Franco Albini Furniture

Franco Albini, MB15 sideboard for Poggi, Italy 1957 The two cabinets are one of the most iconic and representative projects of the famous Italian architect and designer Franco Albin...

Pair of Italian mid-century Franco Albini wicker 'Lobster Pot' large ottoman stools. Circa 1960. Both have good matching vintage colour. 1) Sturdy, showing signs of use to the wick...

Italian mid-century modern armchair Margherita by Franco Albini for Bonacina, 1960s Armchair model Margherita with backrest and seat made of curved and woven rattan. At the center of...

Table designed by Franco Albini in 1950. Relaunched in 2008. Manufactured by Cassina in Italy. This table, with its minimal lines and an extremely light look, underscores the extens...

Bookcase designed by Franco Albini in 1940. Relaunched in 2011-19. Manufactured by Cassina in Italy. Defying the laws of physics, going beyond what we normally understand by the ...

Franco Albini "T22" Desks for Poggi, wood, Italy, 1958, set of 2 Designed in 1958, the “T22” desks are among the rarest and most refined creations by Franco Albini for Poggi. Define...

Armchair designed by Franco Albini in 1959. Relaunched in 2009. Manufactured by Cassina in Italy. In 1952, working with Franca Helg, his long-time assistant, Franco Albini designed ...

Chair designed by Franco Albini in 1953. Relaunched in 2013. Manufactured by Cassina in Italy. The small armchair, dubbed Luisa, is the fruit of a fifteen-year process of exploration, focused on creating an archetype of the basic elements of a chair, and its potential uses within the home. A idea-based design, where Franco Albini expressed the concept of “substance in form”, increasing the volume of the wooden parts where they join with others. Following various enhancements, the definitive version of the chair was awarded the prestigious Compasso D’Oro prize by the Italian Industrial Design Association (Associazione per il Disegno Industriale/ADI). The frame represents a synthesis where the seat and the back are two geometric planes suspended on an understated wood structure, the sides reminiscent of trestles. Luisa is a timeless piece, the outcome of skill, both in terms of technique and of materials. This world exclusive Cassina re-issue, has been made possible thanks to the company’s extraordinary...

Franco Albini and Franca Helg AM2C opaline glass and chrome floor lamp for Nemo. Franco Albini and Franca Helg were Italian architects and designers, famous for combining modern des...

Side table designed by Franco Albini in 1953. Relaunched in 2008. Manufactured by Cassina in Italy. Dubbed Cicognino, or “little stork”, this iconic design, is clean-cut and refi...

A sculptural Lucite and chrome lamp designed by Franco Albini and Franca Helg for Arteluce Italy circa 1952 Sunburst design of eight acrylic pane...

Spectacular Mid-Century rectangular mirror in bamboo and Vienna straw. This stylish and unique mirror was produced in Italy during the 1970s. In amazing condition and with a charmin...

The structure is made of solid ash wood, steam bent, with the characteristic “X” shape that defines the side supports. They are upholstered in graphite blue wool tweed15000, with hig...

Elegant pair of Italian Mid-Century Modern rattan and bamboo stools / benches / ottomans by Franco Albini. Rare, master architectural works by Franco Albini that revel in their purit...

Rattan Fishing Basket Side/End Tables in Style of Franco Albini. Original beautiful round side tables with glass tops.

Franco Albini "Fiorenza" lounge chair, Italy, circa 1990s. This chair was originally designed by Albini in the 1950s. This example is an authorized re-edition made by Arflex, circa 1...

An iconic design with a refined and essential taste, which in its playful form evokes a reassuring feeling of familiarity. Franco Albini created the table by reducing its structure t...

Prices vary dependent on the model/finish of the table. Table designed by Franco Albini in 1954. Manufactured by Cassina in Italy. This table/writing desk, designed by Franco Albin...

Rare Franco Albini cabinet, production by Poggi Italy 1950 mod. Mb15 in walnut wood.

The vintage Italian floor lamp is attributed to the great Designer Franco Albini. The lamp is from the 1950s. The vintage floor lamp has a wooden frame with V-shaped feet to make it more stable. The vintage floor lamp has a brass tube where its light cap...

The unusual feature of this table is the solid wooden top. This graceful table by Italian architect and designer Franco Albini was designed in 1951. The model, known as 'TL2', is ma...

Rare and important desk model Stadera designed by Franco Albini for the Poggi manufacture, in 1959. Model 840. Made of noble wood for its shelf, the desk is the perfect modernist ele...

An Italian model MB 51 sideboard designed by Franco Albini for Poggi. Made of solid teak with a minimalist design and sharp lines.

