Darnley Fine Art Paintings

Oil on canvas, signed bottom left Image size: 11 x 9 1/2 inches (28 x 24 cm) Gilt frame Provenance Thos. Agnew & Sons Pyms Gallery Robert Gemmell Hutchinson A native of Edinburgh, R. Gemmell Hutchison was born in 1855, and died on 22nd August 1936. After his school days he began work as a seal engraver, but soon left that occupation for painting and studied at the Art School of the Board of Manufactures. He exhibited for the first time in the Royal Scottish Academy in 1878 and in the Royal Academy in 1881. A very early work was acquired by the Royal Association for the Promotion of the Fine Arts in Scotland. An assiduous and prolific worker, Hutchison painted in oil, water, and pastel, and with varied subjects—figures, landscapes, the seashore, domestic interiors and occasionally portraits. As indicated, his works from the first found a ready sale, and he is represented in the permanent collections of Oldham - Glasgow, Kelvingrove Gallery; Modern Arts Association, Edinburgh; Liverpool, Walker Art Gallery ; Bolton; Toronto, Canada; Fine Art Association, Canada ; Blackpool; Hamilton Trustees, Glasgow; Paisley...

Oil on canvas, signed bottom left Image size: 24 x 20 inches (61 x 51 cm) Contemporary style hand made frame Joseph Biel Joseph Biel was a painter and photographer who was born in ...

Oil on oak panel Image size: 25 1/2 x 19 inches (37.5 x 27 inches) 18th Century Auricular gilt frame Provenance New York private collection This portrait of the King Edward VI depicts the boy-king standing in a black and gold embroidered doublet, wearing a jewelled cap. King Edward holds a staff with a globus cruciger set on the table beside him. No expense has been spared in the making of this piece, with gold leaf being applied in many areas to give the effect of the costume's gold embroidery, chain of office and other metal accessories. As the precious male heir to the Tudor dynasty...

Oil on canvas, monogrammed bottom right, inscription and artist label on stretcher Image size: 12 x 24 inches (30.5 x 61 cm) Original frame Provenance Collection of Mrs Fairchild, L...

Oil on canvas Image size: 30 x 25 inches (76 x 63.5 cm) Hand carved gilt frame This is a charming 18th century portrait of a young boy, sporting a golden child's two-piece with a fl...

Oil on canvas, signed bottom right Image size: 26 1/4 x 19 3/4 inches (41.5 x 50 cm) Hand made gilt frame Provenance Artist's Estate This work is sold with a certificate of authe...

Robert Deborne Les Cypres (The Cypresses) 1870 - 1944 Oil on canvas, signed lower right Image size: 30 x 41 1/3 inches (76 x 105 cm) Contemporary style handmade frame This work is d...

Oil on canvas Image size: 35 3/4 x 35 3/4 inches (91 x 91 cm) Entitled, monogrammed, dated 'November 1974' and inscribed on reverse

Oil on oak panel Image size: 9 x 7 1/4 inches (23 x 18.5 cm) Period style hand made frame This is a self-portrait is most likely by a 17th century English...

Oil on panel Image size: 12 1/2 x 9 1/4 inches (31.75 x 23.5 cm) Original frame This is a captivating portrait of a young Bedouin. The painting has a sensitive and cohesive colour p...

Oil on canvas, signed bottom right and dated '1840' Image size: 22 x 30 inches (56 x 76.25 cm) Albert Bierstadt Recognized as the foremost painter of the American frontier during the nineteenth-century, Albert Bierstadt was born in Solingen, Germany, in 1830. At the age of two, he and his family emigrated to the United States, settling in New Bedford, Massachusetts. Nothing is known of his early art training; however, he might possibly have been influenced by local landscape painters. By the time he was twenty, he was supporting himself by teaching "monochromatic" painting and his work was beginning to attract the attention of New Bedford collectors. In 1853, Bierstadt traveled to Düsseldorf in order to broaden his art education. It was there that he was associated with such American artists as Worthington Whittredge and Carl Wimar, all of whom frequently gathered in the studio of the German-American history painter, Emanuel Leutze...

