Alpha 137 Gallery Figurative Prints

Marcel Duchamp Coeurs Volants (Fluttering Hearts) (Schwartz 446C), 1961 Silkscreen in colors Hand signed in ball-point pen by Marcel Duchamp and annotated with the dateline "Stockhol...

Richard Haas Villard Courtyard, St. Patrick's Cathedral, New York City, 1983 Color lithograph 29 1/2 × 41 1/2 inches Edition 23/50 Hand signed, numbered, and dated with publisher's b...

"It becomes particularly desperate when the peace symbol is inverted and is really plunging in despair. I grew a little weary of my own despair and my own g...

David Hockney Tribute to violinist Jascha Heifetz, 1988 Offset Lithograph Poster 15 × 34 inches Limited Edition of 100 Unframed (unsigned) Another example of this work was featured i...

Mel Ramos 50 Years of Pop Art (Hand signed, dated and inscribed to Nadine by Mel Ramos), 2010 Softback monograph with dust jacket (hand signed, dated and inscribed by Mel Ramos) Hand...

Takashi Homma Tokyo (hand signed, inscribed in Japanese and dated by Takashi Homma), 2008 Softback monograph with dust jacket, roughcut and deckled edges...

Tracey Emin Tracey Emin: My Photo Album (Hand signed, inscribed and dated by Tracey Emin), 2013 Hardback monograph (hand signed, inscribed to Kevin and dated by Tracey Emin) Warmly signed, inscribed and dated by Tracey Emin on the title page 9 × 7 1/4 × 1 inches Warmly signed, inscribed to Kevin and dated by Tracey Emin on the title page Tracey signed this for the present owner at an official book signing in New York back in 2013, so provenance is direct. Publisher's blurb: My Photo Album is a journey through the life of British artist Tracey Emin using photographs from her personal collection. Edited from the albums she has kept from an early age, this visual autobiography contains some amazing images: Tracey sharing a pram as a baby with her twin Paul, her bus-pass photo aged 14, a ‘glamour’ shoot as a semi-naked art...

Claude Lafortune 8e centenaire de la naissance de François d'Assise ("Fais de moi un artisan de paix), 1982 Offset lithograph poster 23 1/2 × 12 3/4 inches unframed (unsigned) This rare vintage Canadian poster was published on the occasion of the 8th century birth of Saint Francis of Assisi (8e centenaire de la naissance de Francois d'Assise) on 1982. About Claude Lafortune: Claude Lafortune was born on July 5, 1936 in Montreal, Quebec, Canada. He was an actor and art director, known for IXE-13 (1972), Pop Citrouille (1979) and Le carnaval des animaux (1978). He was previously married to Suzanne Côté. He died on April 19, 2020 in Longueuil, Quebec, Canada. As a graduate of the École des beaux-arts de Montréal, Lafortune collaborated on many graphic design projects before he became famous for his paper art. He had an exhibit devoted to his paper art work—titled Colle, papier, ciseaux—at the Musée des cultures du monde in Nicolet, Quebec. The exhibition has traveled to Longueuil, Montreal, Terrebonne, Salaberry-de-Valleyfield, Lachine, Chicoutimi, Bonaventure, La Malbaie...

Öyvind Fahlström One Hundred and Eight Inflated Dollars, from the Collection of Ileana Sonnabend and the Estate of Nina Castelli, 1973 Lithograph on rag paper. Signed. Numbered. in o...

PAUL VON RINGELHEIM American Flag III, 1979 Silkscreen in Colors on wove paper Signed and numbered in graphite pencil on the lower margin front 31 × 23 inches Unframed Hand signed and numbered from the limited edition of 300. Born in Vienna Austria, but working in the US for many decades, Von Ringelheim, also known as a sculptor, brought his unique hard-edge minimalistic geometric abstraction outsider's take on the American Flag to this vintage 1970s limited edition, signed silkscreen. Unframed and in fine condition. Ringelheim was represented in the 1960s by the legendary Rose Fried Gallery...

