Porträt Gemälde

Künstler: Ara H. Hakobyan Werk: Original Ölgemälde, Handgefertigtes Kunstwerk, Einzigartig. Medium: Öl auf Leinwand Jahr: 2024 Stil: Impressionismus Titel: Gelassener Ozean Größe: 31...

Porträt einer eritreischen Sibylle, die die Prophezeiung schreibt Kreis um Lorenzo Pasinelli (Bologna 1629 - 1700) - Giampietro Cavazzoni Zanotti (Paris, 1674 - Bologna, 1765) zugesc...

Stanislav Boleslavovich Katchalsky (1915-1995), Russische Schule, Öl auf Leinwand. Porträt von Vera im Schnee. Rechts unten in Kyrillisch signiert. Datiert 1968. Verso in Kyrillisch ...

Vom 16. bis zum 19. Jahrhundert blühte die Produktion von Kunsthandwerk weiter auf, wobei sowohl Rokoko- als auch Barockelemente eingeführt wurden, was eine zunehmend offene Haltung ...

Tim Doud (geb. 1971) Casey (Burberry) 2001-02 Öl auf Leinen, 22 x 22 Zoll. Verso Original-Galerie-Etikett. Erstklassiger Zustand. Tim Douds Gemälde und Zeichnungen umfassen zw...

Mitte des 20. Jahrhunderts Öl auf Leinwand Porträt einer eleganten jungen Frau von dem bekannten spanischen Franco-Künstler Pere Modesto Luis Creixams. Das Gemälde ist unten links si...

Öl auf Leinwand Matteo Nannini ist ein italienischer Künstler, der 1979 in Bologna geboren wurde und in Cento, Ferrara, Italien, lebt und arbeitet. Er studierte an der Akademie der...

Jungfrau mit Kind, Atelier von Giovanni Pietro Rizzoli, bekannt als Giampietrino (tätig in Mailand 1495-1550) Nicht unterzeichnet Öl auf Pappelholzplatte, H. 63 cm (24,8 in), B. 49 c...

"Musik ist ein wunderbares Mittel, um Gedanken auszulöschen, schlechte und nicht so gute, die besten und die ältesten."

Stärke wird nicht immer an dem Lärm gemessen, den wir machen, an den Kämpfen, die wir in der Öffentlichkeit austragen, oder an dem Gewicht der Worte, die wir sprechen. Manchmal finde...

Porträt eines Gentleman Französische Schule, 18. Jahrhundert Öl auf Leinwand, ungerahmt Leinwand : 25 x 20 Zoll Provenienz: Privatsammlung, Frankreich Zustand: Das Gemälde ist in ein...

Josine Vignon (Französisch 1922-2022) ...

Elizabeth Zanzingers (USA) "The Leap" ist ein meisterhaftes, realistisches Stillleben in Öl. Dieses Gemälde misst 40 x 28 Zoll und ist gerahmt 42 x 30 Zoll groß und hängend. Elizab...

16â€x19†ca. gerahmt. Acryl auf Leinwand gerahmt nach Guild of Framers Museum Standard :: Gemälde :: Englisch :: Dieses Werk wird mit einem offiziellen, vom Künstler unterzeichneten...

Diana Nemorensis" von Max Nonnenbruch (1857-1922). Das Gemälde, das die römische Göttin Diana der Wälder am Ufer des Nemi-Sees darstellt, ist vom Künstler signiert und wird in einem...

Eine wunderbare Darstellung von Mutter und Kind in einem goldenen, runden, verzierten Rahmen mit komplizierten Details.

Modesto Faustini (1839-1891), "Porträt einer eleganten Frau", Öl auf Leinwand in vergoldetem Rahmen, rechts unten signiert "M. Faustini - Rom". Dieses prächtige Porträt gehört zu ei...

Wird direkt vom Künstler erworben. Kostenloser Versand weltweit. An den Seiten bemalt. Kein Rahmen erforderlich. Das Werk von Antonio de Felipe ist eine ständige Quelle der Faszina...

