Galerie Sommerlath Art

Shoichi Hasegawa, is a world-renowned Japanese engraver and painter born in Yaizu in 1929. He moved to Paris in 1961 to hone his etching technique. He quickly gained recognition by ...

The beauty and magic of art are that every artist has their unique take on the same subject matter. In this particular case, no other artists would interpret them like that. This org...

The title of this square lithograph is "Crash," a reflection of the chaotic and dynamic energy captured within the artwork. The striking contrast between the bold blue edgy 3D triang...

Alvaro Peppoloni, is an Italian Postwar & Contemporary artist, born in 1951, who now finds his artistic sanctuary in Castel Ritaldi, an Italian commune nestled within the Perugia pro...

This Mac Mechem's drawing features a seated nude man draped in a small loincloth. Sitting in a wood-crafted chair, his gaze fixed downward as though he were brooding over some bad news. Despite the defeatist posture, his physique radiates a stark contrast—the sculpted body exudes strength and athleticism through pronounced abdominal lines, robust thighs, and defined biceps. Both hands rest passively on his knees, amplifying the sense of resignation portrayed in the artwork. The artist signed in the lower right part of the artwork. Mac Mechem, a figurative contemporary painter...

"Paddling Woman" is a minimalist watercolor that captures the essence of the human experience. Through the delicate strokes of a brush dipped in watercolor, the artist has conveyed the inner turmoil of the main subject, which may be remembering or dreaming of past or previous journeys. Her long, curly hair cascading down her shoulders symbolizes the wildness within us all. The simple black ink lines that create the birds and ships in the background add a touch of innocence and childlike wonder, evoking a sense of nostalgia for a simpler time. The signature is in the right corner, and it is dated (September 1995). It sits in a simple black wood frame. Christopher Paul Cobb is an American artist born in the 20th Century. He is the grandson of baseball great player Ty Cobb.

The lithograph, entitled "Laocoön and His Sons," depicts a modern and minimalist interpretation of the tragic mythological story of Laocoön. The artwork is done in black and white, and was created in 1953, showcasing a unique blend of classical themes and contemporary art styles. The image shows the high priest...

This painting by Chief features a simple and minimalist background comprised of small crosses and long, bamboos-like tubes eschewing conventional styles and using folk art, graffiti,...

Midcentury colorful representation of 4 coy fish by Chinese artist (signed and dated). Painted on silk. Framed and exhibited in Honk Kong. Numbered 13/30.

This painting features a yellow sky (as Gastaldi named it) and it is part of 3. The #1 one is featuring a red sky and the third one is the desert light. #1 and 2 show the strength of nature with vigorous large brush strokes and bright colors whereas the colors of #3 depicting the desert light, are more muted and reflect perfectly the desert atmosphere before a storm. See, attached the pictures of the 2 matching ones. Jerome Gastaldi, born in Oakland, California, in 1945, is a contemporary artist. His works have been compared by art critics to that of Robert Rauschenberg, Edward Kienholz...

An abstract Expressionist piece titled "Metamorphosis of Zan Biell" Numbered "20/20", and signed by artist Keisuke Serizawa. Woodcut on Rice Paper. Designer, painter, illustrator, d...

Born in Rollis, Minnesota, the Colorist Edward R. Lewis enjoyed a long career as a painter, prolific in watercolor, oil, and acrylic. He also dedicated his life to teaching the arts and spent the majority of his artistic career as an art professor holding positions at Sioux Falls College, Sioux Falls, South Dakota; and at Central Missouri State University (now the University of Central Missouri) in Warrensburg, Missouri. His vibrant canvases often ask the viewer to make a quantum leap...