Donald Sultan Yellow Roses, 1992 Screenprint in colors on wove paper Pencil signed, titled, dated March 9, 1992 and numbered 70/100 by Donald Sultan on th...

Alain Kirili To Cecil Taylor, Sculptor, 1995 Lithograph Pencil signed, dated and numbered 91/100 on the lower front Frame Included This work is floated and framed Measurements: Frame: 10 x 10 x 1 inch Print: 6 x 6 inches About Alain Kirili: Born in Paris, France, 1946 Died in New York City, 2021 ALAIN KIRILI was a French-American sculptor born in Paris, France 1946, died in New York City 2021. He has had solo museum exhibitions with the Musée de l’Orangerie, Paris; the Musée Rodin, Paris; and the Brooklyn Museum. Kirili has been included in group exhibitions at the Museum of Modern Art, New York; MoMA P.S. 1, New York; the Hirshhorn Museum, Washington, D.C.; and the Jardin du Palais-Royal, Paris. His work can be found in the collections of the Museum of Modern Art, New York; Centre Pompidou; The Jewish Museum, New York; and the Nasher Sculpture Center among others. Courtesy of Susan Inglett Galery ABOUT CECIL TAYLOR Cecil Taylor (b. 1929) is a towering, sometimes divisive figure within twentieth-century music. In the early 1960s, with fellow maverick artists Ornette Coleman, Albert Ayler and others, he revolutionized jazz by extending bebop into a radical terrain dubbed the "New Thing" or "free jazz"—the latter a term with political as well as aesthetic connotations given the social changes underway at the time in America. For Taylor, freedom meant a deep synthesis of the modern composers such as Béla Bartók and Igor Stravinsky that he encountered during his studies at the New England Conservatory of Music with the nuanced and original piano innovations of Thelonious Monk, Horace Silver, Bud Powell...

Philip Pearlstein Olga Hirshhorn is 90, 2010 Lithograph on Aquarelle Arches Paper Pencil signed, dated and numbered 158/185 by the artist on the front 31 1/2 × 24 inches Unframed Thi...

Robert Cottingham Blues (The Original), 1989 Color aquatint on wove paper Edition 31/45 Pencil signed and numbered 31/45 by Robert Cottingham on the front Framed This is the original...

Damien Hirst Cornucopia, 2010 Limited edition hardback monograph (hand signed by Damien Hirst) Hand signed in ink by Damien Hirst on the first front end page 12 1/2 × 9 3/4 × 3/4 inches This limited edition illustrated hardback monograph, with no dust jacket, exactly as issued, was published on the occasion of the artist's show at Musee Oceanographique de Monaco in April 2010, 'Cornucopia' celebrates Hirst's paintings and sculptures from 1994-2009." This book was gifted by Damien Hirst to a member of an American Rock & Roll band that Hirst befriended. Stated Limited Edition of 2000 (unnumbered) About the book: Publisher: Musée Océanographique de Monaco, 2010 Text: English / French. 160 pgs with color illustrations Limited Edition: 2000 (the regular edition is not signed; this was exceptionally hand signed by Hirst) About Damien Hirst: People are afraid of change, so you create a kind of belief for them through repetition. It’s like breathing. I’ve always been drawn to series and pairs. A unique thing is quite a frightening object. —Damien Hirst Since emerging onto the international art scene in the late 1980s, Damien Hirst has created installations, sculptures, paintings, and drawings that examine the complex relationships between art and beauty, religion and science, and life and death. From serialized paintings of multicolored spots to animal specimens...

