Bartele Gallery

Tafra Island Suriname River View 1888 Dutch West Indies by Karl Martin This atmospheric river landscape depicting Tafra Island in Suriname was published in 1888 as part of Karl Mart...

Antique Geological Survey Map of Surinam 1888 Hand Colored This impressive hand-colored geological survey map of Surinam was published in 1888 as part of Karl Martin’s monumental sc...

Geological Map of Bonaire 1888 Dutch West Indies by Karl Martin This finely executed geological map of Bonaire was published in 1888 as part of Karl Martin’s major scientific work B...

Geological Map of Aruba 1888 Dutch West Indies by Karl Martin This finely detailed geological map of Aruba was published in 1888 as part of Karl Martin’s authoritative scientific st...

Geological Map of Curaçao 1888 Dutch West Indies by Karl Martin This exceptionally detailed geological map of Curaçao was published in 1888 as part of Karl Martin’s landmark scienti...

Dutch West Indies Geology Fossils 1888 Scientific Lithograph Plates This rare matched pair of geological plates originates from the monumental 1888 scientific work Bericht über eine...

Antique Lichen Prints Set of 6 – German Scientific Lithographs 1874 Description This exceptional wall set of six original 19th-century scientific lithographs comes from the 1874 Ger...

Antique Lichen Prints Set of 6 – German Botanical Lithographs 1874 This remarkable wall set of six original scientific lithographs comes from the rare 1874 German publication “Cryptogamen-Flora – Flechten,” devoted entirely to the detailed study of lichens. Issued in Gera by the respected scientific publisher C. B. Griesbach and prepared by Otto Müller and G. Pabst, this series represents one of the most precise 19th-century visual documents of cryptogamic botany. Each plate is densely populated with finely rendered lichen specimens, shown in multiple growth stages with accompanying microscopic structural details. The compositions are carefully balanced across each sheet, creating an extraordinary rhythm of organic textures, cellular formations, and natural pattern systems. Together, the six plates form a powerful scientific grid that is visually striking both at close inspection and from a distance. Produced during the golden age of European botanical taxonomy, these lithographs were created as serious reference tools for pharmacists, physicians, and natural scientists. Unlike decorative flower books intended for the general public, true cryptogam atlases such as this were printed in far smaller numbers and were subjected to hard professional use. As a result, intact matching sets have become increasingly scarce on the market. The restrained monochrome palette gives this set a timeless graphic quality that integrates effortlessly into both classical and contemporary interiors. Displayed as a horizontal 3×2 wall arrangement or in vertical pairing formats, the set works exceptionally well in studies, medical offices, libraries, design hotels, law firms, galleries, and minimalist residential spaces. The scientific precision combined with the abstract beauty of lichen morphology makes this set particularly attractive to modern interior designers seeking authentic historical material with strong visual structure. This is a cohesive original 19th-century wall ensemble, not a later reproduction or decorative reprint. Each plate is an authentic lithograph pulled from the original 1874 publication. Condition Report All six plates are in very good antique condition. Light, even age toning consistent with 19th-century paper. No tears or losses observed. Margins remain intact. Image impressions are crisp and well preserved. Minor surface marks or faint edge handling wear may be present but do not detract from display quality. Framing Suggestions This set presents beautifully in slim natural oak or walnut frames with deep ivory museum mats for a clean, contemporary gallery look. For a more dramatic, archival presentation, matte black frames with soft off-white mats will emphasize the fine line work and give the set a striking museum-style presence. UV-protective glazing is recommended for long-term preservation. Technique: Lithography Maker: Otto Müller & G. Pabst, Germany, 1874 SEO Keyword Block antique botanical prints, lichen lithographs, cryptogam flora, 19th century science prints, german botanical art, medical wall art, pharmacy decor, scientific wall set, black and white botanical prints, natural history lithographs, antique plant prints, lichen study plates, interior designer wall art, antique scientific illustration

Constantinopel Ottoman Street Scene Antique Dutch Engraving c1870 This atmospheric 19th-century engraving depicts a street scene in Constantinople, present-day Istanbul, centered ar...

