Männer Porträts

Porträt eines Gentleman Europäischer Künstler, Mitte des 20. Jahrhunderts Öl auf Leinwand, gerahmt Gerahmt: 35,5 x 30,5 Zoll Leinwand: 30 x 25 Zoll Provenienz: Privatsammlung, Englan...

Versandverfahren Versand in einem gut geschützten Rohr aus Nigeria Dieses Werk ist einzigartig; es handelt sich nicht um einen Druck oder eine andere Art von Kopie. Begleitet von ein...

Itzchak Tarkay Bildgröße: 40 x 32 (99 x 80cm) Äußere Rahmengröße: 49 x 41" (121 x 102cm) Kostenloser Versand 1935 - 2012 Der 1935 an der jugoslawisch-ungarischen Grenze in der Sta...

The Veil of Now wurde im Jahr 2024 hergestellt und ist ein Original in Mischtechnik auf einer Tafel des Künstlers Jon Wassom mit den Maßen 16 x 12 x 1,50 Zoll. Dieses eindrucksvolle ...

Maurice Milliere (1871-1946) Ein Künstler in seinem Studio, signiert unten rechts Öl auf Leinwand 46 x 27 cm gerahmt : 52 x 33 cm Besonders interessant ist, dass Maurice Milliè...

Der Förster von John Edwards (1940 - 2020) signiertes Öl auf Leinwand, gerahmt Gerahmt: 29 x 23,5 Zoll Brett : 23 x 18 Zoll Provenienz: Privatsammlung, Großbritannien Condit: sehr gu...

Artus WOLFAERTS (1581-1641) Studie eines Kopfes Öl auf Papier, auf Platte übertragen. 39,5 x 29 cm Vorzeichenlos Provenienz Privatsammlung, Frankreich Unsere Kopfstudie, von der...

ANJA VAN HERLE "Zen-Zone" Acryl auf Holz 60 x 40 Zoll Die 1969 in Belgien geborene Anja Van Herle verbindet in ihren Kunstwerken einen europäischen Sinn für High Fashion mit einem a...

Der Schäferhund und sein Border Collie Hund von John Edwards (Englisch, 1940 - 2020) signiertes Öl auf Leinwand, gerahmt Gerahmt: 29 x 23,5 Zoll Leinwand : 23 x 18 Zoll Provenienz: P...

Anthoon van Dyck (Antwerpen 1599 - London 1641) Werkstatt Christus, der das Kreuz trägt - 17. Jahrhundert Öl auf Leinwand (120 x 94 cm - gerahmt 140 x 112 cm). Diese bemerkensw...

18. Jahrhundert Brustbild eines Herrn im blauen Mantel mit Goldknöpfen (es soll sich um Edmund Hoyle, den Erfinder des Whist handeln) Öl auf Leinwand Kreis von James Latham. In einem...

Italienischer Maler (18. Jahrhundert) - Chrono. 90,5 x 106 cm. Antikes Ölgemälde auf Leinwand, ohne Rahmen (nicht signiert). Zustandsbericht: Gefütterte Leinwand. Guter Erhaltungs...

Das Orchester unterzeichnet von Guy Nicod (Französisch 1923 - 2021) Öl auf Leinwand, ungerahmt Gemälde : 32 x 40 Zoll Herkunft: Künstlernachlass, Frankreich Zustand: sehr guter und g...

Signiert unten rechts: "J. Braze", Osip Emmanuilovich Braz (1873 - 1936), bekannt als russisch-jüdischer Realist. Während sich die Szene auf der Leinwand entfaltet, sehen wir den Enk...

"By Heart", ein fesselndes Kunstwerk von Oyeleye Feranmi, fängt auf wunderbare Weise die Essenz von Einheit und Brüderlichkeit ein, die Unterschiede überwindet. In diesem ergreifende...

"Together Forward" von der französischen Künstlerin Natalya Mougenot ist ein lebendiges, abstraktes, figuratives Gemälde, das die menschliche Verbindung, die emotionale Bewegung und ...

Ein schönes Porträt, das die Büste einer älteren Witwe darstellt. Die Frau ist ganz in Schwarz gekleidet und trägt als Symbol der Trauer eine verzierte Brosche am Hals. Der Künstler ...