H.C. Westermann, Thomas Kapsalis Rare artist designed early poster: Westermann and Kapsalis Sculpture at Four Fourteen Art Center and Gallery Chicago, 1957 Historic offset lithograph poster designed by both artists Not signed 17 × 22 inches Unframed This extremely rare poster on handmade paper was published for the Tom Kapsalis/H.C. Westermann sculpture exhibition at 414 Art Workshop and Gallery, Chicago Momentum, 1020 Art Center, Chicago in December 1957. The poster was hand designed by both artists, with each one designing his respective half for a cohesive whole, for an exhibition at a small, now defunct regional art center in the late fifties -- so it's not unreasonable to believe that there just aren't too many of these out there anymore. A must have for anyone seriously involved in the careers and legacies of each or both of these sculptors. About H.C. Westermann: American artist Horace Clifford Westermann (Los Angeles, 1922 – Danbury, 1981) assembled a distinctive and singular body of sculptures. His works were predominantly made from wood through his masterly command of carpentry and cabinetmaking, yet he also used other techniques and materials such as metal, glass and enamelling with incredible precision. Without adhering to one particular style, Westermann was a maker of objects, of separate pieces: his sculptures, laden with meaning, often irony, result from the processing of experience, coalescing to yield specific fragments of reality. It is the course of these fragments that the retrospective presented by the Museo Reina Sofía follows. A concern with going back to shelter would soon emerge, be it in the home or the body —and blighted by the threat of confinement and death. Also, stubborn or helpless figures would recur through Westermann’s oeuvre. The motif of the “death ship” runs right through the breadth of his production as well, pointing, on one side, to continued wandering and latent abandonment and, on the other, to a determined pursue of refuge which seems to hold firm across his work. At the turning point of the 1960s, Westermann’s sculptures drew from mass culture, and made part of several exhibitions of the new realisms, when the “cold” tag of Pop art had not yet fully taken shape. The exhibition presents this output and the “specificity” of Westermann’s objects, which interested Donald Judd in 1963. In later pieces his work increasingly deals with the absurd, either through playfulness with language, in the confusion between work and instrument, or with references to the impermanent Besides the sculptures, the show displays Westermann’s paintings, letter-drawings —in his correspondence with other artists, critics and friends— and series of prints, in which he applied vibrant colours to address themes such as an escapist, while critical depiction of the American scene; catastrophe, and fragility. A graduate from the School of the Art Institute of Chicago in 1954, Horace Clifford Westermann produced most of his work from a small town in Connecticut, where he settled in 1961. He regularly exhibited his work in New York, and occasionally in Chicago and on the West Coast. Courtesy of Venus Over Manhattan About Tom Kapsalis: One of Chicago’s great abstractionists, painter Thomas H. Kapsalis (born 1922) has been an important artist and educator since the late ’40s, when he graduated from the School of the Art Institute. A prisoner of war in Germany, captured during the Battle of the Bulge, Kapsalis returned to continue his pursuit of art-making, eventually returning to Germany in the early ’50s on a Fullbright-Hays Fellowship to study with Willi Baumeister. He has taught at the School of the Art Institute since 1954, and his work has been exhibited in numerous group and solo shows. Among the honors bestowed upon Kapsalis are Huntington Harford Foundation Grants (1956, 1959); Robert Rice Jenkins Prize, Chicago Vicinity Exhibition, Art Institute of Chicago (1956); Pauline Palmer Prize, Chicago Vicinity Exhibition, AIC (1960); Mr. Mrs. Julie F. Brower Prize, Chicago Vicinity Exhibition, AIC (1969). Courtesy of Corbett vs...

Anish Kapoor Shooting into the Corner (hand signed and dated by Anish Kapoor), 2009 Offset lithograph poster (hand signed and dated 2016) Boldly signed and dated by Anish Kapoor on t...

PHILIP PEARLSTEIN Nude in New Mexico, 1984 Lithograph on art paper 31 3/5 × 40 3/4 inches Signed, titled, dated and numbered in graphite pencil from the limited edition of only 65. (48/65) Unframed Philip Pearlstein was born in Pittsburgh, PA, in 1924 and came to New York with Andy Warhol - his first roommate. In 1941, his junior year in high school, he received his first recognition when awarded first and third prizes in Scholastic Magazine's 14th National High School Art Exhibition. Upon graduation from high school in 1942, he enrolled in the Carnegie Institute of Technology but the draft limited his attendance to one year. After discharge from the army in 1946, he returned to Carnegie Tech where he studied with Robert Lepper, Balcomb Green and Samuel Rosenberg...

