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A Lack of Consequence
By Adam Mysock
Located in New Orleans, LA
From Rembrandt van Rijn’s Militia Company of District II under the Command of Captain Frans Banninck Cocq (The Night Watch), 1642
Forgive and forget. That’s what we’re taught to do ...
Category
21st Century and Contemporary Contemporary Figurative Paintings
Materials
Varnish, Acrylic, Wood Panel
A First Apology
By Adam Mysock
Located in New Orleans, LA
A portrait of Mark McGwire
If we are caught lying, it is the suddenly being singled-out that proves most unsettling. We are temporarily relieved of our ability to define our own pub...
Category
21st Century and Contemporary Contemporary Figurative Paintings
Materials
Varnish, Acrylic, Wood Panel
An Opportunity to Test
By Adam Mysock
Located in New Orleans, LA
From Thomas Eakins’ Portrait of Dr. Samuel D. Gross (The Gross Clinic), 1875
Knowing what we do about insufficient consequences, we will always test the limits of acceptable lying. ...
Category
21st Century and Contemporary Contemporary Figurative Paintings
Materials
Varnish, Acrylic, Wood Panel
An Attempt at Morality
By Adam Mysock
Located in New Orleans, LA
From Albrecht Dürer’s Adam and Eve, 1507
Akin to the historical narratives we’re fed in an attempt to steer us away from a life of lies, the narrative of Adam, Eve, and the serpent ...
Category
21st Century and Contemporary Contemporary Figurative Paintings
Materials
Varnish, Acrylic, Wood Panel
A Counter Example
By Adam Mysock
Located in New Orleans, LA
A portrait of Abraham Lincoln
We’ve assigned a great deal of responsibility to our shared cultural figures when it comes to teaching lessons about truth, fiction, and morality. We u...
Category
21st Century and Contemporary Contemporary Figurative Paintings
Materials
Varnish, Acrylic, Wood Panel
A Reliable Pardon
By Adam Mysock
Located in New Orleans, LA
From Nicholas Poussin’s The Death of Sapphira, circa 1652
As we invariably test the waters of lying, we quickly learn to recognize the more forgiving...
Category
21st Century and Contemporary Contemporary Figurative Paintings
Materials
Varnish, Acrylic, Wood Panel
An Exciting Unknown
By Adam Mysock
Located in New Orleans, LA
A portrait of Sasquatch (Harry from Harry and the Hendersons, Universal Pictures, 1987)
Developing almost simultaneously with my appreciation of mannequins, I fell in love with what...
Category
21st Century and Contemporary Contemporary Figurative Paintings
Materials
Varnish, Acrylic, Wood Panel
A Constant, Attractive Artifice
By Adam Mysock
Located in New Orleans, LA
A mannequin
For some reason, mannequins seemed to be everywhere when I was growing up. Maybe it was growing up during the heyday of malls in America. Nevertheless, with their clearl...
Category
21st Century and Contemporary Contemporary Figurative Paintings
Materials
Varnish, Acrylic, Wood Panel
A Brush With Justice
By Adam Mysock
Located in New Orleans, LA
From Nicholas Poussin’s The Death of Sapphira, circa 1652
Sooner or later, we get caught lying. For most of us, it’s incredibly early in life, and the falsehood detected is innocuou...
Category
21st Century and Contemporary Contemporary Figurative Paintings
Materials
Varnish, Acrylic, Wood Panel
A Cautionary Tale
By Adam Mysock
Located in New Orleans, LA
A portrait of Pinocchio from Pinocchio, Disney, 1940
Are there any more recognizable stories about the difficulties that can accompany lying than that of Pinocchio? For the puppet-...
Category
21st Century and Contemporary Contemporary Figurative Paintings
Materials
Varnish, Acrylic, Wood Panel
Illusion
By Nancee Clark
Located in New Orleans, LA
Nancee Clark grew up in Jacksonville, Florida, with its then lush forests, raw beaches, the St. Johns River and the perfumes of the paper mill and the Maxwell House Coffee plant...
Category
21st Century and Contemporary Contemporary Figurative Paintings
Materials
Canvas, Acrylic
$11,625
Bay View
By Jenny Day
Located in New Orleans, LA
"Lone Star, True But Whatever
There was I time when I ached for the world. Before cell phones, before social media, I felt the urgency of environmental damage, of social injustice.
