Slad Society Of London Art Dealers Figurative Paintings

Mother and daughter by Lélia Pissarro (b. 1963) Oil and gold leaf on canvas 100 x 100 cm (39 ³/₈ x 39 ³/₈ inches) Signed lower right Lélia Pissarro. Executed in 2020 This work is ...

Stiletto 1 by Lélia Pissarro (b. 1963) Oil and diamond dust on canvas 22 x 16 cm (8 ⁵/₈ x 6 ¹/₄ inches) Signed lower left, Lélia Pissarro A certificate of authenticity signed and da...

Petite Marine Grise by Hugues Pissarro dit Pomié (b. 1935) Oil on canvas 92 x 73 cm (36 ¼ x 28 ¾ inches) Signed lower right, Hugues Pissarro dit Pomié Titled, signed and dated on rev...

Cat and Mouse by Orovida Pissarro (1893-1968) Oil on canvas 61 x 51 cm (24 x 20 ⅛ inches) Signed and dated lower centre Orovida 1948, altered by the artist in 1966 Provenance Royal ...

Jerusalem by Ludwig Blum Oil on canvas 18 x 28.7 inches / 45.7 x 73cm Signed Painted circa 1955

Caterwaul by Orovida Pissarro (1893-1968) Oil on canvas 51 x 61 cm (20 ¹/₈ x 24 inches) Provenance Estate of the artist With John Bensusan-Butt, cousin of the artist G Hassell, 25th...

Spring (Primrose Gathering) by Orovida Pissarro (1893-1968) Oil on board 101.5 x 76.4 cm (40 x 30 inches) Signed and dated lower centre Orovida 1956 Provenance Estate of Orovida Pis...

*UK BUYERS WILL PAY AN ADDITIONAL 20% VAT ON TOP OF THE ABOVE PRICE Crépuscule à Venise by H. CLAUDE PISSARRO (b. 1935) Oil on canvas 38 x 46 cm (15 x 18 1⁄8 inches) Signed lower...

Jerusalem by Ludwig Blum Oil on canvas 25.6 x 32 inches / 65 x 81cm Signed Painted circa 1940

24 hour Painting by Hugues Pissarro dit Pomié (B. 1935) Oil on canvas 195 x 130 cm (76 ³/₄ x 51 ¹/₈ inches) Signed and dated May 1992 Painted in Co. Navan, Ireland where the artist ...

*UK BUYERS WILL PAY AN ADDITIONAL 20% VAT ON TOP OF THE ABOVE PRICE La Falaise de Sainte-Honorine by Hugues dit Pomié Pissarro (1935) Oil on canvas 100 x 81 cm (39 ¼ x 31 inches) Si...

*PLEASE NOTE UK BUYERS WILL ONLY PAY 5% VAT ON THIS PURCHASE. Mother and Child by BÉLA KÁDÁR (1877-1955) Gouache on paper 86 x 56.8 cm (33 7/8 x 22 3/8 inches) Signed lower right Kádár Béla This work is accompanied by a certificate of authenticity signed by Gábor Einspach on behalf of The First Hungarian Painting Expert's Office. Provenance Private collection, Israel The Hungarian artist Béla Kádár was born in Budapest in 1877 to a working-class Jewish family. Following his father’s death, he was forced to start working from an early age after only six years to primary schooling and was apprenticed as an iron-turner. In 1902, Kádár attended the Academy of Fine Arts in Budapest. After leaving the Academy, he worked at a mural painting company. Only when he visited Berlin and Paris and being exposed to the avant-garde art of the time, did Kádár direct his attention to painting once again. In 1910, the artist won the Kohner prize, and the same year he was awarded his first solo exhibition at the Hungarian National Gallery. By 1918, Kádár moved to Western Europe. Today he is one of the most famous members of the early twentieth-century Hungarian avant-garde. Over the course of his time living in Berlin, Kádár’s style changed. His expressionistic, graphic works were gradually replaced by paintings that were more romantic and delicate in nature. Incorporating and often synthesising stylistic elements of Cubism, Futurism, Constructivism, Neo-Primitivism and German Expressionism, Kádár’s decorative and metaphysical subject matter was often based upon traditional Hungarian folklore, and his subject-matter became increasingly narrative. His paintings in this period often feature surrealistic dream-like imagery, reminiscent of compositions by Marc Chagall. Despite his variety of subjects, ranging from abstracted figures and landscapes to interiors and objects, his paintings are typically rendered in a bright, jewel-toned palette and feature a fractured approach to rendering space. In 1923 in Berlin, Kádár was invited by Herwath Walden to exhibit at the highly influential Galerie Der Sturm...