Oil on canvas Image size: 26 x 37 inches (66 x 94 cm) Period hand carved gilt frame The pictorial arrangement of the Holy Family, with various saints in a landscape, was very popular in sixteenth-century Venice, following the prototype of Giovanni Bellini. Possibly intended for private devotion, this picture is a representative example of the compositional type known as the sacra conversazione...

Watercolour and ink on graphite, signed lower right Image size: 22 x 17 1/2 inches (56 x 44.5 cm) Original frame POA Inscribed on reverse 'Frank Dobson's Assistant - Celia Gills' F...

Mayer 20th Century Figurine Oil on board, signed lower right Image size: 16 x 13 inches Contemporary frame

Oil on canvas, signed & dated 19'28' Image size: 19 x 49 inches (48 x 124.5 cm) Original Gilt frame Johann Vincenz Cissarz Johann Vincenz Cissarz was born on January 22nd 1873, Dan...

Oil on board, signed and dated '50 bottom right, entitled on reverse Image size: 13 1/2 x 9 1/2 inches (34.5 x 23 cm) Original frame Exhibitions 1989, Belgrave Gallery, 22 Mason's Yard, Duke Street, St. James', London SW1 'Clifford Hall (1904-1973) 15th June - 14th July, no.12. Clifford Hall Clifford Hall was born in Wandsworth in 1904, and spent his youth in nearby Richmond upon Thames...

Watercolour and ink on paper, signed and dated '1939' bottom left and entitled on the reverse Image size: 18 x 9 inches (45.75 x 23 cm) Original frame This is a wonderfully moving w...

Oil and Polyviny on board, signed on reverse Image size: 15 1/2 x 11 3/4 inches (39.5 x 30 cm) Original frame Exhibited Pictures for Scottish Schools, 1967 Elspeth Spottiswood Bo...

Oil on board Image size: 13 1/2 x 9 inches (34.25 x 23 cm) Hand made contemporary style frame This is a classic Italian landscape painted in an academic style, taking inspiration fr...

Oil on canvas, signed lower right Image size: 28 x 36 1/2 inches (71 x 93 cm) Orientalist Gilt frame George Edward Robertson George Edward Robertson (born 1864) painted portraits, ...

