roman Ruins
By (After) Peter Paul Rubens
Located in Chicago, IL
Engraving after Peter Paul Rubens (Siegen 1577 - 1640 Antwerp), executed by Schelte Adams Bolswert (Bolsward c. 1586 -1659 Antwerp).
Bolswert was one of the major printmakers in the ...
Category
17th Century Old Masters Ifpda International Fine Print Dealers Association Landscape Prints
Materials
Engraving
FOREST IN THE SPRING
By Jacques Hnizdovsky
Located in Portland, ME
Hnizdovsky, Jacques. FOREST IN THE SPRING. T.31 Woodcut, 1960. Edition of 100. Signed, Titled, dated, numbered 10/100 and inscribed "Woodcut," all in pencil. 39 x 9 inches (sheet). I...
Category
1960s Ifpda International Fine Print Dealers Association Landscape Prints
Materials
Woodcut
The Shadowed Valley.
By Sir Frank Short
Located in Storrs, CT
Sir Frank Short, R.A., P.R.E. 1857-1945. The Shadowed Valley. 1927. Mezzotint. Hardie 128. 14 3/8 x 19 3/8 (sheet 19 x 24). A rich, glowing impression p...
Category
1920s Modern Ifpda International Fine Print Dealers Association Landscape Prints
Materials
Mezzotint
$2,750 Sale Price
38% Off
WOODED LANDSCAPE AT DUSK
By Ryohei Tanaka
Located in Portland, ME
Ryohei, Tanaka (Japanese, 1933- 2019). WOODED LANDSCAPE WITH TREES AT DUSK. Etching and aquatint, 1986. Signed and numbered 76/150 in pencil, 5 ½ x 9 ...
Category
1960s Ifpda International Fine Print Dealers Association Landscape Prints
Materials
Etching
Life
s a Beach
By Eric Holch
Located in Fairlawn, OH
Life's a Beach
Screen print, 1980's
Signed lower right (see photo)
Mr. Holch’s formal art training began at Trinity-Pawling School where he won their first annual art award. He conti...
Category
1980s Contemporary Ifpda International Fine Print Dealers Association Landscape Prints
Materials
Screen
SNOWBOUND
By Frances H. Gearhart
Located in Santa Monica, CA
FRANCES H. GEARHART (1869-1958)
SNOWBOUND c.1928
Color block print, Signed and titled in pencil. 11 x 6 ½” sheet c. 14 x 9”
Laid down on backing board. The usual slight browning a...
Category
1920s American Impressionist Ifpda International Fine Print Dealers Association Landscape Prints
Materials
Color, Linocut, Woodcut
Destinations (Flatiron Bidg, 5th Avenue and Broadway at 23rd Street)
By Frederick Mershimer
Located in New Orleans, LA
In "Destinations", Frederick Mershimer creates an image of taxis rushing by the Fuller Building, better known as Flatiron Building. The building is only six feet wide at its rounded...
Category
1990s Contemporary Ifpda International Fine Print Dealers Association Landscape Prints
Materials
Mezzotint, Aquatint
OASIS OF SEVEN PALMS CALIFORNIA
By George Elbert Burr
Located in Portland, ME
Burr, George Elbert. OASIS OF SEVEN PALMS CALIFORNIA. Gouache on paper, not dated, but before 1921. Titled in pencil, lower left, and signed in pencil, lower right, and with the numb...
Category
Early 20th Century Ifpda International Fine Print Dealers Association Landscape Prints
Materials
Gouache
Delta (River delta in front of mountains in volcanic landscape, Iceland)
By Udo Claassen
Located in New Orleans, LA
Delta was first brought to attention as one of the dramatic images illustrated in Carol Wax's book, The Mezzotint, History and Technique. It was also exhibited at the New Orleans Mu...