Chikanobu Triptych – Shogun Returns from the Hunt in Koganehara, c.1897 This powerful and dynamic triptych by Toyohara Chikanobu (1838–1912) depicts the Shogun and his retinue returning from a falconry hunt across the vast grasslands of Koganehara. The print is part of the celebrated Meiji-era series Chiyoda no Omote (Outer Palace of Chiyoda), which portrayed ceremonial and military scenes from the life of the Tokugawa shogunate. This series blends historical reverence with a modern Meiji sensibility, celebrating Japan’s warrior heritage at a time of rapid transformation. Rendered in rich color and vivid linework, the triptych shows a noble procession in motion: the mounted Shogun at center turns back toward the viewer, while falconers and warriors in elaborate dress surround him. Attendants carry game and falconry equipment, and a dense forest line marks the horizon behind them. The sweeping composition emphasizes both movement and status, with the central figure visually dominant and placed against a pale, open sky. The triptych is signed by Chikanobu with the toshidama cartouche and published by Fukuda Hatsujirō around 1897. Chikanobu, one of the last great ukiyo-e masters, was celebrated for his ability to capture imperial ceremony, samurai culture, and the feminine elegance of the court — often in triptych format for dramatic impact. While the work shows some age-related signs, it retains strong visual appeal and is a compelling historical document of samurai-era tradition as imagined through Meiji eyes. Condition report: Good overall condition considering age. The three sheets are mounted together on old Japanese paper backing (verso), which is loosening slightly along the joins. Light overall toning and minor wrinkling across the panels. Colors remain well preserved with strong impression and no major losses or tears. Margins present, minor handling wear visible. A stable and attractive display piece. Framing tips: We recommend float mounting the full triptych in a custom horizontal frame, allowing the slight backing and joins to remain visible as part of its historical charm. Use a dark walnut or black lacquer frame with an off-white or light beige acid-free mat. Proper archival mounting can help preserve the integrity of the backing while enhancing its display quality. Technique: Woodblock print (ōban triptych) Maker: Toyohara Chikanobu, Japan, c.1897 Publisher: Fukuda Hatsujirō Keywords: Chikanobu triptych, samurai falconry print, Japanese woodblock print, Meiji print, Chiyoda no Omote, shogun artwork, Koganehara, antique Japanese triptych...

Fortress Assault Triptych – 1894 Japanese Meiji War Woodblock by Gekko This powerful Meiji-era woodblock triptych by Ogata Gekko (1859–1920) depicts the dramatic assault on a Chines...

Meiji-Era Triptych of the Battle of Pyongyang in the Sino-Japanese War, 1894 This striking 1894 woodblock triptych by Ogata Gekko (1859–1920) depicts the dramatic Battle of Pyongyan...

Caen – Antique Hand-Coloured Normandy Town Plan Engraving (1666) This 17th-century copper engraving offers a finely detailed early plan of Caen, published in Antwerp in 1666 for the...

Cherbourg – Antique Hand-Coloured French Coastal Town Engraving (1666) This 17th-century copper engraving presents a finely detailed early plan of Cherbourg, published in Antwerp in...

Dieppe – Antique Hand-Coloured French Coastal Town Engraving (1666) This charming 17th-century copper engraving presents an early bird’s-eye plan of the fortified port town of Diepp...

Vue des Restes d’un Temple de Vénus, Isle de Nisida – Antique Engraved Gulf of Naples View (1760s) This impressive 18th-century French engraving presents a sweeping coastal view of ...

Anfiteatro Flavio detto il Colosseo – Antique Hand-Coloured View of the Colosseum (c.1840) This finely hand-coloured 19th-century engraving presents a clear and atmospheric view of ...

Piazza di S. Pietro – Antique Hand-Coloured View of St. Peter’s Square (c.1840) This elegant 19th-century hand-coloured engraving presents a sweeping panoramic view of St. Peter’s S...

Interno della Basilica Vaticana – Antique Hand-Coloured Interior View (c.1840) This richly detailed 19th-century hand-coloured engraving presents a magnificent interior view of St. ...