This Robert Farrington's painting serves as a visual gateway to a distinct period in post-war France, composed with a deep respect for the elements interwoven into the collective memory of Paris. His work adeptly engages with the archetypal settings and concepts that convey the quintessence of this beloved and frequently visited capital. As the viewer gazes upon this artwork, they are instantly immersed in the ambiance of a food trade street, and especially the familiar historic brasserie “Au Pied de Cochon” - the sole establishment in the painting that still exists nowadays - and its surroundings at the heart of the bustling Halles district. At "6 Rue Coquillère", the act of opening the doors, each adorned with handles that resemble pig's trotters, transports one through a temporal gateway into the quintessential French world of "la cochonnaille"... The renowned "Pied de Cochon" restaurant made its debut in 1947. In its early days, it became the preferred gathering place for the "Forts des Halles" – the diligent laborers who tirelessly transported goods through the pavilions of the old Halles de Paris. From these dedicated workers to the luminaries of the time, this establishment emerged as a symbol of Parisian life. Farrington reconstructs a scene around this restaurant, nourished by her own Parisian experience when he was a young American living in France. An iconic Brigitte Bardot poster...

A whimsical, abstract drawing. Signed Michael Dormer, 1970. Michael Dormer is a prolific Southern Californian artist. Highly influential in California s...

As a cultural artifact, the circus holds various symbolic meanings over time, challenging our beliefs while inspiring wonder. In this tribute to F...

This is a remarkable 3D geometric piece by Christopher Mark Brennan. This oil artwork features tubular and semi-circle shapes on a black space...

An abstract, black and white lithograph contained in an interesting shape enclosed by clean negative space. Signed L. Siekman, titled Jupiter Four and numbered 9/10. It is part of a ...

An otherworldly greyscale, abstract lithograph signed L. Siekman.

The woodblock print of a girl in red depicts a moment of introspection with the defined closed eyes of a little girl at the top of the work and the vision of a malicious face at the bottom. Kaoru Kawano was a woodblock...

The 14th of July is the National Day in France. That night every high school in Paris have an orchestra playing in the streets. This painting is depicting musicians students expres...

The identity of the artist who created this excellent charcoal study remains unknown. The model's outfit and the arrangement of her hair suggest a bygone era, possibly a study for a ...

This painting features a red sky (as Gastaldi named it) and it is part of 3. The #2 one is featuring a yellow sky and the third one is the desert light. #1 and 2 show the strength of nature with vigorous large brush strokes and bright colors whereas the colors of #3 depicting the desert light, are more muted and reflect perfectly the desert atmosphere before a storm. See attached the pictures of the 2 matching ones. Jerome Gastaldi, born in Oakland, California, in 1945, is a contemporary artist. His works have been compared by art critics to that of Robert Rauschenberg, Edward Kienholz...

The artist used very thick oil paint strokes to feature the blazing red hair of a girl and drew her face finely with a crayon. The contrast between the 2 media is striking! Christopher Mark Brennan...

This square-framed abstract artwork, textured with blue-grey and purple hues, features an illegible signature and is dated 1985 in the right co...

This very unusual and introspective watercolor is a contemplative piece that invites viewers to ponder the nature of memories and how they come back into our brains. The artist creat...

This print sits in its original chrome frame and it is numbered 7/26 but not signed since each image has been cut out from a sheet to fit in the little windows. Gemini G.E.L is an ar...

An otherworldly, black and white lithograph in a jigsaw puzzle piece shape, enclosed by negative. Signed L. Siekman. Unframed.

This original mold, created by Beckford Young for one of his lithograph series, is exceptional. This piece contains a network of reliefs, hollows, and edges, each detailing the resul...

Art, a tangible manifestation of the imaginary and the sensitive, is translated through works capable of captivating and communicating beyond words. Friedlaender's lithographs, loade...

The world has encountered numerous architectural masterpieces, from medieval Europe's Gothic splendors to today's avant-garde marvels. Sometimes, art seeks not to mimic reality but t...

Nude figure drawing made with a mix of pastels and gouache signed and dated 1963. Born in Tacoma, WA, on Oct. 23, 1918, Randall lived in Salem, OR, during the 1930s. He created artwo...

This nude figure drawing is made with a mix of pastels and gouache, signed and dated 1963. Born in Tacoma, WA, on Oct. 23, 1918, Randall lived in Salem, OR, during the 1930s. He crea...