Category
Late 20th Century Contemporary Ifpda International Fine Print Dealers Association Landscape Prints
Materials
Mezzotint
The Nodding Renealmia from Temple of Flora
By Dr. Robert John Thornton
Located in New York, NY
"The Queen Flower" by Dr. Robert Thornton from the quarto edition of "Temple of Flora." London, 1812. Mixed media engraving (aquatint, mezzotint, color...
Category
1810s Ifpda International Fine Print Dealers Association Landscape Prints
Materials
Paper
NIGHT WORK
By Antonio Frasconi
Located in Portland, ME
Frasconi,Antonio. NIGHT WORK. Color woodcut, 1952. Edition size not stated. Signed, titled, dated, and inscribed P/P (printer's proof) in pencil. 29 x 42 inches (sheet). The print is...
Category
1950s Ifpda International Fine Print Dealers Association Landscape Prints
Materials
Woodcut
The Lake
By Udo Claassen
Located in New Orleans, LA
German artist Udo Claassen created a dramatic landscape of this Icelandic scene in 1985 in an edition of 40. This is #33.
Claassen was born in Itzehoe in the state of Schleswig-Hol...
Category
Late 20th Century Contemporary Ifpda International Fine Print Dealers Association Landscape Prints
Materials
Mezzotint
$637 Sale Price
25% Off
Still Night (spooky Brooklyn brownstones on 7th Ave off Flatbush Ave)
By Frederick Mershimer
Located in New Orleans, LA
In "Still Night", Frederick Mershimer depicts a row of brownstone houses on Seventh Avenue near Flatbush Avenue between Park and Stirling Places. Mershimer remembers that as he was ...
Category
1980s American Modern Ifpda International Fine Print Dealers Association Landscape Prints
Materials
Mezzotint
FULL MOON
Located in Portland, ME
Field, Sabra Johnson.(American, born 1935). FULL MOON. Color Woodcut, c. 1968. Edition of 50. Titled, numbered 37/50, and signed in pencil. 16 x 8 3/4 inches (image), 20 5/8 x 12 inc...
Category
1960s Ifpda International Fine Print Dealers Association Landscape Prints
Materials
Woodcut
Bougival
By Maurice de Vlaminck
Located in Fairlawn, OH
Bougival
Woodcut, 1914
Signed and numbered in pencil
Edition 30, this numberd 22
Printed on laid Van Gelder Zonen paper
Published by Henri Kanweiler, Paris
Printed by Paul Birault, P...
Category
1910s Fauvist Ifpda International Fine Print Dealers Association Landscape Prints
Materials
Woodcut
The Bridge, Santa Maria
By James Abbott McNeill Whistler
Located in New York, NY
James Whistler (1834-1903), The Bridge, Santa Marta, 1879-80, etching with drypoint, printed in sepia on fine laid paper. Signed with the butterfly and inscribed imp on the tab (also with an exceedingly light butterfly lower right in the plate). Kennedy 204, probably eighth (final) state; Glasgow 201, probably state 9 (of 9) (cf. Margaret F. MacDonald, Grischka Petri, Meg Hausberg, and Joanna Meacock, James McNeill Whistler: The Etchings, a catalogue raisonné, University of Glasgow, 2011), Lochnan 199. Trimmed to the platemark by the artist, h: 11.8 x w: 7.9 in / h: 30 x w: 20.1 cm.
A fine impression, printed with subtle tone.
The bridge theme occurs repeatedly in Whistler’s vistas. It is also the main focus of more than one of the Venetian prints. While some bridges are seen from below, from where one would see it if approaching in a gondola (for example Ponte del Piovan, Kennedy 209), The Bridge depicts the scene from a high perspective, opening up the view into the far distance. The small boat approaching the arch in the foreground is again, as in the earlier Thames prints, a stock motif that is probably ultimately derived from the Japanese woodcuts of Hokusai and Hiroshige. The bridge here is the Ponte de le Terese over the Rio de l’Arzere in the Santa Marta quarter.