Genueser Schule aus dem 17. Jahrhundert Werkstatt von Valerio Castello (Genua, 1624 - Genua, 1659) Ecce homo Öl auf Leinwand 117 x 99 cm. Im Rahmen 138 x 118 cm. Das Ecce Homo, da...

Antonio Tempesta (Florenz 1555 - Rom 1630) Kreis Der heilige Jakobus besiegt die Mauren in der Schlacht Öl auf Leinwand 112 x 102 cm - Gerahmt 125 x 114 cm Im Zentrum des Gem...

Daniela Aston Ehepaar #2 50 x 40 cm Öl auf Holz Daniela Astone lebt und arbeitet in Florenz. Jahrelang war sie Lehrerin an der berühmten Kunstakademie in Florenz. Seit 2022 arbeite...

Italienische Schule des 17. Jahrhunderts Christus und die kanaanäische Frau Öl auf Leinwand, gerahmt Gerahmt: 30,5 x 35 Zoll in einem antiken vergoldeten Hohlrahmen. Leinwand: 24 x...

Tim Doud (geb. 1971) Casey (Burberry) 2001-02 Öl auf Leinen, 22 x 22 Zoll. Verso Original-Galerie-Etikett. Erstklassiger Zustand. Tim Douds Gemälde und Zeichnungen umfassen zw...

Französische Schule des 20. Jahrhunderts, Porträt eines eleganten Mannes, Öl auf Leinwand, monogrammiert und datiert E.B. 1931 unten links. Das Monogramm E.B. findet sich auch auf de...

Kolossale Hand - kolossaler Kopf - kolossaler Fuß (Triptychon), 2003 Acryl auf Leinwand (Signiert auf der Vorderseite) 78 7/10 H × 236 1/5 B in (78 7/10 H × 78 7/10 B in jeweils) 200...

Ein Gruppenporträt der Familie Southwell auf der Terrasse mit einem Negerpagen und einem Ara. Öl auf Leinwand Signiert und datiert 1731 Größe der Leinwand 25 x 30 ¼ Zoll 63,5 ...

Ein reizvolles Porträt aus dem Biedermeier, das den Gastwirt Ludwig Brandt darstellt. Der fesselnde Blick des Dargestellten zieht einen in seinen Bann, während die dekorative Weste u...

Richard Gibbons Mutter und Tochter, 2021 Öl auf Leinwand, Karton 16h x 12w in 40,64h x 30,48w cm RAG090 Richard Gibbons Geboren in Toledo, OH 1972-1973 Stipendium der Amerikanisch...

Dies ist ein interessantes Porträt einer militärischen Person im Zusammenhang mit dem Prinz-Heinrich-Kasernenkomplex in Deutschland nach dem Zweiten Weltkrieg. Offensichtlich gab es ...

Französisches Porträt eines männlichen Aktes aus dem 18. Jahrhundert - Jacques-Louis David (1748-1825) Porträt eines männlichen Aktes...

Anfang des 20. Jahrhunderts Bildnis von Jack London Wunderschönes Porträt eines Herrn mit einer verblüffenden Ähnlichkeit zu Jack London von Robert Alexander Graham (Amerikaner, 1873...

Die Pieta, 17. Jahrhundert Kreis von TINTORETTO (1518-1594) Große italienische Altmeisterdarstellung der Beweinung Christi aus dem 17. Jahrhundert, Öl auf Leinwand. Hervorragende ...

Randall Exon (geb. 1956). Matthäus, 1990. Öl auf Holzplatte. Maße: 24 x 36 Zoll. Ungerahmt. Ausgezeichneter Zustand ohne Beschädigung oder Konservierung. Signiert und datiert unten r...

Porträt eines Mannes von Roger Allain (Französisch 1920-1992) signiert und datiert 1941 (ein sehr seltener Zeitraum aufgrund des Zweiten Weltkriegs) Öl auf Leinwand Leinwand: 22 x 18...

Wir freuen uns, ein fesselndes Porträt anbieten zu können, das wahrscheinlich im späten 18. Jahrhundert gemalt wurde und einem Künstler aus dem Umkreis von Christian Wilhelm Ernst Di...