Pat Wilson was a French painter born in 1868 and she died in 1928. She lived in France and part of her life in the Maghreb. This painting shows perfectly th...

In the infinitely complex world of contemporary art, many works serve as vehicles for thought, postural statements, and emotion. Such is the case with SHAO QI, a renowned Chinese artist who skillfully blends the political, cultural, and aesthetic in her lithographic work entitled "I am a Ninja." This piece, limited to thirty copies, numbered 21/30 in pencil and dated 2011, is a perfect example of how cross-influences can be integrated and cultural barriers broken down. Historically, ninjas were inferior warriors in feudal Japan, often recruited by samurai and governments to serve as spies. Their mysteriousness has allowed them to infiltrate contemporary popular culture, so much so that their ubiquity eventually transcends borders, internationalizing the ninja and rendering its Japanese origin a simple detail, among others, in public perception, a component of a character that has become universal. Pop art, an artistic movement of the second half of the 20th century, is known for its appropriation and subversion of consumer products and cultural icons. By hijacking elements of mass culture, pop artists such as Andy Warhol and Roy Lichtenstein transformed the perception of art and its eligible subjects. The use of a ninja silhouette in "I Am a Ninja" follows this tradition, exploiting a popular symbol to reimagine it. The dynamic interplay of colors, in particular the aesthetic power of red and black, is essential. Red's radiant luminescence contrasts sharply with black's ultimate absorption, framing the work in a colorimetric face-off reminiscent of the propaganda posters of yesteryear. Red, the color of revolution, power, passion, and vitality, blends with black, shadow, and emptiness. The bold black lines that delineate the figure are reminiscent of Shepard Fairey's work under the OBEY signature. These lines convey a vibrant, primitive force akin to Russian Constructivist posters...

In contemporary art's diverse and infinitely complex world, many works serve as vehicles for thoughts, statements, and emotions. SHAO QI, a Chinese artist born in 1987 in Shanghai, blends political, cultural, and aesthetic elements in her lithographic work titled "I am Mexican." This piece, limited to fifty copies and numbered 21/50 in pencil, dated 2011, transcends the materiality of art to explore societal palimpsests and interrogate notions of identity and globalization. The dynamic confrontation of colors, particularly the dichotomy of red and black, is essential. The radiant luminescence of red contrasts sharply with the ultimate absorption of black, framing the piece in a colorimetric standoff reminiscent of vintage propaganda posters. Red, the color of revolution and power, passion and vitality, mingles with black, the shade of shadow and void, embodying the potential for new beginnings, as French artist William Klein once proclaimed. SHAO QI employs a stylistic language that is instilled with almost raw expressiveness. The bold black strokes outlining the figure are reminiscent of Shepard Fairey's work under the OBEY signature. These black lines convey a vibrancy and primal force akin to Russian constructivist posters...

Artist Fernando Palos employs a straightforward interplay of shapes and colors in this lithograph. A first impression leads us to assemble geometric figures, initiating the idea of m...

Artist Fernando Palos uses a simple, compelling interplay of shapes and colors in this lithograph. This is not a static work. A first impression reveals assembled geometric figures, ...

The painting reveals a nude woman, her aura exuding self-assurance. She stands upright on the rugged terrain of a rocky mountain. The work is elegant, devoid of any hint of eroticism...