Isola Bella Italy – Antique Lake Maggiore Lithograph View (c.1830) This early 19th-century lithograph offers a calm and finely detailed view of Isola Bella on Lake Maggiore, capturi...

Trevi Fountain Rome – Antique Hand-Coloured Italian View by Gigli (c.1850) This finely hand-coloured 19th-century view shows the celebrated Fontana di Trevi in Rome, rendered with c...

Erotic Medical Guide with 21 Chromolithographs and Clasp Binding, c.1900 This late-19th-century erotic–medical volume, “De gezondheidsleer der liefde” by M. Platen, is an extensive ...

Christ Knocking at the Door, c.1900 German Devotional Chromolithograph (Printed in Germany) This beautiful early 20th-century German chromolithograph depicts one of the most tender ...

The Good Shepherd, c.1900 German Devotional Chromolithograph (Printed in Germany) This early 20th-century German chromolithograph presents one of the most iconic and comforting Christian images: Christ as the Good Shepherd. Produced around 1900 by a major German devotional press, the print exemplifies the luminous colour layering, soft modelling, and serene atmosphere characteristic of high-quality chromolithography from this period. These works were widely distributed throughout Europe and the Americas and became treasured objects in Catholic homes, chapels, and pastoral settings. Christ stands barefoot in a verdant landscape, gently holding a lamb to his chest while a flock gathers around him. The rich red cloak, delicate golden halo, and pastoral backdrop are rendered with exceptional detail and depth, achieved through multiple stone plates typical of fine chromolithographic production. The artwork conveys both theological symbolism and emotional warmth: the shepherd guiding and protecting his flock, the gentle lamb symbolising innocence, and the tranquil landscape offering a sense of peace and reassurance. The lower margin features multilingual titles identifying the subject for international Catholic distribution: “Der Gute Hirt. The Good Shepherd. Le Bon Pasteur. Il Buon Pastore. El Divino Pastor.” This multilingual caption format is typical of German devotional publishers active from the late 19th into the early 20th century. The imprimatur line, “Imprimi permittitur. Ordinariatus episcopalis Limburgensis,” confirms that the image was officially approved for devotional use by the Catholic Church. The imprint “Printed in Germany” situates the work within one of the major German chromolithographic centres, likely Munich or Cologne, renowned for their beautifully saturated and technically refined religious images. This is unquestionably an original chromolithograph, not a modern reproduction. The velvety colour fields, warm matte lithographic paper, subtle stippling, and natural toning all align with authentic early 20th-century stone-based printing. The crisp border text and preserved pigments further confirm its originality. The Good Shepherd was among the most cherished devotional themes of the period, and examples in this level of condition are increasingly rare and desirable among collectors of sacred art. Condition Report: Very good condition. Colours bright and unfaded. Minor age toning and small, expected handling marks at the outer margins. No tears, creases, losses, or repairs. The plate text and imprimatur are sharp and fully legible. Tips for Framing: Ideal for framing in a warm walnut or gilded frame to enhance the halo and red cloak. A cream or ivory mat complements the pastoral greens and highlights the central figure. A clean black frame with a wide mat offers a more contemporary presentation while keeping the devotional character intact. Technique: Chromolithograph Maker: German Devotional Press, printed in Germany, c.1900 the good shepherd christ the shepherd jesus with lamb pastoral christ catholic art devotional art religious art german chromolithograph printed in germany antique lithograph chromolithograph imprimi permittitur church imprimatur holy shepherd pastoral scene sacred art early 20th century religious print fine chromolitho religious ephemera christian iconography christ among the sheep antique christian art...

