Society Of London Art Dealers

Anna May Wong, 1930 - Cecil Beaton (Portrait Photography) Signed on mount Stamped with photographer's studio ink stamp on reverse of mount Silver gelatin...

Baba Beaton and Prince Galitzine, 1927 - Cecil Beaton (Portrait Photography) Signed in pencil on mount Inscribed with 'Baba Prince Galitzine' in unknown hand, stamped with photograph...

Sam Francis Chinese Wall 1969 Lithograph, Edition of 20 76.5 x 57.2 cms (30 1/8 x 22 1/2 ins) SF15156

SOLD UNFRAMED Deux Arbres - Chatêau de St Georges by Hugues Pissarro dit Pomié (b. 1935) Oil on canvas 130 x162 cm (51 ¾ x 63 ¾ inches) Signed, titled and dated, July 1994 on revers...

Bathers #1, 2015 - Miles Aldridge (Colour Photography) Signed and numbered in ink verso Screenprint with lithography in colours 34 ¼ × 26 ¼ inches Edition of 25 Miles Aldridge’s si...

Laying the Ghost by Orovida Pissarro (1893-1968) Etching 39 x 26.3 cm (15 ⅜ x 10 ⅜ inches) Signed and dated lower right Orovida 1932 Numbered lower left 1/9 and titled lower middle ...

Afghan Women at Shoe Store, Kabul, Afghanistan, 1992 Signed and affixed with photographer's edition label and numbered on reverse Digital c-type print Prin...

The Empresses (Set of 5) by Damien Hirst (B. 1965 - ) Laminated Giclée print on aluminium composite, screen printed with glitter Signed on the reverse 100 x 100 x 2 cm (39 ³/₈ x 39 ...

Teeth Maker in Kandahar, Afghanistan, 1998 - Steve McCurry (Colour Photography) Signed and numbered on photographer’s edition label on reverse Digital c-type print 24 x 20 inches 3...

Dora Maar Blind Musician, London, (Musicien Aveugle, Londres), 1934 Unique silver gelatin contact print, printed c.1935 2 x 2 1/4 inches Provenance: The Estate of Dora Maar Born He...

Le Défilé Royal (Illustration for Voyage au Pays des Pommes) by Lucien Pissarro (1863-1944) Watercolour on paper 22.5 x 26 cm (8 ⅞ x 10 ¼ inches) Signed lower left with monogram This work is accompanied by a letter of authenticity from Colin Harrison, Senior Curator of European Art at the Ashmolean Museum, Oxford. Provenance Mr Ian Robertson Exhibition London, Leicester Galleries, Memorial Exhibition of Lucien Pissarro's Work, Part II, 1947, No. 60 (catalogued as La Procession) Artist biography Born on the 20th February 1863, Lucien Pissarro was the eldest son of the Impressionist painter Camille Pissarro. Coached from a young age by his father and in the frequent company of figures such as Cézanne, Gauguin and Monet, it is no surprise that Lucien chose to pursue an artistic career. While he is best known as a landscape painter, Lucien was also a printmaker, wood engraver and printer of fine books, occasionally painting still lifes and portraits of his family. Lucien first visited England in 1870 with his family when fleeing the Franco-Prussian war. It was the beginning of a great love affair with the country. He decided to move permanently to England in 1890, becoming an English citizen in 1916. Until then he had worked as a landscape painter and book illustrator in France. During this period he met and worked with painters such as Paul Signac, Georges Seurat and Vincent van Gogh. Moving simultaneously in Impressionist and Neo-Impressionist circles, Lucien exhibited Pointillist paintings with his father in the last Impressionist exhibition in 1886. In the same year he was one of the first artists to exhibit in the “Salon des Indépendants” as a Neo-Impressionist. Despite his close relationship with his father, as revealed in their correspondence, Lucien showed remarkable independence of mind in his approach to his art. While Lucien was trained by his father, the influence the artists had on one another was reciprocal. Thanks to his relationship with Seurat and Signac, Lucien encouraged Camille to experiment with Pointillism, a characteristic of the Neo-Impressionist group. Lucien’s move to England in 1890 allowed him greater freedom to pursue his interest in book illustration and printing. There Lucien and his wife Esther established the Éragny Press, named after the Normandy village where his family lived since 1884. The Éragny Press was principally notable for creating aesthetically pleasing books and paved the way for the development of European book art. Lucien’s illustrations for these books demonstrate his talent and command of colour. Nevertheless, Lucien always considered painting his primary concern, particularly landscape painting. Continuing the tradition of the Impressionists, Lucien was a plein-air painter who liked to work outdoors and study the subject directly from nature. His landscapes reveal his fascination for the effects of weather and light. The contemporary art critic Frank Rutter described Lucien as a master of colour, writing in 1922: “there is no man living who has a more profound knowledge of the science of colour, or a more discriminating eye for its observation in nature.” Rutter was also struck by Lucien’s respect for his subject, nature itself: “Each canvas is wrought with a quiet perfection that conceals its art and is eloquent of the tender emotion which the loveliness of nature inspires in the artist.” It is clear from Rutter’s praise that Lucien’s contemporaries were impressed by his combination of English and French artistic traditions. Unsurprisingly, he became associated with artistic groups that drew inspiration from the Impressionists, including the New English Art Club, with whom he exhibited in 1904, the Fitzroy Street Group in 1907 and the Camden Town Group in 1911. To his English contemporaries Lucien represented a direct link to the Impressionist Masters. His influence can be recognised in the work of British artists such as Spencer Gore, Harold Gilman...