The early biography of Whistler by Elizabeth and Joseph Pennell is essential for its “immense quantity of information” but also notorious for “the inherent hyperbole and misinformation” (Eric Denker, Annotated Bibliography, in Fine, p. 184). Still, it is worth quoting from the Pennels’ appraisal of The Bridge: “Simplicity of expression has never been carried further. Probably the finest plate, in its simplicity and directness, is The Bridge. Whistler now obtained the quality of richness by suggesting detail, and also by printing. In The Traghetto...
Category
1870s Impressionist Ifpda International Fine Print Dealers Association Landscape Prints
Materials
Drypoint, Etching
Parabole 2 (Sunshine streams through clouds and trees as three men observe)
By Maurice Pasternak
Located in New Orleans, LA
Maurice Pasternak has created a surreal landscape that includes traditional images of a sun-filled sky, dark shadows cast on water and through leafy trees all under the guise of thre...
Category
Late 20th Century Surrealist Ifpda International Fine Print Dealers Association Landscape Prints
Materials
Mezzotint
Le Figuier d
Antibes
By Paul Guiramand
Located in Chicago, IL
This lithograph comes from an edition of 120 and it is signed and numbered.
Guiramand’s works all have one element in common: the artist’s extraordinary sensitivity and ability to a...
Category
1970s Contemporary Ifpda International Fine Print Dealers Association Landscape Prints
Materials
Lithograph
Lunchtime on Broadway
By Red Grooms
Located in New York, NY
Red Grooms’ “Ruckus Manhattan” in the mid-1970s humorously transformed Grand Central Terminal into a 3-D caricature of New York City. “I wanted to do a novelistic portrait of Manhatt...
Category
21st Century and Contemporary Contemporary Ifpda International Fine Print Dealers Association Landscape Prints
Materials
Etching
La Casa Vivienda
By Emilio Sanchez
Located in New York, NY
“LA CASA VIVENDA”
Emilio Sanchez (1921-1999) created this color lithograph entitled “La Casa Vivenda” circa 1991. Image size 18.38 x 25 inches and the paper size 21.75 x 29.38 inches. Printed in an edition of 100 this impression is inscribed “70/100” - the 70th impression of 100. This impression is pencil signed in the lower right and inscribed in the lower left.
“Best known for his architectural paintings and lithographs, Emilio Sanchez (1921-1999) explored the effects of light and shadow to emphasize the abstract geometry of his subjects. His artwork encompasses his Cuban heritage...
Category
1990s American Modern Ifpda International Fine Print Dealers Association Landscape Prints
Materials
Lithograph
The Irish Fair
By George Wesley Bellows
Located in Fairlawn, OH
Irish Fair
Lithograph, 1923
Signed and numbered in pencil by the artist (see photo)
Titled "Irish Fair" by the artist in pencil
Edition: 84
Housed in an archival frame with acid free matting (see photo)
Provenance:
Estate of the artist, Bellows Family Trust
H.V. Allison & Company (label)
Private Collection, Columbus
References And Exhibitions:
Reference: Mason 153
Note: An illustration commissioned by The Century Company for Don Byrne's novel The Wind Bloweth
Image: 18 7/8 x 21 3/8"
Frame: 29 1/2 x 30 1/2"
“Eleven on a hot July morning, and the little town...
Category
1920s Ashcan School Ifpda International Fine Print Dealers Association Landscape Prints
Materials
Lithograph
GROVE #2
By Ryohei Tanaka
Located in Portland, ME
Ryohei, Tanaka (Japanese, 1933-2019). GROVE #2. Etching in color, 1966. Edition of 50. Numbered 23/50, signed, and dated in pencil.11 5/8 x 14 1/2 inches (plate), plus full margins. ...
Category
1960s Ifpda International Fine Print Dealers Association Landscape Prints
Materials
Etching
La Casita Azul
By Emilio Sanchez
Located in New York, NY
“LA CASITA AZUL”
Emilio Sanchez (1921-1999) created this color lithograph entitled “La Casita Azul” circa 1970. The image size is 21.50 x 31.25 inches and the paper size 23.13 x 33 inches. Printed in an edition of 100 this impression is inscribed “91/100” - the 54th impression of 100. Pencil signed in the lower right and inscribed in the lower left.