St. Aloysius Gonzaga, c.1900 German Devotional Chromolithograph (Printed in Germany) This early 20th-century German chromolithograph presents a serene and contemplative portrait of St. Aloysius Gonzaga, one of the most revered saints of the Catholic Church and patron saint of youth and purity. Produced around 1900 by a major German devotional press, the print displays the refined craftsmanship and rich colouring typical of the period’s finest chromolithographic work. The composition shows the young saint in quiet adoration of the crucifix, his head tilted in prayerful devotion, surrounded by classic symbols of sanctity and purity: lilies, rosary beads, devotional books, and the deep red cloth of an altar. Unlike the more dramatic depictions from the same era, this version places Aloysius within a softly rendered church interior, with a framed image of the Virgin and Child visible behind him. His vestments are delicately modelled, with lace edging and soft shading achieved through multiple lithographic stones, each layer adding depth and texture to the fabric. The gentle gradation of colour in the background and the luminous golden halo around the saint reveal the technical mastery of German chromolithographers working circa 1900–1915. The lower margin includes multilingual captions—“Hl. Aloysius von Gonzaga. St. Luigi di Gonzaga. St. Louis de Gonzague. St. Luis Gonzaga. St. Aloysius of Gonzaga.”—reflecting the widespread international distribution of German devotional prints. The imprimatur line, “Imprimi permittitur. Ordinariatus episcopalis Limburgensis,” confirms official Church approval for its publication. The imprint “Printed in Germany” situates the work in one of the major German centres of religious chromolithography, likely Munich or Cologne, where high-quality devotional images were produced for Catholic communities across Europe and the Americas. This print is unquestionably an original chromolithograph. The velvety colour fields, stippled pigment textures, soft transitions, crisp typesetting, and characteristic matte paper all confirm authentic stone-based printing rather than modern offset or digital reproduction. Prints of St. Aloysius from this period were commonly displayed in Catholic schools, parishes, and youth chapels, making high-quality surviving examples increasingly desirable for both devotional use and collectors of sacred art. Conditon Report: Very good condition. The colours remain bright and true, with light and even toning at the outer margins and minor handling marks typical of age. No tears, losses, creases, or repairs. The plate text and imprimatur remain sharp and fully legible. Tips for Framing: Ideal for framing in a dark walnut or gilded frame to complement the warm reds and golds of the composition. A cream or ivory mat helps emphasize the saint’s pale vestments and the purity symbolized by the lilies. For a more modern presentation, a slim black frame with a wide mat creates elegant contrast while preserving the devotional atmosphere. Technique: Chromolithograph Maker: German Devotional Press, printed in Germany, c.1900 st aloysius gonzaga saint aloysius aloysius print catholic saint art devotional art religious art german chromolithograph printed in germany antique lithograph chromolithograph imprimi permittitur church imprimatur holy youth lilies of purity crucifix devotion altar scene early 20th century religious print german devotional art fine chromolitho religious ephemera antique christian art

Immaculate Conception, c.1900 German Devotional Chromolithograph This beautiful early 20th-century German chromolithograph depicts the Immaculate Conception, one of the most belove...

Ecce Homo, 1899 German Chromolithograph of Christ with Crown of Thorns (Dresden) This moving late-19th-century chromolithograph of Christ as “Ecce Homo” was printed in Dresden in 18...

Mater Dolorosa, 1899 German Chromolithograph of the Sorrowful Mother, Dresden This exquisite late-19th-century chromolithograph of the Mater Dolorosa—“Sorrowful Mother”—was printed ...