Dieses Kunstwerk fängt die Schönheit, Stärke und Anmut von Frauen aus den verschiedenen Kulturen Afrikas ein und feiert die Schönheit der afrikanischen Frauen in all ihren Formen. V...

Anonym, 18. Jahrhundert Inspiriert von einem Gemälde von Petrus Staverenus (1610/1612 - 1654-07-28/1664-07-28) aus einer Serie von Fünf Sinnen Geschmack: Ein lachender Mann mit einem...

Porträt eines bärtigen Mannes Französischer Impressionist, Ende 19. Jahrhundert Öl auf Leinwand, gerahmt Gerahmt: 38,5 x 30,5 Zoll Leinwand: 36 x 28 Zoll Provenienz: Privatsammlung, ...

Öl auf Leinwand auf Karton montiert, realisiert von Francesco Settimj in den 1930er Jahren. Guter Zustand.

Porträt von Frau Diana George (geborene Atkinson), datiert 1930 von John Maler Collier OBE (1850-1934) National Portrait Gallery Ausstellung, Referenz: 323, 1930 Großes präraffael...

Robert Frain, tätig 1829-1877, war ein schottischer Maler. Es gibt nur sehr wenige biografische Informationen über Frain, aber er war im ersten bis dritten Quartal des 19. Jahrhunder...

Die bemerkenswert abwechslungsreiche Pinselführung fängt die junge Frau in einer breiten Palette von Texturen ein, vom Tau ihrer pfirsichfarbenen Haut über den seidigen Stoff ihres G...

Porträt einer Dame von Theodor Recknagl (1865-1945) Deutsch signiertes Öl auf Karton, ungerahmt Tafel: 7,5 x 6 Zoll Beigefügte Herkunftsnachweise Provenienz: Privatsammlung, England ...

Nach Justus Sustermans Porträt von Prinz Christian V. von Dänemark, halblang, in Rüstung mit blau-weißer Schärpe und weißem Spitzenkragen Öl auf Leinwand 28 × 22 ½ Zoll DER KÜNST...

Dieses Stück mit dem Titel "Voisine (Neighbor)" ist ein Original-Kunstwerk von Alain Jean-Baptiste und misst 48 "h x 36 "b x 1,5 "d. . Dieses Werk ist mit Ölfarben auf Leinwand gemal...

Vincente Romero Mademoiselle, 2022 Ölgemälde auf Leinwand Bildgröße: 39 x 25 Zoll Rahmen Abmessungen: 50 x 36 Zoll Individuell gerahmt nach Museumsstandards

Dieses Stück ist ein Katalysator. Angesichts der Komplexität unserer modernen Welt ist es wichtiger denn je, sich mit der Natur zu beschäftigen. "Nature" Ich habe festgestellt, dass...

Joshua Shaw Sommerpicknick am Fluss, um 1840 Signiert unten rechts Öl auf Leinwand 15 1/2 x 13 1/2 Zoll Der in Bellingborough, Lincolnshire, England, geborene Joshua Shaw wurde bek...

"In Einsamkeit am Meer" ist ein Original-Ölgemälde auf Leinwand, das einen ruhigen Moment am Strand festhält. Weiche Pinselstriche und ein zarter Ausdruck evozieren Einsamkeit und In...

Künstler/Schule: Suzanne Dinkés (Französisch, 1895 - 1984) Medium: Öl auf Leinwand, ungerahmt Größe: 22 x 18 Zoll Provenienz: Privatsammlung, Frankreich Zustand: Das Gemälde ist in e...

Fein ausgearbeitetes Porträt eines bärtigen Herrn in formellem Anzug und Hut vor einem dunklen, stimmungsvollen Hintergrund. Das Werk ist mit außergewöhnlicher Liebe zum Detail gesta...

