Salviati Furniture

Hand-formed and hot finished Sommerso glass vase.

Late 1970s - Early 1980s Mid-Century Modern Venetian vase of elegant Minimalist ovoid shape, in a chic smoked amber gold Murano glass, blown by Salviati, with a high-quality decorati...

Clean lines and contours characterize Anna Gili’s Profili. These vases come in different sizes and their proportions challenge the human eye in a play of concavity and convexity. Cur...

1980 Elegant Venetian vase of organic ovoid shape, in a chic smoked amber gold Murano glass, blown by Salviati, with a high quality decoration in a precious handcrafted wavy Battuto on the entire surface that results in a unique decor...

Beautiful abstract technique by the Maestro Murano blower Luciano Gaspari.

Venetian polychrome enameled and gilt handblown glass centerpiece by Pauly & C. of Murano of omphalos form in transparent red colored glass enameled by Francesco Toso Borella after a...

Stunner done Vase designed by Nigel Coates (English, 1949) for Salviati (Italian, founded 1859), circa 1992. A rare organic shaped cased art glass vase in Lavender, light purple with...

Stunning pair Murano "SALVIATI" mODERNIST Sculptures, Italian Glass.. Amazing architectural form. Classic colors.

Salviati six table lamps 1960 metal crome glass Italy.

Made in Italy, 1970s. This wonderful vase / bottle is made in pink encased Murano glass with gold leaf. It is a vintage piece, therefore it might show slight traces of use, but it c...

One of a kind Luciano Gaspari blown Art Glass cylinder shaped vase in light pink with a circle of blue bubbles around, made for Salviati Murano, Venice. Italian Mid-Century Modern h...

Hand blown glass vase decorated with gold leaf.

Hand-formed and hand-finished sommerso glass vase made with the balloton technique.

A sommerso milk glass vase with a crystal band decor. Murano glass vase signed. Colorless glass with opaque white part overlay between the layer.Signed / Marked : With signature „sal...

Beautiful glass holder made by Salviati, marked and dated 1998.

Hand-formed and hot finished blown glass vase made with the rigadin technique.

Salviati sommerso blown glass candle holders.

Organically shaped yolk-yellow bowl made using the sommerso technique and signed via engraving on the base. The bowl is not quite round, it has a slightly oval mouth, and the base wi...

Soffiato glass charger plate designed by Salviati & Co. Great decorative piece, created at the Murano island in Venice Italy by the Salviati & Co. This flat charger was crafted during the art deco period back in the early 1920 by the blown glass process. Made up in transparent amber glass with the upper rim accented by a stripe made up from blue pate d verre. Soffiato Glassblowing or Soffiato in Italian, is a glass forming technique that involves inflating molten glass into a bubble with the aid of a blowpipe. A person who blows glass is called a glassblower, glassmith, or gaffer. The word come from soffietta, a tool used as a puffer to further inflate a vessel after it has been removed from the blowpipe and is attached to the pontil. It consists of a curved metal tube attached to a conical nozzle. The glassblower reheats the vessel, inserts the nozzle into its mouth so that the aperture is blocked, and then inflates the vessel by blowing through the tube. Salviati & Co. The company was founded by Antonio Salviati, which born in Vicenza in 1816 and died in Venice in 1890. In 1859, together with Enrico Podio and Lorenzo Radi he opened a glassware and mosaic boutique called Salviati Antonio...

The “Mare” collection was born from the colors and shapes of the Venice lagoon. The “peocere”, tens and tens meters long mussel farming strings rising vertically, draw the shapes of ...

The traditional "zanfirico / filigrana" technique expressed in a contemporary way. Hand blown and heat-formed zanfirico/filigree vase with handmade glazi...

Hand blown colorful vase made using the "canne" technique. Hand blown and hand-finished cane vase.

Hand blown colorful vase made using the "canne" technique. Hand blown and hand-finished cane vase.

The tall and slender Pinnacolo vases were designed by Luciano Gaspari and made using his favorite technique, the Sommerso. The sunken blue and green glass versions were showcased at ...

Hand blown colorful vase made using the "canne" technique. Hand blown and hand-finished cane vase.