The Nativity, c.1900 German Chromolithograph “The Birth of Jesus” (Printed in Germany) This beautiful early 20th-century German chromolithograph of “The Birth of Jesus” is a richly detailed devotional scene showing the Nativity as it appeared in the finest German religious prints of the period. Produced around 1900–1920 by a major German devotional press, the work exemplifies the warmth, luminous colour, and emotional clarity that made these chromolithographs treasured in Catholic households across Europe and the Americas. The composition presents the Virgin Mary and Joseph watching over the Christ Child, who lies upon a bed of straw illuminated by a radiant divine beam. Shepherds kneel and bow in reverence, offering homage with humble gestures and simple gifts, while others approach from the right carrying lambs. The soft modelling of the figures, the golden haloes, the warm earth tones of the stable interior, and the vivid reds and greens of the shepherds’ garments all reflect the layered stone-colour technique of true chromolithography. Each hue is built from multiple ink plates, creating the velvety gradients and luminous highlights that distinguish authentic chromolithographs from later reproductions. Along the lower left margin, multilingual titles identify the subject for international distribution: “Die Geburt Jesu. The Birth of Jesus. La Nativité. La nascita di Gesù. El nacimiento de Jesús…” This multilingual caption is typical of German religious publishers who exported devotional art worldwide during the early 20th century. The imprint “Printed in Germany” further confirms its origin in one of the major German chromolithographic centres such as Munich, Dresden, or Cologne, all of which specialised in high-quality Catholic imagery during this period. This piece is unquestionably an original chromolithograph, not a modern reproduction. The print displays the characteristic stone-layered pigment structure, stippled textures, and warm matte surface associated with genuine chromolithographic production. The natural toning of the paper, the crisp plate text, and the nuanced colour transitions further confirm its authenticity. These Nativity scenes were often framed near family altars and are now increasingly sought after for both devotional use and interior display. Condition Report: Very good condition. Colours bright and unfaded. Minor edge toning and small handling traces consistent with age. No tears, losses, creases, or repairs. Caption and imprint line remain sharp and fully legible. Best displayed in a gilded or walnut frame to enhance the golden haloes and warm palette of the stable scene. A cream or ivory mat will complement the tender atmosphere and highlight the luminous tones. A slim black frame with a wide mat offers a modern gallery presentation while preserving the devotional character. Technique: Chromolithograph Maker: German Devotional Press, printed in Germany, c.1900 nativity birth of jesus die geburt jesu adoration of the shepherds holy family christ child virgin mary st joseph shepherds catholic art religious art devotional print chromolithograph german chromolithograph printed in germany antique lithograph early 20th century religious print christian iconography christmas art epiphany art holy family scene fine chromolitho religious ephemera antique christian art...

Adoration of the Magi, c.1900 German Chromolithograph (Printed in Germany) This beautiful early 20th-century German chromolithograph depicts the Adoration of the Magi, one of the most cherished subjects in Christian art. Printed around 1900–1920 by a major German devotional press, the work displays the hallmarks of high-quality chromolithographic craftsmanship: deep, luminous color; soft tonal transitions; richly layered stone-based pigments; and a gentle atmosphere that recalls late 19th-century academic religious painting. The composition presents the Virgin Mary seated with the Christ Child, Joseph beside her, and the Three Kings kneeling in reverence as they present their gifts of gold, frankincense, and myrrh. A young attendant appears in the doorway holding another offering. The figures are rendered with delicately modeled expressions, soft haloes, and meticulously detailed robes—particularly the embroidered white garment of the kneeling king and the golden cloak of the standing monarch. These chromatic effects were achieved through multiple lithographic stones, a technique that reached its peak among German devotional publishers during this period. The multilingual caption along the lower margin identifies the print for international Catholic distribution: “Anbetung der Könige. Adoration of the Three Kings. L’adoration des rois mages. L’adorazione dei Magi. La adoración de los Reyes Magos. Pokłon Trzech Króli.” This reflects the broad export networks of German publishers who supplied churches, monasteries, and private devotional homes throughout Europe and the Americas. The note “Printed in Germany” confirms its origin, consistent with presses in Munich, Dresden, Cologne, and Limburg, known for producing richly colored religious chromolithographs from the late 19th to early 20th century. This work is unquestionably an original chromolithograph, not a modern reproduction. The image shows true stone-layered color rather than digital or offset dots, and the paper retains the matte texture, subtle toning, and characteristic stippled pigment structure associated with genuine early 20th-century chromolithography. The presence of the multilingual caption, period typography, and the “Printed in Germany” imprint further authenticate the piece. Condition Report: Very good condition. Colors vivid and unfaded. Minor age toning to outer margins and small handling marks consistent with age. No tears, losses, or repairs observed. The bottom title and imprint text are sharp and fully legible. Tips for Framing: Ideal for framing in a gilded or walnut frame to complement the warm palette and ceremonial richness of the scene. A cream or ivory mat enhances the devotional character and highlights the luminous tones of the garments. A darker frame with a wide mat can also create a refined, museum-style presentation. Technique: Chromolithograph Maker: German Devotional Press, printed in Germany, c.1900 Keyword Block: adoration of the magi three kings epiphany art christ child holy family mary and jesus st joseph devotional art catholic art religious art chromolithograph german chromolithograph printed in germany antique lithograph german devotional print early 20th century religious print nativity scene christian iconography epiphany print anbetung der könige fine chromolitho religious ephemera magi kings christmas art holy family scene antique christian art...

