Robert Indiana Art

Artist: Robert Indiana Medium: Serigraph Title: Two Portfolio: The American Dream Year: 1997 Edition: PP 14/30 Image Size: 16 7/8 x 14 inches Sheet Size: 22 x 17 inches Framed Size: ...

Acrylic and silkscreen ink on triple primed canvas. Hand signed, dated, titled and numbered "P/P" on verso by Robert Indiana. Printer's Proof edition. Total of 4 panels. Each pan...

Color screenprint on 4-ply rag board Edition of 300 Printed by Brand X Editions, Long Island City, New York Published by Donald J. Christal, Los Angeles, CA Signed and dated in penci...

Artist: Robert Indiana Title: The Book of Love 7 Medium: Serigraph Year: 1996 Edition: Unsigned proof (aside from the edition of 200) Frame Size: 30" x 28 1/4" Sheet Size: 24" x 20" ...

Artist: Robert Indiana Title: The New Glory Penny Portfolio: The American Dream Medium: Serigraph Date: 1997 Edition: 395 Sheet Size: 22" x 17" Image Size: 14" x 9 3/4" Signature: Un...

ROBERT INDIANA Angel More (Mother of Us All) Screenprint in colors on Arches, 1977 Impression 14 of an edition of 150 Image Size: 18” x 14” Signed, dated, and numbered in lower margin Printed by Mourlot, Paris. Intended for publication by Amiel, New York. Sheehan 96-108. The Mother of Us All, is an opera which imaginatively chronicles the story of Susan B. Anthony and the women's suffrage movement, written by Gertrude Stein and composed by Virgil Thompson in 1945. In 1976 Robert Indiana was hired to create the costumes and set design for the Santa Fe Opera Company’s production of The Mother to Us All. This collection of lithographs illustrates Indiana's costume designs for the Virgil Thomson-Gertrude Stein same-titled opera. Robert Indiana is one of the most recognized names in Contemporary and Pop Art, his LOVE sculptures, paintings, and prints are by far his most iconic pieces. It all began in the summer of 1965, when The Museum of Modern Art commissioned Indiana to design its Christmas card. He submits LOVE in four color possibilities; the museum selects the red, blue, and green version. In 1967 he produces three serigraphs of LOVE, and two serigraphs of LOVE Wall. During the next two years, produces other serigraph variations on LOVE, with more following in 1972, 1973, 1975, 1982, and 1991. Indiana’s LOVE motif has since been translated into a US postage stamp...

Robert Indiana (American, b. 1928) Banner, 1967 Medium: Silkscreen poster on paper Dimensions: 106.8 x 65.7 cm Edition size: Unknown Publisher: Galerie der Spiegel, Cologne Printer: ...

Robert Indiana The Red Eye of Love, 1998 Unique ink drawing dated 1998 Drawing created on embossed letterhead of Dorothy Blau Gallery (famed Miami dealer, friend and early promoter o...

Robert Indiana American Dream (EAT / DIE / HUG / ERR) (Sheehan, 136), 1986 Hard and soft-ground etching, aquatint, drypoint and stencil on white Arches paper 37 inches × 21 inches ...

Robert Indiana Love Is God, 2014 Silkscreen on 2 ply Rising Museum Board Published by Gary Lichtenstein Editions 32 × 32 inches Hand signed and numbered 33/50 in graphite pencil on the front Unframed One of the most profound Robert Indiana silkscreens...

Artist: Robert Indiana Medium: Original Lithograph, 1977 Dimensions: 24 x 20 in, 60.9 x 50.8 cm Arches Paper - Very Good Condition Starting in 1965, Indiana collaborated with c...

Robert Indiana (1928-2018) was a pre-eminent figure of American Pop art best known for his masterpiece, the iconic "LOVE". Inspired by the mythology of the American dream, Indiana e...