Nothing seems to have gotten better. I'm not numb to it, but in some way I've become flip, a resigned humor like a layer of scar tissue between my concerns and the abrasion all around.
Still, I was surprised how playful these paintings became.
Disasters intertwine: Urns, much like the one that held my twin sister's ashes, a familial disaster, come to the forefront, variations of childhood memory. Images from photos I took in Port Aransas...
Category
21st Century and Contemporary Contemporary Abstract Paintings
Materials
Paint, Glitter, Acrylic, Color Pencil
$1,250
End
By Jenny Day
Located in New Orleans, LA
"Lone Star, True But Whatever
There was I time when I ached for the world. Before cell phones, before social media, I felt the urgency of environmental damage, of social injustice.
Nothing seems to have gotten better. I'm not numb to it, but in some way I've become flip, a resigned humor like a layer of scar tissue between my concerns and the abrasion all around.
Still, I was surprised how playful these paintings became.
Disasters intertwine: Urns, much like the one that held my twin sister's ashes, a familial disaster, come to the forefront, variations of childhood memory. Images from photos I took in Port Aransas...
Category
21st Century and Contemporary Contemporary Abstract Paintings
Materials
Glitter, Acrylic, Color Pencil
$1,250
Gold Cat
By Jenny Day
Located in New Orleans, LA
"Lone Star, True But Whatever
There was I time when I ached for the world. Before cell phones, before social media, I felt the urgency of environmental damage, of social injustice.
Nothing seems to have gotten better. I'm not numb to it, but in some way I've become flip, a resigned humor like a layer of scar tissue between my concerns and the abrasion all around.
Still, I was surprised how playful these paintings became.
Disasters intertwine: Urns, much like the one that held my twin sister's ashes, a familial disaster, come to the forefront, variations of childhood memory. Images from photos I took in Port Aransas...
Category
21st Century and Contemporary Contemporary Abstract Paintings
Materials
Glitter, Acrylic, Color Pencil
$1,250
Orphanage
By Nancee Clark
Located in New Orleans, LA
Nancee Clark grew up in Jacksonville, Florida, with its then lush forests, raw beaches, the St. Johns River and the perfumes of the paper mill and the Maxwell House Coffee plant...
Category
21st Century and Contemporary Contemporary Figurative Paintings
Materials
Oil
$11,625
Nasty Woman
By Joseph Barron
Located in New Orleans, LA
Joseph Barron graduated from the Art Institute of Chicago with a BFA and MFA. Shortly after graduating, Barron was awarded a Pollock-Krasner foundation Grant that allowed him to crea...
Category
21st Century and Contemporary Contemporary Figurative Paintings
Materials
Acrylic
5, 307 nails
By John Adelman
Located in New Orleans, LA
John Adelman was born in a small town in northwest Ohio in 1969. In 1992, he earned a BFA in painting, drawing and printmaking from Ohio State University in Columbus, Ohio. Upon graduating, he worked first for CM/SNP Printing, a local newspaper print shop, and then for Airwaves Inc. a t-shirt design silk screen-printing manufacturer for ten years, in which, it is estimated he produced over 12 million images during his tenure. In 2006, John earned his MFA from the University of North Texas in Denton, Texas. After moving to Houston, he worked with galleries in Santa Fe, New Mexico, Marfa Texas and Bradbury Gallery at Arkansas State University. John currently has representation by two galleries in Houston and Los Angeles. Adelman has been a finalist for the Hunting Art Prize, awarded by Hunting PLC, 3 times (in 2009, 2012, and 2014).
STATEMENT:
My work of drawing on canvas is an exploration of process, rules-based art. This procedure is comprised of a formula of specific actions based upon a variable circumstance and can be rooted in computer based algorithmic if, then statements. These procedural mandates are instituted from the beginning of a work and continue through its completion. The formula can dictate, structure, color, composition, scale and interior or exterior values. The formula not only controls my actions as the artist but likes organizes either the component parts of a (dismantled) object or the component parts of a single used dictionary. When the dictionary is put into play, I transcribe definitions from the 1979 Unabridged Webster's Encyclopedic Dictionary. I create dense, layered images of handwriting or convert letters of the definition into their numeric counterpart and proceed through the formula with the use of that number as a means a moving through the whole of the image. Primarily, the most used component is nails, an extension of the dismantled object, traced and sometimes labeled. Other works have included individual stitches from an entire embroidery, every part of a motorcycle, electric organ...