Murano We have specialized in the sale of Art Deco and Art Nouveau and Vintage styles since 1982. If you have any questions we are at your disposal. Pushing the button that reads 'View All From Seller'. And you can see more objects to the style for sale. Salviati & C Measures: Violet : 33 long x 10 high x 5.5 depth Green: 30 long x 9 high x 5.5 depth The lawyer Antonio Salviati and his dream In 1859 in his premises at Number 731 of Dorsoduro, Venice the “Salviati Dott. Antonio fu Bartolomeo” company was established. This is when, Vicenza-born lawyer Antonio Salviati started the entrepreneurial career, moved by a passion for the precious mosaics of the Basilica of San Marco and fascinated by Murano glass art, he decided to start-up his own production of mosaics and objects in Murano glass. An ambitious and far-sighted goal pushed him along this path: to revive the fate of Murano glass production that has been fallen for decades. A challenge which finds the maximum support from two fundamental figures in the history of Murano glass: the mayor of the island, Antonio Colleoni, and the Abbot Vincenzo Zanetti, founder of the glass museum and of the first art school for glass masters. The first successes and international investments The launchpad was the “First Glassmakers’ Exhibition” in 1864 in which Salviati participated with a monumental mosaic that earns him a prize superior to the Gold Medal. The success achieved affirmed the credibility of the Company which thus started its glass production in Palazzo da Mula. The new corporate and productive reality needed investors and the lawyer started to internationalise the company by addressing the economic and financial market across the Channel. The UK immediately showed huge interest in Salviati’s mosaics – as testified by the mosaic that can be seen on the façade of the current Apple Store in Regent Street, London. It was also in London, on 21st December 1866, that the “Società Anonima per Azioni Salviati & C.” was established with the support of diplomat Sir Austen Henry Layard and historian William Drake. The new corporate set-up was further established with the purchase of a new headquarter, this time on the Riva dei Vetrai in Murano. The universal show of Paris in 1867 celebrated the relaunch project of Antonio Salviati “Venice owes a debt of gratitude to the knight Salviati in the resurgence for one of the most legitimately famous of its industries”. From Esposizione Illustrata di Parigi, 1867 pg. 275. “Venice and Italy have gain huge success in the Universal Exhibition. The resurgence of one of the city’s most famous industries is consecrated in this very occasion by the gold medal awarded by the jury to Mr Salviati […] the crowd […] is gathering around the display cases that hold those pieces of glass that are so transparent and so light as to appear like woven air, impregnated, when in their elegant forms that become rainbows of those iridescent reflections that cover them at the artist’s whim – the author of a real ray of sunshine from the beautiful and splendid Venice”. From Esposizione Illustrata di Parigi, 1867 pg. 311 The fundamental role of training in murano glass Training plays a fundamental role for the Company; attendance at the Art School was made compulsory for “[…] all the young workers of the Factory who don’t only tire themselves in manual work. This was established with the idea not only to lift their dignity and their initially limited aspirations, […] but also to improve their artistic education and thereby facilitate an improvement also in their economic situation”. Together with the art school, a free school was also set up to teach all employees to read and write. Diversification in production and made-to-measure projects In a short time, Salviati & C. diversified its production to include glasses, cups, amphoras, and vials which guaranteed the first prize in the universal exhibition for three consecutive years. Its mosaic production also flourished, being used in world-class projects: from the Houses of Parliament in London, to the Viceroy’s palace in Alessandria in Egypt, to the Opera House of Paris, including the private homes of wealthy New York personality. The entire 19th century for Salviati & C. was represented by development, success and fame in the national and international markets, and the Company became a symbol and reference point of Murano glass art throughout the world. The Salviati legacy at the turn of the century On the death of Antonio Salviati in 1890, first his three children followed one another at the helm of the company and then Maurizio Camerino, previously general manager. It was thanks to him that the decorative mosaic project of the Stanford Memorial Church in Palo Alto (California, USA) took place after 12 years of work. As well as the opening of a sales point in Via Montenapoleone in Milan and the institution of a museum collection of Murano glass from the 19th and 20th centuries. The post-war years, biennials and lighting After Maurizio Camerino’s death in 1931, his three children took over the helm of the company: its solid foundations allowed them to strive for new important goals in the art world, participating in the Biennials of 1932 and 1934. Not even the Second World War could tarnish the strength of the Salviati brand: in the post-war years Renzo Camerino renewed the ruined production headquarter and enthusiastically restored all his commercial contacts. Thanks to his grandson Renzo Tedeschi (newly graduated in Engineering at the Polytechnic of Turin and upon his return from an apprenticeship in the United States), Salviati launched its production in lighting appliances. The following years saw intense growth in the number of collaborations with renowned artists and designers. In 1959, the production site was moved to Fondamenta Radi 16, where it still stands today. The great lighting projects The larger production area allowed the company to further expand the international market in the field of architectural lighting. A number of projects were undertaken, such as the 9-tonne, 22-metres high chandelier in the Chamber of Commerce in Parma, the ceiling illumination in the premises of the World Intellectual Property Organisation in Geneva and the Kowloon Hotel in Hong Kong; not to mention the sound-absorbing windows of the Aula Nervi in the Vatican and the lighting system of the great honour hall of the Philippine Plaza Hotel in Manila in collaboration with architect John Marsteller. The reputation of Salviati & C. was further affirmed by the commission – after an international call for bids – for twelve 11-metre high chandeliers for the Tonhalle concert hall in Dusseldorf, made using an innovative system of modular glass elements – “LS- System” – one of the today company’s cornerstones. Salviati from the modern age to the present The story of Salviati continues in the modern era, keeping the focus on creating an innovative style that had distinguished it since its inception. Participation in international exhibitions increased, such as the Venice Biennials from 1958 to 1972 (the final year in which Murano glass was allowed) thanks to projects by designers of the calibre of Betha and Teff Sarasin, Claire Falkestein, and Luciano Gaspari. In 1962 Salviati was awarded with the highest recognition in the Design world, the “Compasso d’Oro” prize assigned by A.D.I. for the Marco vase designed by architect Sergio Asti. In 1965 the company changed its name to Salviati & C. s.p.a.; then it was purchased by the Gruppo Ferruzzi in 1987 which later on it was transferred to a French company. Since 2015 the company returned to be Venetian with the acquisition by the Umana group. Salviati and its designers Salviati’s designers: Luciano Gaspari, Sergio Asti (Compasso d’Oro 1962), Claire Falkenstein, Ward Bennet, Teff and Betha Sarasin, Ingo Maurer, Ross Lovegrove, Amanda Levete, Tom Dixon, Nigel Coates, Thomas Heatherwick, Luca Nichetto, Ben Gorham...