Artist: Robert Indiana (1928-2018) Title: HOPE (Winter) Year: 2012 Medium: Silkscreen on Coventry Rag paper Edition: 18/125, plus proofs Size: 35.25 x 25.5 inches Condition: Excellen...

Complete deluxe set of 13 screen prints and accompanying 12 poems. Published by American Image Editions, New York. Includes original brown paper-covered portfolio and publisher insert. Each screen print measures 26 x 21 inches. Each screen print is hand signed, dated, numbered by Robert Indiana. Roman numeral edition XLII/L (there were also a main edition of 200 and 50 artist's proofs), Artwork is in excellent condition. Certificate of Authenticity included. All reasonable offers will be considered. About the Artist: Robert Indiana (1928–2018) was an American Pop artist whose work drew inspiration from signs, billboards, and commercial logos. He is best known for his series of LOVE paintings, which employed bold and colorful letterforms to spell out the word “love.” “Oddly enough, I wasn't thinking at all about anticipating the love generation and hippies,” he once explained. “It was a spiritual concept. It isn't a sculpture of love...

Artist: Robert Indiana, American (1928 - 2018) Title: Yield Brother #2 from the American Dream Portfolio Year: 1963 (1997) Medium: Serigraph Edition: 39...

Artist: Robert Indiana Title: The Hartley Elegies - KvF IX Year: 1991 Medium: Screenprint, signed and numbered in pencil Edition: 50 Paper Size: 60 x 60 inches Printer: Bob Blant...

Silkscreen on powder-coated fabricated aluminum. From the roman numeral edition of 5. Measures 26 x 26 x 2 inches. R. Indiana '96 incised on the right side. Hand written in gol...

Enamel and steel sculpture. Measures 18 x 18 x 10 inches (with base). Stamped 'R. Indiana' with edition, date and foundry. Edition 2/8. Artwork is in excellent condition. All ...

Artist: Robert Indiana Title: The American Dream Portfolio: The American Dream Medium: Serigraph Year: 1997 Edition: 62/395 Frame Size: 26 1/2" x 22" Sheet Size: 18 1/2" x 16" Image ...

Screenprint in colours, 1996, on A.N.W. Crestwood Museum paper, signed in pencil and numbered from the edition of 200, published by American Image Editions, New York, 66 × 50.8 cm. (...

Hand signed, dated and numbered by the artist. Screenprint on Saunders watercolor paper from the edition of 50. Artwork is in excellent condition. Certificate of authenticity inclu...

Screenprint on lenox museum board. Hand Signed, Numbered, And Dated in Pencil. Edition 219/300. Printed By Brand X Editions. Published by Donald J. Christal, Los Angeles, CA. Ver...

Oil and silkscreen on canvas Hand signed, numbered, and dated on verso by Robert Indiana. Edition IV/V. Part of a series that Robert Indiana created in support of Barack Obama’s p...

Medium: original lithograph. Printed in 1973 for the art revue XXe Siecle and published in Paris by San Lazzaro. Image size: 8 3/8 x 8 3/8 inches (210 x 210 mm). Sheet size: 12 1/4 x...

Robert Indiana RUYI, Figure 8, original drawing on Robert Indiana's blind stamped paper Original drawing in ink and marker On paper bearing Robert Indiana's personal blind stamp from...

Complete portfolio of 4 silkscreens on coventry archival rag paper. Each silkscreen is hand signed and numbered. Red portfolio binder also included. From the edition of 82. Each si...

Robert Indiana The Golden Future of America (Sheehan, 92), 1976 Silkscreen on Arches paper Signed and dated in pencil, lower right; number...

God is Love, 2014 # 22 From the Edition of 25 Screen Print in 18 colors Signed, dated and numbered Image size 64 x 64 inches Full sheet size 84 x 84 inches Measurements taken from...

Screenprint in colours, 1982, on Fabriano paper, signed, dated, titled, and inscribed ‘AP’ in pencil, one of 15 numbered artist's proofs, aside from the edition of 100, printed by Do...