Sepia tones permeate this remarkable oil painting by American artist Geoffrey Johnson, who captures a hauntingly timeless scene. A woman waits by the window of her home, silent, almost absorbed in the diffuse ambiance of the room? The artist emphasizes the intimacy of his subject, a silhouette between presence and absence whose identity he has limited to a shadow. The woman is treated like a ghost, associating her with the invisible and the forgotten. In all its diversity, art is a step towards understanding human emotions and, often, an opening into the soul. The canvas analyzed here is that of a seemingly banal dining room, including an old-style kitchen area, inhabited by this quasi-incorporeal female figure. This eloquent artistic choice echos a reflection on the condition of loneliness. Few details appear some paintings on the wall, a dining table with two visible plates, a chandelier, etc. The sepia tint is emblematic of nostalgia, reminiscent of the photographic process that ages pictures to give them an air of yesteryear. Here, the artist recalls the past, not to idolize it, but to question the persistence of female alienation over time. The deliberate use of a restricted, even desaturated chromatic range reflects a timeless universe in which the female figure echoes across the ages. Like an entity in a sepia photograph, where the being is frozen for eternity, the woman appears and disappears simultaneously, symbolizing the volatility of existence and the fragility of memory. Johnson confronts us with a profound reflection on our solitude and relationship with time, painting the isolation of women in the hues of a bygone era. Through a technique that magnifies the essential and erases the extra, he resurrects an atmosphere inviting us to reinterpret our reflection on existence. -------------------------------------------------------------------- Born in 1965 in Greensboro, North Carolina, Geoffrey Johnson graduated from the Pennsylvania Academy of Fine Arts, where he received several awards and prizes for his artistic excellence. Since 1995, he has exhibited in galleries and venues throughout the United States. His paintings may be found in many private and corporate collections, including those of Coca-Cola, Turner Broadcasting, BellSouth, and Wells Fargo. Johnson draws much of his inspiration from his travel experiences and first-hand observations. Using a monochromatic palette of sepia hues, the artist strives to reproduce the places that inspire him. Johnson’s work is powerfully evocative of the French Impressionists’ depictions of city life, interior spaces, and equestrian scenes. From Gustave Caillebotte’s steely, atmospheric renderings of foggy Paris streets and dusky rooftops to Degas’ spindly-legged racehorses, the influence of these artists upon Johnson’s painting is readily visible. His manner of distorting the human figure has also been likened to the skeletal, surreal forms of Alberto Giacometti. Johnson has established himself as a true innovator, successfully capturing the alluring space between abstraction and realism. His work is significantly influenced by his fascination with both the human figure and the powerful architecture of a modern city. Through a feeling of anonymity, figures become suggestive shapes, and the skyline of New York materializes mysteriously in the background. Johnson’s paintings embody the mood of each urban experience. Johnson has “always been attracted to interiors, work spaces [and] personal spaces.” Inspired by a box of...

Against a backdrop of deep, brilliant yellow gold, two distinct zones emerge: the outlines of a shadow formed by a pair of human silhouettes, probably a couple, appear. The golden ba...

Lloyd invites us to contemplate a moment of intimacy. An oriental dancer is asleep, her head tilted back as if she is wrapped in colored ribbons, which makes us wonder about the real...

The power of an image cannot be received at a glance. To understand it fully, we should interpret it, letting ourselves be lulled by its balance. The architecture of his drawing be...

Lila Katzen said, "I feel marvelous when my works find a home. They are like my children. They are my links to the past. They are what I am." The sculpture proposed here consists of...

Reclining Female figure, original signed line drawing, in pencil and ink by Albert Radoczy. Albert Radoczy was a master at exploring the female form. Throughout his career, his draw...

In this painting by Charles Jupiter Hamilton's "Downtown San Francisco," the pulsating heartbeat of the city comes alive in a kaleidoscope of color and form. This acrylic abstract se...

In the "Fantasy/Metaphysical" series by American artist Eugene Hawkins, the convergence of surrealism and metaphysics unfolds as an exploration of existential themes common to all. C...

Beyond artistic and aesthetic expression, every still life offers the opportunity to activate a deeply intimate experience. David Segel invites us into a profound encounter with this...

In this humorous yet thought-provoking sketch, individuals from various walks of life are momentarily diverted from their routines. The artist captures the unexpected interruption th...