Gilbert Lewis (b.1945). Influence of Red (male portrait), ca. 1990s. Oil on masonite panel, 16 x 20 inches. Signed upper right. Ausgezeichneter Zustand. Measures 18 x 22 inches in custom gold leaf float frame. Original gallery labels affixed on verso. Provenance: estate of the artist. Artist statement: Figurative art is a vital active process. The image has its own meaning; not storytelling, not just a picture of a face or a flower. Neither is it simply an exercise in the arrangement of shapes or colors. I want to translate my immediate impression into paint to present the image of an outstretched branch of flowers or a face – direct and simple. My art reflects human concerns expressed symbolically, through fantasy and in a more concrete manner in the process of making the representation itself. Art is my response to the image, the end result of an active process of exploration of the limits of the paint on paper within the confines of representation. The painting of a face is not just a face. My feelings are expressed through these images. My paintings speak to anyone in touch with their own humanity; to anyone else my art may be dismissed as “to personal”. Biography: Gilbert Braddy Lewis born September 25, 1945 in Hampton, Va. Son of David Blake Lewis (born in Atlanta, Ga.) and Gladys Louise Braddy [Lewis] (of Sanford, Fl.); brother of David Blake Lewis (Jr.) and Linda Lewis [Hunter]. The family resides at 3 South Linden Street, Hampton, Va. 1953 until 1962 “I studied from the age of seven, in Virginia, with two well-known Tidewater artists, Jean Craig and the late Allan Jones. The teaching methods of carefully observed studies from nature in charcoal or tempra paint, derived, of course, from the original French academic model, conveyed its impact on my early development; however, my eye and consciousness were mostly activated by the reproductions on the studio wall of works by Botticelli, Da Vinci, and Michelangelo.” Gilbert Lewis in Contemporary Philadelphia Artists: A Juried Exhibition, (Philadelphia Museum of Art 2000), p. 145 1963-68 Studies at Pennsylvania Academy of the Fine Arts with Franklin Watkins, Hobson Pittman, Morris Blackburn, and Walter Stuempfig. While a student at PAFA he shares apartment [261 South 21st Street] with PAFA students, Jody Pinto and Barbara Sosson. In 1967 he receives PAFA’s: Bergman Prize in Painting; M. Herbert Syme Prize; and Samuel Cresson Memorial Travelling Scholarship. The latter award enables Lewis to travel to Europe during the summer of 1967 where he visits museums. “In 1967, after having seen the Italian master’s work while on scholarship from the Pennsylvania Academy, I was to realize my great influences and to discover the earlier Sienese masters whose clarity and energy still move me.” Gilbert Lewis in Contemporary Philadelphia Artists: A Juried Exhibition, (Philadelphia Museum of Art 2000), p. 145 1968 Horizontal painting [of an interior with a seated woman and cat by a large window] reproduced in black and white in school catalog for Pennsylvania Academy of the Fine Arts 1968-1969, p. 24. Other students whose works are reproduced include Clayton Anderson, Barkley Hendricks, Paul Kane, Jody Pinto, Bruce Samuelson, Barbara Sosson, and James Victor. Gloria Etting, Philadelphia The Intimate City (New York: A Studio Book – The Viking Press, 1968), photograph of Gilbert Lewis drawing in the cast hall of the Pennsylvania Academy of the Fine Arts reproduced in the chapter titled, “Art and Collectors,” n.p.. 1974 May 31, 1974, awarded Bachelor of Fine Art degree from the Philadelphia College of Art 1978 Received a Master’s Degree in Creative Arts in Therapy (MCAT) from Hahnemann University, Philadelphia. Gilbert Lewis, The Spontaneous Art Productions of an Institutionalized Geriatric Population: a thesis presented to the faculty of the Graduate School, Hahnemann Medical College, March 30, 1978 Late 1970’s to late 1980s/early-1990s, works as art therapist at Manchester House Nursing Center/Home in Media, Pa. 1977 Summer: studies at the American Projective Drawing Institute’s Annual Summer Institute run by Emanuel F. Hammer, Ph.D. 1981 First solo exhibition at Peale House Galleries (East Gallery) of the Pennsylvania Academy of the Fine Arts, March 5 – 27, 1981 “Since art school I’ve turned from oil to media of gouache and pencil, separately and sometimes together. I’m trying to discover for myself the power of observation without sacrificing the passion of the art materials.” Gilbert Lewis in Contemporary Philadelphia Artists: A Juried Exhibition, (Philadelphia Museum of Art 2000), p. 145 1986 Elizabeth Leonard, Painting Flowers, (New York: Watson-Guptill Publications 1986), reproduced in color, pp. 56, 67, 110, and cover Travels to Italy: Florence, Venice… 1988 Work acquired by Philadelphia Museum of Art: Autumn, 1987, gouache, purchased with Julius Bloch Memorial Fund 1991 October 10, receives A.T.R. from American Art Therapy Association, renewed in 1996 1992 Applies to American Academy in Rome, Philadelphia Regional Visiting Artists Program Around this time he has artwork with American Artist Gallery, Wayne, Pa. 1992 (June) lives at 322 South Street. By May 1994 living at 1804 Catharine Street (until January 2017). 