TECHNICAL INFORMATION Robert Indiana American Dream #5 1980 Screenprint on five separate sheets 26 3/4 x 26 3/4 in. each sheet (84 x 84 in. overall) Edition of 100 Pencil signe...

This exquisite lithograph by Robert Indiana (1928–2018), titled Autoportrait 69 (Self Portrait 69), from the album XXe Siecle, Annee No. 41, Decembre 1973, originates from the 1973 e...

Robert Indiana, American (1928 -2018) - Art from the American Dream Portfolio, Year: 1972(1997), Medium: Screenprint (unsigned), Edition: 395, Image Size: 14 x 14 inches, Size: ...

Artist: Robert Indiana Title: Art Portfolio: The American Dream Medium: Serigraph Year: 1997 Edition: 395 Sheet Size: 22" x 17" Image Size: 14" x 14" Signature: Unsigned

Robert Indiana An Honest Man Has Been President: Homage to Jimmy Carter (Sheehan, 112), 1980 Color silkscreen on off white wove paper 23 1/2 × 19 3/5 inches Pencil signed and numbere...

Original silkscreen poster by Robert Indiana for Kunstmarkt Köln 1967. Kunstmarkt Köln, established in 1967 in Cologne, Germany, was the first contemporary art fair, revolutionizin...

Artist: Robert Indiana (American, born 1928) Title: "Anne" Year: 1977 Medium: Original color lithograph Edition: Numbered 32/150 in pencil Paper: Arches Image size: 18 x 14 inches paper size: 23.65 x 19.5 inches Signature: Hand signed in pencil by the artist Publisher: Leon Amiel, New York Printer: Fernand Mourlot, Paris Condition: It is in excellent condition, has never been framed. Description: From the suite "The Mother of All Us" About the artist: Robert Indiana was born in New Castle, Indiana, in 1928. His family name was Clark but he adopted the name of his native state early in his career. His father worked for a Phillips 66 gas station and his mother ran a diner. He began his studies in art in 1945 at the Herron School of Art in Indianapolis and then at the Munson-Williams-Proctor Institute in Utica, New York. He then moved to Chicago and continued his studies at the School of the Art Institute of Chicago. He also studied at the Skowhgan School of Painting and Sculpture in Maine, the Edinburgh College of Art and London University, eventually moving to New York City in 1956. A major Pop Artist, his work is characterized by the use of words and relatively flat paint with no brush strokes. This cold and somewhat mechanical approach to painting in which the words are often stenciled into the design probably was influenced by street signs, pinball machines, the commercial stenciling process used in printing and advertisements. In fact, Indiana calls himself "a painter of signs". He uses the common everyday symbols and words of America and paints them as brilliantly colored pop art paintings. His work comments in an ironic fashion on American life and culture, often making pointed political statements about American society. The words in his painting are usually simple and short words, sometimes with clear meaning and other times arranged in an ambiguous fashion to project multiple meanings, and occasionally involve puns. It is interesting to try to put his "words" together to get a sense of the meaning. For instance, in The Triumph of Tira, painted in, 1960-61, the artist presents four circles with four squares inside them and four stars inside the squares. There is one word in each star. The upper left says "Law"; the upper right says "Cat"; the lower left says "Men"; and the lower right says "Sex." Of course it is hard to understand the relationship between the words, and as you begin to speculate on what it might mean, a number of possible interpretations evolve. Other works have more obvious meanings, sometimes political. One painting shows an outline of the State of Alabama with Selma marked in the right location. The words "Just as in the anatomy of man, every nation must have its hind part", are stenciled around the map. This is a reference to the march on Selma, which was an important event in the Civil Rights Movement during the 60's. Indiana's most famous painting is of the word "Love". It is painted with the LO on the top and VE on the bottom. This painting was used as a design for an American postage stamp in 1973, which became very popular. Since then there have been a number of other American stamps with the word love on them, but Indiana's was the first. In addition to the stamp, the image was reproduced countless times during the 70s, as poster, candles, t-shirts and many other items. Indiana continues to work as an artist and recently (2000) released a print with the image 2000 on it arranged in a pattern similar to that of the LOVE design. The work of Robert Indians...