Category
21st Century and Contemporary Abstract Abstract Paintings
Materials
Acrylic
Resurrection, (study)
By Joseph Barron
Located in New Orleans, LA
Joseph Barron graduated from the Art Institute of Chicago with a BFA and MFA. Shortly after graduating, Barron was awarded a Pollock-Krasner foundation Grant that allowed him to crea...
Category
21st Century and Contemporary Contemporary Figurative Paintings
Materials
Acrylic
An Unfortunate Series of Distractions
By Joseph Barron
Located in New Orleans, LA
Joseph Barron graduated from the Art Institute of Chicago with a BFA and MFA. Shortly after graduating, Barron was awarded a Pollock-Krasner foundation Grant that allowed him to crea...
Category
21st Century and Contemporary Contemporary Figurative Paintings
Materials
Acrylic
Draining the Swamp
By Joseph Barron
Located in New Orleans, LA
Joseph Barron graduated from the Art Institute of Chicago with a BFA and MFA. Shortly after graduating, Barron was awarded a Pollock-Krasner foundation Grant that allowed him to crea...
Category
21st Century and Contemporary Contemporary Figurative Paintings
Materials
Acrylic
Tante Tilly
By Ruth Owens
Located in New Orleans, LA
[ New Orleans, LA :: b.1959, Augsburg, Germany ]
In 1959, Ruth Owens was born to a young German woman and a Black serviceman from Georgia. The nomadic military lifestyle of her chi...
Category
21st Century and Contemporary Contemporary Figurative Paintings
Materials
Oil
$15,000
How?
By Ruth Owens
Located in New Orleans, LA
[ New Orleans, LA :: b.1959, Augsburg, Germany ]
In 1959, Ruth Owens was born to a young German woman and a Black serviceman from Georgia. The nomadic military lifestyle of her chi...
Category
21st Century and Contemporary Contemporary Figurative Paintings
Materials
Oil
$7,500
That Beauty Queen
By Ruth Owens
Located in New Orleans, LA
[ New Orleans, LA :: b.1959, Augsburg, Germany ]
In 1959, Ruth Owens was born to a young German woman and a Black serviceman from Georgia. The nomadic military lifestyle of her chi...
Category
21st Century and Contemporary Contemporary Figurative Paintings
Materials
Oil
Half Brothers
By Ruth Owens
Located in New Orleans, LA
[ New Orleans, LA :: b.1959, Augsburg, Germany ]
In 1959, Ruth Owens was born to a young German woman and a Black serviceman from Georgia. The nomadic military lifestyle of her chi...
Category
21st Century and Contemporary Contemporary Figurative Paintings
Materials
Oil
trying4u03
By Carlton Scott Sturgill
Located in New Orleans, LA
Medium: paint chip sample mosaic on panel
Born in 1971 in Cincinnati, Ohio, Carlton Scott Sturgill received his Masters of Arts (Fine Art) from London’s Chelsea Collage of Art in De...
Category
21st Century and Contemporary Contemporary Figurative Paintings
Materials
Mixed Media
Our Legacy of Engagement
By Adam Mysock
Located in New Orleans, LA
after: “La Lutte” by Émile Friant, 1889
Framed: 10h x 8.50w in
As I’ve gotten older, I’ve been particularly struck by the staggering number of unintende...
Category
21st Century and Contemporary Contemporary Paintings
Materials
Acrylic, Panel
If I paint us (in gold) V
By Nikki Rosato
Located in New Orleans, LA
medium: gold gouache on paper
The artist says of the inspiration in her latest work . . .
Moving to Washington, DC in 2016 changed me. The unraveling of this country's leadership ...
Category
21st Century and Contemporary Contemporary Figurative Paintings
Materials
Gouache
If I paint us (in platinum) II
By Nikki Rosato
Located in New Orleans, LA
The artist says of the inspiration in her latest work . . .
Moving to Washington, DC in 2016 changed me. The unraveling of this country's leadership elicited a strong, visceral rea...
Category
21st Century and Contemporary Contemporary Figurative Paintings
Materials
Gouache
If I Paint Us (in gold) VI
By Nikki Rosato
Located in New Orleans, LA
The artist says of the inspiration in her latest work . . .
Moving to Washington, DC in 2016 changed me. The unraveling of this country's leadership elicited a strong, visceral rea...
Category
2010s Contemporary Figurative Paintings
Materials
Gouache
If I paint us (in gold) I
By Nikki Rosato
Located in New Orleans, LA
The artist says of the inspiration in her latest work . . .