This figurative painting by Edgard Kiechle presents the scenario of a doll who is very surprised to have been abandoned into the basket of her mom's tricycle. An interesting factor is the pictorial use of angles. The point of view, a little above the stage, probably that of an adult, offers particular perspectives. This approach adds depth to this painting with distinctive compositional appeal. In contrast to the scene's disorder, a black-and-white tiled floor with a geometric design serves as an antithesis. The careful symmetry of the tiles competing with the surrounding disarray sparks a dialogue about the human need for organization and balance. In composition, absence is a living element. The exclusion of a physical human figure amplifies the feeling of emptiness, creating a human presence perceived imaginatively. Edgar O. Kiechle was born in 1911. He was a film illustrator and a painter. Edgar studied landscape painting with Jean Mannheim and architecture and became an excellent watercolorist. After studying at the Otis Art Institute in Los Angeles, he interned with leading architects and designers. He worked at most major studios, but his career as an illustrator saw him primarily at the Universal Studio Art department. In 1933, Edgar joined Lwerks as a background artist and worked on many films produced by Animated Picture Corporation through 1935. In the summer of 1941, Edgar Kiechle...

Abstraction offers a unique opportunity to delve into the space between the visible and the invisible. Acting as a conduit connecting the tangible and the intangible, it encourages us to explore various interpretations in a dreamlike state. In this abstract oil painting by California resident artist Erik Fiazi, the canvas is full of dynamic, nervous brush gestures, evoking images that might recall a continent or torn fabric. Whether it is the phalanges of a fist ready to burst and rip the canvas or a nation symbolized by colors that could be similar to those of a flag. There are so many possible interpretations. In any case, the work releases a raw and unbridled energy, Charged with a force worthy of a revolution like a raised fist, with its red which invades our entire field of vision, a rebellion underlined by the nervousness of the gestures of application of colors next to each other and also on top of each other, probably applied both with a knife and with a large brush. There is thickness and a lot of density. Abstraction is a challenging genre because, beyond the technique, the magic lies in the ability to penetrate the viewer's heart. By contemplating this work through the prism of allegorical reading, we can discern the echoes of a nation in turmoil: a landscape emptied of its green splendor; in fact, green appears in the minority, invaded by the burning red of destruction and flames. The central block resembles an island adrift in a navy blue sea, evoking isolation and vulnerability after a tumultuous storm. The foam of the waves reminds us of the instability inherent in life. Yet within this chaos lies a profound lesson: while the surface may churn under the unleashing of the elements, the bottom of the ocean remains still, offering a symbolic parallel to the importance of maintaining solid foundations amidst the turbulence of life. Eric Fiazi...

This gouache reveals a butterfly tree with wings covered in multiple eyes towards the observer. In this primitive kaleidoscope playing with perspectives, the artist Rupert Picott leads us into a dance of forms, half-animal, half-vegetal. Here, we can breathe a nature distanced from civilization, a shattered, psychedelic dimension that opens the doors of a hallucinated perception. This gouache transcends its physical form. Like a dream woven into reality, it beckons viewers to question the boundaries of their consciousness. Each brushstroke becomes a portal to a realm where the mundane and the mystical intertwine, blurring the lines between what is seen and felt. In this dialogue between forms and colors, Rupert Picott offers us not just a painting but a glimpse into the infinite expanse of the human experience, echoing William Blake’s timeless wisdom: ‘If the doors of perception...

Marilyn Manson is an icon, a figure synonymous with controversy within heavy metal music, embroiled in numerous contentious moments throughout his storied career. This signed poster, numbered 158/500, is likely part of the series promoting his 1994 concerts at the Houston International Ballroom. It embodies the vibrant creativity of its era, a time when independent artists infused their unique flair into promotional materials for punk rock and heavy metal gigs. With its captivating blend of colors, specific typography, and arrangement reminiscent of Russian Constructivism and horror movie posters...