Ein feines Porträt in Öl auf Leinwand aus dem 19. Jahrhundert, das Hauptmann Paul John Henry Butler, 5. Königliche Lancashire-Miliz, in halber Länge, mit Bruststern, darstellt. In ei...

Antonio Tempesta (Florenz 1555 - Rom 1630) Kreis Die Bekehrung des heiligen Paulus auf der Straße nach Damaskus Öl auf Leinwand 112 x 102 cm Gerahmt 125 x 114 cm Die Szene ste...

Bartholomäus Spranger (Antwerpen, 1546 - Prag, 1611) Werkstatt Aristoteles und Phyllis Öl auf Leinwand 64 x 54 cm Im Rahmen 79 x 72 cm Das kuriose Thema dieses Gemäldes, da...

Samuel Raven (ca. 1775-1847) Zwei Männer beim Trinken in einem Gasthaus, um 1850 Öl auf Platte (Rondell) Signiert auf der Rückseite Präsentiert in einem Rahmen aus englischer Eiche ...

Versandverfahren Versand in einem gut geschützten Rohr aus Nigeria Dieses Werk ist ein Unikat, kein Druck oder eine andere Art von Kopie. Begleitet von einem Echtheitszertifikat. Üb...

Hugh Goffinet starrt in der Kleidung eines Soldaten von der Leinwand, ohne einer zu sein. Er ist Reenactor eines afroamerikanischen Freiwilligen im Abraham-Lincoln-Bataillon. Seine I...

Bruce Sargeant (1898-1938)] Männlicher Akt mit Handtuch n.d. Signiert in Rot, u.r. Öl auf Leinwand, aufgezogen auf Masonite 81.875 x 34,25 Zoll Dieses Werk wird von ClampArt in N...