Impressed with the artist's seal Glazed stoneware 2 3/4 x 7 inches

Les Autobus du Boulevard Bonne-Nouvelle by H. Claude Pissarro (b. 1935) Pastel on card 37 x 51 cm (14 ⁵/₈ x 20 ¹/₈ inches) Signed lower left, H. Claude Pissarro This work is accompa...

Horst P Horst (1906-1999) Mainbocher Corset, Paris, 1939 Signed on reverse Silver gelatin print 14 x 11 inches Round the Clock is endowed with fastidious precision and the enigmatic ambiance of a characteristic Horst image. The chiaroscuro befalling the legs from ankle to suspender compounds a sense of drama instantly recognisable to those familiar with the artist’s fashion...

Woodcut Each 38 x 86 cms (15 x 33 7/8 ins.) Edition of 75, Set of 4 Each work in set numbered 32/75 Published by Parasol Press Ltd., New York Catalogue r...

Kati Horna The Water Bottle, (El Botellón), 1962 Signed and stamped with artist's copyright ink stamp on reverse Silver gelatin print, printed later 10 x 8 inches Kati Horna (1912-2...

Colourful Prayer Flags, Tibet, 2005 - Steve McCurry (Colour Photography) Signed and affixed with photographer's edition label and numbered on reverse Digital c-type print 20 x 24 in...

Kneeling Nude by Ludovic-Rodo Pissarro (1878 - 1952) Charcoal on paper 19 x 27 cm (7 ¹/₂ x 10 ⁵/₈ inches) Initalled lower middle This work is accompanied by a certificate of authent...

Ilse Bing Trapeze Artists, Ringling Brothers' Circus, New York, 1936 Signed and dated Silver gelatin print 8 1/2 x 11 inches Ilse Bing (1899-1998), working with a Leica, brought a r...

Kati Horna Untitled, 1960s Signed and stamped with artist's copyright ink stamp on reverse Silver gelatin print, printed later 8 x 10 inches Kati Horna (1912-2000) was born Katalin ...

Dora Maar Booksellers [Couple], (Bouquinistes [Couple]), c. 1935 Vintage unique silver gelatin contact print 2 x 2 1/4 inches Provenance: The Estate of Dora Maar Born Henriette The...

Karen Morely, 1932 - Cecil Beaton (Portrait Photography) Inscribed with 'Karen Morely' in unknown hand and stamped with photographer's and Sotheby's Cecil Beaton studio ink stamps on...