“Best known for his architectural paintings and lithographs, Emilio Sanchez (1921-1999) explored the effects of light and shadow to emphasize the abstract geometry of his subjects. His artwork encompasses his Cuban heritage...
Category
Late 20th Century Modern Ifpda International Fine Print Dealers Association Landscape Prints
Materials
Lithograph
Carnival
By Richard Florsheim
Located in New York, NY
Richard Florsheim created this color lithograph entitled “Carnival” in 1972 in an edition of 30 pieces. Published by Associated American Artists and printed by Landfall Press, this i...
Category
1970s American Modern Ifpda International Fine Print Dealers Association Landscape Prints
Materials
Lithograph
Untitled (Venice canal, man departing the gondola)
By Levon West
Located in Fairlawn, OH
Untitled (Venice canal, man departing the gondola)
Drypoint, c. 1930-1931
Signed in pencil lower right (see photo)
Annotated in the lower margin:
"Just a souvenir made ___ Monclair L...
Category
1930s American Impressionist Ifpda International Fine Print Dealers Association Landscape Prints
Materials
Drypoint
Guardians of the Spire (Amiens Cathedral Number 2)
By John Taylor Arms
Located in Storrs, CT
Guardians of the Spire (Amiens Cathedral Number 2). 1921. Etching. Fletcher 102. 6 3/4 x 9 7/8 (sheet 8 7/8 x 13 3/4). Gargoyle Series #4. Edition 75. Illustrated: Dorothy Noyes Arms...
Category
1920s American Modern Ifpda International Fine Print Dealers Association Landscape Prints
Materials
Drypoint, Etching
$2,000 Sale Price
20% Off
Hidden Pond
By Stow Wengenroth
Located in Fairlawn, OH
Hidden Pond
Lithograph, 1958
Signed in pencil lower right of image
Annotated: Ed/40 in pencil by the artist lower left
Edition: 40
Provenance:
Baldwin-Wallace College, Berea, OH (acc...
Category
1950s American Realist Ifpda International Fine Print Dealers Association Landscape Prints
Materials
Lithograph
OLIVE TREES, CAPRI
By Clarence Holbrook Carter
Located in Portland, ME
Carter, Clarence Holbrook (American, 1904-2000). OLIVE TREES, CAPRI. Aquatint in colors, 1932. Titled,signed and dated in pencil. 5 1/2 x 6 7/8 inches (plat...
Category
1930s Ifpda International Fine Print Dealers Association Landscape Prints
Materials
Aquatint
The Traghetto
By James Abbott McNeill Whistler
Located in New York, NY
James Whistler (1834-1903), The Traghetto, etching and drypoint, 1879-80, signed with the butterfly on the tab and inscribed “imp”. Reference: Kennedy 19...
Category
1870s Impressionist Ifpda International Fine Print Dealers Association Landscape Prints
Materials
Drypoint, Etching
La Grande Cascade de Saint Cloud
By Alfredo Müller
Located in Fairlawn, OH
La Grande Cascade de Saint Cloud
Color aquatint on watermarked Arches J Perrigot paper, 1905
Signed by the artist in pencil lower right. (see photo)
Edition: 100. Numbered "39" in ...
Category
Early 1900s French School Ifpda International Fine Print Dealers Association Landscape Prints
Materials
Aquatint
Flores para la Ñusta II
By Ana Maria Hernando
Located in Lyons, CO
Color lithograph with cut outs, Edition 30.
Flores para la Ñusta translates as "Flowers for the Ñusta". The artist states:
"In the Andean cosmology, the Ñusta is the feminine ...
Category
21st Century and Contemporary Contemporary Ifpda International Fine Print Dealers Association Landscape Prints
Materials
Lithograph
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