Gilbert Lewis (b.1945). Influence of Red (male portrait), ca. 1990s. Oil on masonite panel, 16 x 20 inches. Signed upper right. Ausgezeichneter Zustand. Measures 18 x 22 inches in custom gold leaf float frame. Original gallery labels affixed on verso. Provenance: estate of the artist. Artist statement: Figurative art is a vital active process. The image has its own meaning; not storytelling, not just a picture of a face or a flower. Neither is it simply an exercise in the arrangement of shapes or colors. I want to translate my immediate impression into paint to present the image of an outstretched branch of flowers or a face – direct and simple. My art reflects human concerns expressed symbolically, through fantasy and in a more concrete manner in the process of making the representation itself. Art is my response to the image, the end result of an active process of exploration of the limits of the paint on paper within the confines of representation. The painting of a face is not just a face. My feelings are expressed through these images. My paintings speak to anyone in touch with their own humanity; to anyone else my art may be dismissed as “to personal”. Biography: Gilbert Braddy Lewis born September 25, 1945 in Hampton, Va. Son of David Blake Lewis (born in Atlanta, Ga.) and Gladys Louise Braddy [Lewis] (of Sanford, Fl.); brother of David Blake Lewis (Jr.) and Linda Lewis [Hunter]. The family resides at 3 South Linden Street, Hampton, Va. 1953 until 1962 “I studied from the age of seven, in Virginia, with two well-known Tidewater artists, Jean Craig and the late Allan Jones. The teaching methods of carefully observed studies from nature in charcoal or tempra paint, derived, of course, from the original French academic model, conveyed its impact on my early development; however, my eye and consciousness were mostly activated by the reproductions on the studio wall of works by Botticelli, Da Vinci, and Michelangelo.” Gilbert Lewis in Contemporary Philadelphia Artists: A Juried Exhibition, (Philadelphia Museum of Art 2000), p. 145 1963-68 Studies at Pennsylvania Academy of the Fine Arts with Franklin Watkins, Hobson Pittman, Morris Blackburn, and Walter Stuempfig. While a student at PAFA he shares apartment [261 South 21st Street] with PAFA students, Jody Pinto and Barbara Sosson. In 1967 he receives PAFA’s: Bergman Prize in Painting; M. Herbert Syme Prize; and Samuel Cresson Memorial Travelling Scholarship. The latter award enables Lewis to travel to Europe during the summer of 1967 where he visits museums. “In 1967, after having seen the Italian master’s work while on scholarship from the Pennsylvania Academy, I was to realize my great influences and to discover the earlier Sienese masters whose clarity and energy still move me.” Gilbert Lewis in Contemporary Philadelphia Artists: A Juried Exhibition, (Philadelphia Museum of Art 2000), p. 145 1968 Horizontal painting [of an interior with a seated woman and cat by a large window] reproduced in black and white in school catalog for Pennsylvania Academy of the Fine Arts 1968-1969, p. 24. Other students whose works are reproduced include Clayton Anderson, Barkley Hendricks, Paul Kane, Jody Pinto, Bruce Samuelson, Barbara Sosson, and James Victor. Gloria Etting, Philadelphia The Intimate City (New York: A Studio Book – The Viking Press, 1968), photograph of Gilbert Lewis drawing in the cast hall of the Pennsylvania Academy of the Fine Arts reproduced in the chapter titled, “Art and Collectors,” n.p.. 1974 May 31, 1974, awarded Bachelor of Fine Art degree from the Philadelphia College of Art 1978 Received a Master’s Degree in Creative Arts in Therapy (MCAT) from Hahnemann University, Philadelphia. Gilbert Lewis, The Spontaneous Art Productions of an Institutionalized Geriatric Population: a thesis presented to the faculty of the Graduate School, Hahnemann Medical College, March 30, 1978 Late 1970’s to late 1980s/early-1990s, works as art therapist at Manchester House Nursing Center/Home in Media, Pa. 1977 Summer: studies at the American Projective Drawing Institute’s Annual Summer Institute run by Emanuel F. Hammer, Ph.D. 1981 First solo exhibition at Peale House Galleries (East Gallery) of the Pennsylvania Academy of the Fine Arts, March 5 – 27, 1981 “Since art school I’ve turned from oil to media of gouache and pencil, separately and sometimes together. I’m trying to discover for myself the power of observation without sacrificing the passion of the art materials.” Gilbert Lewis in Contemporary Philadelphia Artists: A Juried Exhibition, (Philadelphia Museum of Art 2000), p. 145 1986 Elizabeth Leonard, Painting Flowers, (New York: Watson-Guptill Publications 1986), reproduced in color, pp. 56, 67, 110, and cover Travels to Italy: Florence, Venice… 1988 Work acquired by Philadelphia Museum of Art: Autumn, 1987, gouache, purchased with Julius Bloch Memorial Fund 1991 October 10, receives A.T.R. from American Art Therapy Association, renewed in 1996 1992 Applies to American Academy in Rome, Philadelphia Regional Visiting Artists Program Around this time he has artwork with American Artist Gallery, Wayne, Pa. 1992 (June) lives at 322 South Street. By May 1994 living at 1804 Catharine Street (until January 2017). 