Dora Maar Singers on Crutches, London, (Chanteurs Unijambistes, Londres), 1934 Vintage unique silver gelatin contact print, printed c.1935 2 x 2 1/4 inches Provenance: The Estate of...

Impressed with the artist's seal Glazed porcelain with sgrafitto decoration 6 3/4 x 3 inches

Dora Maar Londoners Sitting [Park], London (Londoniens Assis [Park], Londres), 1934 Unique silver gelatin contact print 2 x 2 1/4 inches Provenance: The Estate of Dora Maar Born He...

Ilse Bing New York, 1951 Silver gelatin print 19 3/4 x 15 3/4 inches Ilse Bing (1899-1998), working with a Leica, brought a radical precision to the observation of daily life. The ...

Paul Newman, 1972 (Terry O'Neill - Black and White Photography) Silver Gelatin Print 16x20: £2,100 20x24: £2,700 30x40: £4,800 48x72: £12,000 Edition of 50 and 10 APs per size. Di...

Henri Matisse Odalisque, brasero et coupe de fruits 1929 Lithograph on Arches Velin paper, Edition of 100 Paper size: 38 x 57 cms (15 x 22 1/2 ins) Image size: 27.9 x 37.6 cms (11 x ...

Procession of Nuns, Rangoon, Burma, 1994 - Steve McCurry (Colour Photography) Signed, and affixed with photographer's edition label and numbered on ...

Pignon Bleu - Mareil by Hugues Pissarro dit Pomié (B. 1935) Oil on canvas 130 x 162 cm (51 ¹/₈ x 63 ³/₄ inches) Dated, 1994 on reverse This work is accompanied by a certificate of a...

Vase de fleurs by Paul Ranson (1864-1909) Pastel on paper 46.5 x 41.5 cm (18 ¹/₄ x 16 ³/₈ inches) Signed lower right, P. Ranson Executed circa 1900 Proven...

Nikita Khrushchev & Richard Nixon, Moscow, 1959 - Elliott Erwitt (Black and White Photography) Signed, inscribed with title and dated on accompanying artist’s label Silver gelatin p...

Scène de rivière, près de Lyons-la-Forêt by Paulémile Pissarro (1884-1972) Watercolour and crayon on paper 31.5 x 48.3 cm (12 ³/₈ x 19 inches) Signed lower left, Paulémile - Pissarro...

Intha Fisherman, Burma, 2011 - Steve McCurry (Colour Landscape Photography) Signed and numbered on photographer's edition label on reverse Digital c-type print 20 x 24 inches From...

Blue Mosque, Mazar I Sharif, Afghanistan, 1991 - Steve McCurry Signed and numbered on photographer's edition label on reverse Digital c-type print 20 x 24 inches Edition of 60 ...

Series - Market in Provence by Lélia Pissarro (B. 1963) Serigraph Image Size: 38 x 48 cm (15 x 19 inches) Sheet Size: 48 x 59 cm (18 ⅞ x 23 ¼ inches) Signed and numbered Printed in an edition of 300 SOLD UNFRAMED Literature Lélia Pissarro, The Colours of Silence, London, 2010, p. 205 (illustrated) Artist's Biography Born in Paris in 1963, Lélia is the third and youngest child of Hugues-Claude and Katia...

Lithograph and chine appliqué 64.5 x 54 cms (25 3/8 x 21 1/4 ins) Edition of 50 Paper: Arches paper; Japanese Gampi handmade paper Other Collaborators: Image transferred from Mylar...

Stamped with photographer's credit ink stamp, Time Inc. copyright ink stamp and numberic stamp on reverse Silver gelatin print, printed c. 1939 10 3/8 x 13 1/2 Margaret Bourke...

Larry Bell Fraction Series (LB 4522) 1998 Mixed media and collage on paper 25.4 x 25.4 cms (10 x 10 ins) LB 4368

Lithograph, linoleum block print, and chine appliqué, Edition of 50 CR 435 Paper:Arches paper; Japanese Masa Dosa handmade paper Production Sequence:4 colors (including 1 colored pap...