Oil on board, signed and dated '1974' lower right Image size: 31 x 48 inches (79 x 122 cm) June 1987 Exhibition label on verso Original frame Provenance The Artist's Estate Exhibited "Raymond Booth, A Memorial Exhibition", The Fine Art Society, London, 12th August - 9th September 2016, no.62 "Raymond Booth, In the Wild", The Fine Art Society, London, 02 May -29 May 2017, No. 11 Booth was above all a great recorder of the natural world who could translate his observations of the Yorkshire countryside, its fauna and flora, into compositions of a beauty and intensity rivalling the greatest of his Victorian predecessors. This intense, yet intimate, landscape depicts a section of woods around Booth's home in Alwoodley, Leeds, where he spent much of his time. Here Booth has worked slowly to develop the densely worked, close-up, landscape in which the woodland and meadows have acquired a poetic quality through his sensitivity to season, weather and time of day. Raymond Charles Booth Intensely private, and possessing an obsessive work ethic and passion for the natural world, Raymond Booth earned a reputation as one of the greatest botanical painters and illustrators, despite rarely leaving his Yorkshire home. Eschewing the more fashionable modernist principles of the early mid-twentieth century, he instead produced beautiful, intense compositions in oil of British flora and fauna, that rival the very finest Victorian followers of the genre. Raymond Booth was born in Wetherby, West Yorkshire, on 8 August 1929, to John Booth, a member of the local police force, and his wife Margaret Edna. When Raymond was still a young child, the family moved from their first home in the crowded streets of central Leeds, to Fearnville Place, in the leafy suburb of Roundhay. His father was a keen rambler and impressed upon Booth from an early age a respect and understanding for the British countryside. Just a short walk from his childhood home was Roundhay Park, the second largest urban park in Europe, comprised of over 700 acres of parkland, lakes and woodland. It is likely that growing up so close to such an environment had a profound influence on him, helping to develop what would become a lifelong obsession with natural world. Booth’s early passion for nature was surely heightened by the number of summer holidays he spent on an estate near Winterslow, Wiltshire, where an uncle worked as a gamekeeper. In 1946, at the age of 17, Booth won a scholarship to study at Leeds College of Art. However, his studies were put on hold during two years of National Service, which he spent largely with the RAF in Egypt, guarding the Suez Canal. He returned to Leeds College in 1949, graduating in 1953. While at Leeds College, he had frustrated his teachers and fellow students by insisting on working in a more traditional, precise style, and rejecting the more Modernist principles that were being promoted. As a result, his teachers convinced him that he was unlikely to earn a living as an artist, and encouraged him instead to study for a teaching diploma. Shortly after graduation however, he was diagnosed as suffering from tuberculosis, a consequence of his time in Egypt, and was admitted to a sanatorium, where he would stay for the next six months. Years later, Booth would joke ‘I am one of the few people who can say, “Thank God for TB”’ (The Times obituary, 9 September 2015), as his months of recuperation gave him countless hours to develop his skills as a botanical artist. This enforced focus on his work gave him the confidence to submit a number of his drawings to a botanical art exhibition in London organised by the Royal Horticultural Society. These works attracted the attention of a number of prominent horticulturalists, including Dr Harold Fletcher, the director of the RHS’s gardens at Wisley, Sir George Taylor...

Oil on canvas Image size: 25 1/2 x 19 1/2 inches (40 x 50 cm) 19th century gilt pierced frame This is a wonderful scene featuring a dark bay racehorses mounted by its jockey. The pa...

Mixed media, signed bottom left Image size: 9 x 9 1/2 inches (23 x 24.25 cm) Mounted and framed

Oil on board Image size: 19 x 14 inches (48.25 x 35.5 cm) Contemporary style handmade frame

Oil on canvas Image size: 15 x 19 inches (38 x 48.25 cm) Handmade gilt pierced frame This is a beautiful early 19th Century Italian Old Master oil painting with the subject matter ...

Oil on board Image size: 12 x 15 inches (30.5 x 38 cm) Contemporary style frame

Émile Deckers 1885 - 1968 The Blue Headress Oil on canvas, signed lower left, inscribed and dated "Algers, 1958" Image size: 26 x 33 inches (66 x 84 cm) Hand made Orientalist gilt fr...

Oil on canvas Image size: 25 x 31 inches (62.5 x 79 cm) Hand made contemporary frame This painting depicts the artists fellow conscientious objectors who were all part of the Non Co...

Oil on canvas, signed lower left Circa 1930 Image size: 41 x 34 inches (104 x 86 cm) Framed

Gouache on card, signed lower right Image size: 16 1/2 x 11 1/2 inches (42 x 29.25 cm) Contemporary style frame Joan Fairfax Whiteside Joan Fairfax Whiteside was a prodigious arti...

after HANS HOLBEIN THE YOUNGER 1497 – 1543 PORTRAIT OF WILLIAM WARHAM Oil on canvas Image size: 38 x 35 inches (89 x 71 cm) Hand made period style frame The handling of the paint in...

Oil on canvas, signed and dated '1975' bottom right Image size: 10 1/4 x 12 inches (26 x 30cm) Contemporary style frame This still life is a meticulous study by the artist of a selection of plants and flowers that could be found in any English hedgerow or roadside verge. Here Newcombe has depicted wild grasses, flowering nettles and dandelions in various states in their life cycle; pre-bud, full flower and having lost all of the fluffy seeds. The detail in this work is fine and reminiscent of the accuracy that was executed in 17th century Dutch artworks...