Moving to Washington, DC in 2016 changed me. The unraveling of this country's leadership elicited a strong, visceral rea...
Category
21st Century and Contemporary Contemporary Figurative Paintings
Materials
Gouache
Twins
By Skylar Fein
Located in New Orleans, LA
SKYLAR FEIN x MRSA (collaboration)
SKYLAR FEIN was born in Greenwich Village and raised in the Bronx. He has had many careers including teaching nonviolent resistance under the umbr...
Category
21st Century and Contemporary Contemporary Figurative Paintings
Materials
Plaster, Wood, Mixed Media, Acrylic
$3,800
Shepherd
By Skylar Fein
Located in New Orleans, LA
SKYLAR FEIN x MRSA (collaboration)
SKYLAR FEIN was born in Greenwich Village and raised in the Bronx. He has had many careers including teaching nonviolent resistance under the umbr...
Category
21st Century and Contemporary Contemporary Figurative Paintings
Materials
Plaster, Wood, Mixed Media, Acrylic
Child of the Night
By Skylar Fein
Located in New Orleans, LA
SKYLAR FEIN x MRSA (collaboration)
SKYLAR FEIN was born in Greenwich Village and raised in the Bronx. He has had many careers including teaching nonviolent resistance under the umbr...
Category
21st Century and Contemporary Contemporary Figurative Paintings
Materials
Mixed Media, Acrylic
Idle Hands
By Adam Mysock
Located in New Orleans, LA
after: "And In His Eyes I Saw Death" by Ejnar Nielsen, 1897
Framed: 10h x 8.50w in
Being discontented means being left with choices. We can either accept a current status quo or ch...
Category
2010s Contemporary Figurative Paintings
Materials
Acrylic, Panel
$14,300
Madonna (after Edvard Munch)
By Nora See
Located in New Orleans, LA
This painting is a portrait of Madonna the pop star to modernize and empower Munch's Madonna by opening her eyes to confront the viewer.
--------------------------------------------...
Category
2010s Contemporary Figurative Paintings
Materials
Canvas, Oil
Lucky Duck
By Nora See
Located in New Orleans, LA
Nora See grew up in Allentown, Pennsylvania, where, as a child, she taught herself to draw. She received a Bachelor of Fine Arts in Painting from the Corcoran College of Art and Des...
Category
2010s Contemporary Figurative Paintings
Materials
Oil, Panel
$8,750
Cameo #2
By Nora See
Located in New Orleans, LA
Nora See grew up in Allentown, Pennsylvania, where, as a child, she taught herself to draw. She received a Bachelor of Fine Arts in Painting from the Corcoran College of Art and Des...
Category
2010s Contemporary Figurative Paintings
Materials
Oil, Panel
$8,750
Foreseeing Nothing
By Adam Mysock
Located in New Orleans, LA
(after: Henry Fawcett; Dame Millicent Garrett Fawcett by Ford Made Brown, 1872)
Framed: 8.50h x 10w in
On November 7th, 2016, it seemed as if everyone knew how the U.S. presidential election would conclude, particularly our major media outlets. On the morning of November 9th, 2016, it was clear that no one had known what they had been talking about.
We’d spent so much time living in a world defined by largely reliable focus groups, polls, and surveys that we’d become convinced that we could idly predict the future. Our news sources became complacent in their analysis of human behavior, and we followed along. It became the blind leading the blind.
But what truly struck me was that we seemed surprised to discover our inability to foresee the future, to discover that we aren’t omniscient.
Here—in the tradition of other paintings depicting the parable of the blind...
Category
2010s Contemporary Figurative Paintings
Materials
Acrylic, Panel
Salute
By Nora See
Located in New Orleans, LA
"Salute" is a salute to the Black Power Salute used as a political demonstration by African-American athletes John Carlos and Tommie Smith during their med...
Category
2010s Contemporary Figurative Paintings
Materials
Oil, Panel
$10,000
Inundation
By Nora See
Located in New Orleans, LA
“Good artists borrow. Great artists steal.” A quote oft attributed to various sources that was never actually uttered by any of them. Though Mark Twain elaborated on the sentiment...
Category
2010s Contemporary Figurative Paintings
Materials
Canvas, Oil
$7,500
Parents Devouring Their Children
By Nora See
Located in New Orleans, LA
“Good artists borrow. Great artists steal.” A quote oft attributed to various sources that was never actually uttered by any of them. Though Mark Twain elaborated on the sentiment...