1998 Group exhibition: 135th Annual Exhibition of Small Oil Paintings, Philadelphia Sketch Club, Pa., March 22 – April 26, 1998. Awarded Honorable Mention c. 1999-2007+ teaches at PAFA, certificate and continuing education programs (what years?) 2001 Group exhibition: 138th Annual Exhibition of Small Oil Paintings, Philadelphia Sketch Club, Pa., March 25 – April 29, 2001. Awarded Second Award By 2002 until c. 2014 Works at Blick Art Supply store, Philadelphia 2005 An undated artist statement from this time states: “My inspiration for this series came from the work of the nineteenth-century painter, George Catlin, who painted portraits of the American Indians. My portraits serve to commemorate the “tribe” of contemporary creative youth. Most of the studies were painted from life, originally using transparent and opaque watercolors, and in the past five years the series began to include oil studies on panels. In the watercolor paintings, the forms emerge from multiple layers of color, which have an intensity and a luminosity equal to oil painting on canvas, but demands the additional challenge of maintaining the integrity of the paper’s fragile surface. My oil studies, consisting of many layers of oil glazes over an under-painting, approach a look more like the oil paintings of Catlin that had originally inspired me, but these studies seem to have an additional intense almost icon-like quality.” 2008 Peter Weiermair, editor, Treasures of Gay Art from the Leslie/Lohman Gay Art Foundation, (All Saints Press, 2008). Resting, 1982, gouache on paper, 44 x 30 inches, Founders’ purchase, 2004.1222.0002, reproduced in color p. 50; Swimmer, 1984, gouache on board, 63.75 x 44 inches, gift of George Dudley, 1994.1222.0001, reproduced in color p. 51 2015 Kevin Clarke, The Art of Looking: The Life and Treasures of Collector Charles Leslie, (Berlin: Bruno Gmünder, 2015), Swimmer reproduced in color p. 182 2017 He moves from his home at 18XX Catherine Street, Philadelphia, to the WaterMark. In January 2018 he is moved to Wyncote House, Pa., an Alzheimer’s care facility. Six works acquired by PAFA. Philadelphia, Pa., Pennsylvania Academy of the Fine Arts. Recent Acquisitions, summer 2017. Stephan Salisbury, “PAFA’s 32 New Works,” The Philadelphia Inquirer, Tuesday, July 11, 2017, pp. C-1 and C-6. SOLO EXHIBITIONS 2020 Pennsylvania Academy of the Fine Arts (July 9 - ), Willliam Way Community Center (July 10 - ), and Woodmere Art Museum (July 16 – October 20), Gilbert Lewis 2004 New York, N.Y., Leslie Lohman Foundation, Gilbert Lewis: Becoming Men - • Doug Gruse, “Gilbert Lewis,” Philadelphia Gay News, April 9-15, 2004, pp. 25, 27 and 32; BECOMING MEN: Portrait Paintings by Gilbert Lewis, March 9 – April 17, 2004 127-B Prince Street, (Text from Becoming Men: Portrait Paintings by Gilbert Lewis by Christian Bain, in issue 12 of The ARCHIVE) BECOMING MEN: Portrait Paintings by Gilbert Lewis By Christian Bain Philadelphia artist Gilbert Lewis inspires superlatives. What other artist has been compared to Eakins (whose student was Lewis’ teacher) and Titian in the same Art Matters review, or anywhere else for that matter? Gilbert is also an artist who focuses on the beginning and end of adulthood. During the almost 20 years he worked in a nursing home he painted portraits of elderly patients by day and of young men at night. “One of my motivations in painting has been to celebrate the beginning of adulthood for the young and the final period of life for the old,” Gilbert observes. “What struck me is that both young men and the old are ignored by society. Despite our ostensible focus on youth, young men are in a sort of nether world, no longer teenagers and yet not full adults. They’re in transition with no established identity and no real place in society. “A nursing home is basically an orphanage for elderly adults. It’s a place where people don’t really have their families anymore and visiting relatives and the staff constantly tell them what to do and don’t stop to hear what they have to