Ronald Brooks (R.B.) Kitaj BAGHDAD, 1972 Six Color Screenprint and Photoscreenprint 20 × 14 1/2 inches Pencil signed and numbered 1/125 Printed at Kelpra Studio, London Published by ...

Raymond Pettibon, Kim Gordon Sonic Youth at Frankfurt Music Hall (Hand Signed by Raymond Pettibon and Kim Gordon), 1990 Offset Lithograph Poster Boldly signed, and dated 2016 in ink ...

Highly collectible and coveted item: Francis Bacon von [with] John Russell (Monograph, hand signed and inscribed twice by Francis Bacon), 1972 Hardback monograph with dust jacket (ha...

Andy Warhol (after) Rare broadside for Gotham Bookmart exhibition "Andy Warhol His Early Works, 1947 - 1959", 1971 Offset lithograph poster 18 × 12 1/2 inches Unframed (not signed) ...

Jennifer Losch Bartlett American Dance Festival 1978, 1978 Lithograph on wove paper Pencil signed and numbered 163/150 31 × 23 inches Unframed This limited edition print was designed by Jennifer Bartlett for the American Dance Festival in 1978. It is ; this is the hand signed and numbered limited edition lithograph - not to be confused with the separate poster edition which was not on the same lithographic paper. About Jennifer Bartlett: Jennifer Bartlett (b. 1941, d. 2022) was known for her room-sized installations ranging in medium, that explored her immediate environments including houses, mountains, trees, gardens, and the ocean. Inspired by Minimalism, she started working on square steel enameled plates in 1968 on which she went on to create her most notable works. Rhapsody (1975–1976), a polyptych first installed at Paula Cooper Gallery filling the entirety of the gallery, included hundreds of these painted steel plates. That work is now part of the permanent collection of the Museum of Modern Art, New York. Her work moved from Abstract Expressionism to Minimalism to Conceptualism with some works touching on all at once. Working in two dimensions and occasionally moving to three, her works often started in a controlled, mathematical abstraction and moved to more painterly realism. Bartlett’s first survey exhibition was held in 1985 and traveled to the Walker Art Center, the Brooklyn Museum, and the Museum of Art, Carnegie Institute. In 2006, her early enameled steel plate paintings were surveyed at the Addison Gallery of American Art. Klaus Ottman curated her second traveling survey exhibition in 2013­–14, Jennifer Bartlett: History of the Universe—Works 1970–2011, which traveled to the Pennsylvania Academy of the Fine Arts and the Parrish Art Museum. In 2014, the Cleveland Museum of Art exhibited all three of her monumental plate...

This work was published for the exhibition, American Jesus, held 13 July - 18 September 2010 at Paul Kasmin, New York in cooperation with Fred Torres Colla...

Tom Burckhardt FILEUSE from Earth School Portfolio, 2005 Digital Print on Card Stock Pencil signed and numbered 19 on the front from the limited edition of only 25 24 × 18 inches Unf...

Jennifer Bartlett Los Angeles 1984 Olympic Games (Hand Signed with Olympic Committee COA), 1982 Offset Lithograph; pencil signed on the front 36 × 24 inc...

Judy Chicago Driving the World to Destruction, 1988 Silkscreen on wove paper Pencil signed, titled, dated and numbered 35/50 on the front Included with this work is an elegant hand ...

Nam June Paik Do You Know...?, from the New York Collection for Stockholm portfolio, 1973 Silkscreen on paper, in original portfolio sleeve Signed and dated '73 and numbered 36/300 i...

Larry Clark The Smell of Us (Hand signed poster), 2015 Offset lithograph poster Pencil signed by Larry Clark on the back 10 1/2 × 15 1/2 inches Unframed Limited edition poster; hand ...