Category
2010s Contemporary Figurative Paintings
Materials
Canvas, Oil
Zontanarhia
By Nora See
Located in New Orleans, LA
“Good artists borrow. Great artists steal.” A quote oft attributed to various sources that was never actually uttered by any of them. Though Mark Twain elaborated on the sentiment...
Category
2010s Contemporary Figurative Paintings
Materials
Canvas, Oil
Reimago
By Nora See
Located in New Orleans, LA
“Good artists borrow. Great artists steal.” A quote oft attributed to various sources that was never actually uttered by any of them. Though Mark Twain elaborated on the sentiment: “Ninety-nine parts of all things that proceed from the intellect are plagiarisms.” In the Framed Series, I use my 1% contribution to combine issues of consumption with my autobiography.
I paint copies of copies of paintings within paintings to reference the appropriation, commodification, and altered continuum of art. My paintings of paintings are based on photographs of originals to perpetuate the continual distillation of form, given the ease with which images are presently exchanged and modified. Further, by reducing historically significant paintings to framed objects hanging on walls, I augment art as a commodity and reconcile the conflict between the artificially assigned monetary value of artworks with the reality that they are simply swirls of paint. In this way, I am also acknowledging the literality of my own work.
I have also altered each copied painting to personalize the context of the pieces and address specific autobiographical ideas. These ideas relate to a range of both recent and distant experiences, both funny and sad.
Although my initial renderings are digital image composites, my medium of choice is oil paint, applied in transparent layers, using the image on the computer screen as a reference. In addition to its lush visual properties, I enjoy the flexibility of oil paint in making acute renderings as well as the evolution of the imagery from paint to digital and back to paint in further protracting both the distillation and evolution of form.
statement on piece
"The character Jame Gumb, from the 1991 film and 1988 book, The Silence of the Lambs...
Category
2010s Contemporary Figurative Paintings
Materials
Oil, Panel
$6,250
Real and Imagined
By Adam Mysock
Located in New Orleans, LA
after: Pieter Bruegel the Elder’s The Blind Leading the Blind (1568), Akseli Gallen-Kallela’s Building (1903), and #17 Beast and the Beauty from Wally Wood’s, Bob Powell’s, and Norm Saunders’ Mars Attacks trading cards...
Category
2010s Contemporary Figurative Paintings
Materials
Acrylic, Panel
If He Wasn
t Handsome, Would He Still be Super?
By Adam Mysock
Located in New Orleans, LA
after: Joseph Shuster’s Superman #1 Cover (1939) and #17 Beast and the Beauty from Wally Wood’s, Bob Powell’s, and Norm Saunders’ Mars Attacks trading cards...
Category
2010s Contemporary Figurative Paintings
Materials
Acrylic, Panel
Better Alone than in Bad Company
By Adam Mysock
Located in New Orleans, LA
after: Joseph Shuster’s Action Comics #1 Cover (1938) and #19 Burning Flesh from Wally Wood’s, Bob Powell’s, and Norm Saunders’ Mars Attacks trading cards (1962)
Framed: 9h x 9w in
Continuing the exploration of Superman’s role as extraterrestrial anomaly – an alien who’s also a friend, I spent time considering how important one’s actions (on a singular occasion, in sum, alone, in collaboration with others, etc.) are in determining overall “goodness” or social value.
In literally his first exposure to any reader, on the cover of Action Comics #1, Superman is shown smashing a large car against a rock, while three well-dressed men run away in fear. Taken by itself the image presents a deranged, super-strong vandal. It’s only upon reading the full narrative that we understand Superman’s action to be part of a rescue mission and the men to be gangster villains.
When we allow Superman to be considered as an individual, responsible for his own actions, and over a series of events, rather than one incident, we find our hero. But when I offer Superman another alien (this one up to no good), and deny any exposure to a fuller understanding of circumstance, it’s much more difficult to separate Superman’s destructive actions from those of his new companion. Better Alone Than in Bad Company...
Category
2010s Contemporary Figurative Paintings
Materials
Acrylic, Panel
Whose Broad Stripes and Bright Stars
By Adam Mysock
Located in New Orleans, LA
Framed: 11h x 16w in
ABOUT THE ARTIST
Adam Mysock was born in Cincinnati, Ohio in 1983 - the son of an elementary school English teacher and a lab technician who specializes in the...