Magnificent desk model N80 by the designer Franco Albini, rare first editions model with white lacquered metal base and wooden box. The dimensions are slightly larger than the model ...

Table lamp with structure and lampshade entirely realized in chromed steel, from the AM/AS series designed by the iconic duo Franco Albini and Franca Helg and manufactured by Sirrah ...

TL30 table with a round top in wood and a base in black lacquered metal, designed by Franco Albini and produced by Poggi in the 1950s. After spending his childhood and part of his youth in Robbiate in Brianza, where he was born in 1905, Franco Albini moved with his family to Milan. Here he enrolled in the Faculty of Architecture of the Polytechnic and graduated in 1929. He starts his professional activity in the studio of Gio Ponti and Emilio Lancia, with whom he collaborates for three years. He probably had his first international contacts here In those three years, the works carried out are admittedly of a twentieth-century imprint. It was the meeting with Edoardo Persico that marked a clear turning point towards rationalism and the rapprochement with the group of editors of “Casabella”. The new phase that that meeting provoked starts with the opening of the first professional studio in via Panizza with Renato Camus and Giancarlo Palanti. The group of architects began to deal with public housing by participating in the competition for the Baracca neighborhood in San Siro in 1932 and then creating the Ifacp neighborhoods: Fabio Filzi (1936/38), Gabriele D’Annunzio and Ettore Ponti (1939). Also in those years Albini worked on his first villa Pestarini. But it is above all in the context of the exhibitions that the Milanese master experiments his compromise between that “rigor and poetic fantasy” coining the elements that will be a recurring theme in all the declinations of his work – architecture, interiors, design pieces . The opening in 1933 of the new headquarters of the Triennale in Milan, in the Palazzo dell’Arte, becomes an important opportunity to express the strong innovative character of rationalist thought, a gym in which to freely experiment with new materials and new solutions, but above all a “method”. Together with Giancarlo Palanti, Albini on the occasion of the V Triennale di Milano sets up the steel structure house, for which he also designs the ‘furniture. At the subsequent Triennale of 1936, marked by the untimely death of Persico, together with a group of young designers gathered by Pagano in the previous edition of 1933, Franco Albini takes care of the preparation of the exhibition of the house, in which the furniture of three types of accommodation. The staging of Stanza per un uomo, at that same Triennale, allows us to understand the acute and ironic approach that is part of Albini, as a man and as a designer: the theme addressed is that of the existenzminimum and the reference of the project is to the fascist myth of the athletic and sporty man, but it is also a way to reflect on low-cost housing, the reduction of surfaces to a minimum and respect for the way of living. In that same year Albini and Romano designed the Ancient Italian Goldsmith’s Exhibition: vertical uprights, simple linear rods, design the space. A theme, that of the “flagpole”, which seems to be the center of the evolution of his production and creative process. The concept is reworked over time, with the technique of decomposition and recomposition typical of Albinian planning: in the setting up of the Scipio Exhibition and of contemporary drawings (1941) the tapered flagpoles, on which the paintings and display cases are hung, are supported by a grid of steel cables; in the Vanzetti stand (1942) they take on the V shape; in the Olivetti store in Paris (1956) the uprights in polished mahogany support the shelves for displaying typewriters and calculators. The reflection on this theme arises from the desire to interpret the architectural space, to read it through the use of a grid, to introduce the third dimension, the vertical one, while maintaining a sense of lightness and transparency. The flagpole is found, however, also in areas other than the exhibition ones. In the apartments he designed, it is used as a pivot on which the paintings can be suspended and rotated to allow different points of view, but at the same time as an element capable of dividing spaces. The Veliero bookcase...

Beautiful ceiling lamp designed by Franco Albini and Franca Helg in the 1950s for the fine Sirrah manufacture. Model AM4Z. The lamp by Franco Albini is made of totally chromed metal...

Symbol of comfort, Fiorenza armchair appears in Pirelli's 1950s advertisement as symbol of the foam rubber potential, considered at that time the mos...

COD-2669 Franco Albini (1905-1977) Center desk with dark wood drawers, polished steel square tube leg and tempered glass top. Registered drawing from 1958. Knoll international ma...

Mid-Century Modern Armchair Fiorenza by Franco Albini for Arflex, Italy.