1998 Group exhibition: 135th Annual Exhibition of Small Oil Paintings, Philadelphia Sketch Club, Pa., March 22 – April 26, 1998. Awarded Honorable Mention c. 1999-2007+ teaches at PAFA, certificate and continuing education programs (what years?) 2001 Group exhibition: 138th Annual Exhibition of Small Oil Paintings, Philadelphia Sketch Club, Pa., March 25 – April 29, 2001. Awarded Second Award By 2002 until c. 2014 Works at Blick Art Supply store, Philadelphia 2005 An undated artist statement from this time states: “My inspiration for this series came from the work of the nineteenth-century painter, George Catlin, who painted portraits of the American Indians. My portraits serve to commemorate the “tribe” of contemporary creative youth. Most of the studies were painted from life, originally using transparent and opaque watercolors, and in the past five years the series began to include oil studies on panels. In the watercolor paintings, the forms emerge from multiple layers of color, which have an intensity and a luminosity equal to oil painting on canvas, but demands the additional challenge of maintaining the integrity of the paper’s fragile surface. My oil studies, consisting of many layers of oil glazes over an under-painting, approach a look more like the oil paintings of Catlin that had originally inspired me, but these studies seem to have an additional intense almost icon-like quality.” 2008 Peter Weiermair, editor, Treasures of Gay Art from the Leslie/Lohman Gay Art Foundation, (All Saints Press, 2008). Resting, 1982, gouache on paper, 44 x 30 inches, Founders’ purchase, 2004.1222.0002, reproduced in color p. 50; Swimmer, 1984, gouache on board, 63.75 x 44 inches, gift of George Dudley, 1994.1222.0001, reproduced in color p. 51 2015 Kevin Clarke, The Art of Looking: The Life and Treasures of Collector Charles Leslie, (Berlin: Bruno Gmünder, 2015), Swimmer reproduced in color p. 182 2017 He moves from his home at 18XX Catherine Street, Philadelphia, to the WaterMark. In January 2018 he is moved to Wyncote House, Pa., an Alzheimer’s care facility. Six works acquired by PAFA. Philadelphia, Pa., Pennsylvania Academy of the Fine Arts. Recent Acquisitions, summer 2017. Stephan Salisbury, “PAFA’s 32 New Works,” The Philadelphia Inquirer, Tuesday, July 11, 2017, pp. C-1 and C-6. SOLO EXHIBITIONS 2020 Pennsylvania Academy of the Fine Arts (July 9 - ), Willliam Way Community Center (July 10 - ), and Woodmere Art Museum (July 16 – October 20), Gilbert Lewis 2004 New York, N.Y., Leslie Lohman Foundation, Gilbert Lewis: Becoming Men - • Doug Gruse, “Gilbert Lewis,” Philadelphia Gay News, April 9-15, 2004, pp. 25, 27 and 32; BECOMING MEN: Portrait Paintings by Gilbert Lewis, March 9 – April 17, 2004 127-B Prince Street, (Text from Becoming Men: Portrait Paintings by Gilbert Lewis by Christian Bain, in issue 12 of The ARCHIVE) BECOMING MEN: Portrait Paintings by Gilbert Lewis By Christian Bain Philadelphia artist Gilbert Lewis inspires superlatives. What other artist has been compared to Eakins (whose student was Lewis’ teacher) and Titian in the same Art Matters review, or anywhere else for that matter? Gilbert is also an artist who focuses on the beginning and end of adulthood. During the almost 20 years he worked in a nursing home he painted portraits of elderly patients by day and of young men at night. “One of my motivations in painting has been to celebrate the beginning of adulthood for the young and the final period of life for the old,” Gilbert observes. “What struck me is that both young men and the old are ignored by society. Despite our ostensible focus on youth, young men are in a sort of nether world, no longer teenagers and yet not full adults. They’re in transition with no established identity and no real place in society. “A nursing home is basically an orphanage for elderly adults. It’s a place where people don’t really have their families anymore and visiting relatives and the staff constantly tell them what to do and don’t stop to hear what they have to