Arthur Wardle 1864 - 1949 At the Window Oil on board, signed lower left Image size: 13 1/2 x 7 3/4 inches (34.25 x 19.5 cm) Hand made gilt frame Arthur Wardle Wardle, who was self-...

Johann Mali 1828 - 1865 Baden-Württemberg Castle Oil on board, signed lower right Image size: 10 x 15 1/4 inches (51 x 39 cm) Hand made giltwood frame This is a landscape of Baden-W...

Jacob Huysmans Flemish 1633 - 1696 Portrait of a Lady Oil on canvas Image size: 49 x 40 ¼ inches Gilt frame Huysmans was born in Antwerp and came to England during the reign of Charles II where he became one of the fashionable painters of the court.. The diarist Samual Pepys noted the artist as capable of a more exact likeness than Lely. Certainly the diarist records that by August 1664 in the circle of Queen Catherine...

Gouache on paper Image size: 3 1/4 x 4 1/4 inches (8 1/4 x 11 1/2 cm) Original frame

Oil on board Image size: 6 x 8 1/2 inches (15 x 21.5 cm) Contemporary hand made float frame We have a considerable collection of Benham's landscape works. Please get in contact if ...

Gouache and ink on board, inscribed on reverse Image size: 12 1/2 x 14 1/2 inches (31.75 x 37 cm)

Pieter Symonsz Potter Dutch 1600 - 1652 Soldier in an Interior Oil on oak panel, red seal to reverse Image size: 15 x 10 3/4 inches Dutch Ebonised frame Bathed in a well lit roo...

Oil on board, signed and dated 1968 verso Image size: 23 x 36 inches (58.5 x 92 cm) Original gilt frame Evan Charlton was born in London. He studied at ...

Oil on canvas on board Image size: 15 3/4 x 21 3/4 inches (40 x 55 cm) Contemporary style frame This sensitive portrait captures the use of contemporary dress of this lady beautifu...

Oil on canvas on board, signed lower left Image size: 10 1/2 x 14 inches In the course of a long and varied career, Sep Scott exhibited in the Royal Academy and was a member of the Royal Watercolour Society. Scott produced some famous works for the railway poster campaigns in his early years. He became a book illustrator and one of the highest paid and respected of all British poster artists. Towards the end of his life, during a period when his style had gone somewhat out of vogue, he began working for Leonard Matthews and his trio of comics, Knockout, Sun and Thriller Comics Library. At first, Scott was used for picture strips, drawing all the adventures of the pirate hunter, Captain Flame, and proving to be a natural born strip artist. Then, when Matthews took over Thriller Comics Library, Scott began to paint the covers. He drew scores of full colour cover paintings, which would, as Leonard Matthews commented, “grace the walls of any stately home”, and were, in all probability, largely responsible for the success of the Library and the fact that these comics are so valued today amongst collectors. Scott also drew a number of short Robin Hood strips for the Library and some fine full-length adventure picture stories including Jane Eyre, Pride of the Ring, Secret Operator and the splendidly atmospheric, The Dark Shadows of London. For a short period, he also painted the occasional cover - and back page - for Comet and Sun and also contributed some paintings for the first Buck Jones Annual and the covers for both issues of the Billy the Kid Book...

Oil on canvas Image size: 29 x 24 inches (73.5 x 62 cm) Framed

Oil on canvas Image size: 15 3/4 x 19 1/2 inches (40 x 49.5 cm) Framed

Oil on canvas Image size: 30 x 35 inches (76.25 x 89 cm) Carved gilt frame A half-length portrait of a man turned slightly to the left, gazing at the spectator, standing, wearing st...