say. When I was with them doing their portraits we were one on one and we were free to talk about whatever they wanted, with assurance that it would remain confidential. They often told me things even their children didn’t know. “What they had in common with the young men who modeled for me is that they could talk and know that someone was listening. My good fortune was that my young models really appreciated the fact that an adult person was actually there for them and not telling them what to do. I never gave them explicit instructions other than to tell them where to sit or stand. I let them decide how they would do it–I took the queue from each model. “Both the young men and elderly people who sat for me had a sense of trust because I listened to them and didn’t run away. Some of the young models would bring CDs or tapes of their favorite music to play while we sat. “I always painted from live models in gouache, watercolor or oil. The portraits were always completed while the model was still sitting: I only touched up the backgrounds, but never the figures.
“I wish that the exhibition could have colored strings connecting the young men who modeled for me with the models who recommended them and the friends they recommended in turn. It would make a very interesting story.” 1994 Philadelphia, Pa., Rosenfeld Gallery, Gilbert Lewis: watercolors & gouache paintings, April 10 – May 1, 1994, Man in Gray Shirt, 1992, watercolor, 16 x 20 inches, reproduced in color on the postcard. Review: Edward J. Sozanski, “Art. Nudes done dispassionately and romantically, Two very different approaches,” The Philadelphia Inquirer, Friday, April 15, 1994, Study watercolor, reproduced. [Bruce Samuelson ‘s exhibition also reviewed] c. 1990 Educational Testing Services, Gilbert Lewis, ten works (checklist): 1- Left Profile; 2- Dancer (Woodmere Art Museum); 3- Studious; 4- Wrestler (collection of Bill Scott); 5. Untitled Portrait; 6. Man in Red and Blue; 7 Man in Blue Sweater; 8- Student; 9- Young Artist; 10- Man with Intense Gaze 1988 Philadelphia, Pa., Gross McCleaf Gallery, Gilbert Lewis: Paintings and Drawings, October 19 – November 5, 1988. Review:s Victoria Donohoe, “On galleries,” The Philadelphia Inquirer, Saturday, October 29, 1988, p. 5-D.; Jeanne Nugent, “Pennsylvania: Gilbert Lewis,” New Art Examiner, January 1989, pp. 52-53. Study [reclining nude male, arms folded over head], 1988, gouache, 22 x 30 inches, reproduced in black and white; Brenda Reed, “Reviews in Brief,” Art Matters, December 1988/January 1989, p. 2 1987 West Chester, Pa., Mitchell Hall Gallery at West Chester University, Gilbert Lewis: Paintings & Drawings, November 4 – 25, 1987. Hands Together, 1987, gouache on board, 40 x 30 inches, reproduced in color on the invitation. Twenty-one works on the checklist, including #19- Sick Boy (collection of Woodmere Art Museum) 1986 Boston, Mass., Twentieth Century Gallery, Gilbert Lewis, to July 2, 1986; Review: David Bonetti, “On and off the street,” The Boston Phoenix, section three, June 17, 1986 1985 Philadelphia, Pa., Noel Butcher Gallery, through January 30, 1985. Twenty-one works (pricelist/checklist). Review: Tam Mossman, “Lewis: Sex and sensitivity,” Welcomat, January 23, 1985. Works cited in review: Blonde Man [on invitation], Man in Argyle Sweater [both 1984], Man in Black and White Shirt, Boy, Summer Afternoon, Tribute, Gray Robe, Roses, Spring Portrait. Reproduced in the review: Swimmer (Leslie Lohman Foundation); Victoria Donohoe, “Galleries,” The Philadelphia Inquirer, Saturday, January 12, 1985; reviewed by Ann Jarmusch for New Art Examiner???? 1983 Philadelphia, Pa., Noel Butcher Gallery, September 9 - October 5, 1983. Reviews: William Southwell, “Reviews in Brief,” Art Matters, October 1983, p. 2; Victoria Donohoe, “3 painters, 3 distinct viewpoints,” The Philadelphia Inquirer, Sunday, September 25, 1983, p. 17-H; Profile advertisement in Art Now/ Philadelphia: Gallery Guide, September 1983, Seated Figure and Reclining Nude reproduced 1982 Philadelphia, Pa., Butcher & More Gallery 1981 Philadelphia, Pa., Peale House Galleries of the Pennsylvania Academy of the Fine Arts 1976 Philadelphia, Pa., La Terrasse Restaurant, Solo Exhibition GROUP SHOWS: 2020 Lincroft, N.J., Brookdale Community College, Morris Blackburn (1902-1979) and His Legacy: Painter, Printmaker, Writer, Teacher, January 22 – February 21, 2020. 2019 Philadelphia, Pa., Leonard Pearlstein Gallery, Westphal College of Media Arts and Design, Drexel University, Stonewall@50, curated by David Acosta and Janus Ourma, June 28 – July 26, 2019. 