Adoration of the Magi, c.1900 German Chromolithograph (Printed in Germany) This beautiful early 20th-century German chromolithograph depicts the Adoration of the Magi, one of the most cherished subjects in Christian art. Printed around 1900–1920 by a major German devotional press, the work displays the hallmarks of high-quality chromolithographic craftsmanship: deep, luminous color; soft tonal transitions; richly layered stone-based pigments; and a gentle atmosphere that recalls late 19th-century academic religious painting. The composition presents the Virgin Mary seated with the Christ Child, Joseph beside her, and the Three Kings kneeling in reverence as they present their gifts of gold, frankincense, and myrrh. A young attendant appears in the doorway holding another offering. The figures are rendered with delicately modeled expressions, soft haloes, and meticulously detailed robes—particularly the embroidered white garment of the kneeling king and the golden cloak of the standing monarch. These chromatic effects were achieved through multiple lithographic stones, a technique that reached its peak among German devotional publishers during this period. The multilingual caption along the lower margin identifies the print for international Catholic distribution: “Anbetung der Könige. Adoration of the Three Kings. L’adoration des rois mages. L’adorazione dei Magi. La adoración de los Reyes Magos. Pokłon Trzech Króli.” This reflects the broad export networks of German publishers who supplied churches, monasteries, and private devotional homes throughout Europe and the Americas. The note “Printed in Germany” confirms its origin, consistent with presses in Munich, Dresden, Cologne, and Limburg, known for producing richly colored religious chromolithographs from the late 19th to early 20th century. This work is unquestionably an original chromolithograph, not a modern reproduction. The image shows true stone-layered color rather than digital or offset dots, and the paper retains the matte texture, subtle toning, and characteristic stippled pigment structure associated with genuine early 20th-century chromolithography. The presence of the multilingual caption, period typography, and the “Printed in Germany” imprint further authenticate the piece. Condition Report: Very good condition. Colors vivid and unfaded. Minor age toning to outer margins and small handling marks consistent with age. No tears, losses, or repairs observed. The bottom title and imprint text are sharp and fully legible. Tips for Framing: Ideal for framing in a gilded or walnut frame to complement the warm palette and ceremonial richness of the scene. A cream or ivory mat enhances the devotional character and highlights the luminous tones of the garments. A darker frame with a wide mat can also create a refined, museum-style presentation. Technique: Chromolithograph Maker: German Devotional Press, printed in Germany, c.1900 Keyword Block: adoration of the magi three kings epiphany art christ child holy family mary and jesus st joseph devotional art catholic art religious art chromolithograph german chromolithograph printed in germany antique lithograph german devotional print early 20th century religious print nativity scene christian iconography epiphany print anbetung der könige fine chromolitho religious ephemera magi kings christmas art holy family scene antique christian art...

St. Anthony of Padua with Infant Christ, c.1905 German Chromolithograph (Seiberl) This beautiful early 20th-century chromolithograph of St. Anthony of Padua holding the Infant Chris...

Set of 9 Antique Botanical Engravings of Grasses & Wildflowers, c.1830 This elegant set of nine antique botanical engravings dates from around 1830 and presents a beautifully detail...

Set of 8 Antique Botanical Engravings of Wheat, Barley and Ryegrasses, c.1830 This set of eight early nineteenth-century botanical engravings presents several important European cer...

Set of 8 Antique Botanical Engravings of Bromus Brome Grasses, c.1830 This elegant set of eight early nineteenth-century botanical engravings presents a complete group of Bromus spe...

Set of 8 Antique Botanical Engravings of Avena, Arundo and Meadow Grasses, c.1830 This refined set of eight early nineteenth-century botanical engravings features a beautifully vari...

Set of 8 Antique Botanical Engravings of Bromus (Brome Grasses), c.1830 This striking set of eight early 19th-century botanical engravings features several expressive species of Bro...