A refined set of two crystal bowls by Salviati, featuring the elegant “Raindrops” finish — a delicate pattern achieved through the traditional cold working technique. The subtle text...

A refined set of two stemmed glasses by Salviati, designed for serving white wines or light cocktails. Each piece features the “Raindrops” cold-worked finish — a delicate surface tex...

Cased blown and hand-formed glass elements. Limited edition: 101 pieces.

Hand blown colorful vase made using the "canne" technique. Hand blown and hand-finished cane vase.

The large air bubbles embedded in these glass vases create delicate color and transparency variations, adding lightness to their geometries. These vases Stand out for their pure and ...

Hand blown colorful vase made using the "canne" technique. Hand blown and hand-finished cane vase.

The “Mare” collection was born from the colors and shapes of the Venice lagoon. The “peocere”, tens and tens meters long mussel farming strings rising vertically, draw the shapes of ...

Hand-formed and hot finished blown glass vase made with the rigadin technique.

The “Mare” collection was born from the colors and shapes of the Venice lagoon. The “peocere”, tens and tens meters long mussel farming strings rising vertically, draw the shapes of ...

The “Mare” collection was born from the colors and shapes of the Venice lagoon. The “peocere”, tens and tens meters long mussel farming strings rising vertically, draw the shapes of ...

The “Mare” collection was born from the colors and shapes of the Venice lagoon. The “peocere”, tens and tens meters long mussel farming strings rising vertically, draw the shapes of ...

The “Mare” collection was born from the colors and shapes of the Venice lagoon. The “peocere”, tens and tens meters long mussel farming strings rising vertically, draw the shapes of ...

Classic Mid-Century Modern tall stoppered bottle in mint condition by Salviati & Co. A great form. Bears the original label and the original stopper. Stunning white with gold fleck...

Pair of Murano glass chandeliers with metal structure, blown glass elements, produced by Salviati in 1956 and designed by Vinicio Vianello. Biography Vinicio Vianello (Venice, 1923...

Salviati Murano by Renzo Stellon Millebolle model 2 cone-shaped vases decorated with large grey bubbles in smoked grey Murano glass Signed and dated 2009 Measures: 43 H x 24 D New from stock in their original box 1650 euros per pair Salviati. Glass since 1859. Founded in 1859, Salviati sits amongst the most prestigious glass manufacturers in Venice. Over 150 years of glass making knowledge and strong collaborations with international designers characterise a collection of timeless pieces of outstanding quality and design. Salviati today shows the ability to master the heritage of the Muranese legacy and explore the art of the possible. Salviati’s products are highly recognizable for their strong narrative, creativity and distinctive design they embody the Venetian tradition and interpret extraordinary making techniques in a contemporary way. Historically Salviati has worked with designers and artists with great sensibility and abilities to understand glass as a material. What we do. Salviati and its designers are committed to investigate the limits in making and exploring new aesthetics to create considered and powerful objects. Salviati has worked with designers and artists like: Luciano Gaspari, Ingo Maurer, Ross Lovegrove, Amanda Levete, Tom Dixon, Nigel Coates, Thomas Heatherwick...

Artist/Designer: Salviati Additional Information: Salviati is a world renowned Murano based manufacturer of glass since 1859. Marking(s); notes: Salviati label Country of origin; ...

Cased blown and hand-formed glass elements. Limited edition: 101 pieces.

A solid heavy base joint with a delicate, airy upper portion. Designed by de Allegri & Fogale, these pieces take their cue from the charming atmosphere of the Venetian lagoon, and em...

A solid heavy base joint with a delicate, airy upper portion. Designed by de Allegri & Fogale, these pieces take their cue from the charming atmosphere of the Venetian lagoon, and em...