Limited Edition Serigraph published by Marco Fine Arts Contemporary Atelier and released as part of the large portfolio and book entitled "The American Dream". The term "yield" can i...

Robert Indiana 4, from the original Numbers portfolio (Sheehan 46-55), 1968 Color Silkscreen on Wove Paper Limited Edition of 2500 Not Signed Frame included: Elegantly matted and fr...

Seven Screen print, 1968 Unsigned (as issued) Edition: 2500 From: Number (10 plates), with poems by Robert Creeley Printer: Domberger KG, Stuttgart Publisher: Edition Domberger Stutt...

Robert Indiana New Glory Banner Silkscreen on heavy woven paper Year: 1997 Unsigned as issued Size: 10.4 × 16.8 on 16.6 × 21.7 inches Framed: 29 x 21.25 inches COA provided *W...

Robert Indiana Pax, Paix, Shalom (The Peace Print), 2004 Silkscreen in 4 colors on rives BFK paper Hand signed, dated, titled and numbered 35/50 in pencil by Robert Indiana on the f...

Robert Indiana New Glory Banner 1997 Silkscreen on heavy woven paper Unsigned as issued Size: 10.4 × 16.8 on 16.6 × 21.7 inches Gallery COA provided Robert Indiana was an American artist associated with the pop art movement. His "LOVE" print, first created for the Museum of Modern Art's Christmas card in 1965, was the basis for his 1970 Love sculpture and the widely distributed 1973 United States Postal...

Robert Indiana The New Glory Penny from The American Dream Portfolio, 1997, (48/395) Screenprint in color 22 x 17 in

Artist: Robert Indiana, American (1928 - 2018) Title: New Glory Banner Year: 1968 Medium: Silkscreen on Card Stock Image Size: 7.5 x 4.5 inches Size: 15.5 x 12.5 inches (Promotional...

Robert Indiana Vintage Stable Gallery exhibition poster (hand signed), 1962 Silkscreen on wove paper Signed in the artist's shorthand signature with a love doodle on the back Unnumbe...

Artist: Robert Indiana Title: The Calumet Portfolio: The American Dream Medium: Serigraph Date: 1997 Edition: 395 Sheet Size: 22" x 17" Image Size: 22" x 17" Signature: Unsigned

Limited Edition Serigraph published by Marco Fine Arts Contemporary Atelier and released as part of the large portfolio and book entitled "The American Dream". The phrase "God is the...

The Book of Love Poem - When the Word is Love Robert Indiana American (1928–2018) Date: 1996 Screenprint with Letterpress, signed and numbered in pencil Edition of 200, PP 10 Size:...

ROBERT INDIANA Hirshhorn Museum & Sculpture Garden Opening Exhibition (Signed & Numbered Edition), 1974 Lithograph on wove paper 32 × 26 inches Signed and numbered 4/100 in pencil on...

Robert Indiana American, 1928–2018 Love Is God Edition: 12/50 Silkscreen in 18 colors on 2-Ply Museum Board Size: 32 × 32 in 81.3 × 81.3 cm Signature: Hand-signed & numbered in penc...

Robert Indiana Marylin, 2008 Screenprint in colors on wove paper 40,0 x 32,5 in (101.6 x 82.6 cm) Edition: AP 3/12 Signed, editioned, and dated in pencil, lower right PROVENANCE: The...

Robert Indiana Blue Alphabet , 2011 Screenprint in colors on wove paper 40,0 x 32,5 in (101.6 x 82.6 cm) Edition: AP 1/5 Signed, dated, annotated and numbered in pencil by Robert Ind...

Artist: Robert Indiana, American (1928 - 2018) Title: The Calumet from the American Dream Portfolio Year: 1961 (1997) Medium: Serigraph Edition Size: 395 Image Size: 15 x 13.75 inche...