Larry Clark The Smell of Us, 2015 Limited Edition softcover book printed on heavy paper stock in oblong binding (Edition: 250) 5 1/2 × 8 inches This first edition book by Larry Clark...

Mark Ryden Dodecahedron (Hand Signed by Mark Ryden), 2015 Offset Lithograph poster (hand signed by Mark Ryden) Hand signed by artist on lower right front for the present owner. 20 × 16 inches Unframed This Mark Ryden offset lithograph poster was published on the occasion of his exhibition at the Paul Kasmin...

Donald Baechler ArT RANDOM Donald Baechler Japanese catalog (hand signed and inscribed to writer and art critic Anthony Haden-Guest), 1989 Hardback monograph Hand signed and inscribed to writer and art critic Anthony Haden-Guest 12 × 9 1/4 × 1/2 inches Unframed This uncommon 1989 Japanese hardback monograph with no dust jacket as issued, is hand signed and inscribed by artist Donald Baechler to the art critic Anthony Haden-Guest. Inscription reads: For Anthony 4.April. 91 Donald Baechler Book information: First edition. Published by Kyoto: Kyoto Shoin International Co., Ltd., 1989. Hardcover. Photographically illustrated paper-covered boards; no dust jacket as issued. Paintings and drawings by Donald Baechler. Text (in English and Japanese) by Lisa Liebmann. Unpaginated (48 pp.), with 36 four-color plates. About Donald Baechler: Donald Baechler was one of the most promising artists of the 1980s. He was associated with a group of painters in New York that included Julian Schnabel, David Salle, Jean-Michel Basquiat and Philip Taaffe...

Larry Rivers LARRY RIVERS (hand signed and inscribed first edition book), 1989 Hardback monograph with a dust jacket (hand signed and inscribed "Enjoy the Matisse" Signed, dated and inscribed by Larry Rivers in red marker on the title page 11 3/5 × 9 4/5 inches Lavishly illustrated hardback monograph with dust jacket on the occasion of the artist's career retrospective. Text is by the distinguished art historian and Princeton professor Sam Hunter. Hand signed, dated and dedicated in red marker on the title page. Inscription reads: To Joanne and Ira Enjoy the Matisse Larry Rivers, April 2, 1992 About the book: Hunter, Sam. LARRY RIVERS. 358 pp. with 400 illustrations, including 155 plates in color. Folio, cloth. New York, Rizzoli, 1989. New York: Rizzoli, 1989. First edition. Hardcover. 358 pages. Retrospective monograph on Larry Rivers. Features text by Sam Hunter. Includes 400 illustrations of which 155 are in color. Publisher's Blurb: Rivers' public persona as an artist combines that of bohemian outsider, sensualist and entertainer. His best-known images of the 1960s--Dutch Masters cigars, French money, cigarette packs--became Pop icons. Eschewing abstraction, he came up with startling, disquieting figures, such as his obese, sagging mother-in-law depicted in the nude with brutal honesty ( Double Portrait of Berdie ). Yet there is more to Rivers than the hipster, as this lavishly illustrated monograph by a former Princeton art historian shows. Hunter makes a case for Rivers as a social realist: witness his powerful construction piece Ghetto Stoop or recent works that include searching portraits of Primo Levi...

George Segal (Hand signed, dated and inscribed), 1979 Hardback monograph with dust jacket, hand signed, dated and warmly inscribed to David by George Segal Hand signed, dated and ins...