say. When I was with them doing their portraits we were one on one and we were free to talk about whatever they wanted, with assurance that it would remain confidential. They often told me things even their children didn’t know. “What they had in common with the young men who modeled for me is that they could talk and know that someone was listening. My good fortune was that my young models really appreciated the fact that an adult person was actually there for them and not telling them what to do. I never gave them explicit instructions other than to tell them where to sit or stand. I let them decide how they would do it–I took the queue from each model. “Both the young men and elderly people who sat for me had a sense of trust because I listened to them and didn’t run away. Some of the young models would bring CDs or tapes of their favorite music to play while we sat. “I always painted from live models in gouache, watercolor or oil. The portraits were always completed while the model was still sitting: I only touched up the backgrounds, but never the figures.
“I wish that the exhibition could have colored strings connecting the young men who modeled for me with the models who recommended them and the friends they recommended in turn. It would make a very interesting story.” 1994 Philadelphia, Pa., Rosenfeld Gallery, Gilbert Lewis: watercolors & gouache paintings, April 10 – May 1, 1994, Man in Gray Shirt, 1992, watercolor, 16 x 20 inches, reproduced in color on the postcard. Review: Edward J. Sozanski, “Art. Nudes done dispassionately and romantically, Two very different approaches,” The Philadelphia Inquirer, Friday, April 15, 1994, Study watercolor, reproduced. [Bruce Samuelson ‘s exhibition also reviewed] c. 1990 Educational Testing Services, Gilbert Lewis, ten works (checklist): 1- Left Profile; 2- Dancer (Woodmere Art Museum); 3- Studious; 4- Wrestler (collection of Bill Scott); 5. Untitled Portrait; 6. Man in Red and Blue; 7 Man in Blue Sweater; 8- Student; 9- Young Artist; 10- Man with Intense Gaze 1988 Philadelphia, Pa., Gross McCleaf Gallery, Gilbert Lewis: Paintings and Drawings, October 19 – November 5, 1988. Review:s Victoria Donohoe, “On galleries,” The Philadelphia Inquirer, Saturday, October 29, 1988, p. 5-D.; Jeanne Nugent, “Pennsylvania: Gilbert Lewis,” New Art Examiner, January 1989, pp. 52-53. Study [reclining nude male, arms folded over head], 1988, gouache, 22 x 30 inches, reproduced in black and white; Brenda Reed, “Reviews in Brief,” Art Matters, December 1988/January 1989, p. 2 1987 West Chester, Pa., Mitchell Hall Gallery at West Chester University, Gilbert Lewis: Paintings & Drawings, November 4 – 25, 1987. Hands Together, 1987, gouache on board, 40 x 30 inches, reproduced in color on the invitation. Twenty-one works on the checklist, including #19- Sick Boy (collection of Woodmere Art Museum) 1986 Boston, Mass., Twentieth Century Gallery, Gilbert Lewis, to July 2, 1986; Review: David Bonetti, “On and off the street,” The Boston Phoenix, section three, June 17, 1986 1985 Philadelphia, Pa., Noel Butcher Gallery, through January 30, 1985. Twenty-one works (pricelist/checklist). Review: Tam Mossman, “Lewis: Sex and sensitivity,” Welcomat, January 23, 1985. Works cited in review: Blonde Man [on invitation], Man in Argyle Sweater [both 1984], Man in Black and White Shirt, Boy, Summer Afternoon, Tribute, Gray Robe, Roses, Spring Portrait. Reproduced in the review: Swimmer (Leslie Lohman Foundation); Victoria Donohoe, “Galleries,” The Philadelphia Inquirer, Saturday, January 12, 1985; reviewed by Ann Jarmusch for New Art Examiner???? 1983 Philadelphia, Pa., Noel Butcher Gallery, September 9 - October 5, 1983. Reviews: William Southwell, “Reviews in Brief,” Art Matters, October 1983, p. 2; Victoria Donohoe, “3 painters, 3 distinct viewpoints,” The Philadelphia Inquirer, Sunday, September 25, 1983, p. 17-H; Profile advertisement in Art Now/ Philadelphia: Gallery Guide, September 1983, Seated Figure and Reclining Nude reproduced 1982 Philadelphia, Pa., Butcher & More Gallery 1981 Philadelphia, Pa., Peale House Galleries of the Pennsylvania Academy of the Fine Arts 1976 Philadelphia, Pa., La Terrasse Restaurant, Solo Exhibition GROUP SHOWS: 2020 Lincroft, N.J., Brookdale Community College, Morris Blackburn (1902-1979) and His Legacy: Painter, Printmaker, Writer, Teacher, January 22 – February 21, 2020. 2019 Philadelphia, Pa., Leonard Pearlstein Gallery, Westphal College of Media Arts and Design, Drexel University, Stonewall@50, curated by David Acosta and Janus Ourma, June 28 – July 26, 2019. 