Highball on the Redball Manifest is a limited edition serigraph by Robert Indiana, signed and numbered 100 out of 395 in pencil. This print is part of the celebrated portfolio and bo...

Robert Indiana Colby ART (Sheehan, 80), 1973 Silkscreen in Colors on White Wove Paper Pencil signed and numbered 69/100 on the front with artist's copyright @Robert Indiana lower right front Published by Robert Indiana with copyright; Printed by Seri-Arts, Inc. Vintage metal frame included Classic early 1970s work. There was a time, we are told, when every prestigious collector in Germany would have an edition of Robert Indiana's iconic ART print prominently hanging in their home. This is an uncommon and desirable Robert Indiana piece from the early 1970s. Boldly signed in graphite on the recto (front), numbered and bearing the artist's copyright: @ Robert Indiana 1973...

"It becomes particularly desperate when the peace symbol is inverted and is really plunging in despair. I grew a little weary of my own despair and my own g...

Artist: Robert Indiana (American, born 1928) Title: General U.S. Grant Year: 1977 Medium: Original color lithograph Edition: Numbered 32/150 in pencil Paper: Arches Image size: 18 x 14 inches paper size: 23.65 x 19.5 inches Signature: Hand signed in pencil by the artist Publisher: Leon Amiel, New York Printer: Fernand Mourlot, Paris Condition: It is in excellent condition, has never been framed. Description: From the suite "The Mother of All Us" About the artist: Robert Indiana was born in New Castle, Indiana, in 1928. His family name was Clark but he adopted the name of his native state early in his career. His father worked for a Phillips 66 gas station and his mother ran a diner. He began his studies in art in 1945 at the Herron School of Art in Indianapolis and then at the Munson-Williams-Proctor Institute in Utica, New York. He then moved to Chicago and continued his studies at the School of the Art Institute of Chicago. He also studied at the Skowhgan School of Painting and Sculpture in Maine, the Edinburgh College of Art and London University, eventually moving to New York City in 1956. A major Pop Artist, his work is characterized by the use of words and relatively flat paint with no brush strokes. This cold and somewhat mechanical approach to painting in which the words are often stenciled into the design probably was influenced by street signs, pinball machines, the commercial stenciling process used in printing and advertisements. In fact, Indiana calls himself "a painter of signs". He uses the common everyday symbols and words of America and paints them as brilliantly colored pop art paintings. His work comments in an ironic fashion on American life and culture, often making pointed political statements about American society. The words in his painting are usually simple and short words, sometimes with clear meaning and other times arranged in an ambiguous fashion to project multiple meanings, and occasionally involve puns. It is interesting to try to put his "words" together to get a sense of the meaning. For instance, in The Triumph of Tira, painted in, 1960-61, the artist presents four circles with four squares inside them and four stars inside the squares. There is one word in each star. The upper left says "Law"; the upper right says "Cat"; the lower left says "Men"; and the lower right says "Sex." Of course it is hard to understand the relationship between the words, and as you begin to speculate on what it might mean, a number of possible interpretations evolve. Other works have more obvious meanings, sometimes political. One painting shows an outline of the State of Alabama with Selma marked in the right location. The words "Just as in the anatomy of man, every nation must have its hind part", are stenciled around the map. This is a reference to the march on Selma, which was an important event in the Civil Rights Movement during the 60's. Indiana's most famous painting is of the word "Love". It is painted with the LO on the top and VE on the bottom. This painting was used as a design for an American postage stamp...

Robert Indiana Stable Gallery 16 October 1962 (Hand Signed Inscribed) Silkscreen on art paper Signed and Dedicated in pencil on the recto. The dedication and signature reads ...

Robert Indiana The Love Ring. 1969. Multiple. Gold-plated ring. Diameter 2 cm. In an original box by Charles Revson, New York.

LOVE rug