David Hockney Hockney's Alphabet, 1991 26 color lithographs in Fine Art Cartridge paper bound in quarter vellum with handmade Fabriano Roma paper sides, housed in matching box; signed by David Hockney and most contributors in ink and numbered 178 in black ink on the justification page Numbered 178/250 Hand signed by 24 of the contributors, including David Hockney and Steven Spender 12 5/8 x 9 5/8 inches Bound in book and held in slipcase This portfolio features 26 color lithographs in Fine Art Cartridge paper with full margins, bound as issued, in quarter vellum with handmade Fabriano Roma paper sides, in original grey slipcase. It is signed by David Hockney (the artist) and most contributors in ink and numbered 178 in black ink on the justification page, from the edition of 250, with full text and title page, published by Faber & Faber, London, text edits by Stephen Spender, who also signed. It is illustrated by David Hockney, hand signed by David Hockney and Stephen Spender and also signed by the following contributors: Douglas Adams, Martin Amis, Julian Barnes, William Boyd, Margaret Drabble, Patrick Leigh Fermor, William Golding, Seamus Heaney...

Larry Rivers Offset Lithograph Poster Offset Lithograph Poster on Wove Paper Plate signed (Printed Signature) 32 × 30 inches Unframed Rare vintage 1970s Larry Rivers offset lithogr...

Asa Cheffetz Ramshackle Barn (de-accessioned from the Denver Art Museum), ca. 1929 Wood-engraving Pencil signed, numbered 27/100 and titled by the artist on the front 13 × 10 1/4 inches Unframed - affixed to matting De-accessioned from the collection of the Denver Art Museum Asa Chaffetz, "the engraver's engraver" This is the original numbered wood engraving from 1929; not a later re-print This print was honorable mention in the International Exhibition of prints, Art Institute of Chicago, 1929 Exhibited: New England engraved: The prints of Asa Cheffetz: An Exhibition of his wood engraving & an exploration of his life as an artist. Springfield, MA: Museum of Fine Arts, 1984 (A different example) Asa Cheffetz Biography: Born in Buffalo, New York, Cheffetz studied at the School Of The Museum Of Fine Arts in Boston under Philip Leslie Hale...

Wayne E. Campbell This is Only a Reality of Special Consensus, ca. 1969 Silkscreen on Arches paper with One Deckled Edge Pencil signed and numbered 86 from the limited edition of 98 ...

Larry Clark Untitled Larry Clark Kids Skateboard Skate deck, 2013 Screenprint on 7-ply Canadian maplewood skatedeck Signed on the deck 31 × 8 inches Long sold out 2013 skateboard dec...

Victor Vasarely Sidney Janis Gallery Exhibition Poster, 1974 Silkscreen poster on glossy thick paper Bears copyright stamp, printer name and ...

Robert Rauschenberg Robert Rauschenberg at Leo Castelli (postmarked to artist Ludwig Sander), 1960 Offset lithograph poster 19 × 26 inches Unframe...

Claes Oldenburg Lithograph printed in colors on Rives wove paper Signed in pencil Oldenberg (lower right); numbered 88/100 (lower left) 33 × 23 inches Unframed Executed in 1982, this...