2018 Montclair, N.J., Montclair Art Museum, Constructing Identity in America (1766 – 2017), September 1, 2018 – January 5, 2019 2017 Philadelphia, Pa., Pennsylvania Academy of the Fine Arts, Recent Acquisitions Philadelphia, Pa., Woodmere Art Museum, A More Perfect Union: Power, Sex, and Race in the Representation of Couples, February 4 – May 21, 2017. Reproduced in color in the catalog, pp. 53 and 69. Untitled (8-25-83), gouache, reproduced in color in Woodmere Art Museum Calendar, Winter/Spring 2017, p. 4 Philadelphia, Cerulean Arts Gallery ? Philadelphia, Pa., Gross McCleaf Gallery, Todd’s show 2014 Philadelphia, Cerulean Arts Gallery, Lilies, Figs and Folly: Contemporary Still Life Paintings & Works on Paper. Bill Scott, guest curator, November 26 – December 21, 2014 2007 Serves as juror for William Way Center’s Annual Juried Exhibition. The other two jurors were Robert Goodman and Shelly Spector. 2006 or 2007 Philadelphia, Pa., Pennsylvania Academy of the Fine Arts, Annual Faculty Exhibition [Vase of Roses] 2006 Philadelphia, Pa., William Way Center, Annual Juried Show, Douglas Pascall, juror Philadelphia, Pa., William Way Center, Gilbert Lewis: Portraits, a solo exhibition, Fall The artist donates his work, Portrait, to the William Way Center for its art collection. Teaches Drawing Fundamentals: a mixed media drawing class, at the William Way Center. 2005 Philadelphia, Pa., Philadelphia Sketch Club, Juried Exhibition 2004 Moorestown, N.J., Perkins Center for the Arts, Juried Exhibition Philadelphia, Pa., The Fellowship of the Pennsylvania Academy of the Fine Arts, Annual Juried Exhibition, awarded Mary Butler Memorial Award Philadelphia, Pa., Philadelphia Sketch Club, Juried Exhibition 2003 Philadelphia, Pa., Philadelphia Sketch Club, Juried Exhibition 2002 Philadelphia, Pa., Philadelphia Sketch Club, Juried Exhibition 2001
Philadelphia, Pa., Pennsylvania Academy of the Fine Arts, Annual Faculty Exhibition Sewell, N.J., Gloucester County College Philadelphia, Pa., Philadelphia Sketch Club, Juried Exhibition, March 25 – April 29, 2001, awarded Second Award 2000 Philadelphia, Pa., Pennsylvania Academy of the Fine Arts, Annual Faculty Exhibition 1999 Philadelphia, Pa., Pennsylvania Academy of the Fine Arts, Annual Faculty Exhibition 1998 Philadelphia, Pa., Philadelphia Sketch Club, Juried Exhibition, March 22 – April 26, 1998, awarded Honorable Mention Moorestown, N.J., Perkins Center for the Arts, Juried Exhibition 1996 Camden, Stedman Art Gallery, Rutgers, The State University of New Jersey, Rutgers National: Works On/Of Paper, March 11 – April 27, 1996, Study with Blue, Green reproduced in black and white in the catalog. Leon Golub and Ann Philbin, jurors. Northampton, Mass., Smith College, Drawing Philadelphia, Pa., Philadelphia Art Alliance 1995 Media, Pa., Delaware County Community College Philadelphia, Pa., The Fellowship of the Pennsylvania Academy of the Fine Arts, Annual Juried Exhibition Philadelphia, Pa., Philadelphia Art Alliance 1994 Philadelphia, Pa., Rosenfeld Gallery, (also in 1993) Philadelphia, Pa., The Fellowship of the Pennsylvania Academy of the Fine Arts, Annual Juried Exhibition Media, Pa., Delaware County Community College 1993 Haverford, Pa., Main Line Center for the Arts Abington, Pa., Abington Art Center Philadelphia, Pa., Woodmere Art Museum, (also in 1989) Media, Pa., Delaware County Community College 1992 Williamsburg, Va., Muscarelle Museum of Art, American Drawing Biennial, April 11 – May 24, 1992, Jack Beal, juror. Exhibited: Study, watercolor Philadelphia, Pa., Philadelphia Watercolor Club Cheltenham, Pa., Cheltenham Art Center (also in 1989) Philadelphia, Pa., Philadelphia Museum of Art, Pertaining to Philadelphia, [June?] – August 16, 1992, reproduced in black and white in Philadelphia Museum of Art’s June 1992 newsletter of Special Exhibitions & Events; Reviews: Edward J. Sozanski, “On Galleries,” The Philadelphia Inquirer, Thursday, June 4, 1992, p. D5; “Local Artist Exhibits at Philadelphia Museum of Art,” Town Talk, Wednesday, July 29, 1992, p. 24M, Autumn reproduced Williamsburg, Va., Muscarelle Museum of Art Allentown, Pa., Allentown Art Museum, 23rd Juried Show. Review: Peter Schnore, “Reviews in Brief,” Art Matters, February 1992, page 1 Philadelphia, Pa., Woodmere Art Museum, The Fellowship of the Pennsylvania Academy of the Fine Arts, Annual Juried Exhibition, closed January 5, 1992. Reviewed: Peter Schnore, “More Reviews,” Art Matters, December 1991/January 1992, p. 9. “…only Gilbert Lewis approaches the level of Eakins. Lewis continues his ongoing documentation of young men seen with a searing empathy, incredible candor, and no more technical flaws than the average...