2018 Montclair, N.J., Montclair Art Museum, Constructing Identity in America (1766 – 2017), September 1, 2018 – January 5, 2019 2017 Philadelphia, Pa., Pennsylvania Academy of the Fine Arts, Recent Acquisitions Philadelphia, Pa., Woodmere Art Museum, A More Perfect Union: Power, Sex, and Race in the Representation of Couples, February 4 – May 21, 2017. Reproduced in color in the catalog, pp. 53 and 69. Untitled (8-25-83), gouache, reproduced in color in Woodmere Art Museum Calendar, Winter/Spring 2017, p. 4 Philadelphia, Cerulean Arts Gallery ? Philadelphia, Pa., Gross McCleaf Gallery, Todd’s show 2014 Philadelphia, Cerulean Arts Gallery, Lilies, Figs and Folly: Contemporary Still Life Paintings & Works on Paper. Bill Scott, guest curator, November 26 – December 21, 2014 2007 Serves as juror for William Way Center’s Annual Juried Exhibition. The other two jurors were Robert Goodman and Shelly Spector. 2006 or 2007 Philadelphia, Pa., Pennsylvania Academy of the Fine Arts, Annual Faculty Exhibition [Vase of Roses] 2006 Philadelphia, Pa., William Way Center, Annual Juried Show, Douglas Pascall, juror Philadelphia, Pa., William Way Center, Gilbert Lewis: Portraits, a solo exhibition, Fall The artist donates his work, Portrait, to the William Way Center for its art collection. Teaches Drawing Fundamentals: a mixed media drawing class, at the William Way Center. 2005 Philadelphia, Pa., Philadelphia Sketch Club, Juried Exhibition 2004 Moorestown, N.J., Perkins Center for the Arts, Juried Exhibition Philadelphia, Pa., The Fellowship of the Pennsylvania Academy of the Fine Arts, Annual Juried Exhibition, awarded Mary Butler Memorial Award Philadelphia, Pa., Philadelphia Sketch Club, Juried Exhibition 2003 Philadelphia, Pa., Philadelphia Sketch Club, Juried Exhibition 2002 Philadelphia, Pa., Philadelphia Sketch Club, Juried Exhibition 2001
Philadelphia, Pa., Pennsylvania Academy of the Fine Arts, Annual Faculty Exhibition Sewell, N.J., Gloucester County College Philadelphia, Pa., Philadelphia Sketch Club, Juried Exhibition, March 25 – April 29, 2001, awarded Second Award 2000 Philadelphia, Pa., Pennsylvania Academy of the Fine Arts, Annual Faculty Exhibition 1999 Philadelphia, Pa., Pennsylvania Academy of the Fine Arts, Annual Faculty Exhibition 1998 Philadelphia, Pa., Philadelphia Sketch Club, Juried Exhibition, March 22 – April 26, 1998, awarded Honorable Mention Moorestown, N.J., Perkins Center for the Arts, Juried Exhibition 1996 Camden, Stedman Art Gallery, Rutgers, The State University of New Jersey, Rutgers National: Works On/Of Paper, March 11 – April 27, 1996, Study with Blue, Green reproduced in black and white in the catalog. Leon Golub and Ann Philbin, jurors. Northampton, Mass., Smith College, Drawing Philadelphia, Pa., Philadelphia Art Alliance 1995 Media, Pa., Delaware County Community College Philadelphia, Pa., The Fellowship of the Pennsylvania Academy of the Fine Arts, Annual Juried Exhibition Philadelphia, Pa., Philadelphia Art Alliance 1994 Philadelphia, Pa., Rosenfeld Gallery, (also in 1993) Philadelphia, Pa., The Fellowship of the Pennsylvania Academy of the Fine Arts, Annual Juried Exhibition Media, Pa., Delaware County Community College 1993 Haverford, Pa., Main Line Center for the Arts Abington, Pa., Abington Art Center Philadelphia, Pa., Woodmere Art Museum, (also in 1989) Media, Pa., Delaware County Community College 1992 Williamsburg, Va., Muscarelle Museum of Art, American Drawing Biennial, April 11 – May 24, 1992, Jack Beal, juror. Exhibited: Study, watercolor Philadelphia, Pa., Philadelphia Watercolor Club Cheltenham, Pa., Cheltenham Art Center (also in 1989) Philadelphia, Pa., Philadelphia Museum of Art, Pertaining to Philadelphia, [June?] – August 16, 1992, reproduced in black and white in Philadelphia Museum of Art’s June 1992 newsletter of Special Exhibitions & Events; Reviews: Edward J. Sozanski, “On Galleries,” The Philadelphia Inquirer, Thursday, June 4, 1992, p. D5; “Local Artist Exhibits at Philadelphia Museum of Art,” Town Talk, Wednesday, July 29, 1992, p. 24M, Autumn reproduced Williamsburg, Va., Muscarelle Museum of Art Allentown, Pa., Allentown Art Museum, 23rd Juried Show. Review: Peter Schnore, “Reviews in Brief,” Art Matters, February 1992, page 1 Philadelphia, Pa., Woodmere Art Museum, The Fellowship of the Pennsylvania Academy of the Fine Arts, Annual Juried Exhibition, closed January 5, 1992. Reviewed: Peter Schnore, “More Reviews,” Art Matters, December 1991/January 1992, p. 9. “…only Gilbert Lewis approaches the level of Eakins. Lewis continues his ongoing documentation of young men seen with a searing empathy, incredible candor, and no more technical flaws than the average...