Mary Bauermeister Rainbow, 1973 Lithograph and silkscreen on creamy white paper Hand signed, dated and numbered 56/250 by the artist on the front 19 x 25.5 inches Unframed This work is on the permanent collection of various institutions like: Rice University, Samuel Dorksy Museum of Art, Rutgers Zimmerli Museum and Wheaton College Massachusetts. While studying the fringe sciences the 1970s, Bauermeister created Rainbow (1973), a lithograph and silkscreen. She uses a creamy white background as the base. Two intersecting diagonal bands of color transcend across the page, and black cursive lettering dances over the surface serving as a mind map of interweaving ideas. Through the central band, Bauermeister shifts through the color spectrum; she begins with red and finishes with violet. Inspired by music, she uses strokes of color that are rhythmically smeared across the lithograph. The surface lettering, a kind of visual poetry, explores her interest in human emotion and science. The viewer can see Bauermeister’s thoughts as they flow into one another through the use of words such as bliss, love, and healing. Bauermeister also includes a repetition of words such as cancer, sickness, and cure. The word cancer emerges from a cell-like shape. A careful study of the words shows that they may seem dark in nature; however, she juxtaposes these words against the cheerful title and colors. Perhaps the rainbow symbolizes a new hope, an inspiration for an optimistic future. -Courtesy to the Samuel Dorsky Museum of Art About Mary Bauermeister: A multidisciplinary artist known for her intricate and enigmatic assemblages, Mary Bauermeister (1934-2023) continues to defy categorization with layered works in a range of media. A precursory figure of the Fluxus movement—her studio was the meeting point for a number of defining artists of the avant-garde—her work plays an integral role in the discussion of art, both European and American, that emerged from the 1960s. Her reliefs and sculptures, which have incorporated drawing, text, found objects, natural materials and fabric, reference a plethora of concepts: from natural phenomena and astronomy to mathematics and language, as well as her own “spiritual-metaphysical experiences.” Maturing amidst the currents of Minimalism and Pop Art, Bauermeister’s art has resisted labels due to the singular expression of her interests and concerns, among them the simultaneous transience and permanence of the natural world with experimentations in transparency and magnification, multiplication and variation, structure and order, chance and ephemerality, introversion and extroversion. Her three-dimensional receptacles of thoughts, ideas, and notes contain visual, conceptual, and philosophical paradoxes that challenge perceptions and that offer literal and metaphorical windows into which one can glimpse the inner workings of the artist’s mind. - Courtesy of Michael Rosenfeld...

Philip Pearlstein Untitled Nudes in bathtub, ca. 1971 Lithograph on paper with Deckled Edges Numbered from the limited edition of only 19. Unframed Hand signed in graphite pencil and...

Seymour Chwast Greta Garbo, 1989 Silkscreen on Rives BFK Hand-signed and numbered 36/200 by artist on the front 44 x 30 inches Unframed This large, dazzling multi color silkscreen is...

Larry Rivers What Did I Do? The Unauthorized Biography, 1992 Lithograph on wove paper Hand signed, numbered 3/325 and dated on lower right front Frame In...

Artwork Measurements: 39 1/4 × 29 1/2 inches Larry Rivers Larry Rivers Hirshhorn Museum and Sculpture Gallery (Hand Signed), 1974 Silkscreen in colors on wove paper Hand Signed, anno...

Peter Saul Golden Gate Bridge, 1968 Five color lithograph on German etching paper with deckled edges with collectors press chop mark Hand signed, titled and numbered "Artist Proof" lower front; also bears Collector's Press chop mark, and chop mark of master printer Tony Ko Frame Included: floated and framed in the original wood frame Provenance: from the Estate of the legendary California artist, Roy DeForest Accompanied by a copy of the publisher's documentation sheet (see image) Also accompanied by gallery issued Certificate of Guarantee This work is one of three hand signed Artist's Proofs, aside from the regular edition of 50. It is one of Peter Saul's most celebrated prints; the not so subtle at all symbolism speaks for itself, such as the gigantic dollar sign and wagging tongue (money talks loudly), set against San Francisco's iconic Golden Gate bridge. This print does not often appear on the market, as so many from this edition are already in the permanent collection of major museums and institutions. Other examples of this work were featured in the exhibitions: "Print Retrospective, 1966-2010", from September 16 – December 22, 2011 at the Carl Solway Gallery in Ohio, and "Peter Saul: Prints and Drawings, 1960 -1975", from February 26 – April 11, 2009, at The George Adams Gallery...

Lawrence Weiner The Kitchen Poster (Hand signed by Lawrence Weiner), 2017 Offset lithograph poster Signed by the artist on lower right front with blac...

Robert Indiana 1, from the original Numbers portfolio (Sheehan 46-55), 1968 Color Silkscreen on Wove Paper Limited Edition of 2500 Not Signed Frame included: Elegantly matted and fra...

Richard Haas Chelsea Hotel, Sunset, 1980 Offset Lithograph poster on paper Pencil signed on the front 23 1/4 × 21 1/2 inches Unframed This striking offset lithograph poster by the world's top architectural muralist Richard Haas presents a detailed portrait of the historic New York City landmark - the legendary Chelsea Hotel. Many famous people stayed at this storied hotel. Nancy Spungen...