"Reflection" ist ein fein gezeichnetes Ölgemälde von Dave Seeley aus dem Jahr 2023. Dieses auffällige Porträt misst 16,5 x 13 Zoll und ist auf Leinwand gemalt, die auf ein Paneel mon...

Antikes Porträtgemälde von zwei Frauen im Kunstunterricht des Schweizer Künstlers Louis Patru (1871-1905). Dies ist ein ungewöhnliches Gemälde eines Künstlers, der nur ein kurzes Le...

Porträt der Mutter des Künstlers *siehe unten von Gladys Marguerite Baker (Britin, 1889-1959) signiert, verso betitelt Öl auf Leinwand, gerahmt Gerahmt: 29 x 17 Zoll Leinwand: 24 x ...

Fein ausgearbeitetes Porträt eines bärtigen Herrn in formellem Anzug und Hut vor einem dunklen, stimmungsvollen Hintergrund. Das Werk ist mit außergewöhnlicher Liebe zum Detail gesta...

Jugend und Weisheit - Ciro De Rosa Italia 2007 - Öl auf Leinwand cm.60x50 Blattgold vergoldeter Holzrahmen cm.82x73 auf Anfrage erhältlich Die Malerei von Ciro De Rosa zeichnet sich ...

Zum Verkauf steht ein amerikanisches Original-Ölgemälde auf Leinwand aus dem 19. und 20. Jahrhundert, das das Porträt eines Fischers zeigt, der an einem Tisch mit einem Fischgatter u...

Anonym, 18. Jahrhundert Inspiriert von einem Gemälde von Petrus Staverenus (1610/1612 - 1654-07-28/1664-07-28) aus einer Serie von Fünf Sinnen Geschmack: Ein lachender Mann mit einem...

Lombardischer Maler des 17. Jahrhunderts Porträt eines Ritters in Rüstung Öl auf Leinwand 81 x 70 cm / Gerahmt 93 x 82 Ein stattlicher Herr in Rüstung, verewigt in autoritärer und ...

Französisches Porträt eines Adligen, 17. Jahrhundert, sehr guter Zustand. Mit einem schönen geschnitzten Holzrahmen.

Ein eindrucksvolles Porträt mit einer Figur in der Kleidung des 17. Er trägt eine rote Kappe und dunkle Kleidung vor einem schattigen Hintergrund, wobei er den intensiven Blick und d...

Diese hervorragende britische viktorianischen ausgestellt Porträt Ölgemälde ist von renommierten Künstlerin (Frances) Maud Porter. Ihr Ehename war Maud Bigwood, und einige ihrer spät...

Genueser Schule der zweiten Hälfte des siebzehnten Jahrhunderts Der Kreis von Domenico Piola (Genua 1627-1703) Die Heilige Familie Ölgemälde auf Leinwand 83 x 68 cm. - in einem anti...

Französische Schule des frühen 20. Jahrhunderts Porträt von Daniel Schlumberger im Alter von 34 Jahren Pastell H. 99,5 cm; B. 63,5 cm Titel und Datum unten rechts. Vorzeichenlos 1913...

Nude ist ein originelles modernes Kunstwerk von Antonio Feltrinelli aus den 1930er Jahren. Gemischte farbige Ölgemälde auf Leinwand. Nicht unterzeichnet. Antonio Feltrinelli (Ma...