DS Arts et Antiquites Furniture

A French Ormolu and Patinated-Bronze ‘Chariot’ Three-pieces Clock Garniture Attributed to François Linke (1855 - 1946), Paris, Late 19th/ Century The clock representing a putto on ...

Large Napoleon III Jewelry Casket In chiseled and silvered bronze, decorated with putti scenes in the style of Claude Michel dit Clodion (...

Théodore Deck (1823-1891) Swallow A 19th Century French Square Wall Plaque Polychromic Earthenware very finely hand-painted, designed with a flying swallow Impressed mark on the reve...

A 1970’s Luxurious Chromed Vintage Table Lamp A very decorative chromed metal “Disc” Vintage lamp and black fabric cylindrical Lampshade Resting on a square base Circa 1970 H 103 cm...

René Lalique Opalescent "Piriac" Vase 1930 René Lalique (1860-1945) Flared "Piriac" model vase in molded pressed deeply opalescent glass Decorated with a frieze of fish and wavy li...

The Strength An Art Deco patinated bronze group by Maurice Guiraud-Rivière (1881-1947) Representing three men in full effort pulling a rope, resting on an oblong naturalistic base S...

An impressive French 19th century Neoclassical Lyre-form clock with jeweled pendulum. Amazing quality white and yellow marble 19th century French Lyre-Form clock mounted all over with gilt bronze...

Atelier Primavera, Pair of Glazed Ceramic Lamps By French Design House, Primavera, Atelier d’Art du Printemps, or the French department Store “Le Printemps” Embossed stamp, 'PRIMAVERA' and numbered '17769' Model created 1926-1929 Bibliography : Primavera 1912-1972, Atelier d'Art du Printemps, A-R. Hardy, Faton ed., Primavera 1912-1972: Atelier d’Art du Printemps Primavera, “Spring” in Italian, was the first French department store to set up a creative workshop at the beginning of the 20th century. The adventure began in 1912 with two Decorative Arts enthusiasts: Pierre Laguionie (1884-1978), director of “Printemps” Department Store and lawyer René Guilleré (1878-1931), founder of the Salon des Artistes Dé-corateurs. Their objective is to promote the craft of Art in the daily life of the French people on the motto of the beautiful and the useful. Decorative objects and furniture (furniture, ceramics, glassware, carpets, up-holstery, wallpapers, etc.) must be beautiful, modern, of high quality and at affordable prices. The studio acquired young decorative artists such as Marcel Guillemard (1886-1932) and Louis Sognot (1892-1969) for furniture, and for works of art and ceramics by Madeleine Sougez (1891-1945)active from 1920 to 1928, Claude Lévy (1895-1942) from 1919 to 1929, Paule Petitjean (1895-1989) de 1913 à 1929, Hélèné Gatelet de 1924 à 1930, Marcelle Thiénot...

Atelier Primavera, Vase 1926-1929 Atelier Primavera, Glazed Ceramic Vase By French Design House, Primavera, Atelier d’Art du Printemps, or the French department Store “Le Printemps” Embossed stamp, 'PRIMAVERA' and numéroté '17890' Model created 1926-1929 Bibliography : Primavera 1912-1972, Atelier d'Art du Printemps, A-R. Hardy, Faton ed., similarly shaped work p. 424 Primavera 1912-1972: Atelier d’Art du Printemps Primavera, “Spring” in Italian, was the first French department store to set up a creative workshop at the beginning of the 20th century. The adventure began in 1912 with two Decorative Arts enthusiasts: Pierre Laguionie (1884-1978), director of “Printemps” Department Store and lawyer René Guilleré (1878-1931), founder of the Salon des Artistes Dé-corateurs. Their objective is to promote the craft of Art in the daily life of the French people on the motto of the beautiful and the useful. Decorative objects and furniture (furniture, ceramics, glassware, carpets, up-holstery, wallpapers, etc.) must be beautiful, modern, of high quality and at affordable prices. The studio acquired young decorative artists such as Marcel Guillemard (1886-1932) and Louis Sognot (1892-1969) for furniture, and for works of art and ceramics by Madeleine Sougez (1891-1945)active from 1920 to 1928, Claude Lévy (1895-1942) from 1919 to 1929, Paule Petitjean (1895-1989) de 1913 à 1929, Hélèné Gatelet de 1924 à 1930, Marcelle Thiénot...