Mr. Brainwash (after) Obama Superman, 2009 Offset Lithograph Poster Plate signed on lower right front 36 × 24 inches Unframed This Mr. Brainwash poster ...

Lynda Benglis Los Angeles 1984 Olympic Games (Hand Signed with Olympic Committee COA), 1982 Offset Lithograph Signed in graphite pencil on the front. Accompanied by a letter of authenticity from the publisher. Unnumbered. 24 × 36 inches Unframed Accompanied by a letter of authenticity from the publisher on Olympic Committee letterhead. This is a limited edition hand signed lithograph, published in 1982 to celebrate the 1984 Los Angeles Olympics . The Olympic Committee commissioned 15 nationally known artists, including famous sculptor and feminist icon Lynda Benglis to create unique designs to promote the event. This was Benglis' contribution to the portfolio. In 2017, the Olympic Museum in Lausanne Switzerland...

Richard Anuszkiewicz Celebrate New York (hand signed limited edition poster), 1974 Silkscreen on wove paper Hand-signed by artist, signed, dated and inscribed "to Lowell" on the fron...

Andy Warhol (After) Warhol Unlimited, 2015 Silkscreen on thin linen canvas backing 63 × 47 inches Unframed This large, stunning silkscreen poster was published on the occasion of the...

Roy Lichtenstein Historic early 60s gallery poster, 1962 Offset Lithograph 21 4/5 × 17 inches Unframed This is a highly collectible, historic 1962 exhibition invitation by the Mi Cho...

Anthony Caro Nude (signed, dedicated & inscribed to Clement Greenberg), 1986 Charcoal on Paper Hand-signed by artist, The drawing is inscribed, "To Clem, much love, from Tony" and signed "A. Caro 1986 July." 38 × 24 inches Unframed This original drawing was acquired from the collection of the influential critic Clement Greenberg - one of the greatest supporters of British artist Anthony Caro, whose students and colleagues at St. Martin School of Art included the distinguished sculptors William Tucker and Isaac Witkin...

Christo and Jeanne-Claude The Umbrellas, Japan - USA (Hand Signed), 1991 Offset lithograph poster Boldly signed by Christo upper right 25 × 38 inches Unframed This rare vintage poster was published by Christo and Jeanne-Claude to promote and raise funds for Christo's famous Umbrellas Japan-USA project in the early 1990s. It is hand signed boldly in black marker "Christo" on the recto - upper right corner. This work was acquired from the Estate of Jacob and Aviva Baal-Teshuva, collectors, curators, authors, early supporters and good friends of Christo. Authenticity unconditionally guaranteed. ABOUT THE UMBRELLAS JAPAN-USA PROJECT: At sunrise, on October 9, 1991, Christo and Jeanne-Claude's 1,880 workers began to open the 3,100 umbrellas in Ibaraki and California, in the presence of the artists at both sites. This Japan-USA temporary work of art reflected the similarities and differences in the ways of life and the use of the land in two inland valleys, one 12 miles (19 kilometers) long in Japan, and the other 18 miles (29 kilometers) long in the USA. In Japan, the valley is located north of Hitachiota and south of Satomi, 75 miles (120 kilometers) north of Tokyo, around Route 349 and the Sato River, in the Prefecture of Ibaraki, on the properties of 459 private landowners and governmental agencies. In the USA, the valley is located 60 miles (96.5 kilometers) north of Los Angeles, along Interstate 5...

Gilbert & George Gilbert and George Major Exhibition, Tate Modern (Hand Signed), 2007 Offset Lithograph Poster Hand signed by Gilbert & George on the front 30 x 20 inches Unframed E...

Hans Haacke "If Elections Were Held Today" from the Castelli Sonnabend Collection, 1973 Silkscreen in portfolio sleeve of Crane's bond paper No. 1. Stamped and numbered. Unframed in ...