Category
21st Century and Contemporary Contemporary Figurative Paintings
Materials
Acrylic, Panel
Washington
s Bread, Cereal, Rice, and Pasta
By Adam Mysock
Located in New Orleans, LA
ABOUT THE ARTIST
Adam Mysock was born in Cincinnati, Ohio in 1983 - the son of an elementary school English teacher and a lab technician who specializes in the manufacturing of pigm...
Category
21st Century and Contemporary Contemporary Figurative Paintings
Materials
Acrylic, Panel
Madison Fats, Oils and Sweets
By Adam Mysock
Located in New Orleans, LA
Framed: 20h x 18w in
ABOUT THE ARTIST
Adam Mysock was born in Cincinnati, Ohio in 1983 - the son of an elementary school English teacher and a lab technician who specializes in the...
Category
21st Century and Contemporary Contemporary Figurative Paintings
Materials
Acrylic, Panel
Jefferson
s Meat, Poultry, Fish, Dried Beans, Eggs, and Nuts
By Adam Mysock
Located in New Orleans, LA
ABOUT THE ARTIST
Adam Mysock was born in Cincinnati, Ohio in 1983 - the son of an elementary school English teacher and a lab technician who specializes in the manufacturing of pigm...
Category
21st Century and Contemporary Contemporary Figurative Paintings
Materials
Acrylic, Panel
Franklin
s Milk, Yogurt, and Cheese
By Adam Mysock
Located in New Orleans, LA
ABOUT THE ARTIST
Adam Mysock was born in Cincinnati, Ohio in 1983 - the son of an elementary school English teacher and a lab technician who specializes in the manufacturing of pigm...
Category
21st Century and Contemporary Contemporary Figurative Paintings
Materials
Acrylic, Panel
George Washington
By Adam Mysock
Located in New Orleans, LA
full title: George Washington, George Washington Carver, the Spruce Goose, and a Victorious Tiger Woods
Framed: 10h x 10w in
ABOUT THE ARTIST
Adam Mysock was born in Cincinnati, O...
Category
21st Century and Contemporary Contemporary Figurative Paintings
Materials
Acrylic, Panel
Davie Crockett, Pecos Bill, the Bull Moose Party, and a Man Walking into Frame
By Adam Mysock
Located in New Orleans, LA
Framed: 10h x 10w in
ABOUT THE ARTIST
Adam Mysock was born in Cincinnati, Ohio in 1983 - the son of an elementary school English teacher and a lab technician who specializes in the...
Category
21st Century and Contemporary Contemporary Figurative Paintings
Materials
Acrylic, Panel
Clutches
By Gina Phillips
Located in New Orleans, LA
Gina Phillips is a mixed media, narrative artist who grew up in Kentucky and has lived in New Orleans since 1995. The imagery, stories and characters of both regions influence her wo...
Category
21st Century and Contemporary Contemporary Figurative Paintings
Materials
Fabric, Ink, Paint, Thread
Memory Painting of Pawpaw
By Gina Phillips
Located in New Orleans, LA
Gina Phillips is a mixed media, narrative artist who grew up in Kentucky and has lived in New Orleans since 1995. The imagery, stories and characters of both regions influence her wo...
Category
21st Century and Contemporary Contemporary Figurative Paintings
Materials
Oil, Paper
Chases Dirt
By Gina Phillips
Located in New Orleans, LA
Gina Phillips is a mixed media, narrative artist who grew up in Kentucky and has lived in New Orleans since 1995. The imagery, stories and characters of both regions influence her wo...
Category
21st Century and Contemporary Contemporary Figurative Paintings
Materials
Acrylic, Wood
Ralphy
By Gina Phillips
Located in New Orleans, LA
Gina Phillips is a mixed media, narrative artist who grew up in Kentucky and has lived in New Orleans since 1995. The imagery, stories and characters of both regions influence her wo...
Category
21st Century and Contemporary Contemporary Figurative Paintings
Materials
Acrylic, Fabric, Thread
$10,000
Overseer
By Gina Phillips
Located in New Orleans, LA
Gina Phillips is a mixed media, narrative artist who grew up in Kentucky and has lived in New Orleans since 1995. The imagery, stories and characters of both regions influence her wo...
Category
21st Century and Contemporary Contemporary Figurative Paintings
Materials
Acrylic, Oil, Panel
$21,500