Rolf Stoll (Amerikaner, 1892-1978) Kae Dorn Cass, 1940 Öl auf Leinwand Signiert oben rechts 32 x 25 Zoll 38 x 31 Zoll, gerahmt Ausgestellt: Die 27. jährliche Mai-Ausstellung, Clevel...

Rizaldy Celi JR. (Amerikaner, philippinisch-vietnamesisch, geboren 1983) "Begehren" 2023 Ölfarbe, Lacke, Holz Der Künstler signierte die Rückseite des Gemäldes. "Covet" von Rizaldy ...

Richard Gibbons Mutter und Tochter, 2021 Öl auf Leinwand, Karton 16h x 12w in 40,64h x 30,48w cm RAG090 Richard Gibbons Geboren in Toledo, OH 1972-1973 Stipendium der Amerikanisch...

Portarit eines Liedes von Lucien Fontanarosa. Öl auf Leinwand. Fontanarosa wurde 1912 in Paris geboren und starb 1975 in Paris. Er war ein bedeutender Maler, der Kompositionen mit Fi...

Künstler/Schule: Suzanne Dinkés (Französisch, 1895 - 1984) Medium: signiert und datiert 47' Öl auf Karton, ungerahmt Größe: 14 x 10,5 Zoll Doppelseitig Provenienz: Privatsammlung, F...