Meraud Guinness, 1930s - Cecil Beaton (Fashion Portrait Photography) Inkwash signature on mount Stamped with Sotheby's Cecil Beaton studio ink stamp on reverse Silver gelatin print m...

I Only Want You To Love Me #4, 2011 - Miles Aldridge (Colour Photography) Signed in ink on artist’s label Chromogenic print Available in three sizes: 20 x 30 inches, edition of 10 2...

Beau Temps à Clécy by H. Claude Pissarro (b. 1935) Oil on canvas 50 x 61 cm (19 ³/₄ x 24 inches) Signed lower right, H. Claude Pissarro This work is accompanied by a certificate of ...

Ilse Bing Reflection, Rue de Valois, Paris, 1932 Signed and dated Silver gelatin print, printed 1941 13 1/4 x 10 1/2 inches Ilse Bing (1899-1998), working with a Leica, brought a ra...

Ilse Bing Eiffel Tower, 1931 Signed and dated Ferrotyped silver gelatin print, printed 1950s 7 1/2 x 9 1/2 inches Ilse Bing (1899-1998), working with a Leica, brought a radical prec...

Boy In Mid-Flight, Jodhpur, India, 2007 - Steve McCurry (Colour Photography) Signed and affixed with photographer's edition label and numbered on reverse Digital c-type print 20 x...

101.6 x 71.1 cms (40 x 28 ins) Edition of 40 Signed lower left; numbered lower centre, printer's chop lower right. Publisher: Hollander's Workshop, New ...

Window Display (Hairdresser's), Paris [Vitrines, (Salon de Coiffure), Paris], c. 1935 Unique silver gelatin contact print, printed c.1935 2 x 2 1/4 inches Provenance: The Estate of ...

Ilse Bing Cancan Dancers, Moulin Rouge, Paris, 1931 Stamped with photographer's credit ink stamp on reverse Silver gelatin print 6 1/4 x 9 inches Ilse Bing (1899-1998), working with...

Lithograph on Rives BFK paper, torn and deckle edges

*UK BUYERS WILL PAY AN ADDITIONAL 20% VAT ON TOP OF THE ABOVE PRICE The Fortune Teller by Orovida Pissarro (1893-1968) Oil on canvas 60 x 73 cm (23 ⁵/₈ x 28 ³/₄ inches) Signed and d...

Signed Watercolour and gouache on paper 16 x 12 inches

Leon Kossoff The Window 1984 Etching with aquatint. Edition of 40 57.2 x 63.5 cms (22 1/2 x 25 ins) (paper size) 28.5 x 38.2 cms (11 1/4 x 15 ins) (plate s...

Sam Francis (1923-1994) was an American abstract painter, born in San Mateo, California. He turned to painting in the aftermath of World War II whilst recovering from severe injuries...

SOLD UNFRAMED Yvonne Assise by Paulémile Pissarro (1884 - 1972) Graphite on paper 32 x 23.5 cm (12 ⁵/₈ x 9 ¹/₄ inches) Signed lower left, Paulémile-P...

Horst P Horst Classical Still Life, 1937 Signed and titled in pencil Platinum palladium print 20 x 24 inches Horst was a perfectionist who raised the standards of fashion photograp...

La Gondole de Pedro, Venise by H. Claude Pissarro (b. 1935) Pastel on card 37 x 51 cm (14 ⁵/₈ x 20 ¹/₈ inches) Signed lower right, H. Claude Pissarro Executed in 2021 This work is a...

Merle Oberon as Antonita, 1934 - Cecil Beaton (Fashion Portrait Photography) Signed in pencil on mount Inscribed with 'Merle Oberon' in unknown hand and s...

Schiaparelli Model, Paris, c.1936 - Cecil Beaton (Fashion Portrait Photography) Inscribed 'Paris model' and 'Schiaparelli' in unknown hand and stamped with photographer's and Sotheby...

Afghan Women at Shoe Store, Kabul, Afghanistan, 1992 - Steve McCurry Signed and numbered on photographer's edition label on reverse Digital c-type print 2...