In this abstract expressionist painting by Shant, the tension between black and white creates an immediate, palpable sense of unease, which could recall the chaos and turmoil often associated with Lebanon's complex history. Indeed, Shank was born in Lebanon in Beirut in '71. From 1975 to 1992, Lebanon was the scene of a multifaceted war. Very deadly for the civilian population, it involved various protagonists, and a civil war broke out in 1975-1976, then again in 1983-1985. Whether consciously or unconsciously distancing from these events, having been exposed to them directly or through the tragic experiences of families who remained in the country, the bold brushstrokes and swirling circular shapes evoke a sense of urgency, reflecting the inner turmoil and external conflicts that may have shaped the artist's experience. Abstract expressionism is a free universe where everyone can interpret a painting according to its history, its current events, whatever the resonance may be between the personal history of the spectator and that of the artist. The chaotic composition of this piece invites us to explore our inner worlds as we navigate through the painting's complex layers of meaning. Shant fills space with dynamic energy, creating an organization of forms, a dialogue that challenges traditional notions of order and structure. It is impossible to separate Shant's artistic expression from the socio-political context of Lebanon. The artist's education undoubtedly influences his point of view, infusing the work with a questioning that resonates on a profoundly universal level. Ultimately, Shant's abstract expressionism in this painting transcends mere representation, inviting viewers to confront the complexities of the human condition and the lasting impact of conflict on the individual and collective psyche. He was born in 1971 in Beirut, Lebanon, where Shant Beudjekian’s art practice was discovered at 14, after gaining recognition from the Swiss national youth soccer team and winning many trophies and medals then. In 1995, after moving to California, San Diego, he completed a 4 year Bachelor's degree in Fine Arts with a minor in Ceramics at Otis College of Art and Design in Los Angeles. He also attended a one-year internship in landscape architecture at the Rhode Island School of Design. He returned to Southern California in 2004, where he practiced as a full-time Artist in the Local Art Communities of Southern California. He has been painting for 25 years while receiving appreciative acceptances from curators and Gallery Directors from the East Coast. He exhibited in several cities on the East Coast of the United States, along with exhibitions in the Chelsea District of Manhattan, New York. Now living on the West Coast, Beudjekian has been notable for exhibiting Art and selling on numerous occasions at the San Diego Art Institute of the Living Artists, Del Mar Art Center, San Diego Hospice and Palliative Care, and Forest and Ocean Gallery...

The painting "Military Joy" offers a poignant testimonial into a moment in history, capturing the spirit of celebration and camaraderie among soldiers of the Kingdom of Croatia-Slavo...

Hu Yongkai, born in Beijing in 1945, is currently a member of the Chinese Artists Association. He previously taught at the Shanghai Academy of Fine Arts and...

"Swinging Harmony," is an oil painting on canvas by Edgar O'Kiechle. It transports viewers into a lively dance scene featuring a couple of black dancers swinging at the heart of the...

The contemporary artwork titled "Marsden Spilling " (October 1969), attributed to an artist with an unfortunately illegible signature, serves as a homage to Marsden Hartley's 1937 pa...

White, brown, red, and orange lines shape an abstract maze in this signed painting by Paul Showalter. October 10, 1940 - May 24, 2019 Artist, Designer, Painter, Poet, Sculptor Paul Showalter was born in Pasadena, California in 1940. Paul studied art and design at Pasadena City College, and later received a full scholarship to study at the renowned Chouinard Art Institute (now CalArts) and Otis Art Institute (now Otis-Parson) in Los Angeles, majoring in Advertising Design and Illustration. In 1966, Paul Showalter founded the Graphics and Communication Department at the new Los Angeles County Museum of Art, the first major art museum in Los Angeles, setting high standards of museum graphics throughout Southern California. At the 1970 World's Fair in Osaka, Japan, Paul was nominated for Best Animated Short Film for his film titled "The Moon Step." In 1974, Paul founded his own commercial graphic design firm, which specialized in the design of corporate identity programs, exhibition graphics, illustration, and print communications. He also designed floats for the Pasadena Tournament of Roses parade...

The representation of twins in art has always been fascinating due to their embodiment of the concept of duality and symmetry. They often evoke themes of identity, mirroring, and parallel existence. This oil painting on thick paper by Christopher Mark Brennan...

This drawing by Radoczy features a delicate and minimalist portrayal of a nude figure rendered in a profile stance. The figure emerges effortlessly from the subdued lines as if each ...