Franco Albini & Franca Helg. Dining table model no. TL22. Manufactured by Poggi, Italy, 1958. Mahogany. Measurements: 180.3 cm x 104.1 cm x 73 H cm. 70.98 in x 40.98 in x 28.74 in. Literature: Giuliana Gramigna, Repertorio 1950/1980, Milan, 1985, p. 123. Franco Albini, was born in 1905 and died in 1977. He spent his childhood and part of his youth in Robbiate in Brianza, where he was born. Albini, as an adolescent moved with his family to Milan. Here he enrolled in the Faculty of Architecture of the Polytechnic and graduated in 1929. He started his professional activity in the studio of Gio Ponti and Emilio Lancia, with whom he collaborated for three years. At the 1929 International Exhibition in Barcelona (where Gio Ponti curated the Italian pavilion and Mies van der Rohe realized that of Germany) and in Paris where, as Franca Helg recounted, he had the opportunity to visit the studio by Le Corbusier. In those three years, the works he carried out are admittedly of the twentieth century imprint. It is the meeting with Edoardo Persico that marked a clear turning point towards rationalism and the approach to the group of editors of "Casabella". The partly ironic and partly very harsh comments of the Neapolitan critic to a series of drawings, made by Albini for the design of some office furniture, caused him a great disturbance. “I spent days of real anguish - Albini recalls - I had to answer all the questions. I also had a fever, a large and long fever. " The meted provoked Albini to openen a professional studio in via Panizza with Renato Camus and Giancarlo Palanti. The group of architects began to deal with public housing by participating in the competition for the Baracca district in San Siro in 1932 and then building the IFACP neighborhoods: Fabio Filzi (1936/38), Gabriele D'Annunzio and Ettore Ponti (1939). During this period, Albini also worked on his first villa (Pestarini), which Giuseppe Pagano, architect and critic of the time, presented as follows: “This coherence, which the superficial rhetoric of fashionable jugglers calls intransigence, and which is instead the basis of understood between the fantasy of art and the reality of the craft, in Franco Albini, it is so rooted that it transforms theory into a moral attitude ". But it is above all in the context of the exhibitions that the Milanese master experienced his compromise between that "rigor and poetic fantasy" of which Pagano speaks, coining the elements that became a recurring theme in his . The opening in 1933 of the new Triennale headquarters in Milan, in the Palazzo dell'Arte, was an important opportunity to express the strong innovative character of rationalist thinking, a gym in which to freely experiment with new materials and new solutions, but above all a "method". "Cultivated as a communication laboratory, the art of setting up was for the rationalists of the first generation what the perspective had been for the architects of humanism: the field open to a hypothesis of space that needed profound reflections before landing the concreteness of the construction site ". Together with Giancarlo Palanti, Albini on the occasion of the V Triennale di Milano set up the steel structure house (with R. Camus, G. Mazzoleni, G. Minoletti and with the coordination of G. Pagano), for which he also designed the 'furniture. At the following Triennale of 1936, Persico dided, together with a group of young designers gathered by Pagano in the previous edition of 1933, Franco Albini took care of the preparations of the home exhibition. The setting up of Stanza per un uomo, at that same Triennale, allows us to understand the acute and ironic approach of Albini, as a man and as a designer: "Celebrating the beauty of mechanics was the imperative to which, for example, the surprising displays by Franco Albini who managed, in the subtle way of a refined and rarefied style, to sublimate their practical content in the metaphysics of daring still lifes: flying objects which marked in the void refined frames and metal intricacies the nodes of a fantastic cartography where industry finally became art free from purpose ". That same year Albini and Romano designed the exhibition of the Ancient Italian Goldsmithery: vertical uprights, simple linear rods, designed the space. A theme, of the "flagpole", seemed to be the center of the evolution of production and the creative process. The concept is reworked over time, with the technique of decomposition and recomposition typical of Albinian design: in the preparation of the Scipione Exhibition and contemporary drawings (1941) the tapered flagpoles, on which the paintings and display cases were hung, are supported by a grid of steel cables; in the Vanzetti stand (1942) they take the V-shape; in the Olivetti shop in Paris (1956) the polished mahogany uprights support the shelves for the display of typewriters and calculators. The flagpole is found, however, also in other areas. In the apartments he designed, it is used as a pivot on which the paintings can be suspended and rotated to allow different points of view, but at the same time as an element capable of dividing the spaces. The Veliero bookcase...

Mid-Century Modern TL2 Cavalletto desk/dining table by Franco Albini for Poggi, 1950s.

Franco Albini (1905-1977) Six dining chairs with arms (Price per chair) Manufactured by Forma Brazil Brazil, 1950s Solid jacaranda wood and fabric Measurements 58 cm x 55 cm x 77 ...

Franco Albini for the Sirrah AM/AS wall lamp. Designed and manufactured in Italy in the 1960s. Chrome-plated and enameled metal. Takes 1 medium-base bulb. (See picture) The lamp is ...