Signed with initials Tempera on hand-made paper laid on panel 6 3/4 x 8 3/4 inches

Still Life with Candlestick and Book by Joseph Pressmane (1904-1967) Oil on board 35.5 x 42 cm (14 x 16 ¹/₂ inches) Signed and dated lower...

Le Pain de Sucre (Clécy-Normandie) by H. Claude Pissarro (b. 1935) Oil on canvas 46 x 55 cm (18 ¹/₈ x 21 ⁵/₈ inches) Signed lower right, H.Claude Pissarro Th...

Coquillage et réveil en rouge by Henri Hayden (1883-1970) Oil on paper laid down on isorel 33.5 x 46 cm (13 ¹/₄ x 18 ¹/₈ inches) Signed and dated lower le...

*UK BUYERS WILL PAY AN ADDITIONAL 20% VAT ON TOP OF THE ABOVE PRICE Exercising Ponies by Orovida Camille Pissarro (1893-1968) Oil on board 101.5 x 76 cm (40 x 30 inches) Signed and dated lower right Orovida 1954 Provenance Estate of Orovida Pissarro With John Bensusan-Butt, cousin of the artist Sotheby's London, 12th October 1988 G Hassell, 25th November 1988 With John Noott, 10th June 1992 Literature K L Erickson, Orovida Pissarro: Painter and Print-Maker with A Catalogue Raisonné of Paintings, (doctoral thesis), Oxford, 1992, Appendices, no. 161 (illustrated) Exhibitions London, Bowmore Gallery, Women in Art 1850-1989, 2nd-11th November 1989 Fort Lauderdale, Museum of Art, Camille Pissarro and his Descendants, January-April 2000, no.123 This work was included in the above important museum exhibition and a catalogue of the Fort Lauderdale museum show will be included with this painting. Biography Orovida Camille Pissarro, the only child of Lucien and Esther Pissarro, was the first woman in the Pissarro family to become a professional artist and the first Pissarro of her generation to take up painting. Born in Epping, England, in 1893, she lived and worked predominantly in London, where she was a prominent member of several British arts clubs and societies. She first learned to paint in the Impressionist style from her father and, after a brief period of formal study with Walter Sickert in 1913, she renounced formal art schooling. Throughout her career, Orovida always remained outside mainstream British art movements. Much to Lucien's disappointment, she soon turned away from naturalistic painting and developed an unusual style that combined elements of Japanese, Chinese, Persian and Indian art. Her rejection of Impressionism, which, for the Pissarro family, was a way of life, and her simultaneous decision to drop her famous last name and use simply Orovida as a nom de peintre, reflected a desire for independence and distance from the family legacy, of which she nevertheless remained proud. Orovida's most distinctive works are her paintings from the 1920s...

*UK BUYERS WILL PAY AN ADDITIONAL 20% VAT ON TOP OF THE ABOVE PRICE La N.56 à Gortahork by HUGUES PISSARRO DIT POMIÉ (b. 1935) Oil on canvas 65 x 54 cm (25 ⅝ x 21 ¼ inches) Signed ...

Le Bassin du Hérisson, Jardin du Manoir de Tracy by Hugues Pissarro dit Pomié (B. 1935) Oil on canvas 195 x 130 cm (76 ³/₄ x 51 ¹/₈ inches) Dated on the reverse, 1992 Painted in Arr...

Signed and dated lower left 'Hassan Soliman 1957'

Cleopatra, Mistress of Julius Caesar and Mark Antony by Lélia Pissarro (b. 1963) Oil and gold leaf on canvas 100 x 100 cm (39 ³/₈ x 39 ³/₈ inches) Signed...

Turkish Beach Scene, 1966 - Euan Uglow (Oil on Panel) Twentieth Century Painting Euan Uglow (1932-2000) Turkish Beach Scene, 1966 Inscribed ‘Euan Uglow, Oil’ on label on reverse Oil...