Set of 8 Antique Botanical Engravings of Festuca & Brome Grasses, c.1830 This beautifully unified set of eight early 19th-century botanical engravings features several fine species ...

Set of 8 Antique Botanical Engravings of Meadow & Pasture Grasses, c.1830 This elegant group of eight early 19th-century botanical engravings presents a diverse selection of meadow,...

Set of 8 Antique Botanical Engravings of Poa & Meadow Grasses, c.1830 This refined set of eight antique botanical engravings features several elegant Poa species—commonly known as m...

Set of 8 Antique Botanical Prints – Poa Grasses incl. Meadowgrass & Bluegrass (c.1830) This rare set of eight hand-colored botanical engravings from circa 1830 showcases various spe...

Antique Grasses Sedges – Hand-Colored Botanical Engravings, c.1830 (Set of 8) This beautifully preserved set of eight antique hand-colored botanical engravings features a vari...

Set of 8 Antique Botanical Engravings of Aira, Avena & Holcus Meadow Grasses, c.1830 This elegant set of eight antique botanical engravings presents a beautifully cohesive selection...

Set of 8 Antique Botanical Engravings of Agrostis, Panicum & Setaria Grasses, c.1830 This refined set of eight antique botanical engravings presents an elegant survey of early ninet...

Set of 8 Antique Botanical Engravings of Meadow Foxtail, Polypogon & Agrostis, c.1830 This elegant set of eight antique botanical engravings presents a finely curated selection of B...

Set of 8 Antique Botanical Engravings of Timothy and Foxtail Grasses, c.1830 This refined set of eight antique botanical engravings illustrates a selection of British meadow grasses...

Set of 8 Antique Botanical Engravings of Cottongrass, Reed Grass & Coastal Species, c.1830 This elegant set of eight antique botanical engravings features a beautifully balanced sel...

Set of 8 Antique Botanical Engravings of Bulrush, Cottongrass & Arrowgrass, c.1830 This set of eight antique botanical engravings presents a graceful collection of early nineteenth-...

Set of 8 Antique Botanical Engravings of Spike-Rush and Bulrush Species, c.1830 This set of eight antique botanical engravings presents a refined selection of early nineteenth-centu...

Set of 8 Antique Botanical Engravings of Sedges, Rushes and Wetland Plants, c.1830 This set of eight antique botanical engravings presents a distinctive collection of British wetlan...

Set of 8 Antique Botanical Engravings of British Wild Plants, c.1830 This elegant set of eight antique botanical engravings presents a carefully curated selection of British wild pl...

Mandingue People – Antique Hand-Colored African Ethnographic Engraving (c.1810) A finely hand-colored early 19th-century ethnographic engraving depicting figures of the Mandingue (M...

Dahomans – Antique Hand-Colored Ethnographic Engraving (c.1810) Impressive early 19th-century hand-colored copperplate engraving representing figures from the historic Kingdom of Da...

Whidahs – Antique Hand-Colored Ethnographic Engraving (c.1810) A fine early 19th-century hand-colored copperplate engraving depicting two figures from Whydah (Ouidah), a historic co...

Egyptians – Antique Hand-Colored Ethnographic Engraving (c.1810) Original early 19th-century hand-colored copperplate engraving depicting two Egypti...

Moroccans – Antique Hand-Colored Ethnographic Engraving (c.1810) Elegant early 19th-century hand-colored copperplate engraving depicting two figures from Morocco in an opulent inter...

Jalofs – Antique Hand-Colored Ethnographic Engraving (c.1810) A vibrant early 19th-century hand-colored copperplate engraving depicting two “Jalofs” (now known as the Wolof people) ...

Monoemugi – Antique Hand-Colored Ethnographic Engraving (c.1810) A rare early 19th-century hand-colored engraving depicting two Monoemugi figures inside a traditional thatched struc...

Loangers – Antique Hand-Colored Ethnographic Engraving (c.1810) Finely hand-colored early 19th-century ethnographic print depicting a family from Loango, a Central African coastal r...

Madagascar Couple – Antique Hand-Colored Ethnographic Engraving (c.1800) Description: A beautifully hand-colored early 19th-century ethnographic engraving titled “Madagaskars,” depi...