Dieses deutsche Porträt in halber Länge aus der Mitte des 18. Jahrhunderts zeigt einen Aristokraten mittleren Alters, der eine Rüstung und eine Perücke trägt. Trotz seines schwer be...

Frank Allen 70er Jahre Gemälde eines afroamerikanischen Mannes mit weißem Gewand und Zylinder. Öl auf Leinwand. 20 x 24.

MICHELE MIKESELL b. 1973, Alabama, USA Im Jahr 2002 erwarb Michele Mikesell ihren Bachelor of Fine Arts mit dem Nebenfach Grafikdesign an der Texas Women's University in Denton, TX....

Versandverfahren Versand in einer gut geschützten Röhre Dieses Werk ist ein Unikat, kein Druck oder eine andere Art von Kopie. Begleitet von einem Echtheitszertifikat. Über den Kün...

Dieses Stück mit dem Titel "Marie (Mutter)" ist ein Original-Kunstwerk von Alain Jean-Baptiste und ist von Öl-Sticks und Ölfarben auf Leinwand und misst etwa 60 "h x 48 "w. Alain J...

Enoch Seeman - 1894 - 1744 Ein hervorragendes Beispiel für die Arbeit von Seeman. Es ist typischerweise unsigniert, wie es bei vielen Porträts dieser Zeit der Fall war. Ein Dreiviert...

Die Wahrheit stirbt nie ... Wie ein Samenkorn, das tief vergraben ist, wird sie wieder sprießen. Durch Feuer und Dunkelheit hindurch blicken ihre Augen nicht weg. Lügen können brenn...

Porträt eines arabischen Mannes mit Turban Französischer Künstler, 18. Jahrhundert Öl auf Leinwand, gerahmt Gerahmt: 21 x 16,5 Zoll Leinwand : 18,5 x 14 Zoll Provenienz: Privatsammlu...

"Jamaikanisches Mädchen an der Palme, ca. 1930" von Will Howe Foote (Amerikaner, 1874-1965) Ein phantastisches Porträt einer jungen Jamaikanerin vor dem Hintergrund eines lebhaften ...

Versandverfahren Versand in einem gut geschützten Rohr aus Nigeria Dieses Werk ist ein Unikat, kein Druck oder eine andere Art von Kopie. Begleitet von einem Echtheitszertifikat (aus...

Dieses elegante englische Porträt eines Jungen in einem Kavalierskostüm aus dem 19. Jahrhundert, gemalt um 1860, ist ein eindrucksvolles Beispiel für ein viktorianisches Porträt, das...

Agnolo di Cosimo, bekannt als "il Bronzino" (Monticelli aus Florenz, 1503 - Florenz, 1572) Die Heilige Familie mit San Giovannino Öl auf Tisch (120 x 90cm. - In antikem Rahmen 146 x...

"Navidad". Figuratives Gemälde, inspiriert von Weihnachten und einer modernen Heiligen Familie. Acryl und Blattgold auf Holzplatte. Autor: Goyo Dominguez. Maße in Zentimetern: 81 x ...

Karen Offutts (USA) "Spark" ist ein originales, handgefertigtes Ölgemälde, das einen weiblichen Akt auf einem abstrakten Hintergrund zeigt. Das Gemälde ist gerahmt und hat eine Größe...

Das Kleine Konzert (Concertino) ist ein Originalgemälde in Öl auf Leinwand des italienischen Malers Niccolò Cecconi (1835-1901) aus dem späten 19. Jahrhundert. Sehr guter Zustand. H...

Wir bieten einen kostenlosen weltweiten Versand und übernehmen alle Zölle und Einfuhrsteuern für dieses Kunstwerk. Dieses außergewöhnliche Kunstwerk ist derzeit in der Signet Contemp...

Lord Nelson Britische Schule, Ende des 20. Jahrhunderts signiertes Öl auf Leinwand, gerahmt Gerahmt: 16,5 x 13,5 Zoll Leinwand: 14 x 11 Zoll Provenienz: Privatsammlung, London Zustan...