Tavolo a cavalletto mod. TL2, design Franco ALBINI, in legno massello. ORIGINE Italia PERIODO Anni 50 DESIGNER Franco ALBINI MODELLO TL2 MATERIALI Legno massello DIMENSIONI Alt...

Franco Albini, Pair of Luisa Chairs, Italy, 1949 Designed by Franco Albini in 1949 and originally produced by Poggi, the Luisa Chair is one of the most iconic works of Italian postw...

Franco Albini ash dining table Model TL2 'Cavalletto' for Poggi, Italy (Very First Edition), Italy 1950s This table is the very first edition (the one in ash) of Franco Albini's fam...

Large four-door sideboard designed by Franco Albini in the 1930s. The Art Deco sideboard is veneered on all sides and fitted with chrome half-moon handles and set off by means of ver...

Mid-Century Modern Stadera Desk Model 840 by Franco Albini for Poggi, Italy, 1950s

Beautiful table lamps model "AM/AS" by Franco Albini, Franca Helg, Antonio Piva. Opaline glass and chrome frams can be changed with their universal terminal. Two pieces available, p...

Franco Albini for Poggi, Italy, circa 1950. A folding chair of wooden construction in completely original untouched vintage condition. Mech...

Italy 1950s woven bamboo mirror Design Franco Albini

Prices vary dependent on the chosen size and material. Available in: natural ash, black stained ash, American walnut. Different elements and sizes of the bookcase are available, too. Please get in touch. An extremely functional design wall bookcase designed by Franco Albini combines tradition and modernity in an ongoing dialog between materials and technologies. Designed in 1958 after the Infinito double-sided bookcase, Infinito Wall...

Listed for sale is an exceptionally rare No. 48 desk/dining chair, designed by Franco Albini and produced by Knoll. This was one of Knoll's earliest designs an...

Rare floor lamp designed by italian architects Franco Albini, Franca Helg and Antonio Piva as part of the AM/AS lamps series for the italian company Sirrah in 1969. Chromed steel str...

Model TL30 marble table designed by Franco Albini for Poggi, Pavia. Made in Italy circa 1950s. Reference: G. Gramigna, "Repertorio del design italiano 1950-2000", p. 53, Allemandi, ...

Franco Albini 832 “Luisa” armchair for Poggi, wood and leather, Italy, 1953, set of eight. Originally designed in 1939 and refined through multiple iterations, the 832 “Luisa” armch...

Early pair of black naugahyde and oak N°48 chair by Franco Albini produced by Knoll between 1948 and 1952. Good condition, 2 little damages on corners of the seat cushion ( picture ...

Steel centrepiece by Franco Albini for Sirrah. Removable top with double layer of holes for flowers.

The Fiorenza armchair, designed by Franco Albini in the early 1950s, is a hallmark of post-war Italian design and was first produced by Arflex in 1952. The chair’s elegant frame is...

Franco Albini 832 “Luisa” armchair for Poggi, wood and leather, Italy, designed in 1953, set of four. Originally designed in 1939 and refined through multiple iterations, the 832 “L...

Franco Albini 832 “Luisa” armchair for Poggi, wood and leather, Italy, designed in 1953, set of two. Originally designed in 1939 and refined through multiple iterations, the 832 “Lu...

A refined example of mid-century Italian design, this Cicognino coffee table was designed by Franco Albini in the 1950s. The table features a sculptural base crafted from elegantly c...

Franco Albini 'Fiorenza' Lounge Chair with Ottoman for Arflex, designed in 1952. Italy. New, current production. Price noted is for a Fiorenza chair + ottoman in leather. Symbol o...

Pair of rattan mirrors by Franco Albini in very good condition

Cavalletto or TL2 dining or working table designed in 1950 by italian architect Franco Albini, old Poggi edition. Wood construction with beveled edges tabletop and crossed legs with ...

Stunning Mid-Century round bar cart entirely made of curved bamboo, rattan, and hand-woven wicker, completed with brass wheels. This incredibly stylish organic cart was produced in I...

Pair of Rosewood Chairs is an original design furniture realized in the 1950s. Original Velvet Upholstery chairs. In the style of Franco Alb...

A charming Franco Albini designed Italian 1950's handmade bamboo basket. The curved basket with a wonderful decorative handle has perfect proportions. Store and display your magaz...

Stunning mid-century console table fully made of bamboo, rattan, and hand-woven wicker. This delightful organic piece was designed by the mastery of Franco Albini and produced in Ita...