Primavera, Important Green Triple Gourd-Shaped Vase, France, circa 1930 Green Glazed Ceramic Triple Gourd-Shaped Vase By French Design House, Primavera, Atelier d’Art du Printemps, or the French department Store “Le Printemps” Stamped Primavera /16019/ Made in France Circa 1926-1929 Bibliography : “Primavera 1912-1972, Atelier d’Art du Printemps » Alain-René Hardy, Faton Edition Primavera 1912-1972: Atelier d’Art du Printemps Primavera, “Spring” in Italian, was the first French department store to set up a creative workshop at the beginning of the 20th century. The adventure began in 1912 with two Decorative Arts enthusiasts: Pierre Laguionie (1884-1978), director of “Printemps” Department Store and lawyer René Guilleré (1878-1931), founder of the Salon des Artistes Dé-corateurs. Their objective is to promote the craft of Art in the daily life of the French people on the motto of the beautiful and the useful. Decorative objects and furniture (furniture, ceramics, glassware, carpets, up-holstery, wallpapers, etc.) must be beautiful, modern, of high quality and at affordable prices. The studio acquired young decorative artists such as Marcel Guillemard (1886-1932) and Louis Sognot (1892-1969) for furniture, and for works of art and ceramics by Madeleine Sougez (1891-1945)active from 1920 to 1928, Claude Lévy (1895-1942) from 1919 to 1929, Paule Petitjean (1895-1989) de 1913 à 1929, Hélèné Gatelet de 1924 à 1930, Marcelle Thiénot...

Théodore Deck ( 1823-1891) Impressive polychromed circular faience charger with hand-painted enameled design of a wader among water lilies and reeds. Impressed Uppercase Mark Th.Dec...

Fannières Frères Desk Clock Time Allegory Chased gilt and silvered bronze Desk Clock With an allegorical theme of Time in the form of a cherub suppor...

Émile Gallé (1846-1904) Rare and Important Galle French Cameo Glass Vase Cased glass, opalescent, colorless, yellow and blue, acid-etched design with the Basilica of St Nicolas de P...

René Lalique (1860-1945), Mint Opalescent Glass « Boite Ronde Grande Muguet » 1921 Mint green tinted molded-pressed opalescent glass box decorated with Lily of the Valley Extremel...

Émile Gallé (1846-1904) Extremely Rare Baguier shaped tree trunk blue “light blue moon” (Clair de Lune) glass enameled designed with two grasshoppers, an ant and a fly. Signed E.Gall...

A French Art Nouveau bronze Vide-Poche Centerpiece Depicting a Naiad resting by a shell on a rock Signed Auguste Moreau on the rock Three patinas Circa 1900 Auguste Moreau (1834-1...

Pierre Legendre (1932-2009) Accord II oil on canvas circa 1980 Measures: 116 x 81 cm. Pierre Legendre, born in 1932 in Haute-Marne, moved to Paris at the age of 22. After classes at the Estienne school in Paris as well as those of the Beaux-Arts, he worked for several big houses and was the originator of logos for big brands like Hermès or Nina Ricci. He entered the academy of the painter Henri GOETZ, which allowed him to familiarize himself with abstract, geometric art. He exhibited from the 1970s, as in 1979 at UNESCO in Paris. A discreet painter, he nevertheless participated in the 80s and 90s in many artists' salons (Comparaison, Grand et Jeunes d'Aujourd'hui, Réalités Nouvelles). Pierre Legendre is of deep integrity, of great moral rigor, his geometric and abstract art also reflects a quest for spirituality and philosophical reflection. Although denying itself to belong to Concrete Art, Legendre by its taste for purism and the immateriality of the straight line is not so far removed from, among others, the art of Jean Gorin...

A black lacquered and gilt wood Victorian foldable fire screen Composed of four panels, each one with Petit point tapestry upholstery, two of them decorated with stylized horses, th...

"Ce qu'évoquent les Livres" Allegory of the Literature Oil on canvas Signed on the lower part beside parchment 111 x 133 x 2 cm Framed 125 x 146 x 7 cm Provenance: Collection Georges AUBRY, brother of the artist Bibliography: Illustrated in catalogue «Regards de peintre» , Suzanne AUBRY-CASANOVA, 1997, p.104 After trying years of forced confinement due to the war, he composed this allegorical fresco on the theme of Literature, Science and Arts was painted by Émile Aubry for his younger brother Georges Aubry, who had intended it for his library. This work, composed on the theme of the book it symbolizes, in its diversity by allegorical characters, he cannot help ordering the painting around Art, which he places at the top of the scale of human...

Orfèvrerie Christofle for "Ile de France" 1949 Compagnie Générale Transatlantique Paquebot A set of six silvered metal cups Monogr...