Oil on canvas, signed and dated '1948' bottom right Image size: 10 3/4 x 16 1/2 inches (27.25 x 42 cm) Contemporary style hand made frame The Artist Hugh Griffiths was a painter who was born in Karachi. Was educated at Canford School and the Dragon School, Oxford. Showed at RA, RBA and NEAC. Griffiths lived at Winchelsea and later St Leonards...

Oil on board, mounted on panel, signed lower right Image size: 19 x 23 (48 x 58 cm) Contemporary style handmade frame £10,000 Provenance Artists Estate The Artist Robert Deborne...

Graham Dean 1978 Balaclava Coloured pencil and gouache Image size: 16 x 12 inches Self-portrait of the artist.

Graham Dean 1984 Porter Acrylic on canvas Image size: 40 x 29 inches The model in this painting is the same as the one in the painting Camouflage. The artist researched a lot about ...

Graham Dean 1977 Signpost Acrylic on canvas Image size: 78 x 50 inches The painting depicts a time before electronic travel boards, when train times were chalked on blackboards. The...

Oil on canvas Image size: 24 x 29 inches (61 x 73.5 cm) Contemporary style gilt frame Provenance From the estate of the artist, Clara Klinghoffer This portrait is by an artist who propelled rapidly into the limelight after her first solo exhibition in 1920, at the age of 19, with the Daily Graphic naming her as the 'Girl Who Draws Like Raphael'. Yet today Clara Klinghoffer's name is little know. Klinghoffer's early success resulted in numerous portrait commissions, including this one of the English composer Stanley Bate. The bold use of colour and naive execution of this portrait clearly reveals the modernist influence of fellow Jewish artists such as Bernard Meninsky, Jacob Kramer and Mark Gertler...

Gerald Leslie Brockhurst 1890 – 1978 Portrait of Marguerite Folin Oil on panel, signed lower right Image size: 18 x 14 inches (45.7 x 34.3 cm) Original frame The sitter for this po...

This head and shoulders portrait is an outstanding example of the breadth, force and beauty of this artist's pictorial manner and abilities. This captivating portrait features a musi...

Oil on canvas Image size: 24 x 17 3/4 inches (61 x 45 cm) Contemporary frame This is a scene displaying the North Transept of St Paul's Cathedral. St Paul's Cathedral, located at the highest point of the City of London, is one of the most famous and recognisable sights in the city. The religious monument is particularly known for its architecture that boasts Neoclassical English Baroque-style elements designed by Sir Christopher Wren after the Great Fire of London in 1666. The Artist  Vivian Bewick...

John S. Smith 1921 - 2010 Fishguard to Rosslare Oil and gouache on board, signed lower left Image size: 35 × 22 inches (89 × 56 cm) Contemporary art deco style frame This wonderfull...

Oil on board, signed bottom right Image size: 13 1/2 x 17 inches (34.25 x 43 cm) Contemporary frame The Artist Painter Carl Friedrich Felkel was born in 1896, in Stockerau, near Vienna, Austria-Hungary (now Austria) and was probably of Jewish descent. He initially studied under Walter Thor...

Oil on canvas Image size: 14 1/4 x 18 inches (36 x 45.7 cm) Period gilt frame In this painting the bright moon, partially obscured by mounting dark clouds, dramatically lights the l...

Oil on canvas on board Image size: 7 x 5¼ inches (18 x 13.5 cm) Framed This portrait of Thomas Gotch is by his lifelong friend and confidante, Jane Ross, whom he met at Heatherley’s...

Gouache, signed and dated (19)14 lower right Image size: 5 ¾ x 6 ½ inches (14.5 x 16.5 centimetres) Original oak frame The Daily Mail has long been noted for its foreign reporting a...

Oil on panel Image size: 5 1/2 x 8 inches (14 x 2o cm) Contemporary hand made frame A charming scene of an English country lane, featuring a group of travellers resting on their journey. Two maids seem deep in discussion while they wait with a gentleman wearing a tricorn hat and fashionable maroon...